The Enduring Legacy of Colter Wall’s “Imaginary Appalachia”

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#512 (Western), #519 (Appalachian), and #590 (Underground Country) on the Country DDS.
It’s hard to believe that it’s been a decade since someone probably mentioned to you that you should check out this really cool, but really obscure EP from a Canadian guy that sounded like he’d been throat punched by a banshee, but whose music called to something deep inside of you that drew you in, and you couldn’t stop listening.
For others, they came to Imaginary Appalachia via the backdoor after seeing Colter Wall perform a couple of live versions of the EP’s songs at a brewery in Saskatoon called Original 16, or via hearing the song “Sleeping on the Blacktop” on the soundtrack for the Taylor Sheridan-written film Hell or High Water from 2016.
But nobody thought this was anything but some cool stuff for you and your buddies to obsess over that would be banished to obscurity like all the greatest music of the era, buried under the weight of Bro-Country. And in some respects, that assessment was correct. Until it wasn’t.
Similar to Sturgill Simpson and other revolutionaries of the era, Colter Wall wasn’t riding on anyone’s coattails. There wasn’t some formula or template to follow. He had to create an appeal for his music out of whole cloth—a difficult to impossible task for an unknown guy from Saskatchewan trying to forge his way forward in the world with fey notions of Western music.
But when Colter Wall opened his mouth and sang, it was like the ghosts of the Wild West came billowing out from his soul. Shivers ran up and down your spine, and goosebumps broke out on your arms. Colter Wall was able to tap into some dormant, archaic appeal in the North American consciousness, and awaken a monster of an appetite that refuses to be satiated, and continues to grow in voraciousness to this day.

Imaginary Appalachia, the songs, and Colter Wall himself deserve immense credit for seeding the appeal for all things Western in North American culture today, and not just in music. Sure, the smash TV series Yellowstone and other things have certainly helped that appeal along, and the show featured many Colter Wall songs. But Imaginary Appalachia came first. Granted, the EP took on a decidedly more Appalachian, Gothic, and almost a little bit of a punk attitude to it compared to Colter’s later works that adhere more to Western traditions.
At the time though, Colter Wall was still literally just a kid. He was 19, trying to figure himself out, and who he was in music. The album explores an almost mythical version of the Appalachian region. Wall, who had never been to Appalachia at the time of writing the songs, created a world in his imagination that he then populated with characters and stories inspired by folk, country, and Western music traditions.
Eventually, Colter Wall would settle into his much more dedicated Western character. And as opposed to touring endlessly to cash in on his unexpected fame or taking Joe Rogan up on his open invitation for an interview, he’s decided to remain mostly back on the ranch in Canada, only touring intermittently. And when he records, he keeps it close to the traditional Western perspective his career will ultimately be remembered for.
Now, Western music has become an improbable resurgent influence in the roots music revolution, with numerous artists finding success with music that should have been banished to obscurity decades ago. But it all started in Colter Wall’s imagination, with a little 7-song EP, and tracks like the now Platinum Certified “Sleeping On The Blacktop,” and the Gold-selling “Devil Wears a Suit and Tie.” The album wasn’t an overnight smash—far from it. But in May of 2024, Imaginary Appalachia was Certified Gold itself.
Now, just as we look back on all the Western music greats of yore, even if Colter Wall never releases another lick of music, his legacy is secured, thanks to the work that started with Imaginary Appalachia.
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Imaginary Appalachia was originally released on June 2nd, 2015. To celebrate the anniversary, Colter Wall is releasing the EP on limited edition opaque olive green vinyl, with bonus tracks of the two “Original 16 Brewery” songs originally captured on video.
June 2, 2025 @ 7:59 am
COOL AF.
June 2, 2025 @ 9:20 am
You hit on it a little bit, referencing his shift to a more western style, but I believe I heard him say something like he was embarrassed of these songs, which is why he won’t play them live. I got to see him play them shortly after this came out, thanks again to this website. Wild that it’s been 10 years.
June 2, 2025 @ 9:38 am
He didn’t say he was embarrassed by these songs as much as he admitted he was inflecting his voice too much, or trying too hard. Colter does still perform some of these songs live, though probably not as much as some fans would like. He was just 19, so it’s hard to fault him for not knowing who he was yet. But the music endures. Every artist is embarrassed by their early career output. That’s just the way it goes. But Colter probably wouldn’t be releasing a 10-year Anniversary edition if he didn’t have some affinity for it.
June 2, 2025 @ 10:00 am
I wonder if we’re referencing the same thing that he said..it’s possible he talked about it more than once. Maybe I’ll try to find it. If I remember correctly, it went a little further than being critical of his inflection. Either way I get what you’re saying and good point about the anniv edition.
