Song Review – Justin Timberlake & Chris Stapleton’s “Say Something”
The first thing you need to understand about Chris Stapleton’s duet with Justin Timberlake called “Say Something” is that you haven’t heard it yet. You think you’ve heard it, but you haven’t. You were at work on Thursday, milling on Facebook when you were supposed to be filling out expense reports when you saw a link to a video and went searching for your earbuds. I would bet that the majority of the people reading this sentence right now—maybe as high as 80%—saw the video, and have yet to hear the actual track. Or they saw the video first, and that is where an opinion was formed.
Not to say that the actual track is a dramatic departure from the video, because it isn’t. But they are different arrangements, and if you’re coming to this thing as a country or roots or Chris Stapleton fan, the audio track will be a more favorable experience, especially since it doesn’t start you off with a bad taste in your mouth from watching J-Lake standing behind a sample console composing electronic beats.
What happened to Justin Timberlake making a country record, or at least including some country or “earthy” Americana on it? I can’t tell you. All I can tell you is what Justin Timberlake said himself, which is that he was going to move to Nashville and make a country record. He said as much, and in as many words. His producer Timbaland said the same thing, and when pressed, doubled down. So where is it? Maybe they got cold feet after trying to release “Drink You Away” to country radio in late 2015. And realizing country radio doesn’t give a shit who you are, or how good your song is, if you don’t kiss its rings and jerk its DJ’s off under the table they won’t play you. So maybe Timberlake & co. decided to bail on the idea, or at least augment it.
But even now after the release of “Say Something,” we still don’t have confirmation that Man of the Woods won’t have more country or rootsy material on it. We’ve heard exactly 18.75% of the songs on the record, and only the ones that are being cherry picked as Top 40 pop singles accompanied by videos. There is supposed to be one more single and video release after this one for a total of four. So I’m not trying to hold out hope beyond reality that Timberlake may still deliver to those country fans wanting to hear his take on the genre. But there is still an 81.25% chance that material is yet to come. Or maybe it won’t. Or maybe it will, but it will suck. We just don’t know. Still.
However “Say Something”—the studio track that is—delivers somewhat on Timberlake’s more updated promise of Man of the Woods being “Americana with 808’s.” 808 refers to a type of industry standard rhythm composer, similar but not exactly like the one Timberlake is seen toying with at the beginning of the video. “Say Something” also features a decidedly Gospel styling indicative of much of Americana, where acts like The McCrary Sisters are treated like goddesses, and are mainstays of Americana functions. So regardless of how you feel about the track, “Americana with 808’s” is not a too far off assessment.
It’s pretty incredible how so many listening to this track are getting swept up in trying to decide how country or Americana it is or isn’t, and are missing the underlying message that is at the heart of this song, and is also its greatest asset and saving grace. The message of “Say Something” is the attempt to impart the wisdom of choosing your words before you speak, choosing your battles with others in the public and private realm, and understanding the virtue of not speaking up in certain circumstances. And it’s something that all of us should heed.
This very issue came up on Saving Country Music, when the opinion was shared that country stars shouldn’t be guilted into speaking on political matters. That in itself was seen as controversial, with one individual saying, “silence is equal to violence”—flying in the face of centuries of teachings by Buddhist and Catholic monks, and other countless men and women of wisdom that put the highest of value in the communion with one’s inner voice, and the virtue of listening. The idea that individuals must speak on certain issues is what has led to a lot of the divisiveness and turmoil of today. And Timberlake himself has interfaced with this issue as meddling Millennial think piece writers diabolically obsessed with the fact that he’s white have lashed him for not becoming more politically involved. Chris Stapleton has also drawn a similar ire.
“Say Something” says a lot with so few words. But it’s also extremely repetitive, leaning on one smart line until it starts to become strained, and eventually crumbles beneath the weight of the whole song. Six songwriters to come up with so little copy? And though it’s easy to get lost in the revolving lyricism and music of “Say Something” the first couple of times, subsequent listens result in boredom. Okay, we get it. Sometimes checking yourself before you speak is smart. What else you got? Unfortunately the answer with “Say Something” is “not much.” Sure, the blend of Justin Timberlake and Chris Stapleton’s voice is pretty great. But it could have been used for so much better, like a song with a story, or at least more than five lines of verse instead of repetitive choruses, post-choruses, and a bridge that is the same line three times.
That’s the beauty of country music verses hip-hop, or EDM-infused pop. There is depth and story. It’s the reason why so many country fans put on a sour face when they hear what is supposed to be country succumbing to these ultra modern influences that drain the emotionalism out of the music.
But “Say Something” is not supposed to be country. So judging it as such is improper. And if Chris Stapleton wants to sing with Timberlake on this song, how does that somehow erode either his country cred or integrity? Did Willie face a similar scrutiny for working with Julio Iglesias? Yes, he did. And guess what, it was still fine because it was a good song. Unfortunately with this one, this song is just marginal.
Yet the people giving Stapleton shit for this song hated him anyway, though they lauded him when he was unpopular. Now he’s just one of their pawns in the culture war. Stapleton has become more polarizing to country purists than Sam Hunt, and that’s not hyperbole. They believe he is destroying country music, that he’s a liar and a complete fake, and wrote all the worst popular country songs of the last half decade. They should be infinitely happy Stapleton is the biggest thing in country music at the moment, and not Luke Bryan, Taylor Swift, Sam Hunt, or Florida Georgia Line.
But oh how fast we forget, and how easy we hate. That’s why it’s important sometimes to stop and listen before you speak. And if you do, you’ll discover “Say Something” isn’t really that bad for what it’s supposed to be. But it is a disappointment that these two could have taken advantage of an opportunity to bridge two worlds of music and deliver an important message, and that it all kind of got lost in the styling, and the debate about genre. Ultimately “Say Something” feels like much of pop—fleeting. But it’s still better than the vast majority of country radio. Just like Stapleton.
GrantH
January 25, 2018 @ 8:39 pm
Two words: “Not Good.”
Desperado Destry
January 26, 2018 @ 10:03 am
SOMETHING… there I said something.
Jordan
January 25, 2018 @ 8:53 pm
Judging this as a pop song, I like the arrangement, production, and vocals.
I am disappointed and confused though as to how 6 songwriters came up with so few, um, actual lyrics and content. There’s just nothing to it besides the chorus/pre-chorus, like there’s only half a songs worth of stuff here that was stretched to fill 4-6 minutes.
Trigger
January 25, 2018 @ 10:13 pm
The track is 4:39. The video is 6:23. It’s another reason I think the song should be regarded outside of the video. Still, they could have easily lopped a minute off this thing, even with elongating the two stubs that work as verses.
