The 2025 Saving Country Music Artist of the Year

The end of the year and the beginning of the next is a great moment for deep reflection, house cleaning of the mind, goal setting in life, and taking advantage of being able to look forward at a new year as an opportunity to reset priorities, expand possibilities, and pursue dreams with renewed vigor. For many of us, the promises we make ourselves at the start of a new year will go unfulfilled. But even if a few of those resolutions can be adhered to, we’ll count them as victories.
We often look up to our musical heroes and find inspiration in them for all they’ve accomplished, but rarely because they’re perfect. Often, they’re just as flawed as the rest of us. Even more often, they’re even more flawed, with their right brain tendencies making them more prone to addiction and social anxieties, exacerbated by public adulation and financial success as opposed to tempered by them. At times these tendencies have become existential, and even fatal for musical performers.
These issues almost became fatal for Oklahoma’s Turnpike Troubadours beginning in late 2018 when singer, frontman, and primary songwriter Evan Felker started letting issues with alcohol result in poor performances and cancelled shows. The previous year, the Turnpike Troubadours had been named the 2017 Saving Country Music Artist of the Year in the wake of their album A Long Way From Your Heart.
But despite widespread critical acclaim, the Turnpike Troubadours were struggling to resonate beyond the border of the Texas/Red Dirt scene. It felt like a burden was descending on their shoulders to break through, or perennially become journeyman musicians constantly having to be on the road to make it. 12 performances in total were cancelled in 2018, with rumors swirling about Felker’s mental state. The Troubadours did return to the stage in Austin on November 30th, and put on a solid show heading into the Holidays and the new year, giving fans a renewed hope.
But hope that the new year would see the Felker and the Turnpike Troubadours return to top form were dashed when more cancelled tour dates emerged. Eventually, the band announcing an indefinite hiatus on May 31st, 2019, and cancelled all remaining appearances. Here was one of the premier bands in independent country and Red Dirt on the skids, with folks seriously worried about the future of Evan Felker irrespective of the fate of the Turnpike Troubadours.
Felker has always been a difficult artist to assess since he’s the front person of a band as opposed to a solo performer. If it was his name on marquees and album covers, he might be regarded in the same vein of the greatest songwriters like Guy Clark and Townes Van Zandt. The songs of the Turnpike Troubadours catalog are of that caliber, even if they’re shared to the world as the offerings from a country rock band.

That perspective has never come into sharper focus than in 2025 with the release of Turnpike’s The Price of Admission. When you can compose an album that comes this close to universal acclaim—and includes not one, but two songs that feel generational in “On The Red River” and “Heaven Passing Through”—you open up such all-time conversations.
But Artist of the Year is not based off of any specific musical measure or output. It’s given to the artist who inspires us the most, who opens up new possibilities for independent music, who expounds upon the virtues of the country genre and the imperative importance of songwriting to it, and who moves the music in the most positive direction.
The Turnpike Troubadours have always been a supergroup and remain so, including through the songwriting contributions of bassist RC Edwards, and fiddle player Kyle Nix. Along with guitarist Ryan Engleman, multi-instrumentalist Hank Early, and drummer Gabriel Pearson, they share in this distinction with Evan Felker, making them all now two-time Saving Country Music Artist of the Year winners.
But it is Evan Felker, who through his vanquishing of demons and overcoming of adversity to not just steer his life back on track, but to become the best version of himself 18 years into his career, and find the pinnacle of his powers through song and performance—this is what makes him the very deserving 2025 Artist of the Year.
Just don’t let it go to your head, old chap.
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December 30, 2025 @ 9:02 am
Excellent choice Trigger! Well-deserved recognition considering how well this band has rebounded.
December 30, 2025 @ 9:23 am
Felker is a deserving choice. I was at one of those cancelled shows. The rumor we heard that night from the security staff was it was cancelled due to lack of ticket sales, which was believable given the mere dozens of people present. It’s truly amazing how TT blew up after the hiatus. Next time I went to see them, it was sold out arena. He really turned the ship around.
December 30, 2025 @ 9:47 am
It felt like another Zach Top year in the zeitgeist to me, but Felker is good too. Can an artist win AotY twice in a row here?
