Saving Country Music’s 2021 Album of the Year
This isn’t just about choosing the best album of a given year. This is about choosing the album whose impact will be felt for many years to come; that will sound just as good, if not better in subsequent years than it does now, even to future generations who may not even born yet, just like we enjoy the country albums of yesteryear, released well before our own era.
Time is the only true arbiter of quality in music. Here on the ground and in the thick of it—with all our little tastes and trends and biases clouding our judgement—all that we can do is offer up our best guesses about what the “best” album is, and hope that time doesn’t render that choice as foolish.
But one way you can spy an album that perhaps will be graced with the kind of longevity it takes to be considered the best of a given year is how it grows on you, keeps getting better the more you listen, reveals little details and unlocks bits of wisdom and knowledge with subsequent spins, until it beckons to be heard again and again, and refuses to be ignored or worn out.
How The Mighty Fall by Charles Wesley Godwin has been that kind of record in 2021, where the complexity of songcraft means you don’t tire of listening, where the diversity of sound and subject matter make for a fulfilling experience that satiates most all of your musical appetites, and where the honesty graces the work with authenticity. That is why in an incredible year for country music, and among a murderer’s row of fellow Album of the Year nominees, How The Mighty Fall bests them all.
There is a reason that albums still matter, and why they matter more than singles and EPs, no matter what some try to tell you. From an album, an entire career can spring forth, and a foundation can be set for life. This is what happened for previous Saving Country Music Album of the Year winners such as Sturgill Simpson’s Metamodern Sounds in Country Music, and Purgatory by Tyler Childers. These were the albums where it all started, though it’s not where it ended.
An Album of the Year is often the marker for a landmark year for an artist overall, and Charles Wesley Godwin has certainly had one of those in 2021. Getting swept up in the whole Zach Bryan phenomenon as an opener has meant that Godwin’s name recognition has spilled over into the wide population, and is no longer sequestered among dedicated, in-the-know independent country audiophiles.
And even though an Album of the Year must be something that can withstand the test of time, it also has to be illustrative of the time in which it was released. With Tyler Childers mostly dormant in 2021, and Sturgill Simpson basically retiring as a solo artist, it was up to someone to step up and seize the mantle for the country music revolution that has very much been fueled by artists from the greater Appalachian region. With How The Mighty Fall, West Virginia’s Charles Wesley Godwin does that very thing.
This decision about the Album of the Year winner doesn’t come from myself, Trigger, from on high. This was the consensus of the Saving Country Music readership at large, affirmed by comments on the site and on social media, as well as the swelling of support and attention flowing to Charles Wesley Godwin and this album.
According to the ratings from this site, the album One To Grow On by Mike and the Moonpies very well could have taken the top prize too, and most certainly this is the album that has to be considered the 2021 runner up. But again, it was the way How The Mighty Fall continued to grow in stature in the weeks after its release in early November that has helped it prevail.
It was the debut (and only) album of Charles Wesley Godwin’s band Union Sound Treaty in 2016 called Next Year that first put us on alert that this wasn’t just the frontman of your average local West Virginia bar band. Godwin had the indefinable “it.” Sometimes you just know you’re onto something, even if it takes some time for it to blossom completely. But unquestionably, Charles Wesley Godwin blossomed in 2021, and it was through the power of How The Mighty Fall.
– – – – – – – – – –
Stay tuned for Saving Country Music’s upcoming 2021 Essential Albums List.
wonkabar23
December 28, 2021 @ 9:29 am
Great choice, such a great album.
hoptowntiger94
December 28, 2021 @ 9:45 am
We rarely not agree. It’s not a bad album, just not my taste (like all Americana albums). Too folky, Celtic…. someone commented “Gordon Lightfoot” in a previous article and that will forever stay with me. And he’s from my neck of the woods and I was a Union Sound Treaty fan (saw them 2x in Morgantown).
