So Gavin Adcock Recorded a Traditional Country Tribute Record?

Well now. Country music’s wrestling heel and town drunk has hauled off and recorded himself an entire record of classic country music covers, and in a classic country sound, and in alleged tribute to all the past greats that this guy might as well be prancing on the grave of every night when he takes to the stage in a drunken shirtless mess.
Gavin Adcock even has the audacity to record “Only Daddy That’ll Walk The Line”—the breakout single of the sainted Waylon Jennings, who a guy like Gavin Adcock shouldn’t even be allowed to sniff to boxers of.
Who does this guy think he is? Is he carpetbagging off of classic country’s rising popularity? Is he a boot licker doing the industry’s bidding by trying to re-incorporate actual country music fans back into the Music Row system? Shouldn’t we all be incensed this mouthy blowhard believes he has the gravitas to sing timeless songs from greats like Hank Williams and George Jones?
Country Never Dies, my ass. Gavin Adcock’s the guy who’s killing it. Right?
Or is he?
I still wouldn’t want Gavin Adcock dating my sister or daughter. But if he wants to record a tribute album of country classics, I see absolutely no reason to get in his way. Hell, I applaud it. In previous eras, releasing an album like this was darn near a requirement in country music. It’s how you paid dues, proved your knowledge and loyalty to country, and only then could you grace the stage of the Grand Ole Opry, or release albums of your own original material.
For his next album Gavin Adcock is partnering up with neotraditionalists like Jake Worthington and Braxton Keith, cool roots artists like The Creekers, and interesting risers like Vincent Mason and Shelby Stone to record songs from folks like Johnny Cash, Johnny Paycheck, Merle Haggard and Keith Whitley, including top classics like “Mama Tried,” and “He Stopped Loving Her Today.”

This is what we want the big mainstream artists of today doing. Gavin Adcock releasing a classic country covers album is yet another sign that the traditional country resurgence we’re currently in the midst of isn’t waning, it’s elongating, and deepening. Of course none of these versions will be as good as the originals. But that’s not the point.
For many Gavin Adcock fans, this will be their first time hearing some of these songs, and of some of these artists, both the ones being covered, and the collaborators he’s chosen. It was also smart that he chose younger artists like him. Many other performers like Koe Wetzel have promised to do something like this for years. Gavin Adcock actually did it.
In truth, this move is devilishly genius. Gavin Adcock was on the trajectory to becoming a country music fart knocker, flaming out after his fourth trip to rehab without ever having even a true hit single. He needs people to take him seriously. He needed to ingratiate himself to the country community. He does this in multiple ways with this album. Its commercial performance will probably be mild. But that’s not the point.
Instead of just trying to use the guy’s larger-than-life persona to siphon up money now, they’re starting to think about where this thing might be six or seven years down the road—something Treaty Oak Revival might start thinking about. Otherwise, you might end up like Florida Georgia Line, meaning in country music’s perennial bargain bin.
Of course we still have to hear the album itself, and who knows, maybe it will be rough. But the music of Gavin Adcock has always been the least offensive part about the Gavin Adcock experience, and his version of “Only Daddy That’ll Walk The Line” ain’t that bad, neither is the snippet of “He Stopped Loving Her Today” with Jake Worthington we’ve heard.
Maybe there is hope for Gavin Adcock, and country music. “There’s a bunch of people that these songs mean the world to them,” he says. “They grew up listening to these songs, hearing their parents or grandparents play them. I think it is important in country music to remember the people who paved the way for us.”
Amen to that.
Gavin Adcock’s Country Never Dies is out March 13th.
TRACK LIST:
1. “Only Daddy That’ll Walk The Line” (Gavin Adcock) *Originally performed by Waylon Jennings
2. “Slow Hand” (Hudson Westbrook) *Originally performed by The Pointer Sisters / Conway Twitty
3. “He Stopped Loving Her Today” (Jake Worthington) *Originally performed by George Jones
4. “Southern Nights” (Ashley Cooke) *Originally performed by Glen Campbell
5. “Slide Off Your Satin Sheets” (Braxton Keith) *Originally performed by Johnny Paycheck
6. “Wayfaring Stranger” (Lanie Gardner) *American folk song, performed by Johnny Cash
7. “You Win Again” (Vincent Mason) *Originally performed by Hank Williams
8. “Kentucky Bluebird” (The Creekers) *Originally performed by Keith Whitley
9. “Simple Man” (Austin Snell) *Originally performed by Lynyrd Skynyrd
10. “Big City Blues” (Shelby Stone) *Originally performed by Keith Gattis
11. “Mama Tried” (Gavin Adcock) *Originally performed by Merle Haggard
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March 1, 2026 @ 9:05 am
Interesting collection of covers.