Trucker Speed
January 25, 2018 @ 9:04 pm
I’d honestly take a Justin Bieber song over this any day. Very boring and repetitive
Gabe
January 26, 2018 @ 7:11 am
You are just disappointed, you don’t mean it…
Ryan
January 25, 2018 @ 9:08 pm
Lol the guy you describe was me at work. I also watched multiple times trying to sell myself on it, learned the chords to play along .. bottom line: cool message, below average song.
Warthog
January 25, 2018 @ 9:09 pm
Honestly, I like the song better in the context of the video. The song itself isn’t something I’d normally listen to, and I admittedly didn’t listen to the whole thing. But I watched that whole music video, because it had something. Maybe it was how it was done up like an actual motion picture, or maybe I just had fun watching JT and Stapleton together. I honestly can’t tell you what it was.
All that to say, “Hey, I dig it.”
Jtrpdx
January 25, 2018 @ 9:53 pm
Yes. The video was pretty cool. SIngle camera shot and recorded live. Not sure why anyone would have a bad taste in their mouth by him “toying” with a percussion pad, etc. at the start of the song. I thought that was great, and shows people how these types of beats are often composed. This is Justin Timberlake we are talking about here, not Dale Watson.
Trigger
January 25, 2018 @ 10:17 pm
I think the video was pretty well done too. A little too dark, but whatever. What I was trying to get at, and probably could have worded better is that if you judge this song based on watching the video, you’re not judging the actual track. You’re judging a version of the trackthat is elongated by 2 minutes and has many extra production elements on top of it, specifically the rhythm bed Timberlake makes at the beginning.
Jtrpdx
January 25, 2018 @ 10:29 pm
Yes. Completely understand now. The single camera shot and the live recording aspect in that big building was a pretty big feat and a cool concept. But that also makes the video a different animal than the album track.
BetsyG
January 26, 2018 @ 12:10 pm
I’ve listened to both, and I’m pretty OK with both. The video has an additional element in addition to the rhythm bed: the overall acoustics are different. Whether some part of the song was recorded in the space during filming or the changes were in post-production, the video version has a feeling of vast enclosed space that the studio version doesn’t have.
BetsyG
January 26, 2018 @ 4:29 pm
Sorry to reply to myself, but it was recorded live for the video. That’s something of a feat: http://www.esquire.com/entertainment/music/a15895135/justin-timberlake-say-something-video-director-interview/
Jtrpdx
January 26, 2018 @ 5:18 pm
Yes. To me the single shot video and live recording aspect in that space was completely badass. Maybe I am over thinking this!
Lunchbox
January 25, 2018 @ 9:30 pm
Timberlake should of stuck with Coen Bros./Mumford & Sons gimmick
Lunchbox
January 25, 2018 @ 9:34 pm
i miss that edit button..lol
Jtrpdx
January 25, 2018 @ 9:39 pm
“That’s the beauty of country music verses hip-hop, or EDM-infused pop. There is depth and story.”
Pretty broad and dumb statement there, Trigg. You know jack about hip hop if you don’t know that there’s tons of hip hop out there that “tells a story” and has depth….over the past 30+ years.
Jtrpdx
January 25, 2018 @ 10:08 pm
Actually, I’m assiming it just read a little funny, and what you meant was something more along the lines of ……”hip hop or edm infused pop “country” crap that is played on country radio these days.”
Bear
January 26, 2018 @ 2:33 pm
Let’s be honest the hip-hop shit of radio is also boring cliche crap. The good like country music would require it’s own saving hip-hop sight to wade through the BS on radio.
Marc
January 25, 2018 @ 9:40 pm
As someone who’s not a fan of Stapleton, I will say for a pop song it’s ok but I would say the same if it was only Justin singing. And maybe it’s because I don’t hear a country voice when Stapleton sings. Some of the comments I read on other sites are “countryfied” “pop-county” etc. All we’ve had on the radio is pop country for the last decade or so. God forbid when it’s awards season I hope we don’t go through the same crap as we did with Beyonce. Maybe I’m just getting old but if we have to ask if something is country than it’s probably not. I’m tired of the well it’s “kinda country” “it’s more country” “there’s a fiddle so it must be country” “well it’s better than bro county.” Just give me 3 chords and the truth. The preceding rant was brought to you by Johnnie Walker Black.
albert
January 26, 2018 @ 12:13 am
Dead on Marc…..
Desperado Destry
January 26, 2018 @ 10:16 am
Amen Marc… back when Johnny Cash or Conway Twitty came over the radio… they had the voice, sound, and story. You never had to ask if it was country back then.
eckiezZ
January 25, 2018 @ 11:15 pm
just stop this whole stupid timeline already and let me off.
Sven Weissmann
January 25, 2018 @ 11:41 pm
Just as usual – if there is a collaboration with a “friendly” artist (Stapleton) then you give it a chance but what would be if Luke Bryan would do the same song with Justin Timberlake? You would give 0 of 0 Guns. The song is shit – and I do not care if there is a famous “country” artist in the song. Best regards from Germany
Trigger
January 25, 2018 @ 11:53 pm
This was a “friendly” review? I was way more critical than friendly here. Only left off a numeric grade because it’s a pop song and I don’t feel qualified to grade it among its peers.
And if your theory of bias holds up, how did Blake Shelton receive a positive review for his last record?
https://savingcountrymusic.com/album-review-blake-sheltons-texoma-shore/
CountryMan
January 26, 2018 @ 8:44 am
Because these reviews are not consistent, that’s how.
Trigger
January 26, 2018 @ 9:47 am
Consistent with what, the artist? Each piece of music is graded upon that piece of music itself. So if you say, “How can you slam one Blake Shelton album and praise another?” it’s because they’re two separate works. Doing anything else would be bias.
Or, like it seems a lot of folks are doing in this comments section, are you actually trying to construe this as a positive review?
blockman
January 26, 2018 @ 12:06 pm
No one is saying this is a positive review Trigger. It also isn’t a negative one to be sure. For someone who has never been afraid to call a spade a spade it comes across – as evident by comments – you gave this one a pass. And no I do not accept your position that everyone who says so is delusional.
A rating wouldve cleared this up but sometimes you say the most when you say nothing at all right? 😉
Trigger
January 26, 2018 @ 1:18 pm
I’ve added a rating to the review. As I said in a previous comment, I don’t like to add ratings to songs that are outside the country purview because I’m not really qualified to judge them against peers. But since this has been such a point of contention and misunderstanding, I’m making an exception.
hoptowntiger94
January 26, 2018 @ 12:00 am
Reba McEntire is the new KFC Colonel.
albert
January 26, 2018 @ 12:07 am
I was bored at 2 minutes but waited til 3 to pull the plug
So let me get this straight :
JT wants to work with Stapleton ….arguably one of the best writers out there and arguably a better vocalist than JT
And THIS song is the best JT can come up with ?
THIS ???????????
I think this ‘man of the woods’ is definitely lost out there .
And why does he have a toque on ( yes ..that’s a toque ) in the building ? He’s already told us he’s a ‘ man of the woods ‘ . Does he have to prove it by wearing plaid and a toque .
