Brothers Chandler and Miles just released their debut album ‘Heartbreak & Honky-Tonk’ that puffs its chest out and demands more than a passing sniff from distinguishing country fans with traditional tastes.
Drake Milligan isn’t just ready to follow the neotraditional country resurgence, he’s ready to lead it. With his new album “Tumbleweed,” making it two for two with quality albums.
A joke is a joke, and not meant to be taken seriously. And one would hope that we’re finally moving past the era when a predatory media isn’t preoccupied with taking opportunistic pull quotes out-of-context.
‘Leather (Deluxe Edition)’ doesn’t just add 13 tracks to his current album. It continues to add to Cody Johnson’s solid legacy as a consistent and trusted traditional-leaning performer, impervious to the temptation to sell out.
The younger, more blonde, and more bombshell that a woman is in country music, the more pop their country music leans. This is the unfortunate stereotype that country music fans have been conditioned to believe over the last 15 years.
If we could wave a magic wand and instantly remake mainstream country music into something much better than what it is today, Chancey Williams and “One of These Days” would not be a bad wish at all. It’s country with steel guitar and fiddle. It’s cool. It’s catchy and hooky, but the songs still say something.
If you take your country music traditional, but still want some drive and hooks to get the heart pumping and have a good time to—and especially if like it when your country comes with a Western and cowboy flavor—Chancey Williams is serving up just what you want straight out of Wyoming.
Rodeo professionals and country songwriters have always enjoyed a close kinship, even if riding a bull or roping a calf, and crafting the perfect country song may not seem like similar skill sets, or two sides of the same coin. Two-time AQHA World Champion Roper Paul Bogart knows this all too well.
On Monday, the official lineup for the 2016 Houston Livestock Show and Rodeo was “announced” by astronaut Scott Kelly from the International Space Station. Perhaps the aeronautical histrionics were a bid to distract everyone back on Earth from the fact that this year’s lineup is the most mundane, most mainstream-centric and generic pop tart Kellogg’s cereal assemblage of plastic talent ever accrued on this beautiful blue planet.