I wish more artists did this. It used to be common practice to record popular songs.
March 1, 2026 @ 9:11 am
It at least has some interesting picks. Wayfaring Stranger and Kentucky Bluebird are some more obscure picks
March 1, 2026 @ 9:32 am
The song selection says a lot about this. He could’ve put a tribute together that covered Kenny Chesney, Tracy Lawrence, Lonestar, or whatever. It’s a really smart selection of songs.
March 3, 2026 @ 7:13 am
Pick those artists’ best songs and you would have a great collection.
March 1, 2026 @ 9:17 am
No ZB collab? Curious.
Meet me in Montanaaaa
March 1, 2026 @ 9:41 am
His Waylon cover sounds like a bag of mashed up a**holes.
March 1, 2026 @ 10:12 am
I don’t think the embedded song is bad. I might be biased, the Kentucky headhunters introduced me to this song This might actually be some Gavin that I would listen to.
March 1, 2026 @ 11:31 am
Re. “The Only Daddy That’ll Walk The Line”–I became familiar with it through a recording of it made the year after Waylon’s original, and quite literally feminized, by Linda Ronstadt (as “The Only Mama That’ll Walk The Line”) on her 1969 solo debut album HAND SOWN, HOME GROWN .
March 1, 2026 @ 11:44 am
Linda Ronstadt is a great example of an artist who ingratiated herself to the country music community be recording and showing her knowledge of classic country music. This used to be much more common, and probably should be today.
March 2, 2026 @ 8:34 pm
Hopefully this is a sign of better things to come. Up until now, however, Adcock hasn’t actually shown any of the integrity that either Waylon or Linda showed in their own ways. He seemingly can’t help being a professional verbal bomb thrower
If this is a sign of even better things to come, so much the better; bring it on. But if he reverts “back to form”, then he’s going to be seen as one of those who came into the business as a Nobody and left as as Has-Been (IMHO).
March 1, 2026 @ 1:33 pm
Linda Ronstadt is awesome. Her live performances of ‘Willin’ by Little Feat are so great.
March 2, 2026 @ 9:52 am
Didya catch Emmylou and Willie’s cover for the upcoming LG tribute? I’m hopeful that the rest of that deal is as well executed… feats don’t fail me now!
March 1, 2026 @ 11:30 am
I guess this put the ball in Zach Bryan’s court to release his own list of classic Country covers. ZB would likely select the Lumineers and Jack Johnson covers because he doesn’t know Country music at all and couldn’t sing to a shuffle beat with the help of rotgut whiskey in an old K10.
I’m not a fan of Adcock, and on one listen I don’t know how much studio “polish” went into his Waylon cover, but it’s better than ‘not bad.’ If he engaged in drama to bolster his fame I don’t see how that is unforgivable when I could name a specific SCM “golden boy” who fabricated his backstory to do the same.
March 1, 2026 @ 11:42 am
I think that Gavin Adcock and his team saw that he was becoming a punch line and a charicature, and this was a way they could counteract that perception. I don’t expect Zach Bryan to do anything in answer to this, not do I have any confidence in who you’re referring to as the site’s “golden boy.”
I’m not recommending this Gavin Adcock release to anybody. But I’m not in the business of discouraging popular performers from paying tribute to past greats, or performing classic country music. I’m here to advocate that, regardless of who it is.
March 1, 2026 @ 1:24 pm
I don’t understand how being an obnoxious asshole disqualifies the character of someone when going traditional Country; especially when a wide number of mainstream artists can return to making traditional sounding Country (when it’s financially viable) and be accepted with open arms.
I don’t expect Zach Bryan to make a similar album – that was more of a joking point on how ZB is not Country at all because he lacks the ability to sing a shuffle or classic Country song – it’s all Lumineers-adjacent bullshit
March 1, 2026 @ 1:34 pm
“I think that Gavin Adcock and his team saw that he was becoming a punch line and a caricature, and this was a way they could counteract that perception.”
Or maybe, and just hear me out, he actually likes these songs and has wanted to do a project like this for a long time. Sometimes people actually do stuff because they want to.
March 1, 2026 @ 1:43 pm
That could very well be the case too. Either way, I’m not here to poo poo it. But he would probably have to present some sort of rational to his label to allow him to let him do it and release it.
March 1, 2026 @ 1:58 pm
Gavin has 5.8 Million month listeners on Spotify. Zach Top has 6.1 Million. If Gavin is a punchline it’s not that the set-up was on how fewer people are listening to his music.
March 1, 2026 @ 6:12 pm
Those are paid for just like all the social media stuff these days.
