Song Review – Jon Pardi’s “Ain’t Always The Cowboy”
Jon Pardi continues to prove himself as one of the most staunch traditionalists in the country mainstream, and though you can be assured that his upcoming record Heartache Medication will have a handful of songs that will pander to radio play, his latest release from the album “Ain’t Always The Cowboy” will not be one of them. Pardi has been promising the new record out September 27th will be even more twangy than its predecessors, and so far has words have rung true, and so have the songs released as precursors.
“Ain’t Always The Cowboy” was written by Brandon Kinney, along with semi-retired performer Josh Thompson, who continues to prove he’s one of the hottest hands in quality country music songwriting. Juxtaposing the stereotypical perspective of the man always being the one who can’t let his heartstrings tie him down as he gallops off into the sunset like the picturesque conclusion of a Western movie, “Ain’t Always The Cowboy” places the woman as the one who needs to let her wild horses run free.
Dissimilar to the often sappy and transparent odes to women that are permeating popular music at the moment with their odoriferous platitudes that are nothing more than pandering to popular sentiment as opposed to saying something truly important or telling a story, “Ain’t Always The Cowboy” offers something for both men and women to find affinity with.
The soul in the song is not just born through the unique role reversal. It’s how the protagonist carries this sad, but accepting, and almost envious sentiment as the restless cowgirl goes slipping through his hands like the dry dirt of a parched pasture, admiring her enough to not want to burden her down, even if this conclusion comes with a sincere feeling of heartache and longing. It’s the whole “Love something enough to let it go” sentiment done in story form, and done well. The vulnerability expressed by the woman also makes it feel more like reality as opposed to formulated melodrama.
Just like the first song Pardi released from the new album—the plucky and alcohol-fueled “Heartache Medication” title track—“Ain’t Always The Cowboy” begins with the fiddle, and finds moments for the steel guitar to work itself significantly into the mix. Unlike “Heartache Medication” though, the chorus of “Ain’t Always The Cowboy” is not as clunky and elongated like it’s having a hard time finding where to land. Instead the melody soars, and really draws the emotion out of the lyric, giving “Ain’t Always The Cowboy” a pleasing arc of mood and message.
The guitar solo is the one soft patch of the song. It’s way too steeped in rock tone for the style of the rest of the tune, only rescued by its welcomed brevity. And despite the “Chevrolet” reference that perhaps couldn’t be avoided to make the line work, “Ain’t Always The Cowboy” avoids all the muddy, well-worn ruts of mainstream songwriting that gunk up the sideboards with cliche. As a cowboy from the West where many restless souls end up in the short or long term, “Ain’t Always The Cowboy” works for the personality Jon Pardi presents in his music, even if it’s not born from his own pen like most of the tracks from the new album.
“Heartache Medication” is the new single being worked to radio from Jon Pardi’s upcoming record, and “Ain’t Always The Cowboy” may not be anything more than an album cut. But it continues to build anticipation behind this new Pardi project, and behind Pardi himself as one of a gaggle of more traditionally-oriented major label artists finding deserved traction in the mainstream. Country is starting to sound country again, and Jon Pardi is a big part of the reason.
June 27, 2019 @ 11:28 am
I think the song is great. True to his word, it’s country. The first two songs released has me extremely excited for this record. Jon is one of the few mainstream artists creating/ releasing country music… I hope mainstream keeps their arms open for his new music.
I also read about a week ago they will be releasing a new song each month until the record is released in Sept.
June 27, 2019 @ 11:30 am
this song fucks
June 27, 2019 @ 11:34 am
Meh, I don’t see how this song is an 8 and “All Your’n” is only a 6.5. Different standards I guess.
June 27, 2019 @ 11:53 am
Probably because it’s a better song than “All Your’n”
June 27, 2019 @ 2:08 pm
Apparently I’m in the minority but I respectfully disagree.
June 27, 2019 @ 3:10 pm
Agreed, All Your’n is a much better song. This song is still good though.