I’m going back to the Caitlin Smith song . Let me know when JT gets found …..or when he finds more interesting songs to sing .
Jtrpdx
January 26, 2018 @ 1:21 pm
I would emphasize the “arguably” part of Stapleton being the best writer out there.
Matt
January 26, 2018 @ 2:07 am
“All I can tell you is what Justin Timberlake said himself, which is that he was going to move to Nashville and make a country record. He said as much, and in as many words.”
Maybe this is what JT thinks is “country.” Like I said in another post, he’s not country (grew up in suburban Memphis til age 14 –> Disneyworld –> boybandland –> Hollywood), so why would you expect an actual country record from him? He can sing well, but so can millions of people.
albert
January 26, 2018 @ 11:00 am
”He can sing well, but so can millions of people.”
yup
Henning
January 26, 2018 @ 2:46 am
This will be ubiquitous. Like “Happy” was or like “Despacito” was. This will be one of the inescapable songs that gets shoved down our throats for the next coupla months on every occasion. Considering that, it could have been so much worse. I think it’s alright, actually. A little bombastic and overblown, not really original, but there you go. I can live with this song blasting at me from every shopfront I pass better than I could with, say, “Get Lucky”
albert
January 26, 2018 @ 11:03 am
”I can live with this song blasting at me from every shopfront I pass better than I could with, say, “Get Lucky””
But why does it always have to be a case of being subjected to the lesser of so many evils when people like Caitlin Smith , Ashely McBryde and so many others are making such GREAT music ? ( he said rhetorically )
OlaR
January 26, 2018 @ 4:28 am
The Justin + Chris soap opera continues. The Bold Justin & The Beautiful Chris.
Justin Timberlake is not country or americana or rootsy & he never will be country or americana or rootsy. He is not 20 anymore. Too old to be a teen-hero. Even “country” artists sound more urban/hip-hop now. He wants to stay relevant he must find a new audience.
Working with Chris Stapleton, growing a beard, switching to a more “down to earth” look…no coincidence.
What about “Say Something”? Well…not a bad pop song. Pop…not country.
Better Music:
Homegrown – “People Change” (EP: Wildflower Bruises – Best song of january)
Brent Larkham & Jester Voodoo – “Home” (Down Under)
Matt Scullion – “I Bet” (Album: I’m Just A Song)
The Frontmen – “If It Wasn’t For The Radio” (Nostalgic – Larry Stewart, Tim Rushlow & Richie McDonald)
Gord Bamford – “Love Takes Time” (Album: Neon Smoke – Not his best but still a good mainstream album)
Guilty Pleasure Song: Jameson Rodgers – “Some Girls”
R.i.P. Lari White.
Dougie_McBuckets
January 29, 2018 @ 11:57 am
Thanks for introducing me to these artists.
The Homegrown EP price varies widely… $4.99 on Amazon, $3.99 iTunes, $2.49 Google Play, etc.
Aggc
January 26, 2018 @ 4:49 am
Ugh. Sorry, but if you have to exercise a lot of rationalization in order to like something, its probably not that good.
Mark
January 26, 2018 @ 5:00 am
Totally disagree. I think it’s a great song, and the video with the choir elevates it even more. It’s not country, doesn’t need to be and would be bizarre if it was. JT is only ever going to incorporate some references here and there.
Ultimately, I think this is a good thing that will only benefit Stapleton’s aready stellar sales. I just hope it leads to more people who would love him, but would otherwise never hear him, coming on board. And then digging a little deeper and getting into Southeaster and Metamodern. That might be a stretch.
blockman
January 26, 2018 @ 8:47 am
Lmao
Trigger
January 26, 2018 @ 9:49 am
See blockman, people are reading this review and taking it as being negative. Multiple people. The majority of people. Because it’s a negative review. The idea I somehow am giving this song a pass is ridiculous.
Oblockman
January 26, 2018 @ 10:24 am
The song has about 10 lyrics and you dedicate a paragraph to how ‘virtuous’ they are for one. I figured youd have a higher standard.
What kind of rating does ‘not that bad’ get? That hardly seems negative. Especially compared to the amount of hyperbole you usually employ in your negative reviews of shitty monogenre collaborations.
Also you saying youd like if they bridged the gap better (EDM/Pop and Country) which is odd for someone who was once against such monogenre initiatives.
Anyways my comments were a reflection of your review + the commenrs on the site by others. Sorry I didnt make the distinction that clear. I hope I have now.
Trigger
January 26, 2018 @ 12:13 pm
Blockman,
I dedicated one paragraph about how the message behind the song (not the lyrics themselves) was something that was timely and important.
But you are completely breezing over this whole thought on the lyrics:
“But it’s also extremely repetitive, leaning on one smart line until it starts to become strained, and eventually crumbles beneath the weight of the whole song. Six songwriters to come up with so little copy? And though it’s easy to get lost in the revolving lyricism and music of “Say Something” the first couple of times, subsequent listens result in boredom. Okay, we get it. Sometimes checking yourself before you speak is smart. What else you got? Unfortunately the answer with “Say Something” is “not much.” Sure, the blend of Justin Timberlake and Chris Stapleton’s voice is pretty great. But it could have been used for so much better, like a song with a story, or at least more than five lines of verse instead of repetitive choruses, post-choruses, and a bridge that is the same line three times.”
Also, I didn’t say I want us to bridge the gap between country and pop. What I was saying is that this could have been a timeless, cross genre collaboration like Willie and Ray Charles, Willie and Julio Iglesias, or Chris Stapleton and Justin Timberlake at the 2015 CMA Awards. But instead it was, and I quote from the review,
“a disappointment that these two could have taken advantage of an opportunity to bridge two worlds of music and deliver an important message”
and in that same context I also said,
“this song is just marginal.”
I understand where you feel like there is an inconsistency in my opinion. But I think folks are selectively reading this review. My overall take on this song is that it was a missed opportunity and a disappointment. But I’m also not going to lie and say it’s a horrible song and the death of country music like some has assessed. I do think it has a good message. I do think with longer verses and a shorter run time it would be a decent pop song. But none of this means that I am somehow giving Chris Stapleton a pass. I have been disappointed in the trajectory of Stapleton’s career since that 2015 CMA moment, and have said so many times in print. Including here.
Marie
January 26, 2018 @ 5:06 am
This is a pop song. ITunes has it on their pop charts. I like pop songs. I did not like it at all. Of course because of the hype it might do OK. So why does Chris Stapleton get a pass for performing a pop song with a major pop artist when other country music artists are critisized by some for doing the exact same thing?? Actually pop star JT did help Chris’s music career with their performance at the CMA. Chris to me has become very mainstream and commercial. I’m getting tired of seeing and hearing about him. He’s not all that. So when does he get called on it?
blockman
January 26, 2018 @ 8:45 am
100%. Stapleton gets a pass because hes a) Stapleton and can do no wrong apparently and b) in their minds JT has some real country cred because he says so and is from Tennesse. He is getting off REAL easy compared to other cross-genre collaborations.