December 30, 2025 @ 10:17 am
No reason an artist couldn’t be a back to back Artist of the Year.
I agree Zach Top continued to dominate through the first half of 2025. But you could definitely measure a tapering off after the release of his last album. I think whatever the next moves he makes is going to be vital to determining if he’s a top tier star or not.
December 31, 2025 @ 7:22 am
Top is going to need to tweak his sound or increase the depth of his songs in order to recover the slight drop off and return to mountaintop status. Even the best songs from Ain’t in it for My Health aren’t boring holes into the subconscious like those of Cold Beer and Country Music did, and it has nothing to do with quality. These new songs are just as good–they simply sound too similar.
December 30, 2025 @ 10:05 am
Welp, I’m crying. Beautifully written piece for an amazing musician. Evan Felker is outstanding, and I wholeheartedly agree with your choice.
December 30, 2025 @ 10:56 am
Great choice…all I can say to Evan Felker is “Thank you…now please stay humble and stay hungry!”
December 30, 2025 @ 11:25 am
Totally agree. Great choice.
December 30, 2025 @ 11:29 am
Huge TT fan, but honestly, I would’ve liked to have seen some new blood in here. But reading what you’ve written, it’s hard to argue with.
It’s a huge reason why I appreciate this site. It’s not about pandering or what pick might create a “conversation” or whatever the hell other outlets are trying to do.
Respect, Trig, happy new year.
December 30, 2025 @ 11:45 am
Say whiiinnn…
Never gonna not.
Solid.
December 30, 2025 @ 12:02 pm
Evan Felker is an outstanding artist. For me, Larkin Poe’s Rebecca Lovell is the artist of the year. Larkin Poe not only released one of the most outstanding albums of the year with “Bloom”, Rebecca Lovell also went on tour while heavily pregnant. After giving birth, she went on tour with the baby. I find that incredibly powerful and commendable. And if people say that Larkin Poe isn’t country at all: male rock bands from the Red Clay Strays to the Markus King Band to Treaty Oak Revival are easily integrated into the country scene. Their records are reviewed on country sites and in country magazines. A female band like Larkin Poe is left out. This is one of the invisible barriers that female artists have to contend with. Likewise, the expectation that women interrupt their careers because of children. The fact that Rebecca Lovell doesn’t do that and shows that a female artist can also lead a musical and family life makes her artist of the year for me.
December 30, 2025 @ 1:25 pm
also.. This band has one of the female lead guitar players in Americana. (I wouldn’t call them country because they’re pretty heavily blues-based to my ear) . I haven’t been able to find ANY examples in country music- several women like Brennen Leigh and Hannah Dasher who can do it, but generally dont have that as their main role, and basically zero dedicated female lead guitar players outside of rockabilly (Miss Amy Griffin!!! and the pioneering Rosie Flores and probably others) unless someone puts together an all-female band. Shannon McNally sometimes releases great country but she’s a blues guitarist primarily.
and, shame on all of us, there are now a decent number of women and girls playing lead blues guitar who are bandleaders as guitar players, not as singers primarily- and no one I can think of in country msuic outside of rockabilly or a few steel guitar players). There are even a bunch of them in metal. What the hell is wrong with our genre that this is not happening on such a weirdly wide scale?
December 30, 2025 @ 3:31 pm
I absolutely agree.
At least the Castellows – at least in their core sister lineup – are a female country band. And Ellie Balkcom is also sort of a musical leader of the larger live band lineup.
Of course, the band does not have a single “musical leader” in the traditional sense, as it is a collaborative effort between the three sisters.
And Ellie Balkcom plays this kinda musical leading though she is not the front woman and lead singer of the band, as is usually the case with female artists in country music.
Her guitar parts can be both acoustic and lead, as she is a versatile musician who plays both instruments and roles.
She performs melody lines, solos, and instrumental fills, often using an electric guitar for live performances, even the band is accompanied by a backing band with an electric lead guitar.
