This year the Luck Reunion had an incredible lineup. But like everything else, it has been cancelled due to the Coronavirus. Nonetheless, they will be celebrating Thursday (3-19) with a live streaming event showcasing many of the artists originally scheduled to perform, and a few surprises.
Willie Nelson is set to be honored by The Library of Congress and the Gershwin Prize for Popular Song on Wednesday, November 18th at Constitution Hall in Washington. The concert will be recorded and broadcast nationwide through PBS on Friday, January 16th, 2016. “It is an honor to be the next recipient of the Gershwin Prize. I appreciate it greatly,” Nelson says.
As an offering for Record Store Day’s upcoming Black Friday releases, Johanna and Klara Söderberg have covered Simon & Garfunkel’s iconic tune “America,” written by Paul Simon. A master work of the American songbook, the song peerlessly encapsulates the forlorn beauty of youthful restlessness and underlying abject fear that are an indelible part of the American experience.
Eliot Bronson is Americana in the truest sense of the word—instead of simply falling back on the term as a default. His lyrics come inspired from America’s country and roots past, but the music refers to more progressive folk rock and blues legacies. First and foremost though, his self-titled LP is a songwriter’s showcase, capturing moments of spectacular insight and feeling…
Texas native and current Nashvillian Robert Ellis is certainly a candidate to take that critical acclaim baton from Jason Isbell and run with it as an artist who seems to effortlessly deliver songs with cutting emotional moments in an awe-inspiring display of deft creativity. His much-anticipated new album Lights From The Chemical Plant is full of those instances that give you shivers…
The artists worth your time are so often aloof when it comes to self-promotion, so the music will never just fall into your lap. You have to work for it. You have to seek it out, or it must seek you out, and in many respects this imparts an even greater value to it than the already elevated value of the music itself compared to the music you encounter inadvertently through most popular media.
What set me off was the introduction. And when I say “set me off,” I mean it hit my ears like an unprovoked insult. With a couple of uninformed, arrogant, and belittling sentences, the awesome legacies of dozens of New York-based folk artists were reduced to a trifle in such an irresponsible manner, I could palpably feel the anger pulsing through my veins and I lost a night’s worth of sleep…