June 27, 2019 @ 4:19 pm
In my opinion, “All Your’n” is about as clunky as it gets with borderline schticky lyrics. I do like it, but it’s so far below Childers’ standards. Is “Ain’t Always a Cowboy” an artistic accomplishment? No, but it’s well written and concise, has a killer instrumental arrangement, and a great voice singing it. For what it is, its nature, it’s better than what “All Your’n” is. “All Your’n” is good but poorly executed. “Ain’t Always a Cowboy” is a well-known story, but masterfully executed. That makes a difference. Stop looking at the names. Start looking at the reality.
June 28, 2019 @ 6:10 am
It’s certainly more popular, then again Garth Brook’s is more popular than Townes Van Zandt (take away from that what you will), fact is its only ‘better’ or ‘worse’ to the individual, seems we always want to believe the music we like is ‘better than’,when truth is its a matter of preference and little more.
June 28, 2019 @ 7:39 am
I disagree. What an individual likes is subjective. Quality and substance, however, are not. There’s a difference between observable reality (Jason Isbell’s “Elephant” is a better song than most other songs) and individual taste (I prefer X over Y).
June 28, 2019 @ 10:48 am
i believe quality and substance in art (which music is) is subjective, and to these ears there’s nothing lacking in quality or substance in tyler’s new song or the production of it, he just went a different route,it made my head spin at first ,did not see that comin for sure, but being a fan of old gospel, blues and 70s southern rock & country rock (yes i’m a geezer 52 tho how the hell that happened i have no idea), i like bands like little feat the allman brothers and nitty gritty dirt band and that’s what all your’n reminds me of even if its not what i expected it. seems a lot of people want to blame sturgill for the change in direction, but have you heard ‘the dead don’t die’? (rhetorical question of course) – tyler is his own man and he knows his heart and mind and what direction he wants to take his music in better than anyone of us and i truly believe he wouldn’t have released the track as is if he wasn’t 100% satisfied with it anyway we’re all entitled to our own thoughts and feelings which is what makes these forums interesting, be boring if we all agreed on everything all the time.
June 29, 2019 @ 5:23 am
All your’n is a good song, the version on the album is just over produced:
https://www.youtube.com/watch?v=gt1TF5NelLo
July 5, 2019 @ 9:21 am
Holy shit, thanks for the link…that YouTube version is almost a totally different song. I actually love it, but I can’t stand the studio cut.
Overproduced was a great way to sum it up.
I guess this proves that Tyler is a dish best served raw
June 27, 2019 @ 1:55 pm
Texas sized 10-4 on that
June 28, 2019 @ 7:13 am
Ferda
June 27, 2019 @ 3:45 pm
I think they are both good as well written songs and funny enough both with “interesting” choices of production. One is a 70s throwback motown vibe and the other is mostly country with Metallica Black album drums and an 80s hair metal whammy bar shred of a solo.
June 27, 2019 @ 4:33 pm
There is nothing metal, or even rock about these drums. At all. Even Metallica ‘Black’ era. The drums don’t event start for the first 40 seconds of the song, and the guitar solo is all of 12 seconds. The guitar solo is unfortunate as I said, but the drums are totally appropriate to any country music song.
June 27, 2019 @ 4:43 pm
Black album may be a little much sonically, fair enough. Not much compares to that. Nickelback at least, for sure.
And I’m sorry, I respectfully but strongly disagree. They are loud and heavy as shit. Way more than even most pop country songs. I would even bet a fair amount of money that they are samples and edited to pieces.
Listen to the solo on loop for a min because the acoustic guitar and the slide mostly drops completely out. Play that loop to someone, I guarantee they would think thats a rock song. And not just because of the knee bends.
June 27, 2019 @ 11:13 pm
I hate to come across negative here, but having played drums for 30+ years, I’m going to have to agree with ScottG, at least to some degree. The drum beat and sound is about as late 80’s LA Glam rock as you can get. It’s very unfortunate percussion production. It’s a very rare case we see you swing so wildly off the plate, Trigger. Sorry for that…
June 27, 2019 @ 11:46 pm
Don’t want to speak for him but I’m guessing he can handle it. He seems to welcome respectful dissent…an admirable trait these days.