Thank you for another amazing hard year of work! I’ve been reading you daily for almost 12 years. Never stale, aways evolving and the most infuential country music journalist out there taking up the cause and doing it justice.
1. Mercy – Cole Chaney
2. Blood Sweat and Beers – Rob Leines
3. Vincent Neil Emerson – Vincent Neil Emerson
4. The Ballad of Dood and Juanita – Sturgill Simpson
5. Renewal – Billy Strings
6. Dark Side of the Mountain – Addison Johnson
7. Depreciated – John R. Miller
8. One to Grow On – Mike and the Moonpies
9. Back Down Home – Tony Kamel
10. All of Your Stones – The Steel Woods
11. Music City Joke – Mac Leaphart
12. Blood, Water, Coal – Matt Heckler
13. The Willie Nelson Family – Willie Nelson
14. To the Passage of Time – Jason Eady
15. You Hear Georgia – Blackberry Smoke
16. 29: Written in Stone – Carly Pearce
17. The Marfa Tapes – Miranda Lambert, Jack Ingram, and Jon Randall
18. Broken Hearst & Dirty Windows: Songs of John Prine Vol. 2 – Various Artists
19. Big Country – RC & the Ambers
20. The Rain – Dallas Moore
ronnie
December 28, 2021 @ 10:15 am
I have tried several times to get into this album but I just can’t do it. I recognize the writing is topnotch, it is technically proficient and catchy but all I can hear is that Old Crow Medicine Show/Mumford Sons stomp clap clap thing. Reading the comments here though it definitely is a favorite.
Trigger
December 28, 2021 @ 1:00 pm
When I initially reviewed this record, when it was nominated for Album of the Year, and here in this comments section as well I’ve seen folks say that they don’t really think of this as a country record, and hear more Celtic/Mumford influences, etc. But what do you think country music is? It emerged from Celtic and Scottish immigrants who brought their folk music from the British Isles and intermixed it with Southern blues. What you’re hearing with Charles Wesley Godwin are those original strains of Celtic folk influences from his native West Virginia coming out through more modern music. It may not be to your liking and that is completely understandable. But I would respectfully disagree that it is not country. It is the essence of country, just in an older form.
ronnie
December 28, 2021 @ 1:18 pm
I’m not claiming it isn’t country, just that it is a style of country I don’t generally enjoy.
hoptowntiger94
December 28, 2021 @ 1:42 pm
I love bourbon, but don’t like Scotch.
Ian
December 28, 2021 @ 6:59 pm
Add to that Hawaiian steel guitar and Spanish influences and there you pretty much are.
Wobblyhorse
December 29, 2021 @ 11:20 am
Mike and the moonpies sound too Hawaiian /s
Kent
December 29, 2021 @ 4:45 pm
Celtic music is still popular in Scotland/Ireland. And This song is written by a Swedish band but has a Celtic flavor to it That many people from Scotland/Ireland likes.
https://www.youtube.com/watch?v=YDJZlPTFol8
And here is another song written by the same band. At first they released it as an instrumental. https://www.youtube.com/watch?v=U1DX7eyUfv0
And it became very popular in northern Europe. https://en.wikipedia.org/wiki/Arrival_(composition)
Here is a cover by Amelia Brightman, a brittisk singer. One of many with bagpipes: https://www.youtube.com/watch?v=pJYVYZWTHYYan
And i think she also recorded that song with a German band
called Gregorian
This a little bit more poppy cover (with lyrics) sung by her sister Sarah Brightman: https://www.youtube.com/watch?v=v5Hln2YJAUU
And I think this a sort of the root to the roots of American
I mean there does the music come from if not Europe…
Matt Dylan
December 31, 2021 @ 8:30 am
hey hoptowntiger94 – I just wanted to Thank You for your list, how Cole Chaney slipped below my radar i have no idea but now that i have i can’t stop listening to his album ‘Mercy’ , likely my favorite record of 2021 and imo right up there with Vincent Neil Emerson , Billy Strings Drake Milligan and Bo DePeña , guess i’m gonna need to look into a couple other names on your list i’m not familiar with.
