Instead of trying to write songs that compel the audience to look at themselves, “We’re Only Human” finds Hayes turning the gaze back onto himself in an introspective manner.
It really is hard to come back to reality after spending three days in picturesque Whitefish, Montana, taking in the music of some of our generation’s very top talents courtesy of the Under The Big Sky Festival.
The carpenter/contractor, old-time banjo enthusiast, and sometimes full-time touring musician is officially back, releasing a couple of new songs, and announcing the release of his latest album “JP Harris is a Trash Fire.”
It’s onward and upward for Tyler Childers who is officially graduating to the arena level on his upcoming “Mule Pull ’24 Tour.” Already booked for big appearances during the final months of 2023…
The Texas, Red Dirt, and Americana-oriented Mile 0 Fest in Key West, Florida will be moving forward in 2021, and they have just announced the festival’s preliminary lineup. Usually occurring in late January/early February, they have moved the date later in the year due to COVID-19 concerns.
Southern Rock revivalists Blackberry Smoke have been touring like mad in 2019, and they’re not stopping anytime soon. Now they’ve added a bunch of new dates for this fall appropriately called ‘Till The Wheels Fall Off Tour, taking them through the South and Midwest, and named after one of the songs on their latest album, ‘Find A Light.’
Southern rock gods Blackberry Smoke have just added even more dates to an already-stacked 2019 tour schedule, but these come with an interesting wrinkle. Piggy backing off of the release of their Southern Ground Sessions EP, they’ll be playing a series of acoustic-only shows.
With her third record, second generation alt-country performer Lilly Hiatt has offered up a career-defining album full of songwriting gems and inspired performances that is spirited to the heights of infectious listening by smart and considerate production. This personal and galvanized work finds the full realization of Lilly Hiatt’s vision, voice, and potential as a […]
Unless you were stuck on an island recently, I’m sure the article called “10 Lamest Americana Acts” by the once prestigious, and now click-hungry newsweekly alternative known as L.A. Weekly passed under your nose. Here are the 10 artists presented by L.A. Weekly and in the same order, but filling in the positives and counterpoints left out of their piece.
So apparently Americana and some of its top artists aren’t above criticism by a major media outlet. This is what the independent country and Americana communities had to face down on Friday (3-31) when an author by the name of Jonny Whiteside writing for L.A. Weekly published an article slamming some of Americana’s elite.
Henley’s been out there outwardly criticizing the state of country music and the state of music in general, though doing so with a lot more of a thoughtful and informed tone than many others, including tracing the problem back to the disappearance of the agrarian way of life that was once prevalent throughout America, and now finds itself quickly receding.
The hope of fans of any independent music artist is that they will be able to achieve a sustainable career, and that their music will find wider appeal amongst the listening public. When an independent artist succeeds, it’s important that we pay attention to what lent to that success so hopefully more worthy artists can achieve similar results, and to ask what that success might mean.
The Americana Music Association has just unveiled their list for the most played albums in 2014, and there’s quite a few surprises, and quite a few names traditionally considered country filling out the ranks. Though 2014 still has another month to go, the end of November traditionally marks the end of the radio calendar in music, allowing us to look back and see who had the greatest impact on the format.
Shovels & Rope and the filmmakers put the cart before the horse, but in this instance it paid off in a brilliant and inspiring film. The Moving Picture Boys didn’t have the daunting task that most documentary makers face in attempting to tell a compelling story about an unknown or mundane subject. The story was telling itself in a way no script could ever facilitate.
How to evolve into a full band setting while still holding onto what won you such rabid grassroots support was the precarious challenge Shakey Graves was asked to pull off with this new Dualtone release And The War Came, and it’s what he accomplishes with such alacrity, the listener remains delightfully unaware any such challenge even existed.
So who could step up of in the country music vocal duo space who could duel with the heavyweights of the mainstream, and offer more substance to that category like The Civil Wars did? Of course there will only be one Civil Wars and nobody will be able to replace them completely, but here are some ideas who could have a similar impact.
One of the hottest and most entertaining primordial string band outfits on the planet right now is the Austin-based Whiskey Shivers, and patient fans who’ve been waiting for a defining album from a band whose been tearing it up live for years are finally getting their wish. Produced by noteworthy Americana artist Robert Ellis, Whiskey Shivers will be releasing their self-titled LP September 23rd.
Willie Nelson’s private town called Luck, TX that sits on the edge of his ranch just west of Austin in the Texas Hill Country was heavily damaged in storms that moved through the area late last week. “Our beautiful Luck wasn’t so Lucky recently,” the Willie Nelson camp said in a statement, “Last week’s tornado force winds ripped several buildings apart…”
Saving Country Music was out and about Austin, TX and its outskirts over the past week or so as part of the annual South By Southwest (SXSW) gathering, pounding the pavement and looking for the next country music artist worthy of your ears that you may never otherwise hear about. In the coming months I look forward to taking some of these discoveries and sharing them with you.
The first issue of “Country Music Magazine” did not disappoint, and made good on their promise to deliver high quality content to the scores of country music fans who want to read about past greats and future hopefuls while not completely ignoring the mainstream names worth a listen. Now they have released their second issue, and the 2nd verse is as sweet as the 1st.
Directed by Wayne Price, with producer Brian Devine and Graham Leader, Heartworn Highways Revisited is reported to be in post production, with hopes it will be released later this summer. They have also released a trailer for the new film on their website, and have revealed the new cast that includes Guy Clark, David Allan Coe, and Steve Young from the original film, as well as newer artists…
A couple of days ago, The Stagecoach Festival out in California announced their 2014 lineup, capped by headliners Eric Church, Jason Aldean, and Luke Bryan. Since its inception 7 years ago, Stagecoach has been the California contingent to America’s big corporate country music festivals, but what makes Stagecoach different is that they actually include independent and up-and-coming artists as well.
ABC’s Wednesday night drama Nashville just entered its second season, and though like many network television dramas, the drama can feel over-the-top and contrived, the show’s impact on a wide range of issues that fall under the charge of Saving Country Music is undeniable, if not unprecedented. Though I wouldn’t necessarily recommend the show, it’s still important to understand Nashville’s impact.
Everywhere in the independent music world you’re seeing songwriters who have struggled for years finally starting to get singed to record labels and releasing career-caliber albums. Whereas other sectors of the music industry seem to be gripped by the fear that digitization and streaming may ultimately doom the business of music, talented songwriters are benefiting from the search for the next writer to break out.