June 28, 2019 @ 12:12 am
Okay, well as someone who has played drums for 30 years myself, I’d have to respectfully disagree. I will allow that on subsequent listens the drums could probably be a little bit more down in the mix. I guess if you want to compare them to Poison’s “Every Rose Has Its Thorn” or “Given Me Something To Believe In,” sure, they’re kind of similar. But to compare them to Metallica’s Black album is madness.
“It’s a very rare case we see you swing so wildly off the plate, Trigger. Sorry for that…”
Who is “we”? The people below comparing this song to Florida Georgia Line? The majority of feedback I have seen on this song has been pretty much in line with mine, in this comments section and on social media. If people disagree that’s cool. But saying this song has Metallica drums is as irrational as saying it’s simply Florida Georgia Line with some fiddle.
June 28, 2019 @ 6:55 am
It’s madness I tell you! Way to keep hammering that one in even after I conceded a little! BTW in audio production land the black album drums are highly referenced, not just because of the sonics, but the editing, replacement and precision, and some of that is going on here. But whatever, the reason I even mentioned this at all is because I’ve seen him live and thought he sounded better without drums that sound like Poison, or wherever else we land. I think pretty much any country music would and I’m surprised that would be a controversial thing to say. It’s a small, but I feel, important criticism of an otherwise good song.
June 28, 2019 @ 11:26 pm
Yeah, I didn’t say they were Metallica drums. I’ll let ScottG speak to that. But your (Trigger’s) admission the drums sounds like Poison was exactly my point, 80’s LA glam rock. Fair enough, you missed it in your first 5 listens, but it’s pretty obvious in 16 bars. I didn’t say anything about the song writing. But personally, that percussion sound turns me off directly. And I was replying to your comment, “there is nothing…even rock about these drums” which was way off the mark, as you acknowledged (thank you). Sorry for ruffling the feathers.
June 27, 2019 @ 11:36 am
Good premise. Tasteful instrumentation. My only criticism is that it’s too thematically similar to “Space Cowboy” by Kacey Musgraves and “Might be a Cowboy” by Dillon Carmichael. It’s a good track though. I’m looking forward to the album. And yeah I agree that the guitar solo doesn’t really fit.
June 27, 2019 @ 11:54 am
What I dislike about the song is its use of the way-too-short second verse song structure. That shit is getting old. That being said, still a good song.
June 27, 2019 @ 12:36 pm
Fair criticism. Generally the ideal for a good song is three verses to present a complete story arc, and more and more popular music is relying more on choruses where the hooks are. But I do think this song gets its point across well and the chords in the chorus work so well, I understood why they chose to not let anything else get in the way.
June 28, 2019 @ 12:35 pm
What’s interesting, to me at least anyway, is that its not like the second verse is only half the first verse…seems to be only 2 bars shorter? Is that an intentional thing people are doing now, like going from 4/4 to 7/8 to get a pushed feel? I haven’t really noticed it but then again I haven’t been looking for it.
June 27, 2019 @ 11:54 am
I really love it. Jon Pardi has really been delivering lately, as far as mainstream artists go. It kind of reminds me of Wild as You by Cody Johnson. But yeah, the guitar solo seems a little Aldean for the vibe of the song.
June 27, 2019 @ 11:55 am
Yessss ……terrific lyric …solid performance .
not a fan of cut-time ( soooo bro ) but the rest of the track makes up for it IMO .
one it : replace screamin guitar solo with steel guitar and this may be my favourite Pardi song to date
”Josh Thompson, who continues to prove he’s one of the hottest hands in quality country music songwriting.” DEAD ON TRIGGER .
Your observations and your review of the song are smart , unbiased , informed and RIGHT , IMHO .
June 27, 2019 @ 11:57 am
Also has a nice little lyrical nod to George Strait
June 27, 2019 @ 12:39 pm
Pardi’s been the most consistent mainstream artist over the past 5 years to actually release real country music to the radio. This song is no different, love it.
June 27, 2019 @ 12:42 pm
Really been impressed with Josh Thompson’s songwriting lately. I’d love to see him get a chance to release another record.