Swannanoa
December 28, 2021 @ 9:48 am
Woah I had no idea he was involved in Union Sound Treaty. I still have that album in rotation, fantastic stuff.
Clint
December 28, 2021 @ 9:52 am
Well-deserved! CWG has put in a lot of work and I’m excited to see his efforts be rewarded.
Thom’s Country Bunker
December 28, 2021 @ 10:03 am
All entitled to their opinions and I love this site but I’m surprised at the choices this year.
For me, Billy Strings is your artist of the year – putting out a career effort album, donating over 100 guitars to the kids at his old elementary school, doing his own ticket resales at face value, offering his audiences two sets a show, free merch etc… I could go on.
As for album, if not “Renewal” then I’d have to for for Capps or Moonpies. This album was good but isn’t this Saving COUNTRY Music? Americana is under the umbrella but come on…
Trigger
December 28, 2021 @ 10:31 am
Billy Strings had an excellent year, and his album “Renewal” was one of the elite few that was considered a Saving Country Music Album of the Year nominee. He also would have made a fair pick for Artist of the Year, and he most certainly has the opportunity to be named that in years to come. The sky is the limit with Billy Strings, and I have a feeling that the best years for him are still ahead.
Handing out these awards is always difficult. But it’s never meant as an insult to anyone who isn’t picked. It’s to compliment who is.
Rusty
December 31, 2021 @ 5:16 am
I don’t understand what people are saying about this not being country. It’s a style of Appalachian country music that is fantastic. It has steel guitar, fiddle, banjo and is country as the day is long. It may not be Texas honky-tonk but that’s not the only country there is. Folks who claim this isn’t country, would you say that the Carter Family isn’t country? Calling this Americana is complete ignorance. Country music at its finest.
Hank Charles
December 28, 2021 @ 10:23 am
Great choice. It wasn’t at the top of my list, but it’s easy to see why it was at the top of so many others’. Well written tracks with great composition.
The first half of that album, “Over Yonder” and “Lyin Low” especially, are still in rotation for me.
Plus, I’d never knock a dude that knows enough to write about ginseing-in.
Jake Cutter
December 28, 2021 @ 10:32 am
The 2nd half took time to grow on me, but that it did.
Hank Charles
December 29, 2021 @ 12:09 pm
Mannn, I’ve tried. I feel bad because it’s going to sound like I’m dissing it on this AOTY post, but that stretch of “Bones”, “Gas Well”, and “Cranes of Potter” wears on me, every time – in contrast to the tracks that precede then.
It’s just a style preference because I know others absolutely love it, but there’s not a time that I listen to “Cranes of Potter” that the song doesn’t feel 30 minutes long.
“Blood Feud” gets it going again, but I don’t always make it.
Jake Cutter
December 29, 2021 @ 12:14 pm
Fair enough, and why feel bad? Not everyone can have good taste. /s
Troy
December 28, 2021 @ 11:13 am
I really like the album but nowhere near as much as the Morgan Wade album that is easily my pick for 2021. But great to see him get much deserved recognition and great review.
(Not) The Ghost Of OlaR...
December 28, 2021 @ 11:20 am
My Album of the Year (Overall & AustralAsia):
Felicity Urquhart & Josh Cunningham – The Song Club
My Album of the Year (USA, Canada & Beyond):
Elijah Ocean – Born Blue
The Shortlist:
Best Bluegrass / Heritage Country or Bush Ballad Album: Angus Gill – The Scrapbook
Best Mainstream Album (tie): Catherine Britt – Home Truth & Triston Marez – Triston Marez
Artists on the Rise Album of the Year (tie): Montgomery Church – Where The Quiet Can Hide & Michael Waugh – The Cast
– Natalie Henry – White Heat
– Jon Wolfe – Dos Corazones
– Tracy Coster – Southerly Change
– Raechel Whitchurch – Finally Clear
– Amber Joy Poulton – Pretty Pennies
– Troy Cassar-Daley – The World Today
– Adam Harvey – Songs From Highway One
Best EP of the Year (Overall & AustralAsia):
Elisha Francesca – Thoughts & Feelings
Jim Bones
December 28, 2021 @ 11:25 am
Let’s GO! The best choice of a super competitive field. Side note: for the ppl who say they don’t like the whole “celtic” sound thing w CWG, I actually felt the same way up until this album. Maybe i just got used to it but who knows.