The site used to decry this sort of thing with crys of a ‘monoculture’ or ‘monogenre’ and speaking out against Pop/EDM/Hip Hop appropriating country music yet this is brushed off as ‘no big deal’ . If FGL or Sam Hunt etc collaborated with JT and came up with the EXACT same song the reaction would be much differemt. Unless they think Stapletons voice adds something special to the track then you know its pure fanboyism.
Trigger
January 26, 2018 @ 10:02 am
How the fuck am I giving Chris Stapleton a “pass”? How in the world could anyone construe such a conclusion from this review, aside from not reading it? This is a bullshit and incorrect mischaracterization of my opinion, and I don’t appreciate it. I don’t like this song. I think it is pretty bad. I think the collaboration between Justin Timberlake and Chris Stapleton was a failed endeavor, and disappointing. And aside from giving the song credit for the few merits it has—which I try to do with anything I review—I took it to the woodshed. What the fuck?
Furthermore, that is exactly how multiple commenters are taking that opinion. Why some believe I’m praising this song, I cannot explain aside from ignorance of the actual review.
A couple more things:
If I have such a hard on for Stapleton, why do I write things like this in my last review for him:
“Frankly, as time goes on, the whole Chris Stapleton arc has begun to feel a little bit lifeless and unimaginative—or feel like there really is no arc at all, just a flat drone of same sounding songs. Even uninspired.”
https://savingcountrymusic.com/album-review-chris-stapletons-from-a-room-vol-2/
Also, there is a difference between a pop star collaborating with a country artist and releasing it to country radio, having it chart on country charts, etc., and vice versa, where the impact will be on pop radio. I already have some problems with this song. But if they release it to country radio, we’ll have an even bigger problem.
– – – – – – – –
It’s bad enough I already have to answer for strong opinions I share that I actually do have. Don’t mischaracterize my opinions.
blockman
January 26, 2018 @ 11:49 am
Trig – calling it ‘not that bad’ is the definition of giving it a pass. Obviously this isnt a wholly positive review but it also isnt a wholly negative one. Its more neutral than anything hence giving it a pass since its ‘not that bad’.
Next there were SIX writers for this and about 10-15 lyrics in the song that are wholly derivative as hell. Instead of taking issue with this fact – something youve ragged on writers/performers in the past – you laud the virtue of it.
Also you can complain about people twisting your opinions but when you suggest the only possible reason country fans dislike Stapleton is because he is mainstream and those same people liked him when he wasnt mainstream you are doing the exact same thing. There are TONS of legitimate reasons for country fans to dislike Stapleton but instead you brush it off as people taking sides in some ‘culture war’. Im sorry but thats absolute bullshit.
Trigger
January 26, 2018 @ 12:21 pm
Again, I did not “laud the virtue” of the lyrics. I said the song is
“extremely repetitive, leaning on one smart line until it starts to become strained, and eventually crumbles beneath the weight of the whole song. Six songwriters to come up with so little copy?
I totally understand that folks have a serious beef with Stapleton, and I’m not even saying those issues are unwarranted. I have covered them on this site ad nauseum in fact, I have criticized Stapleton for not being willing to speak up for true country. But irrationality is a two way street. Chris Stapleton is not the problem in modern country music. He’s not even close. That doesn’t mean I’m defending him writing some lame songs or being unwilling to call Luke Bryan or Sam Hunt out for their bullshit. It just means it’s a complex issue when it comes to his value to country, and I frankly think it’s a good thing Stapleton is the one shattering all the sales records instead of Luke Bryan and Sam Hunt.
Charlie
January 26, 2018 @ 5:13 am
Haven’t seen or heard it. And now I don’t have to. Thank you, SCM.
Wes
January 26, 2018 @ 5:16 am
There is way too much repetition in this song. I’m not a toddler anymore I don’t need a nursery rhyme. The song sounds good but the repeating had me close to turning of the video before it was completed. If I hear this 3 more times I have a felling I will already be sick of it.
Running Bear
January 26, 2018 @ 5:57 am
I still hang out with my best friend Dave. I’ve know him since we were kids at school.
Jack Williams
January 26, 2018 @ 6:15 am
Meh. I don’t hate it, like I don’t hate Happy. I’d say Daddy Lessons is more enjoyable from my roots music fan perspective. Not that I love that song either, but there’s more to grab on to.
Clint
January 26, 2018 @ 6:30 am
I was hoping for one good workout song from JT. So far they are so boring I can’t add any. Here’s to hoping one of them is good
Benny Lee
January 26, 2018 @ 12:23 pm
You might find it easier to fall asleep to JT’s music than to workout to it… but then you’d have to deal with the nightmares…
Fuzzy TwoShirts
January 26, 2018 @ 7:06 am
Chris Stapleton is more of an oddity, for me (one of the SCM resident purists.)
I don’t hate him. ya he wrote some bad songs but so did… well… everyone, look at Buck Owens (I can’t stand “Sam’s Place” and think it’s almost as bad as any Luke Bryan) or some of the weird songs Porter Wagoner wrote.
for me Stapleton is a talented man, with a great singing ability, who sings Country music but usually uses more rock instruments, and if nothing else is a huge improvement on what the rest of the mainstream Country fare is.
and he’s also not so exciting that I really want to take my Donna Darlene or Hank Thompson records off just to play Stapleton’s.
I bought Traveller, and though I enjoyed it, it doesn’t hold in there for me the way a Kenny Price or Statler Brothers album does after repeat listens.
I haven’t heard the other 2 yet (lost my job, gotta save money for Flamekeeper and Blackberry Smoke tickets)
Timberlake is talented, like Ed Sheeran is (I heard Ed Sheeran singing some traditional Irish songs on youtube) but the problem is that it’s not the way I like my music. Ed Sheeran can sing and picks classic songs for some of his performances but I don’t wanna heard Ed Sheeran doing my Irish I have real Irish singers for those songs.
Timberlake is in that vein of talented but just not something I like, mostly because of his stylings. I’ve heard rumors about his Country cred for years and if nothing else he didn’t tell me something was Country and then tell me I was stupid for disagreeing
But I do think that the rest of this album will he if nothing else half decent but I don’t think we’ll hear Country Music as we define it.
there likely won’t be a dobro, or a clawhammer banjo or a hammer dulcimer, nobody’s going to yodel. it will be bluesy slide guitar and earthy harmonica more like J Guiles than Jimmy Riddle. and it will be better than anything the bros come up with but it won’t be so totally Country that we can’t get enough.