June 27, 2019 @ 1:36 pm
Let’s face, he absolutely blew it with his second record (it was so bad I don’t recall the title). He played ball, released boring 3 minute songs with titles like “Drink Drink Drink,” and all-around fell on his face. He’d have been better off had he clung tight to Change until somebody released it.
I still don’t understand why his major label wouldn’t release Change. That first album was pretty successful.
June 27, 2019 @ 2:31 pm
Yes I agree as well! Has become a solid song writer, lots of solid mainstream songs with substance. I agree with Northwoods as well he blew it on the second album. I would like to hear change as well. Any one know if he is going to perform again or just content being a solid writer?
June 30, 2019 @ 2:52 pm
It’s on Spotify.
June 27, 2019 @ 12:48 pm
The “screaming guitar” goes well with the crazy huge rock drums IMO. Nevertheless, not bad. For me:
In all of country and compared to your best songs of the year so far list: 6/10.
Country radio handicap applied: 10/10.
June 27, 2019 @ 1:36 pm
I’m not enjoying this song at all. The chorus is monotonous, and right at the edge of Pardi’s vocal range – that gets really grating to me after a minute.
Personally, I think Pardi’s voice is similar to Brian Kelley of FGL. That’s not a compliment.
June 27, 2019 @ 3:58 pm
Jared, I agree with the FGL comparison and have thought that since the beginning. I could hear somebody like Scotty McCreary doing a better job with this mediocre song.
June 27, 2019 @ 2:40 pm
I like this song more and more with each listen. A fiddle solo would have worked better, or at least I would have preferred one. Still, a quality song overall. So far he is two for two with solid country songs from the new album, which I am REALLY getting excited about!!
Keep up the good fight Jon!!!
June 27, 2019 @ 2:53 pm
The guy can barely carry a tune and the lyrics are……trite. This is reminiscent of the worst of 90’s country for mine.
2019 is a thin crop from my personal perspective. Nothing that has entered regular rotation, very different to 2017 and 2018.
June 27, 2019 @ 5:27 pm
Pardi got snowed in in Grand Forks this past winter and was just goofing off in the venue with his band. Didn’t go out of his way to say much or be the life of the party. He just had a good time. A normal dude, to say the least. I had a lot of respect for him after working that show.
June 27, 2019 @ 5:31 pm
My above comment was meant to be a reply to the person below you. My bad
June 27, 2019 @ 3:41 pm
He is simply the best
Loved him while he played for college party’s and love him still
his voice is incredible and he just seems so humble.
Complete admiration and forever fan
PARDI ON…. ????????????????
June 27, 2019 @ 4:09 pm
This sounds like the radio country of the mid 2000s, just before the bro-country era began. If you were still on board with mainstream country at that time, I can see how Pardi is a breath of fresh air. I, however, had left country radio behind by the early 2000s, so all of Pardi’s music leaves me cold.
June 27, 2019 @ 4:16 pm
I guess I just don’t get cause I thought that was terrible. I have yet to hear one of his songs that doesn’t suck. Not sure if I hate his voice or the terrible beat in the song more, it’s a toss up.
June 27, 2019 @ 6:06 pm
And once again this section is riddled with comments saying Pardi sucks. This song is not the trite has-been bro country that has faded out, nor is is the pandering metro-bro country that has taken over radio as of late. I just don’t understand how anyone can lump Jon Pardi in with FGL. He is definitely a big factor in the tide turning back to a traditional sound. This is not my favorite song of his but I’d rather hear this instead of Thomas Rhett blathering on about his wife AGAIN!
June 27, 2019 @ 6:43 pm
Not every country song has to have some deep philosophical life changing meaning to it. This is a good country song. Complain about Thomas Rhett or other pop stars on country radio. Jon Pardi is country. A lot more country than some of the artists many of y’all keep praising.
June 27, 2019 @ 7:31 pm
When I first listened to this song I was blown away by how much I liked it. The initial fiddle is gorgeous and I was very pleased with the lyrics and melody. I do agree with your “guitar solo” criticism. I was REALLY hoping for a fiddle or steel guitar solo. Still a lot better than most of the stuff on the radio, and there is a lot of fiddle and steel, so I’ll still give it points. 9/10
June 28, 2019 @ 2:51 am
This just seems a bit generic to me, maybe it will be a grower, nothing too gripping about it
June 28, 2019 @ 5:39 am
Some of the purity tests here are nigh nigh ridiculous.
