Rita Wilson Is Latest to Ask, “Where’s My Country Song?”

Look, before we get too deep into this discussion, the claim here is not that Rita Wilson is a true blue country artist, or that this song is a hardcore country song. In fact one of the cool things about it is that it’s not really a country song, and the fact that it’s coming from Rita Wilson. Yes, we’re talking about that Rita Wilson—the well-known actress that also happens to also be married to Tom Hanks (just in case you need some context).
For a few years now, Rita Wilson has been dabbling in her passion for music, and releasing songs and albums here and there, going on a few tours, and making appearances at celebrity functions and fundraisers in the capacity of a music performer. This includes working with some people with ties to the country music realm such as Nathan Chapman (known for being Taylor Swift’s original producer), and Kristian Bush of Sugarland, along with working with people from other genres.
Wilson has even released a few songs that you probably could characterize as adult-contemporary “country” under the modern definition—nothing really of major importance from a commercially-successful standpoint, but her efforts are more than a mere hobby or lark, and she’s really poured herself into songwriting lately. Consider Rita like a contemporary of Sheryl Crow who moved to Nashville and became sort of a late career country-adjacent music performer.
Anyway, this new song Rita Wilson just released called “Where’s My Country Song?” hits at the heart of something really important. Well-written aside from maybe the bouncy and somewhat list-like chorus that more emulates a pop country song as opposed to offering a healthy alternative to it, it’s the perspective forwarded in the song that makes it such an interesting specimen and discussion point.
As a country fan, obviously the music resides in an important place in your cultural ethos. But even to people who place country somewhere farther down their musical totem pole, it still may mean something, and something specific and important, even if it’s secondary to other things. Maybe country music is where you turn to when you’re feeling nostalgic, or perhaps when you’ve had your heart broken. Country is a distinct kind of musical medicine that you reach for when the right mood hits you.
But of course with the downward slide of country radio, and the way much of the music now sounds so similar to everything else on the radio dial—and the way modern country always paints a rosy picture—you no longer have the option of turning on the country station, or pulling up a popular country playlist, and finding what you traditionally turn to country music for.
Co-written by Rita Wilson with Lee Dewyze “Where’s My Country Song?” bemoans reaching for country, only to find “another white T shirt and a backroad … another perfect life that I’ll never know … the radio keeps getting it wrong … so tell me, where’s my country song?”
The song recounts putting in days of hard work, and not being able to relate to what today’s country singers are singing about. In other words, Rita Wilson just released a country protest song.
To soft peddle the impact, and pique the interest of the media, officially Wilson is saying about the song, “I love country music and writing songs in Nashville. I was thinking about all the women in our country, doing their jobs, and how they have always helped our country run efficiently. Women have always been pillars of strength, but now with coronavirus, millions of women comprise the essential workers who are on the front lines, and so critical to our nation.”
This is true as well, and the song was released to roughly coincide with Mother’s Day. But make no mistake, “Where’s My Country Song?” has a pointed message that resonates with a lot of disenfranchised country listeners who’ve seen something they care about slip into simply another version of pop while often leaving the perspective of women behind. The ending of the song is also great foreshadowing of what will continue to happen if country continues to not fulfill or represent country fans.
Again, this is not necessarily a recommendation for your personal playlist or listening rotation, though the song is really well-done for what it is. But listening to “Where’s My Country Song?” from someone like Rita Wilson really hits home on just how deep the disappointment with today’s mainstream country music goes. Similar to when we saw sports fans up in arms whenever Brantley Gilbert performed on Monday Night Football, or Luke Bryan during the NFL Draft, country music means something to many people, including people who aren’t primarily country fans. And they’re offended just as much as hardcore country fans when they hear what passes for today’s popular “country.”
Most everybody goes looking for a country song upon occasion that speaks to their current struggles. And though many independent country fans know where to turn to find the right stuff, many who turn on the radio don’t. And the disappointment is so serious and commonplace, the subject is worthy of a song itself.
May 12, 2020 @ 8:21 am
where’s my fiddle and my mandolin and my steel guitar…..where’s my harmonica ..or my three part mountain harmonies ?
kinda reminds me of the barbara mandell song
” I Wasn’t Country When Country Was Cool “”….
..too harsh ?
rita gets an ” E” for sentiment and effort , I guess … and for the fact that with her pull she may get to sing it on a couple of bigtime TV shows ….or not .but the song is lifeless and mostly forgettable , I think . it lacks sincerity , an emotional heart and , as trigger points out , goes off the rails melodically and phrasing -wise on the chorus . there is no vocal range, no sincerity or passion in the performance .
its pretty ….like rita and sunflower wallpaper in the baby’s room . i wouldn’t change the station .