Bill
January 26, 2018 @ 7:39 am
JT is a talented dude….so is Stapleton even though I don’t get all the hype around him. But them as a recording duet sounds like some promoter’s idea and not a genuine collaboration. Not as contrived as when Sylvester Stallone and Dolly Parton recorded Sweet Loving Friends for the movie Rhinestone but….
Paul
January 26, 2018 @ 8:30 am
I’m sure I’m in the uber-minority, but We Woke Up in Love, by Sly and Dolly on Rhinestone is a guilty pleasure. The movie itself, as well.
Bill
January 27, 2018 @ 8:34 am
We all have our guilty pleasures, Paul….and that is okay. Mine is Merle and Clint doing Bar Room Buddies. 🙂
wayne
January 26, 2018 @ 7:56 am
Stapleton just soiled himself. Not good.
Jared S.
January 26, 2018 @ 8:19 am
Yeah, I just saw a link to the Youtube video and listened to it, didn’t watch the video. I haven’t heard the studio version yet.
The song is so boring and repetitive. If it was half as long it might have been ok.
blockman
January 26, 2018 @ 8:28 am
Its alright folks you can say what you really feel Chris isn’t watching the comments and if he was he wont be making a list and checking it twice for who said naughty things about him.
It is hilarious watching the fan boys scramble to justify this. My mom loves Stapleton and listens to Top 40 (not country) and thinks this is garbage and I concur. Why are yall too scared to call a spade a spade?
Ive tried to like Stapleton and his songs many times but he is just lukewarm as fuck. Once Nashville is done with him or his wife fucks off on him and he faces some personal tragedy then I might start paying attention again. Because right now the decisions he is making as far as releasing albums of old material, chumming it up with industry folks at awards shows and signing on to pop-tart collaborations like this are the kind of decisions that scream of someone lazily strolling down Easy street. Lets not forget the guy himself admits he has always been an insider in Nashville. And with all the hard work and grinding Isbell/Simpson etc put into getting their kind of music heard the executives figured the time was right to activate their Stapleton droid.
Mo Crawford
January 26, 2018 @ 8:55 am
Well said^
blockman
January 26, 2018 @ 8:55 am
Also for someone who riled so much against the ‘monogenre’ why are you disappointed they didnt ‘bridge the two worlds together’ better?
Kevin Smith
January 26, 2018 @ 9:07 am
Stapleton needs no defenders. He is an incredibly talented guy all around. This song is fine for what it is. I don’t love it , its world’s away from country, whatever. No fan of jt.Yawn….
Some thoughts for you and others who are down on Chris. I think some of this angst that a few like you have stems from this perception that hes a soul blues voice and nothing else. Similar to an American Idol winner. Am I right? That’s a perception.
I believe he is an exceptional songwriter as well. Consider this a shortlist of what I consider truly great songs that came from his pen. And quite a few of these are from his time with Steeldrivers, a time I believe represents his most creative and prolific. If you can listen to all these and still say he isn’t the real deal, then whatever, at least you gave it a chance.
1. Blue Side of the mountain
2. Can you run
3. If it hadn’t been for love
4. Sticks that made thunder
5. Peacemaker
6. Outlaw state of mind
7. Scarecrow in the garden
8. Angel of the night
9. Heaven sent
10. Where rainbows never die
11. Midnight train to memphis
12. Ghosts of mississippI
13. Hard Living
14. Fire away
15. Good Corn liqour
16. Your Man
17. Devil named Music
18. Whiskey and You
blockman
January 26, 2018 @ 9:49 am
Hey I appreciate the list but it is really not my thing. Ive heard Steeldrivers prior to Traveller including a bunch of the tunes. I went back and listened to a couple you listed and my reaction is the same. His voice, phrasing, delivery and words do absolutely nothing for me and are empty to these ears. It all falls flat and elicits no real feeling from me.
This is what I expect from country music: https://youtu.be/yGii3LaWlwo
The first few notes capture a feeling Stapleton has never came close to in 3 albums. Maybe he is going for a different feeling – which is fine – but its not for me. If you can point towards something Stapleton has done that comes close to that sound I will listen but he just doesnt have songs like that in my experience. Hence why he likely needs a dose of ‘the cold hard facts of life’ to capture the feeling thats been a part of country music since its beginnings yet absent in Stapleton.
I did dig a couple Jompson Brothers tunes though.
Kevin Smith
January 26, 2018 @ 11:03 am
JJ is a great stylist, singer ,writer. I agree on that. He possess’s the prototypical George Jones baritone. I wish he would get out of his rut.He is phenomenol.
Probably, the closest on my list to that kind of sound would be Whiskey and You.
Yes, Stapleton doesn’t have that Jones like inflection in his voice at all. It is a completely different vocal style. I compare him a bit more to Travis Tritt. To me he’s equally legit but I understand if you feel that way.
Unless a song grabs you , it’s not likely you will investigate deeper. However, there is a lot lyrically and metaphorically to those songs. Blue Side of the Mountain touches on our innate need for escape, spirituality, solitude and tells the story of family land and a secret Indian burial ground.
Can you Run is the story of a slave fleeing to the north and begging his woman to run with him knowing they may die along the way.
Where Rainbows never die is as touching an end of life song as I’ve heard in years and brings tears to many folks eyes when they hear it.
Sticks that made thunder is a civil war song sung metaphorically by an oak tree that witnessed the history and ends up being a commentary on the horror of war. Scarecrow in the garden paints the story of a 2nd generation farmer seeing his family business fail and seeking biblical answers while struggling with suicidal thoughts. Fire Away tackles bi polar depression, horrific relationships and suicide.
I could go on, my point is, his songs have serious depth, are rich in imagery and speak to the human condition while being informed of the history. He’s much more than a bluesy soul man. Hes a genius in my book.
albert
January 26, 2018 @ 11:20 am
nailed it Kevin ….and the things you point out about CS and /or the Drivers are all the things missing from REAL country music today ….narrative /storytelling with movement ….substance beyond someone’s phone ‘blowing up ‘ , GREAT heartfelt soulful vocals JUST LIKE JONES ,(blockman )..amazingly skilled musicians being featured regularly to support the song’s vibes , COUNTRY vocal harmonies , mood ,traditional rhythms that nearly play themselves they are so natural and organic , and always always always a combination of elements designed to SUPPORT THE SONG …not some trite throwaway generic sing-along , nursery-rhymey whoa whoa whoa lyric over and over and over again .
blockman
January 26, 2018 @ 11:58 am
Whiskey and You is actually one of the reasons I dislike Stapleton
‘I drink cuz im lonesome, im lonesome cuz I drink’ – Chris Stapleton from Traveller
‘I eat cuz im lonesome, im lonesome because I eat’ Fat Bastard from Austin Powers.
Hard for me to take the song seriously with that line. I guess im picky.
Ryan
January 27, 2018 @ 7:21 am
Jesus, Blockman. I’m sure he just turned off Austin Powers after that line and scurried to get a pen and pad!