It is a good song that sounds country.
June 28, 2019 @ 6:13 am
(Un-)Popular Opinion: meh.
Like many songs of his last album “Ain’t Always The Cowboy” Jon Pardi uses the fiddle (on other tracks the steel guitar) as window dressing for the not-so traditional production.
This time with 30 sec. of “fake” snap track, the loud drums & the guitar solo. The guitar solo alone is ruining the whole built-up of the track.
But the worst part is once again the grating voice of Mr. Pardi.
New Music & Music in the Pipeline…
New
Merle Monroe – Back To The Country – Album – 12 Tracks – Released (06/20)
A Nashville band mixing bluegrass with traditional country (ballads) & gospel. One of the members is Tim Raybon (brother of Shenandoahs Marty Raybon). Great start for bluegrass rookies & a fine album for the fans of the genre.
Sunny Leigh Shipley – Out Of The Sky – Album – 12 Tracks – Released (06/20)
Born & living in Texas Out Of The Sky is the debut album of singer/songwriter Sunny Leigh Shipley (she co-wrote “Oh Tonight” for the Josh Abbott Band feat, Kacey Musgraves using the name Sunny Helms). The album is a mix of traditional songs like “He Don’t Lie” (where Sunny Leigh Shipley sounds like Lee Ann Womack), country rock (“Black Rain”) & stripped down ballads like “Out Of The Sky” (feat. Wood & Wire).
Out Of The Sky is already on my AotY-list & Sunny Leigh Shipley on the Best New Artist list.
Dozzi – “Fools” – Single – Released (06/17)
Australian sister trio is back after a long break with a pop-country tune & strong harmony vocals. Living & working in Nashville now “Fools” is the kind of not-so-country country tracks I call “Guilty Pleasure Tracks”. I like it.
Pipeline:
Golden Guitar winner Ashleigh Dallas – Reflection – Album – Release Date 07/12
First single “Vacation” a lightweight uptempo track is #2 on the australian country charts.
The April Family – House Of Cards – Album – Release Date 07/04
Australian alt-country trio with the second album. More mainstream than the first album.
Brad Butcher – Travelling Salesman – Album – Release Date 07/05
Golden Guitar winner releases his 4th full album. Singer/songwriter mixing country, folk & blues. First single “Nature’s Course” is a Top 30 hit on the australian country charts.
Gina Jeffreys – Beautiful Tangle – Album – Release Date 08/08
Multi award winning australian country star is back with a new album (incl. a duet with Lee Kernaghan) & already three released tracks (“”Cash”, “Unravel” & “Ferris Wheel Ride”). Country & folk.
SaltBushSix – Beyond The Ranch – Album – Release Date 07/19
New australian country band with a country-rock sound. First single “Live From Our House (Saturday Night)” was a chart-hit & the second single “You Don’t Know Me Lonely” sounds like a hit too. The album was produced in Nashville.
Kim Wright – Livin’ The Dream – EP – Release Date 07/21
Kim Wright keeps it country. His first two singles “This Old Bar” & “Man Of The House” were minor hits on the australian country charts & made my playlist. The singer/songwriter wrote songs Allan Caswell (One of the top australian country artists). Traditional country.
Anita Ree – Not Love Songs – Album – Release Date 07/19
Australian singer/songwriter with a strong voice. Current single “Sweet Sugar Cane” is a new entry on the australian country charts this week (#22).
June 28, 2019 @ 6:24 am
He still sounds like the main guy from Florida Georgia Line. Hard pass
June 28, 2019 @ 7:16 am
Passes my personal “eye roll” test. I won’t be rushing out to buy his music, but it’s a pretty good song. One I’d be happy to hear on country radio when It’s one of my daughters turn in the car. Also, one that’s not embarrassing to be associated with as a lover of good country music.