May 12, 2020 @ 3:33 pm
Are you saying Barbara wasn’t Country before Country was cool? Barbara’s ’70’s sound was different than her ’80’s sound. And her ’90’s stuff actually has a fair amount of fiddle and steel. I’ll grant you that the bulk of her fortune was probably made off her most Pop albums, but I think that says more about the industry than her.
May 12, 2020 @ 5:01 pm
…wasn’t slamming barbara at all . just having some fun with the song title to reflect rita’s modus operandi . apologies to barbara and her fans ..
May 12, 2020 @ 6:18 pm
Well, there definitely is something to your point. Barbara’s studio efforts didn’t tend to be bulwarks of traditionalism. And, so yeah, the line about “sticking to our roots” rings a bit hollow. I guess my knee-jerk reaction stems from my tending to view the Mandrells through the lens of their TV show, and seeing them show off their various instrumental talents in more of a band setting. From what I’ve read, Barbara was known to be a heck of a pedal steel player before anyone had heard her sing a peep. And, I think their TV show gave a backwards glimpse into what the sisters were capable of before getting Nashvilled. Unfortunately, I don’t think the commercial visions of the ’70’s and ’80’s placed much value on a lot of what Barbara and Louise brought to the table. And, by the time the more traditional ’90’s rolled around, the labels would be itching for newer blood. And I think the big whigs have *always* undervalued the instrumental abilities of headliners, especially women. Cut a singer off from their instrument(s), and it’s that much easier for a producer to totally revamp their sound.
May 12, 2020 @ 8:01 pm
There is a singer out of Texas whom I have been following almost religiously since the pandemic began, and while I wish her well a part of me hopes that she won’t end up signing with a major label for all the reasons you mention in your post, such as losing creative control over her music.
May 12, 2020 @ 8:30 pm
I get what you’re saying – akin to liking an American Idol contestant and hoping they crash out before they’re “offered” a contract.
May 13, 2020 @ 5:35 am
If an artist “loses creative control” of their music because they signed with a major label, they either lacked vision in the first place or needed a better lawyer.
May 13, 2020 @ 8:03 am
man ….I guess everyone can be ‘bought ‘, conrad …I’ve expressed my disappointment with so many hopefuls in the past while -dixie chicks , tenille townes , marin morris , on and on – .that I’m inclined to agree . lacking vision is certainly a factor , but when it comes to the streaming royalties …indeed …ALL these folks need lawyers .
however I also think that so man of these artists need better songs and production to compete in these times of musical saturation . I was joking with a friend that I believe there are actually more singer/’songwriters” now than non-singer/songwriter- listeners . but unfortunately so much of the stuff is just so forgettable and trendy and cliche that it makes the state of things almost sad . and the lockdown isn’t helping things in that respect………more recording , more video ,more inferior writing . only my opinion of course but I happen to agree with my opinion .
May 13, 2020 @ 7:50 am
hey Brian who´s this Lady? just curious, i don´t work for the Nashville cats
May 13, 2020 @ 10:30 am
Who is it?
May 12, 2020 @ 8:42 am
that acoustic intro is boring, Nashville session players today are some of the worst musicians in the world..they are a big part of why country is a waning genre
May 12, 2020 @ 5:56 pm
hahah wait omg what? This is such a lousy comment my brain short circuited.
May 12, 2020 @ 9:35 am
I remember Lee Dewyze from American Idol. Does he have a songwriting career in Nashville?
May 12, 2020 @ 11:19 am
He lives in LA where his wife is an actress. I guess these days, with all this newfangled techno, that doesn’t necessarily mean he can’t have a career in Nashville, though.
May 12, 2020 @ 9:36 am
could someone ask Rita’s friend, Kristian Bush, “Who is more country sounding — Jen Nettles, or Rita Wilson?”
May 12, 2020 @ 10:47 am
WooHoo, glendel! I could not have send it better myself . . . .
May 12, 2020 @ 11:44 am
Exactly
May 12, 2020 @ 9:53 am
Holy shit… what a great attempt.
I think this illustrates what people miss about country music that’s gone now
Those truck driving, steel mill farmers blues songs are about things that happened to real people
As a fantasy writer I love songs about knights and swords and castles dungeons and etc
I know it’s fake but I indulge
And what Puke Bryan and Jason Al-couldn’t-spell-his-name-without-writing-it-on-his-hand-thinks-a-volvo-is-a-woman’s-body-part-Dean are doing is fantasy music about cornfields
On top of that the music really sucks and the fact that it’s such an easy thing to lampoon makes it country simply because it has a cornfield in it.