Dooley
January 26, 2018 @ 8:36 am
I think everything on country radio is better than this song! And there seems to be not much else coming with the album, as they say:
Upbeat pop, R&B and electronic tracks make up the collection of 16 songs
http://m.gulfnews.com/amp/life-style/music/justin-timberlake-previews-man-in-the-woods-1.2158369
Gets me confused about my musical tastes…
Mo Crawford
January 26, 2018 @ 8:53 am
In what universe is this a good pop song?
Desperado Destry
January 26, 2018 @ 10:26 am
Justin Timberlake’s “I’m country” universe.
Bill Weiler
January 26, 2018 @ 10:31 am
In what universe is any of this relevant to country, roots, Americana music? I feel like I live in an alternate universe where music matters.
TheBarroomPoet
January 26, 2018 @ 9:07 am
I like the irony of how the only lyric in the first 1:30 of the video is “say something” over and over. As a fan of most types of music and of both of these guys individually, I didn’t hate it. In a sea of manufactured “stars,” listening to a couple actual artists do their thing, in any medium, feels like a treat.
Dennixx
January 26, 2018 @ 9:08 am
To each his own.
Stapleton is a schill.
Timberlake is a fraud.
Patrick Kelly
January 26, 2018 @ 9:09 am
Disappointing yes…but still would be better than most songs on pop radio. Hope it does well.
Anthony
January 26, 2018 @ 9:58 am
I actually really like this song. It feels like where JT and Stapelton would actually collide in the middle. The melody feels like both of them to me. I just hope this song doesn’t end up getting lumped in with the other pop country collaborations and that saga going on right now because I think this is much better.
Desperado Destry
January 26, 2018 @ 10:01 am
Well kids… Chris Stapleton just put a nail into the coffin of country music. First of all… let’s all just agree that Timberlake sucks as a country boy. But Chris… he just gave Timberlake the keys to country music’s kingdom. So now… we’re gonna hear a lot more of this repetitive bull shit because that’s all the mainstream artists are gonna think they need to do and the artists with the real storytelling country feel are gonna be put on hold. Thanks Chris… nice going… keep up the good work.
Trigger
January 26, 2018 @ 10:21 am
lol, I mentioned how the hatred from certain country fans for Chris Stapleton had become so irrational that he was now being blamed for the destruction of the genre even more than Sam Hunt, and here’s another example. This song is not good. Chris Stapleton’s last record felt flat. But the absolute delusional hatred people have for him is beyond all, and something I have never seen in 10 years of running this website. It’s even made some folks read this as a positive review. At the worst, Chris Stapleton is a country soul rocker with some mild songs who probably should be afforded all the hoopla. The idea that he “put the nail in the coffin” of country because he decided to collaborate with Justin Timberlake on this song is such an aberration of the truth, I don’t even know where to begin.
Chris Stapleton has become like college football fandom—a playground for completely delusional and irrational thought from otherwise intelligent people.
Kevin Smith
January 26, 2018 @ 11:13 am
See my comment above. My response to the Stapleton complainers.
That said, he did a pop song with JT. Big whoop. I seriously doubt he’s officially going pop. What does it matter? He’s never claimed to be a country music savior any more than Simpson has. He’s gonna persue his art on his terms.
I fully expect Stapletons next album will in general be a country record. Mark my word.
Desperado Destry
January 26, 2018 @ 11:30 am
Trigger… I responded to your comment. It posted below for some reason though.
blockman
January 26, 2018 @ 11:53 am
‘Chris Stapleton has become like college football fandom—a playground for completely delusional and irrational thought from otherwise intelligent people.’
Pot – meet kettle.
ManBearPig
January 26, 2018 @ 10:43 am
A bit dramatic aren’t we Desperado? This is a pop song. It is being marketed as a pop song, sung by a pop singer, and just happens to feature his friend Stapleton. My goodness, the drama and whining in this comments section is laughable.
Desperado Destry
January 26, 2018 @ 11:04 am
ManBearPig… If dramatic means caring about what road country music goes down… then call me a drama queen.
ManBearPig
January 26, 2018 @ 11:12 am
Where has this been marketed as country music? I’ve heard talk of possible country/roots/southern musical influence on this new album, but no talk of this being marketed as country.
Desperado Destry
January 26, 2018 @ 11:28 am
The whole point I’m trying to make is Stapleton did a song with Timberlake and the song sucked! Stapleton’s a Grammy winning songwriter and the biggest name in country music right now. But because the song is empty and Stapleton seemed just fine with it other country artists are going to follow along and end up recording empty songs just like this.
Jack Williams
January 26, 2018 @ 10:53 am
JUDAS! (he says ironically)
Desperado Destry
January 26, 2018 @ 10:54 am
Trigger… I didn’t say “the nail” I said “a nail”. There’s a difference. Also, I don’t “delusionally hate” Stapleton… as a matter of fact when he took Album of the Year and Male Vocalist of the Year at the CMA’s… I was excited and wrote about it in the live blog. I’m just not happy with him right now. If he and JT where actually singing something that wasn’t so damn repetitive… it might actually be good. But I can’t get myself to say something (pardon the pun) good about the song because there’s no feeling in it.
Jay
January 26, 2018 @ 11:04 am
I already know the lyrics, and so do you!
“Say something say something say something say something say something say something say something, caught up in the rhythm of it. Can’t help myself can’t help myself no on caught up in the rhythm of it can’t help myself can’t help myself no no caught up in the rhythm of it something i can’t have something I can’t have something I can’t have”
Lord. It’s annoying.
Corncaster
January 26, 2018 @ 11:26 am
What is this bullshit:
https://www.azlyrics.com/lyrics/justintimberlake/saysomething.html
More style over substance. Pass.
Corncaster
January 26, 2018 @ 11:27 am
I’ve heard more substance and intelligence in rap.
Zander
January 26, 2018 @ 11:31 am
Trigger is the most dangerous, most deceptive blogger in the overall country music world right now.
Louis M
January 26, 2018 @ 12:44 pm
I agree. I have a sneaking suspicion Trigger is being paid by Stapleton’s label or something. There is definitely something fishy going on. There’s no logical reason why he would speak so highly of an artist that has sold himself out. It goes against all the has stood for on this site.
Trigger
January 26, 2018 @ 1:01 pm
Fuck off. If you think I’m bought by any artist, get the fuck off my website and never come back.
If I am sold out to Chris Stapleton or his label, why didn’t I give him Album of the Year, Song of the Year, or Artist of the Year? Chris Stapleton released TWO records in 2017. NEITHER made it into my Top 10. Neither even made it into my Top 25.
– – – – –
I’ll tell you exactly what’s going on here. You and others are chirping among each other in some other location on the internet while not actually reading the words I wrote. Then you come here to bitch with precomposed notions about the opinions I share on Stapleton. If you read the review I did for Stapleton’s last record, there is absolutely no way you would think I’m bought by his label. In fact I know for a fact that Stapleton’s management hates me because I called them out directly on the shitty rollout of his last two records.