Semi-recent jeremy pinnell album is not the album of the year. But it could be the ripper of the year. Because that album rips pretty hard
Grant
December 28, 2021 @ 11:53 am
You nailed it trigger. Its certainly my AOTY…especially after seeing him live. Solid dude with ever better music.
Joseph Sabatini
December 28, 2021 @ 12:47 pm
thanks for the music
David
December 29, 2021 @ 4:00 am
It’s a good album but I would only agree if this was called saving Americana music far as being the best. Definitely has a lot of country origins in it though so not a big issue. Alan Jackson album saved country music for me so that’s my album of the year.
wayne
December 29, 2021 @ 9:03 am
Corrrect David. As I have said previously, only “mainstream” can save mainstream. Not hopeful, but that is my take. “Americana” is a foreign word to me with no discernable explanation.
Thass
December 29, 2021 @ 2:37 am
Spent some time with him and Ward when they came out to CO. After CWG got done with his set, pretty much everyone was saying “Did we just get to see that?”
Can’t wait to see him with his full band some day
UpperV
December 28, 2021 @ 1:44 pm
Yes! Definitely my favorite of the year too. Haven’t stopped listening to it. So good.
BTW – George Shingleton has put out two GREAT albums over the last few years that have flown totally under the radar, even of this site. Pretty sure a lot of readers here would love them both. George’s songs, his awesome voice and his personal story are really deserving of being heard. Check them out! And he co-wrote a Gethen Jenkins song, “Restless Ways,” that was just on Yellowstone.
Bike Lane Ryder
December 28, 2021 @ 4:15 pm
Like this album. It’s sounds like an early Jackson Browne LP to me. Mike and the Moonpies for me.
Blackh4t
December 28, 2021 @ 5:38 pm
Very much on board with this as Album of the Year. I was getting worried that this site was paying too much attention to honky tonk and countrypolitan which I don’t really enjoy. So good to see it come back to words and music that are made to be played where the trees grow tall.
Ian
December 28, 2021 @ 7:02 pm
I knew it wasn’t going to be The Flatlanders record that absolutely made the second half of my year worth all the blood and steel that went into living it, but I will definitely check this out, I don’t often dislike music recommendations from this page.
Andrew Richard
December 28, 2021 @ 7:04 pm
Love to see this selected. This was my #1. Depreciated by John R. Miller was #2. Saw those guys on back to back nights in Memphis. Tiny crowds for both shows. Hoping for big things for both in 2022.
I’ve seen a lot of discussion around this album in particular with people recognizing the quality but it not being exactly their cup of tea. I can definitely relate as some of this years other most hyped releases were the same for me. That’s a sign for me of this being a great time to be a fan. No matter what you’re into, chances are it’s out there. So much talent coming from different regions and scenes. I’m kinda rambling here. I guess I’m just trying to say make sure you support the artists you enjoy when you find them, so we can keep this train rolling. Have a good New Year everyone.
Trigger
December 28, 2021 @ 9:39 pm
I agree Andrew.
ToddxOlsen
December 28, 2021 @ 7:19 pm
Trig!!!! I’m in full agreement. I’ve been saying for weeks now this is album of the year. Such a good sound all around. And the variety is the best part.