December 30, 2025 @ 1:38 pm
I certainly understand what you’re saying, and commend Rebecca Lovell for defying the notion that women have to choose between family and career as opposed to being able to do both. Two wrongs don’t make a right when it comes to considering genre. The Marcus King album was also very bluesy and Southern rock, but it had way more country songs and inflections than the Larkin Poe record did. Also, a lot of this has to do with how the music is marketed and pushed, not just how the media or public interact with it. Treaty Oak Revival is not nearly as “Americana” as Larkin Poe, but their being intentionally push through the country market, as Larkin Poe feels like they’re trying to avoid it in lieu of more conventional rock and Hot AC avenues.
Either way, for this particular award, I would be reluctant to give it to any performer if there was a question about genre. That is why I’m not giving it to The Red Clay Strays, even though they are definitely on fire, and helping to advance roots music in general.
December 30, 2025 @ 2:50 pm
Larkin Poe isn’t country at all. Neither is Markus King.
December 31, 2025 @ 1:54 am
That’s exactly what I wrote. And yet: We live in a time where rock bands like the Red Clay Strays, Whiskey Myers, Ole 60, the Droptines, 49 Winchester and Treaty Oak Revival are considered part of the country community, are reviewed in country magazines, appear at country festivals, play at the Grand Ole Opry. Larkin Poe have also played at the Opry, have worked with various country artists and have at least have an “Americana” sound, albeit more blues-heavy. That’s why I don’t find my comment completely inappropriate.
December 31, 2025 @ 9:43 am
Again, I generally agree with what you’re trying to say here. But there is just so much variation between the bands you’re citing and Larkin Poe specifically that they each deserve their own discussion. 49 Winchester’s music is majority country, but with a large amount of rock and soul influences. Treaty Oak Revival isn’t country at all, and I’ve written articles categorically criticizing their characterization as such. I was hoping for the Ole 60 album to be more country, and when it wasn’t really at all, chose to not cover it. The Red Clay Strays don’t really fit anywhere, including in rock. But with a strong and obvious throwback roots sound, I don’t take umbrage to calling them country, because you can’t call them anything else.
Larkin Poe strongly exist in the blues rock Americana world. They are headliners in that space, getting booked with top billing at festivals, getting nominated and winning awards. Do they deserve more support? Sure. But let’s also not act like they’re struggling, or need support from the traditional country community to survive.
December 30, 2025 @ 4:47 pm
Not hating on LP, but it’s a little misleading/disingenuous to not acknowledge the sperm donor in this particular girl boss story.
Great band, solid album. It’s just that there’s a little more to the situation than you’re allowing here.
December 31, 2025 @ 2:44 am
…just a little add on (taken from the concert review of their terrific gig at the “baloise session” in basel, switzerland in november) to your input on larkin poe and rebecca lovell, akade:
“After a brief intro that sounded as if someone somewhere in North Georgia were spinning the tuning knob of an analog radio from one station to the next, the five of them appeared onstage and kicked things off in fine style with Nowhere Fast from that very album (referring to “Bloom”, 2025). An autobiographical calling card in rock — boom! And just to make sure there were no misunderstandings, Rebecca (Bryant-)Lovell doubled down in her greeting:
“Life’s too short not to rock.”
Mockingbird then unfolded as a powerful revelation — first, of what defines their artistic core; second, of just how boldly you can serve up a ballad; and third, of where the sheer force of their sound originates. At first it was slightly confusing to watch Rebecca Lovell sing and play, because you could hear a guitar sound so dense and muscular that neither her strong voice nor her instrument alone could possibly have produced it. The big screen revealed the secret. Her older sister Megan (36), with her lap steel strapped on like an oversized usherette tray, was conjuring rock’n’roll soundscapes through which Rebecca (33) danced and sang with her Stratocaster.”
love ’em but wouldn’t put them into the country usherette tray.
December 30, 2025 @ 12:48 pm
Price of Admission made the year end results pretty anticlimactic.
The tracks highlighted ad nauseam are just on another level, songs you hear for the first time and shake your head. Not much else to say.
December 30, 2025 @ 1:26 pm
He is country musics greatest living songwriter and while they are a band and the band element truly adds so much, turnpike are first and foremost an outlet for that all time great songwriter. That’s why this is the correct choice
December 30, 2025 @ 1:27 pm
I haven’t seen this level of excitement for an album and artist in the comments of this site in years. Evan’s story is so inspiring that that alone makes sense for this. Good job gentlemen.