Did Mercury Nashville pay for an article titled, “How Mercury Nashville Has Already Bungled Chris Stapleton’s New Album” ?
https://savingcountrymusic.com/how-mercury-nashville-has-already-bungled-chris-stapletons-new-album/
Go eat shit.
Trigger
January 26, 2018 @ 5:51 pm
By the way, you dumb fucks showed your hand by making the Shooter reference, pointing me to the interference you’re trying to run in this comments section a la Shooter circa 2014 when he was perpetrating a dozen different aliases here and making death threats. This doesn’t have to do with my hard on for Stapleton, this has to do with the hard on y’all have for me.
“Ooh, this Chris Stapleton story will finally be the one to erode SCM’s integrity and destroy his website!”
Get a fucking life you nerds.
SteelCountry
January 26, 2018 @ 7:33 pm
Hey I missed the Shooter reference… and how bout some back story for us newer folks?
The Girl With The Waylon Tattoo
January 26, 2018 @ 11:36 am
If any other country artist did this you would crucify them. Stapleton is destroying country music, but you are too busy having a hard on for him to notice.
Trigger
January 26, 2018 @ 12:27 pm
“Stapleton is destroying country music”
See…..
Irrational, uninformed, outright insane.
Aggc
January 26, 2018 @ 1:11 pm
How on earth is Stapleton destroying country music?
Jtrpdx
January 26, 2018 @ 1:35 pm
You don’t happen to be an exotic dancer from Portland do you? I met a girl with a killer portrait of Waylon on her upper arm several years ago!
Trigger
January 26, 2018 @ 5:46 pm
No, but it is someone who is posting under multiple aliases here to make it look like the anti-Stapleton, anti-SCM sentiment is much greater than it actually is.
Benny Lee
January 26, 2018 @ 12:46 pm
I think Stapleton’s voice is better than Timberlake’s. His inclusion doesn’t raise the song to new heights, though. It’s still a crappy and annoying pop song. I’m sure my daughter will be singing it in the car for the next 3 months…
Don’t pity me, though. I’ll still be playing Cody and Whitey in the CD player over the top of the noise.
Orgirl1
January 26, 2018 @ 12:58 pm
Q
Benny Lee
January 26, 2018 @ 2:47 pm
I honestly don’t know how to respond to this.
R?
bob
January 26, 2018 @ 6:45 pm
S
Orgirl1
January 27, 2018 @ 10:50 am
Lol, sorry my phone is commenting for me.
Trigger
January 26, 2018 @ 1:20 pm
Since the fuckwits of the internet can’t be tasked to read this review and determine I came to a critical conclusion of this song, I have added a numeric rating.
Have a nice day.
albert
January 26, 2018 @ 2:24 pm
I’ve never heard the word ” fuckwits ‘ so appropriately used .
In fact I’ve never heard the word before but it works here.
Bear
January 26, 2018 @ 2:30 pm
I think he realized he is nearing 40 and his career is not what it used to be so to stay relevant he ditched the country idea to make one last cash in on the charts by making music totally in the moment and unoriginal and just in time for his Superbowl show. Before he has to go and record some “jazz” covers of standards or some tribute to the Motown which he’ll claim he grew up on and was “deeply” influenced by and becomes a PBS fundraising staple. LOL!
Meh- I always though he was fake especially ever since he tossed Janet under the bus. So I’ve not surprised he’d one 180 at least on the first two singles. And SOMEBODY tell him to put down the guitar who is foolin’ people under 30.
Corncaster
January 26, 2018 @ 2:40 pm
Trig, you write:
“If Chris Stapleton wants to sing with Timberlake on this song, how does that somehow erode either his country cred or integrity?”
I’ll tell you. If you want to make contributions to something, you spend time with it. You get obsessed. You sweat its details. You sacrifice other things in order to devote your attention fully. If you don’t, you are by definition forking your attention and energy, and your integrity isn’t “integral” anymore.
But does that destroy your credibility? No. If Chris were to strap himself back into the studio with a crack band and release a coherent 10 song album with variety, stone cold instrumentation, and fantastic lyrics, all would be “forgiven.” He would retain his credibility.
But the longer he agrees to disperse himself in Monogenre, the less integrity he will have as a country artist. And that will erode his credibility in the end. No one will believe he has any commitments or loyalties. He’ll be a corporate whore, all the way down.
I’ll never fault him for wanting him to make money during his peak earning years.
But making money often comes at a price.
Trigger
January 26, 2018 @ 5:42 pm
Chris Stapleton’s issues right now are not collaborating with Timberlake, and they’re certainly not money. It’s motivation. I think the money and success in such overwhelming quantities has killed his desire to write new songs or push the envelope, and he’s said as much in interviews. Timberlake called him up and said, “Hey you want to be in this song and video?” And Stapleton said, “Sure” because he’s a go along to get along kind of guy. He doesn’t give a shit about his country cred. I don’t know that Chris Stapleton gives a shit about anything. He’s a mild mannered, easy-flowing guy from Kentucky who made millions on accident, and at this point is just along for the ride. And he owes a large part of that to Timberlake, so it’s not like he’s going to tell him “no.”
Jack Williams
January 27, 2018 @ 8:02 am
Timberlake called him up and said, “Hey you want to be in this song and video?” And Stapleton said, “Sure” because he’s a go along to get along kind of guy. He doesn’t give a shit about his country cred. I don’t know that Chris Stapleton gives a shit about anything. He’s a mild mannered, easy-flowing guy from Kentucky who made millions on accident, and at this point is just along for the ride.
To your point:
I’ve been a fan of bluegrass/newgrass/folk singer/songwriter/instrumentalist Tim O’Brien for a good long while now. I’ve got a dozen or so of his albums. His latest is called Where The River Meets The Road and came out several months ago. There are two originals on the album and the rest of the songs were written by other songwriters from Tim’s native state of West Virginia (I had no idea, but apparently Bill Withers (Ain’t No Sunshine, Lean on Me) is from West Virginia and Tim covers his great song Grandma’s Hands on the album). The first song on the album is High Flying Bird. As I’m listening to it for the first time, it sure sounds like Chris Stapleton singing with Tim on the track. And sure enough, that’s him. In an interview, Tim talked about how he had known Chris for a while and that he sang on another song on Tim’s Chicken and Egg album, which came out in 2010. That’s the year the second Steeldrivers album came out. I dug out my copy and see that Chris is credited as a singer on the song Sinner. And here is he again, seven years and millions of dollars later, singing on Tim OBrien’s new album. Respect.