Maybe those lamenty sword and rebel Irish songs were real to people once upon a time too
May 12, 2020 @ 3:08 pm
Hey Fuzzy, where can I check out some of your writing, I’ve been trying to read more fantasy books by folks without “R.R” in the middle of their name 😀
May 12, 2020 @ 5:22 pm
I’m putting all my muscle behind “Eustace Wilkinson’s Wall” right now. It’s my most recent work! Available on Amazon! It’s part comedy part mystery and a great introduction to the world the Makers. I’ve got a same-universe different time period trilogy begun that I’m hoping to have the third entry done sometime this year!
https://www.amazon.com/gp/aw/d/B085RTHSDD/ref=dbs_a_w_dp_b085rthsdd
The “chronological order” of my work is different than publication order. Only thing to remember is not to jump in with “Blue Imposter”
May 13, 2020 @ 5:37 am
Good for you Fuzzy. I’m gonna check it out, too. I wish you success.
May 13, 2020 @ 8:30 am
Thanks brother! Heading to the PA mountains this weekend, I’ll download it to read.
May 12, 2020 @ 12:02 pm
This is interesting. It’s not something that will get added to my playlist, but the lyrics speak to my own personal frustration about country radio.
It says a lot when someone like Ms. Wilson feels the same level of frustration. Sad commentary on the state of mainstream country music.
May 12, 2020 @ 5:11 pm
Well, what Rita is saying is essentially what one of her spiritual role models said fifteen months ago, albeit much more bluntly:
https://savingcountrymusic.com/linda-ronstadt-calls-modern-country-mall-crawler-music/
May 13, 2020 @ 10:00 am
Ha! Missed this article when it posted. “mall-crawler music.” Blunt indeed!
May 12, 2020 @ 1:42 pm
People are allowed to like different things, and people are allowed to have different definitions as to what counts as country — and not just as a marketing ploy. Finger wagging fails often.
May 13, 2020 @ 3:58 pm
Indeed ..people are allowed to have different opinions on what ‘country’ is. even if they aren’t right .
certainly someone is allowed to say that miles davis or sting are country . that’s their opinion .
but they’d be wrong
May 13, 2020 @ 4:58 pm
And the same goes for Trigger’s opinion, as well as yours.
May 12, 2020 @ 2:46 pm
WHY does it have to be an either/or thing? And not just why can’t people just like traditional sounding country AND pop country AND a bunch of other music too without there being this weird hostility? Also, some people want sad gritty songs that reflect their experience ( in mainstream, Drowning and Heres to the ones who didn’t Make it Back Home aren’t exactly party anthems and “I Hope” is like the “You Oughta Know” of its era.) Some people on the other hand want to listen to happy songs that cheer them up when they are having a bad time which is why “Nobody But You” is gold and still in the iTunes Top 10 after 5 months and why everybody has a song about summertime and the greatness of beer and margaritas. We could actually, literally all die of COVID19 and y’all are bitching about what’s country enough for ya. Get a grip and try to have a good time while you can.
May 12, 2020 @ 2:57 pm
The issue is not that people can’t like both or have their preferences. The issue is that country radio for the most part only plays the happy dappy tunes and not the more “nitty gritty” stuff, as you call it. A whole demographic is being left out. It would be great if radio could play both kinds, there would be a lot more variety. But they stubbornly insist on playing just one kind and expect people who don’t like that kind to shut up and take it.
Grady Smith on Youtube equated it to going to an ice cream shoppe and your only choice of flavor is vanilla. Nothing wrong with vanilla, but having it be the only choice is boring.
May 12, 2020 @ 3:29 pm
I said sad gritty but whatever. I actually agree that country radio sucks. They overplay stuff to death so eventually you are sick of songs you originally loved. But radio in general does that. (I have 6 preset stations in my car. Country, hip hop, top 40, Latin top 40, alternative, more country. Switch frequently. Worst part is when some song that’s super annoying like “10,000 hours ” is on more than 1 format.) Sirius XM is way better, BTW…
But. Are y’all being good fans? Are you on Rate the Music where you can opine your like or dislike for singles every week? When one of your more popular indie artists has a single out, do you sit there online and request it from every single iHeart radio station in the country? Every day? Do you retweet every thing that artist tweets and leave positive comments on every article about them? Do you vote for their video on CMT Hot Country Countdown and 12 Pack, like a couple of hundred times a week? That is what the super-fan bases of popular artists do and that’s how artists become more popular today. Go forth and stan and be proactive!
