Flatt Lonesome, The Earls of Leicester, Balsam Range, The SteelDrivers, and Sam Bush emerged Wednesday (7-27) as the leading nominee getters for the 2016 installment of the International Bluegrass Music Awards, or IBMA’s, while Clarence White was announced as the latest inductee into the Hall of Fame.
A big issue with the Grand Ole Opry in recent years has been trying to get standing members to meet their performance obligations. Though the Opry loves to add high-profile names from country’s current radio stars, these performers tend to sign on to receive the distinction of being Opry members, but don’t actually want to play the appointed number of slots for membership.
It’s about that time of year again to start considering who the Country Music Hall of Fame will include in their list of 2015 inductees. That said, this announcement seems to inch later, and later (and later) each year. Nonetheless, if you want your opinion to amount to anything, you better get it out there early in the year as the people who make the picks for the final ballots and eventually inductees are doing their homework.
Yes, it was still 2013, and it was still a modern country music awards show, and so traditional and independent-minded country music fans still had plenty to look sideways at if they were brave enough to watch. But that doesn’t mean that the 47th Annual Country Music Association Awards wasn’t a retrenching of the roots and substance in the genre’s most important institution.
ABC’s Wednesday night drama Nashville just entered its second season, and though like many network television dramas, the drama can feel over-the-top and contrived, the show’s impact on a wide range of issues that fall under the charge of Saving Country Music is undeniable, if not unprecedented. Though I wouldn’t necessarily recommend the show, it’s still important to understand Nashville’s impact.
The 2013 Americana Music Awards once again transpired in Nashville at the historic Ryman Auditorium as part of the week-long Americana Music Conference. Delbert McClinton lead off with Hank Williams’ “Hey, Good Lookin,'” leading into MC Jim Lauderdale giving a poignant introduction that included the line, “The past matters, traditions matter, even when we explore ways to have those traditions extended and expanded.”
So what positives could come from the show? If you take away all the drama between the characters that’s really the central focus of the series, what you have is the biggest inside look into the business of country music ever released to the public through popular media and a vehicle for presenting new music to millions of folks. The ugly trappings of Nashville go with out saying. Here are some of the positives.
Is this a great bluegrass album? Of course not. But a great bluegrass album would also not be a vehicle to introduce a generation of people to Del McCoury, Kris Kristofferson, and bluegrass music in general. Is it the album that Dierks set out to make without commercial consideration or label meddling? I kind of think it is.