Corncaster
January 27, 2018 @ 11:48 am
Chris could lend a hand to pull up others onto his albums. Does he, or does he just golf? Timberlake is golf and dickin around. Feh,
Jack Williams
January 27, 2018 @ 12:49 pm
His albums? You mean the two he put out this year? I’m not sure why he should feel obligated to have other lesser known artists play/sing on HIS albums. I remember he had some really good independent artists opening for him (E.g., Lindi Ortega) on his tour this year, although I guess some of those dates was postponed because of injury.
Ulysses McCaskill
January 26, 2018 @ 2:40 pm
Don’t have much of an interest in Stapleton anymore unless he gets back to playing songs like Devil Named Music/Outlaw State of Mind/Daddy Doesn’t Pray anymore, etc, etc… Traveller was awesome. This new sound, however, not so much.
Dennixx
January 26, 2018 @ 4:55 pm
He’s probably going to show up at superbowl halftime w Timberlake to show you can fool most of the people sometimes..lol
Aggc
January 26, 2018 @ 5:09 pm
Truth is, the only ones destroying country music are the consumers. As long as they keep lapping up this crap, Nashville will keep pumping it out. It’s just business, nothing personal. Idealism only works for those that can afford it. The rest are just trying to earn a living. Bottom line is what many of us here dismiss as abysmal trype is what today’s consumers want to hear. Popularity has never been synonymous with quality. Sad but so, so true.
DJ
January 26, 2018 @ 6:03 pm
What he said^^^^^^^^^^
albert
January 27, 2018 @ 2:25 am
”Bottom line is what many of us here dismiss as abysmal trype is what today’s consumers want to hear. Popularity has never been synonymous with quality. Sad but so, so true.”
Trends happen because people want to feel and appear they are part of something ….something important , hip and cutting edge and considered ‘cool ‘ because of the aforementioned. A hairstyle , tattoos , a popular color of house paint , a wooden floor rather than a carpeted floor etc. All of these are trends which people want to be a part of rather than having to deal with being ‘ out of sync ‘ or uncool socially .
Rap was perceived to be ‘ hip’ which meant that anywhere it raised its ( ugly ? ) head made that thing hip . Music row has always chased the trends happening in pop music . Unfortunately they opened the door to the rap thing and can’t close it cuz the demographic that bought in are hooked /addicted and the REAL longtime fans of country have been.forsaken in exchange for the marketing of trend.
The mainstream country demographic is into hip and cool and trendy . They are not into music for music’s sake . They are into trend and fad and whatever is perceived to be the cool , fashionable thing to be into. I don’t believe they love mainstream country . I believe they love the trend ….the idea of being associated with something considered hip by all of their peers …rap and rap-influenced country . And so they THINK they love the crap mainstream is peddling . Had Hungarian folk music been somehow considered hip and cool , you can bet everyone to whom being seen to be cool and hip is important would have been all over it .
When you feed someone the same thing over and over they will develop a taste for it….an addiction. When someone decides not to use sugar in their coffee anymore , they learn to like it without sugar.
Today’s music consumers only THINK .today’s mainstream country is what they want to hear because they are not music lovers . The are trend lovers . They aren’t interested in any music that isn’t trendy cuz they aren’t music lovers .
Bill Weiler
January 27, 2018 @ 6:47 am
Corporate America can sell Shit on a Shingle to an unsophisticated and intellectually lazy public and they will lap it up, declare it delicious and keep coming back for more. It is a discriminating minority that will break the norm and seek that which is more lasting and satisfying.
albert
January 27, 2018 @ 9:40 am
”Corporate America can sell Shit on a Shingle to an unsophisticated and intellectually lazy public and they will lap it up, declare it delicious and keep coming back for more.”
yeah…I guess i coulda just said THAT Bill …….so so true .
Aggc
January 27, 2018 @ 7:30 am
Yes, people jump onto bandwagons to avoid thinking for themselves. There’s safety in numbers and no one wants to be held accountable for anything anymore. You can also thank the liberal media for promoting a ‘culture’ that somehow has made calling women bitches and whores while they jump around with their pants down to their knees and grabbing their crotches acceptable. Sorry to say but I think we’re past the point of rescue. I am grateful for web sites such as this that are still promoting quality music. I do wish it would focus a bit more on the good music rather than the bad but it’s not my web site.
albert
January 27, 2018 @ 9:46 am
Tony Brown and the new JT single
”And then Tony gets on a rant and I can’t stop listening to him, I’m eating it up, he’s talking about what defines a hit and then I ask him…IS THE NEW JUSTIN TIMBERLAKE/CHRIS STAPLETON SONG A HIT?
And Tony says NO!
Whew! That’s what’s valuable about the aged and experienced, they KNOW! And that’s worth something. I’m watching the video last night thinking whether I’m the only guy who thinks this track isn’t good enough. Isn’t it obvious? Didn’t we learn this with Taylor Swift? Can’t anybody say no? Is this the best they can do?”
Wayne
January 27, 2018 @ 2:39 pm
Honestly, a better pop song than most on pop radio. Tolerable music from two artists who could do better but its relatively inoffensive. Not every song has to be country or rootsy, and this was never intended to be country. If all crossover collaborations between country and pop artists sounded more like this than that Bebe Rexha/FGL crap, then I would think more highly of mainstream music even if this is less than good.
JB
January 27, 2018 @ 6:20 pm
I think it was always a little optimistic to expect JT to put out a straightforward country album. As a Memphian, I know our city is proud of him, and the pride is mutual. When you listen to Stapleton interviews (as I’m fond of doing for country musicians, to determine their authenticity), he’s got a strong accent. But it’s remarkable how chameleonic his voice is – see his efforts on the Ratatouille soundtrack. He’s an undeniable talent, and an adaptive one. His powerful upper register works wonderfully with JT’s tenor. I appreciated the song for its acoustic base and the skill of the vocalists, though I did feel it was unduly repetitive. It’s a pop song, but it’s a jam.
Anna
January 28, 2018 @ 6:29 pm
The song is enjoyable enough, but while I was excited to hear Stapleton’s voice I didn’t feel his presence really added as much as it could’ve to the song. A big pop choir production just didn’t seem to fit Stapleton’s addition, and the song itself is rather repetitive with not a ton of substance (common, I suppose, though).
Dana M
January 30, 2018 @ 9:03 pm
This is more country than what’s playing on country radio now. Disappointed that it’s not as country as I would hope it to be.
Gina
February 2, 2018 @ 8:50 am
I agree that it’s disappointing, especially given the immense talent these two have. I was really excited about Chris singing on this, but he really doesn’t stand out. It just feels unfinished to me, the chorus is great but then it just peters out. Justin’s album is getting slammed by quite a few reviews I’ve read so this might be the best thing on it.
Angel
May 27, 2018 @ 3:03 pm
Ok here’s my problem ..the verse says say something and then say nothing . I’m quite .confused ..but look Justin tells Stapleton I’ve written a song not say something then.Stapleton says well say something .Justin says nevermind I’d rather make a song called say something ..stapeleyon says …….hmmm