May 12, 2020 @ 4:45 pm
Fan voting has no bearing on radio playlists, or the popularity of artists. Some entities are more than happy to facilitate Stan army interaction to sell them advertising, but playlist decisions and what gets pushed to radio are decisions brought forth from on high. The only real votes are spins, plays, and sales.
May 12, 2020 @ 5:56 pm
Sales being the operative word there. Yes, record companies play a big part in this. But no record company is gonna go, “oh the fans seem to really love this song one of our minor artists put out so let’s just let it lie there.” They are gonna monetize that bad boy.
May 12, 2020 @ 4:31 pm
I’m being reactive here.
No, we couldn’t all die of the flu- hyperbole has a way of ruining a rant, not to mention credibility.
May 12, 2020 @ 5:41 pm
Oh you’re a pandemic denier. Nevermind. Bless your heart!
May 12, 2020 @ 5:52 pm
Please no more comments about the Coronavirus on this thread. Let’s please keep the discussion on topic.
May 12, 2020 @ 6:07 pm
Yo DJ,
Peace Brother!
Hope you’re having a nice evening
: D !
May 12, 2020 @ 3:05 pm
Makes one wonder if Rita isn’t just another, minion of Marina Abramovic. Marina her producer …
I wonder if she engages in Spirit Cooking with Marina & her posse
May 12, 2020 @ 4:59 pm
I can’t think of any country songs that use the word “country” that I want to listen to. I bet Tom T Hall has some I am forgetting. Pretty much every commercial song idea I have uses the word prominently though.
May 12, 2020 @ 6:58 pm
“Country Is…”
Which included lines like “living in the city”, which is funny when every song now is about driving a dirt road in a pickup.
May 12, 2020 @ 8:36 pm
Waylon Jennings – Are You Ready For the Country. Was just listening to that song yesterday.
May 13, 2020 @ 12:12 pm
And that’s a Neil Young song. 🙂
May 13, 2020 @ 10:21 am
Country Heroes – Hank 3
Country Squire – Tyler Childers
If That Ain’t Country – David Allan Coe
Long Haired Country Boy – Charlie Daniels
May 13, 2020 @ 10:59 am
Charlie Daniels Band – Boogie Woogie Fiddle Country Blues
Mark Chesnutt – Ol Country
May 13, 2020 @ 11:22 am
“Country Ain’t Country” by Travis Tritt
“Born Country” by Alabama
“Country Side Of Life” by Alabama
“Country Boy” by Ricky Skaggs
“Get Back To The Country” by Marty Stuart
“Now That’s Country” by Marty Stuart
May 13, 2020 @ 11:36 am
& DON’T FERGET ‘A COUNTRY BOY CAN SURVIVE’ BY BOCEPHUS
May 13, 2020 @ 12:15 pm
Also by Hank Jr:
-Country Music – Those Tear Jerking Songs (1973)
-Country Relaxin’ (1984)
-Country State Of Mind (1986)
-Young Country (1987)
-Come On Over To The Country (1992)
-Let’s Keep the Heart in Country (1996)
-X-Treme Country (2002)
May 12, 2020 @ 8:40 pm
I had to google Rita Wilson. I had no idea who she was. I just figured she was some country pop singer that I ignored like all the rest of them. The song sounds like muzak or wall paper. No thanks.
May 13, 2020 @ 6:07 am
LOL- what I thought of was Tom Hanks wife- Rita Wilson- remember “Wilson” from the movie Castaway?
May 13, 2020 @ 10:30 am
My fictional country music band with an album titled “No Country For Old Men (On The Radio)” with these songs titles:
1. No Country For Old Men (On The Radio)
2. Get Off My Lawn And Take Your Autotune With You
3. Ditch The Laptop, Play a Flat Top
4. Take Me To The Honky Tonk Hospital To Get My Ears Cleaned Out With Some Hank Sr.
5. Forgotten Demographic Blues
6. Have You Ever Really Been On a Dirt Road?
7. Save The Laundry List For Your Dirty Britches
8. My GIRL is a Lady (And She Don’t Like Pickup Trucks)
9. Please Don’t Steal My Pedal Steel
10. How To Be A Southern Gentleman
May 13, 2020 @ 10:57 am
Bonus tracks:
11. Too Good For Your Sister’s Transistor
12. Peter Piper’s Properly Played Pedal Steel (Instrumental)
May 24, 2020 @ 6:36 am
It’s actually better than I expected. More folkish than country, but at least it says something.