June 28, 2019 @ 7:43 am
He doesn’t play all of the solos live, but Jon Pardi is one hell of a guitarist, and I find that the solos in his songs serve a purpose as opposed to basic 5 second nonsense that most radio songs call “guitar solos.”
I do agree that the tone mismatched with the song. The point is I think electric guitar solos might be a tendency for Pardi since he’s a hell of a player.
June 28, 2019 @ 8:57 am
I don’t like it, but I get it. A blazing guitar solo keeps passive listeners engaged.
June 28, 2019 @ 8:09 am
I swear if it’s not new age outlaw country artists like Cody Jinks, Tyler Childers, Sturgill Simpson, etc. Nobody in these comments gives anyone else a chance.
June 28, 2019 @ 8:56 am
Actually I think there is a lot of positivity here in the comments. It’s just the negative ones stick out like a sore thumb.
June 28, 2019 @ 10:04 am
I did give it a chance. That’s literally the reason I know it sucks.
June 28, 2019 @ 3:55 pm
Why be so upset that not everyone likes the latest release from a middling country artist? My issue with comments and ratings on so many things is the gradual IMDB’ing – its all 1 or 10 now, no nuance, no actual constructive review (not aimed at you trigger, more armchair experts like us comment lurkers).
This is not a 1 or a 10. Its somewhere between 4 and 6 depending on personal taste, no better, no worse. A 4 for me, a 6 for you.
As an aside, don’t enjoy Jinks, really enjoyed Childers, so-so on Sturgill.
June 29, 2019 @ 12:31 pm
Being that I’m probably a resident armchair expert of which you probably speak of who really loved the first 2 Pardi albums. I’m not loving or hating the first 2 offerings of the new album I just choose to wait until the album comes out and see how they all fit rather than listen to these tunes too much now and chime in my opinion on each song. Sometimes songs take time to grow on you within the context of the album. I still enjoy Trigs deep reviews of any 1 song though even if it’s just………a song.
As an aside, love Jinks, enjoy Childers,,,,,,,,and Sturgill……I respect.
June 28, 2019 @ 8:34 am
Great song.
June 28, 2019 @ 2:38 pm
Pardi is great. Period. And the direction of this album is very encouraging indeed.
Appreciate the love for Josh Thompson. At his peak he can write some really great songs that can stir feelings and/or draw you in. I liked him as a performer far more than consensus opinion on here seems to be, but he played a good live show that also connected with the crowd.
June 28, 2019 @ 6:12 pm
With a few minor tweaks, this could be a Jason Aldean song.
June 29, 2019 @ 5:34 am
You’d have to start with changing some lyrics and renaming it I’m Always the Cowboy.
June 29, 2019 @ 2:32 pm
Wow, that guitar solo and tone are fucking awful… even by Music Row standards. Wondering who the player is? The song is really well done. I just can’t get past Pardi’s terrible tone, lack of dynamics, and overal just okay singing. I’ve always favored singers with style over technical ability like Willie and Tom Petty. But for some reason, I don’t hear Pardi’s singing as a unique voice. It just annoys me even though it is very identifiable.
June 29, 2019 @ 4:54 pm
I am so PLEASED CA can claim another artists bring country back to center as Merle did In Bakersfield.
He is seriously rocking the 90s country sound, which is perfect for the 90s come back moment.
July 2, 2019 @ 8:43 am
Somebody turn down the damn drums!!!!
The Good:
-The actual song is well written. Brandon Kinney (only 1 writer? what a coincidence) deserves credit for a good one.
The Meh:
-Pardi obviously doesn’t have a legendary voice, but that doesn’t bother me.
-Fiddle is present, but at the back of the mix, where the drums belong.
The Terrible:
-Managed to endure all the way to the end, but the front-of-the-mix-way-too-loud drums absolutely destroyed the experience for me.
-The guitar solo was just ridiculous, given that this is supposed to be a country song.
-The production as a whole, while technically very polished, was completely wrong for the song in nearly every conceivable way.
Overall, this was a good song, given to a mediocre performer, then absolutely murdered by a jackass producer who must hate country and is stuck in the 80’s.