DS
December 28, 2021 @ 7:26 pm
Great pick, this is my favorite album of the last few years. I thought there was no way he could outdo Seneca, but he absolutely did. Anybody arguing that this isn’t a country album is insane or trolling
ShadeGrown
December 28, 2021 @ 7:28 pm
Agreed.
thebugman10
December 28, 2021 @ 8:28 pm
Mercy is my #1 as well but How the Mighty Fall is my #2 and I’ve had it in repeat for a week. Cole Chaney has a bright future ahead.
Slow Notion
December 29, 2021 @ 1:48 am
I didn’t listen to the whole thing until it received so much praise in the comments of the nominated albums. So often now i break down albums and add my favorites to playlists. I haven’t been able to do that with How the Mighty Fall. It’s an amazing album as a whole. For better or worse that’s not how typically listen to music in the streaming era. I say all that to say, i absolutely agree. Every song is complimented by the next. Jesse is probably my favorite song of the year.. other than Hour on the Hour.
63Guild
December 29, 2021 @ 5:50 am
Had Morgan Wade at #1 and this at #2 so I’m not going to complain about this being AOTY. Saw him with Zach, both my friends who went with me had no idea who he was and was blown away by him.
Kross
December 29, 2021 @ 7:21 am
Weird, we’re usually on the same page 90% of the time. I gave this album 5 minutes and moved on. Wasn’t bad. I’ve even seen him live a couple of times opening for other people and enjoyed him well enough, but this record did less than nothing for me.
Trigger
December 29, 2021 @ 7:51 am
This is one of those albums that it takes multiple listens for the genius to emerge. It’s not for everyone, but even the folks that love will tell you it wasn’t until the 2nd or 3rd listen until the got it.
Steel&Antlers
December 29, 2021 @ 12:23 pm
Pretty relieved with this choice, CWG without doubt deserves the recognition.
Tex Hex
December 29, 2021 @ 3:10 pm
Seneca Creek was better, a timeless album (one I still play frequently), but it’s a testament to CWG that his sophomore album continues a trend for the artist that I hope will blossom into great success and acclaim for him, for many years to come.
For my money though, as commonly mentioned already, it was Mike & The Moonpies’ One To Grow, since it represented a band on a continuous upward climb. I mean, they’ve put out four albums in three years, with each showing some marked improvement or novel approach over the last. Their drive, creativity, and output is unmatched. I think that’s worth a lot.
Euro South
December 29, 2021 @ 4:18 pm
How the Mighty Fall is the obvious winner to me. And yes, the way it keeps getting better with every spin is exactly the reason. I hope Godwin takes off like Childers did after Purgatory, but doesn’t stall in mid air like Tyler in terms of subsequent recorded output.
WuK
December 30, 2021 @ 8:47 am
Always subjective and although a decent album, I didn’t think it that special. I think I would rate others much higher but it is definitely better in my opinion than another disappointing Sturgill album. Some good tracks but yet to deliver a great album. Carly Pearce’s album is superb. Enjoyed the Cody Johnson and Eric Church albums. Impressed with the new Charley Crockett album and the more I listen to the latest Billy Strings album, the more I am impressed. Some great music to listen to again again this year. Great website for country music. Some great articles. Some great recommendations for new artists and new music. Happy new year.
Loretta Twitty
December 30, 2021 @ 9:39 am
When I think of country, this isn’t in the top spot. It has the G. Lightfoot vibe. I like it, but it does it fit. Celtic vibes aren’t what I think of when I play my Hank Sr, Haggard, Jones, Strait, Jackson, etc. I don’t know what you’d call those guys,but they ain’t that.
Bear
December 30, 2021 @ 10:23 am
Great choice!!! This album has been in my rotation since it dropped. Been listening to CWG for a few years but just got to see him live this year when he opened for Ward Davis and I was blown away after seeing him. He played “Strong” that night and had me hooked from the start when telling the story behind the song. CWG is one of the best and its good to see him finally getting the recognition he deserves.
Ghost of Lemmy
December 31, 2021 @ 9:43 pm
Volbeat was cheated., yet again