We didn’t really know what to expect from the Grand Ole Opry’s 100th Anniversary celebration on NBC Wednesday night (3-19). We hoped it would be a cavalcade of actual country stars singing actual country music.
We’re used to younger and up-and-coming artists paying tribute to Willie Nelson, or perhaps Willie toasting the legends who came before him like Frank Sinatra and Gershwin.
If you want to get Keith Urban on the Hollywood Walk of Fame, wait until a year after Strait gets his or something. The organizers of this make it seem like Strait and Urban are equals. It just sort of cheapens the whole thing.
I saw Jason Aldean perform on the 2024 CMT Awards, and now I’m a RACIST! Aldean performed in front of the 27-story University of Texas Tower in Austin, and murdered it harder than Charles Joseph Whitman.
Lo and behold, when in London, England recently, Tyler Childers stopped by a local record store and was digging on the debut Jesse Daniel record while someone snapped a photo. The photo started making the rounds thanks to Vinyl Cup Records in Des Moines, Iowa.
As the concert ended, the friends of Cory Barron couldn’t find him. They searched the entire ballpark, hung around to see if he would show up, called friends to confirm he didn’t leave with someone else, with no clue of where he’d disappeared to. By Saturday morning, a missing persons report was filed.
Tyler Childers might not be going bluegrass, but he is going to Telluride as one of the headliners of the 2022 Telluride Bluegrass Festival in beautiful Colorado. Along with Molly Tuttle, Béla Fleck’s My Bluegrass Heart, Rhiannon Giddens and Francesco Turrisi, and others.
Sure, if you’ve been working all week and were looking forward to getting your face rocked off this weekend by the kind of raucous show Eric Church brings live, you may be feeling a sense of disappointment at this news. But I’m here to tell you, you’ve lucked out.
Breland is back, and collaborating closely with Keith Urban in the hopes of giving him some credibility in country’s mainstream. Jokes on him though, because Keith Urban has no credibility to lend. Don’t believe me, just recall when he accidentally won Entertainer of the Year in 2018.
I just know too much about the untold history of Barry Gibb and his dalliances with country music to be perturbed that at 74-years-old, he wants to make a country record. And the first song they released from it featuring Jason Isbell sounds pretty damn good to me.
The latest Tyler Childers album Long Violent History is not exactly a conventional studio album since it was a surprise release, and only contains one original song along with eight traditional fiddle tunes. But with the way Tyler has been outperforming, it’s interesting see how it’s doing.
Just remember, “It’s only the ACM Awards.” It’s just disappointing that one of their best presentations in perhaps a decade or more—and under difficult circumstances—had to be sullied at the very end by a silly and avoidable decision.
Jan Howard’s death was marked with obituaries enumerating her many accomplishments in country music, including her hits, her collaborations with John Anderson, and her long tenure at the Grand Ole Opry. But when it comes to Jan Howard, it was just as much about the work she did off the stage, and out of the spotlight.
The amount of cancellations tied to the Coronavius outbreak can be dizzying to keep up with, even within the confines of independent country and roots. But a few important cancellations are worthy of note, including two dates on the Sturgill Simpson / Tyler Childers tour, and the Mike & The Moonpies Europe tour.
Daniel Lee Martin always knew he wanted to be famous. He launched a country music career where he would write songs with Keith Urban, open for Willie Nelson, and have MLB pitching ace Bronson Arroyo invest in him. He would star in reality TV shows. But now, Daniel Lee Martin is famous for all of the wrong reasons.
Haha. Okay… So this is how Sam Hunt is making his music, “… more traditional in terms of the genre … that’s definitely where the songs are leaning at this point,” like he promised us he was doing last summer? By filching a piece of a sacred Webb Pierce classic and misappropriating it for a derivative drum-looped pop song?
Carrie Underwood will win the 2019 CMA Award for Entertainer of the Year when it is handed out on November 13th, 2019. Mark it down. She will beat out Chris Stapleton, Keith Urban, Garth Brooks, and Eric Church for the top prize of the night. This isn’t necessarily an endorsement, nor is it any kind of rebuke. It’s simply a prediction.
To enumerate everything that has happened with The Band Perry since they went from winning awards and selling out mid-sized arenas, to now playing 300-capacity rooms, is a convoluted, and somewhat sordid story of chasing a pop dream of Taylor Swift-level superstardom, and striking out demonstrably.
When you hear certain albums from some of country music’s mainstream performers, it’s patently clear to large portions of the audience that these albums aren’t pop country, they’re just pop, period. But in the pop world when artist dabble in country influences, they tend to be more honest about how the end result is still pop.
It’s no April Fools Joke. Country music legend Loretta Lynn is gearing up to celebrate her 87th birthday this April 14th, and on April 1st, many of country music’s finest will be coming together to show tribute to the Coal Miners Daughter in a massive concert and birthday party at Nashville’s Bridgestone Arena.
We took the time to celebrate some of the Best Songs Released in 2018, as well as some of the Best Albums, so now it’s time to place a clothespin firmly on our noses, slip on some elbow-length rubber gloves, and go digging through the cesspool that is radio country to dredge up the absolute worst offenses.
Kacey Musgraves didn’t fail because country radio ignored her. She succeeded because she ignored country radio. This is the lesson of Kacey Musgraves, ‘Golden Hour,’ and the 2018 CMA Awards. Of course country radio sucks, and is inequitable when it comes to women. But what are you going to do about it?
Country music still needs saving ladies and gentlemen, and is still searching for the absolute statistical rock bottom when it comes to quality and substance in songs. Defining the “worst” has officially reached new parameters. So let’s cover our ears, pinch our noses, and set these stinking piles of refuse up to ceremoniously knock them down.
If you’re 17-years-old, can’t wait to get out from under the repressive regime of your parents house, and generally hate country music, Keith Urban’s new album ‘Graffiti U’ is right for you. It’s almost as if in a maniacal obsession, Keith and his legion of SIXTEEN producers set out on a purposeful mission to make the worst country album they could.