December 30, 2025 @ 1:38 pm
My personal opinion it’s Cody Jinks and Meghan Patrick
December 30, 2025 @ 1:43 pm
Well deserved! Wishing continued success to the band and best wishes to Evan and Kyle on their sobriety.
December 30, 2025 @ 1:57 pm
I get that the reunion and resurgence of TT couldn’t happen with out Felker.
However, folks here are responding and commenting like the choice was Evan Felker and not TT. Turnpike is a deserving choice as they were in 2017.
December 30, 2025 @ 2:20 pm
I’m not the brightest bulb but my read was he did pick Felker and not Turnpike
December 30, 2025 @ 2:28 pm
For the record, Evan Felker is the 2025 Artist of the Year. But just like he shared in that accolade with the Turnpike Troubadours in 2017, the Turnpike Troubadours share in it with Evan Felker in 2025. I know that might come across as a distinction without a difference for some. But I wanted to highlight the personal growth of Evan Felker specifically here, and how that has lent to a new level of accomplishment for the band.
December 30, 2025 @ 3:18 pm
I am the dim bulb i guess!
December 30, 2025 @ 3:26 pm
Great pick. I only saw them once as an opener before their hiatus so when they came back I made sure to see them immediately. Glad to have Turnpike still putting out high quality albums with terrific writing. I hope we get many more years of music and shows from them!
December 30, 2025 @ 5:17 pm
Evan Felker is exactly the right choice for SCM artist of the year. Evan and TT are essentially the artist of my last decade. Finding this band as given to me by a friend circa 2017 opened so many doors for me that I had padlocked shut not knowing there was a whole other world beyond Trashville radio country. In turn it led me to this incredible website. In addition to everything mentioned in the article, Turnpike is inspiring and influencing so many young musicians, from Zach Bryan to Wyatt Flores to Lance Roark to Ty Smith. Well deserved.
December 30, 2025 @ 5:38 pm
I think its a great pick, there is so much great music out there today , its impossible to make everyone happy.
I’m older, but not out of it yet, but many of my friends say there is no new good music and I say you gotta look for it, it’s out there and better than ever. This site has been a warrior for exposing so many artists that would never be on anyone’s radar otherwise. I’m pretty much Analog, no FB, Snap, Insta, Tik, so this is my place.
I respect Trigger’s choice, we all have our faves, but it’s just a choice of his, and well thought out
Looking forward to another banner year for the music we love!
Go Red Raiders On Thursday!
December 30, 2025 @ 5:43 pm
It’s sure been incredible to watch. Same with a lot of the above comments. Shelby Stone AOTY 2026. Go ahead and draft your article.
December 30, 2025 @ 6:09 pm
Great pick and excellent write up
December 30, 2025 @ 8:32 pm
I have seen the TTs about 10 times since they reunited — twice at the Ryman, at the Pilgrimage Festival in Franklin, and at two of the Boys from Oklahoma concerts with CCR. The TTs are nothing short of the best roots country band ever assembled. The songwriting, the musicianship, Evan’s voice, the showmanship…they are the gold standard. You nailed this one, Trigger.
Trigger: Are your annual awards compiled in any single location?
December 30, 2025 @ 8:55 pm
Yes, I posted a link at the very bottom of the article. Here’s it is (not updated for 2025 yet):
https://savingcountrymusic.com/best-of-lists/
December 31, 2025 @ 3:06 am
…i wouldn’t argue about this choice since the turnpike troubadours actually made it on one of the eleven possible covers of switzerland’s “country style” print publication.
other noteable contenders and cover stories 2025 where: charley crockett, ella langley and lainey wilson. i for my part, wouldn’t argue either about choosing one of those in this context here.
December 31, 2025 @ 7:07 am
Great choice.
Happy New yeat Trigger. Thanks for another great year of great country music coverage. Looking forward to next year.
December 31, 2025 @ 7:55 pm
When are we doing song of the year?
December 31, 2025 @ 8:37 pm
It will be going up in the coming days.
January 1, 2026 @ 12:07 am
Trigger – Good write up and great choice. Are these Troubadours approaching the point where they are jousting for position with Alabama as the best “country band” of all time, or is it just because they are from this era and I and am partial to their sound because I am from the land of Red Dirt/Texas Country music?