If you’re anything like me, you hate how these stupid television reality show singing competitions are doing their level best to suck independent music fans into their diabolical fold. Either it shows how desperate they are for new viewers, or shows how independent music is truly permeating culture in ways never seen before. If it’s the latter, then I guess we should take it as a positive sign.
Well the saga of Sony Nashville CEO Gary Overton’s comments to The Tennessean of “If you’re not on country radio, you don’t exist” uttered in late February just took another interesting turn. Gary Overton is out at one of Music Row’s very top executive spots. Announced Tuesday morning (3-17), Gary Overton is stepping down from his position as Sony Nashville’s top executive at the end of March.
During a phone interview Thursday afternoon (3-12) ahead of Scott Borchetta’s appearance on American Idol, he was asked to comment on the quotes from Sony Nashville CEO Gary Overton who said a couple of weeks ago, “If you’re not on country radio, you don’t exist.” Not only did Borchetta somewhat disagree with Overton’s assessment as being “very broad,” he cited Sturgill Simpson…
I don’t need a workup from Dr. Scratch-N-Sniff to know something is seriously ill with country music here in the first quarter of 2015. We’re not talking about the worn-out complaints about how pop country sucks and how Sam Hunt and Florida Georgia Line don’t belong. Take all of those concerns and put them to the side for a second. I’m talking about the once high-flying country genre…
It was only a matter of time before mainstream artists started plucking songs from the heralded discographies of thriving independent artists like Jason Isbell and Sturgill Simpson. We know these are the artists many of the mainstream acts are listening to. Then again Zac Brown has always been sort of his own animal when it comes to the establishment.
“My name is Aaron Watson. I’m not played on country radio. And I have the #1 record in country music this week. I do exist.” This was Aaron Watson’s reaction to the comments of Sony Records Nashville CEO Gary Overton, who said earlier this week, “If you’re not on country radio, you don’t exist.” But overall the Texas country star took a much more humble, appreciative, and inclusive tone.
Who would have thought a few years ago that in 2015, Aaron Watson, Aaron Watson, would be releasing one of the most-anticipated, and potentially most impactful albums in all of 2015 in country music? Oh it’s not that Watson hasn’t been setting country music fans in Texas, Oklahoma, and on the rodeo circuit ablaze for many years.
Steve Earle says it wasn’t his politics that held him back from greater mainstream country success. It was more the oligarchy who was afraid of artists who call their own shots. Steve Earle is not the only one talking about saving country music lately. Brandy Clark amidst her Grammy Awards success said recently, “My name is said in the same breath as people like Kacey [Musgraves] and Sturgill Simpson, Ashley Monroe…
Tired of seeing Sturgill Simpson news? Well then tell it to stop happening. If you can fathom this, the Kentucky-born singer is currently experiencing a renewed increase in interest, even while in the more long-term perspective he continues a meteoric rise which could have big implications on the country music community at large.
All you need to know about the 2015 Grammy Awards. Despite the country genre rising to become arguably the biggest genre in popular music right now, there’s just not a whole lot of country to be featured on the show this year. This year’s country performance slots are cut in half, with the only collaboration being between Brandy Clark and Dwight Yoakam.
This week Sturgill Simpson embarked on a much-anticipated sold out American tour, and the third night of the tour saw him in his home state of Kentucky playing at the Madison Theater in Covington, just over the river from Cincinnati. The venue was filled to capacity, with little room for elbows or egos, and during Sturgill’s song “Sometimes Wine” a scuffle started in the crowd.
As the longest running music show on TV enters its 40th season, Austin City Limits has announced its second installment of inductees into its Hall of Fame founded in 2014. The original crew of the Austin City Limits show will also be honored as the 2015’s non-performing inductee. As part of the Hall of Fame announcement, more performers for season 41 were also revealed.
Sturgill Simpson’s current national tour has been selling out dates left and right, and has most everybody in country music talking about his continued meteoric rise. But something causing some fans quite a bit of curiosity was the inclusion of a DJ outfit called Electric Western to open some dates in the Midwest & the West Coast. Were Sturgill fans all of a sudden being asked to sit through EDM and hip-hop sets?
Get ’em while the getting’s good because they’re about to be gone. That’s not a sales pitch, that’s the simple reality of Sturgill Simpson’s upcoming tour starting on 1/29. After going on a sold out club tour in the latter half of 2014, Sturgill’s next stint on the road sees him graduating to bigger clubs and many theaters to house the growing demand. But even with more capacity, many dates are selling out almost immediately.
For years now, the long-awaited solo album from country music songwriter Chris Stapleton has been like the White Whale of albums to informed country music listeners who pay attention liner notes. Meanwhile other fans remember Stapleton from his days in the bluegrass band The SteelDrivers. Beyond his songwriting, Stapleton’s solo sets are things of shiver-inducing magic.
The Sturgill Simpson love continues to pour in from different sectors of the music world, and now extends to songwriter and guitarist John Mayer, who is apparently “jealous” of the Kentucky-born country music performer. One of his biggest fans in mainstream country has been Keith Urban, and in a recent interview, when asked about Sturgill, Urban said “He’s the best.”
Sturgill Simpson is now officially a major label artist. The Kentucky native who’s been making waves throughout country music over the last year with his award-winning album Metamodern Sounds In Country Music has signed to Atlantic Records, part of the Warner Music Group, and will release his next album currently being recorded through the major label.
As the college football consciousness of the country zoomed in on Arlington, TX and the first official National Championship game ever played at the collegiate level Monday night, Zac Brown Band was tapped as the entertainment for ESPN’s College Gameday presentation leading up to the big game. Zac Brown Band played Jason Isbell’s much-appreciated but fairly obscure song for fallen soldiers.
The increasingly irrelevant Academy of Country Music Awards, or ACM’s, released their annual earache of ignoble pseudo-country performers known as the semi-final “New Artist” nominees this Monday, that spellbind any beholder with an even elementary understanding of the definitions of “New” and “Artist” as to how such names were populated.
This isn’t going to be some long form praising of Sturgill Simpson’s work in 2014, or yet another rundown of his long list of successes last year. There’s already been plenty of that, arguably too much of it, and I am just as tired of writing about it as you are of reading of it. Yeah yeah, Sturgill Simpson’s great, but his name has become the independent country version of click bait.
Where the last time Sturgill made a stop in Austin he was sporting a conversion van stenching of the road, now there was a big primary blue tour bus idling across the street. the gallery was packed by the time Sturgill took the stage. Tight and well-tuned from playing down-to-the-minute sets on tour with Zac Brown, Sturgill and the boys chewed through their songs like clockwork, with Simpson showing fire…
In 2014, you had two previously-unknown women release towers of country music brilliance in Tami Nelison’s Dynamite! and Karen Jonas’s Oklahoma Lottery. You had folk blues songwriter Charlie Parr deliver a masterpiece in his instrumental triumph in Hollandale. You had the Swedish sister duo First Aid Kit feature what very well would had been considered an Album of the Year on any other year…
2014 was a year of great flux in country music. Where 2013 was dominated by public feuds and outcries by many country performers about the direction of the music, 2014 became the year things began to be done about many of the problems plaguing the genre. With Bro-Country as the battleground, the fight to return some balance to the country format began to make headway.
It’s not every day you get trolled by a CMA Entertainer of the Year winner, but that’s what Saving Country Music found itself experiencing Sunday night (12-28) when Ronnie Dunn took to his always colorful Facebook page to post links and commentary to recent stories on SCM about his involvement (or non involvement) with the new Cumulus Media/Big Machine Records’ joint venture called NASH Icon.