Actual ticket sales on headline concerts is the only real way to measure these days.
I got no dog in this fight, as I’m not a fan of either one. Just sayin’ all that stuff is paid for by the labels and their investors.
March 1, 2026 @ 7:23 pm
Spotify’s TOS does not allow fake streams on their platform.
March 1, 2026 @ 12:58 pm
Who’s the “Golden Boy”? I’m genuinely curious.
March 1, 2026 @ 1:25 pm
Charley Crockett. His backstory doesn’t pass the smell test and it’s a sin here to point out incongruities that exist on his own fucking social media pages, and even suggest that he lied about it.
March 1, 2026 @ 5:06 pm
Agreed.
March 1, 2026 @ 8:13 pm
As I recall, Charley put out his own album of classic country covers called Jukebox Charley several years ago so Gavin is basically copying what his archenemy has already done. 😁
March 1, 2026 @ 8:53 pm
Charley Crockett released numerous classic country and blues tribute albums early in his career, including a whole album dedicated to James Hand. He’s paid way more dues than most, even if some want to continue to post the link to the video of him performing on a New York subway—which he’s always owned, and verifies he was an itinerant busker for years before he hit it big.
March 3, 2026 @ 7:14 am
Lies are OK when said by artists people like.
March 1, 2026 @ 12:27 pm
Let’s see if he makes a Bluegrass album next!
March 1, 2026 @ 12:59 pm
I can take or leave a covers album. I can go to any bar anytime and listen to bands doing covers. I would be more impressed, if he was to make a traditional country album of original material.
March 1, 2026 @ 1:43 pm
Well you can’t really single him out about being messed up on stage.from hank Williams to george Jones many did it and some not even show up.but there is a fine line between genius and crazy.and I think its the latter.for him to even think he can come close to nailing even a quarter of these songs is putting himself out on a limb.give him credit for trying i guess.
March 1, 2026 @ 2:50 pm
Not bad. Much better than Dolly’s version of Free Bird.
March 2, 2026 @ 10:26 am
Be gone with you. There is no hope for you if your heartstrings aren’t tugged to hear an old Dolly Parton start with, “If I leave here tomorrow, would you still remember me?”
So many great tracks on that album.
March 1, 2026 @ 2:51 pm
I know none of his original music but have heard the stories about him. Waylon is my all time favorite but feel he does a good job with it. I will give credit where credit is due.
March 1, 2026 @ 5:18 pm
And everyone’s favorite whipping boy, Jason Aldean, releases a few new songs to YouTube the other day, one of which is a remake of “Dust On The Bottle”, with David Lee Murphy singing on it! (True, it’s not “classic” classic country, but just follow the trend, I guess…)
March 1, 2026 @ 5:21 pm
I feel this is both something that should be encouraged more often, and it is also a savvy business decision on Adcock’s part reminiscent of HARDY further reinforcing his name recognition as a lead artist with his “HIXTAPE” series.
Regardless of what percentage this was motivated by the former and which the latter is irrelevant in my eyes. I’m all for this either way. And I’d like to think by reinforcing and refreshing his familiarity with this beloved classical staples: hopefully it will also sharpen and mature Adcock’s own songwriting moving forward and he has the epiphany that just letting the music do the talking, as opposed to social media histrionics, is a MUCH more surefire effective long-term career strategy.
March 1, 2026 @ 8:22 pm
Gavin Adcock’s just 27,and is likely coming to grips with his youthful indiscretions,which he seems to be putting behind him to make excellent,respectful music as an ode to his likely influences.
March 2, 2026 @ 1:40 am
This showed up on YouTube just now so I listened to it and I’m not impressed. I spent decades hanging around the Palomino club and heard dozens of bands play this song so I’m jaded but he just doesn’t give it any personality or attempt to make it his. Outside of Waylon, my all time favorite version of this was Linda Ronstadt’s but I’m also partial to the one Cross Canadian Ragweed did on a Waylon tribute album about 20 years ago. The way they dragged out “only” was killer.
March 2, 2026 @ 8:14 am
Pretty much don’t know any if these singers, hopefully they’re decent and its not a total travesty. I will however say of all the George songs to pick from, that was definitely not the one. Heard the 30 second clip, not a bad singer but why piss with perfection? You Win Again is dangerous territory too
March 2, 2026 @ 8:42 pm
Damn near dont see any of you dumbasses doing any fucking better, get a fucking life. If you can do better fucking prove it. Love gavin
March 4, 2026 @ 5:06 pm
Can’t imagine Dolly’s singing “Free Bird.” She’s always been a GREAT bird !!!!!!!!!!!
March 5, 2026 @ 9:33 am
Kentucky Bluebird sucha good song.