June 2, 2025 @ 10:17 am
Here’s an article I wrote about it in 2020:
https://savingcountrymusic.com/colter-wall-addresses-changes-in-his-voice-approach/
“I’m glad folks still enjoy those brewery sessions from 2015,” Colter says. “I can’t watch them without cringing. The vocals are very forced. I’m grateful for what their popularity has done for me, but I hope folks are able to accept that I simply don’t play/sing that way anymore.”
“As per live shows, I always make a point to play at least a few songs from every record I’ve put out, along with the new stuff,” Colter says. “I know a lot of folks prefer to older tunes. Honestly, just glad anyone likes any of them!”
June 4, 2025 @ 5:52 am
“Cringing” isn’t embarrassment?
Anyway, I saw him numerous times since that early show (prior to 2020) and he played ZERO of those songs, but it seems like that’s changed more recently. Thanks for setting the record straight.
June 2, 2025 @ 1:33 pm
He plays them live. I saw him last year, he did Sleeping on the Blacktop & Caroline.
June 2, 2025 @ 9:46 am
I still remember hearing “Sleeping on the Blacktop” and then watching the video and wondering how did THAT voice come out of THAT kid?
Reminded me of the first time I got RickRolled.
June 3, 2025 @ 9:03 pm
Yeah that voice coming from him doesn’t compute, kinda like the first time I heard “Lie To Me” by Jonny Lang
June 2, 2025 @ 12:43 pm
I like Colter Wall’s music, but don’t feel the LPs I’ve heard (all but Songs of the Plains) have hooks that fully exploit the potential of his incredibly powerful voice in the way that Shane Smith does on Geronimo & Norther, JRW does on See You Next Time & Wish You Were Here, Crockett does $10 Cowboy, Waco, and Hard Times, and Pony does on North Georgia Rounder. Again, I like Colter, but am hoping for a bit more in the way of memorable vocal melodies.
June 2, 2025 @ 10:10 pm
It’s hard to put into words the level of inspiration those first three albums of his had on me. What an era in country music man…
June 3, 2025 @ 1:24 am
Im not sure that hes embarassed about anything that hes recorded, but some people draw from a blank canvas everytime they make a new record and so he may consider it a very long way from his starting point now. im sure he played a couple of songs from this when I saw him, but as your career progresses your surely hoping or aiming to replace songs within your set and replace them with songs you might consider as good replacement. I think he has that, Ive enjoyed everything he’s recorded and he couldnt play everything hes recorded live so songs that people love will go missing. He can do no wrong in my eyes and I cant wait for the next record while appreciating Imaginary as a fantastic starting point.
June 3, 2025 @ 4:34 am
Thank goodness Colter has abandoned the vocal technique he used when he first started out. He has used it less and less with each successive album and that’s a good thing. It was unusual and trademark-y but could grow to be quite annoying with repeated listenings. The guy has a great baritone voice and I am glad that we are getting to hear it with no affectations now.
June 3, 2025 @ 8:39 am
Im listening to it now and though i always loved it,I think vocally hes improved a lot and I think he offers that up as the reason why he doesnt perform these songs much. If we take Dylan for i stance he wasnt performing anything from his first album ten years on amd theyd have beem radically reworked anyway.
June 5, 2025 @ 5:31 am
I have noted lots of artists over the years whose first albums were great traditional country that I played over and over, and from their second album on, they never sang that type of music again. A couple cases are Kenny Chesney, whose first album was pure country and then he has never done anything like it again, switching to “tropical country” for lack of a better term, with his second album. Not that it is bad, it was just a complete switch to what his first album was. Another example is Leann Rimes, whose first album, a ragingly traditional cover album of fantastic old country songs that just blew people away, and after that she has never done another album of traditional country at all. Of any sort. She is now just another pop singer, with some good music, but not what she was when she launched.
June 3, 2025 @ 12:47 pm
Here at La Honda we cannot wait to release his next record. Figure a bunch of y’all are gonna be blown away and would never expect what’s coming. We have been listening for months and are ridiculously proud of the music and CW. We also want to thank every one for the support that has been shown for the IA10 Anniversary release.
June 3, 2025 @ 1:24 pm
Isnt it a double album Connie? LOL
June 3, 2025 @ 2:44 pm
If it was a double album it would be way too powerful. Y’all wouldn’t be able to maintain control. 😂
June 3, 2025 @ 3:35 pm
We are barely managing not to explode with the excitement of new material anyway. Looking forward too Big Songs and then its follow up Christmas songs soon!
June 3, 2025 @ 11:47 pm
TrueBlueAussie. Reading about Colters career getting kick started around 19 years of age prompted me to mention a guy I heard on radio the other day who goes by the name of Bayker Blankenship,19 years old and is from Livingston Tennessee. The song was “Maxed Out” and is off a 6 track EP titled Younger Years. I think this young man has a great voice and could go a long way in country music !Trigg, is he on your radar ?Love to hear your thoughts. PS.Have been an avid reader of SCM for more years than I can remember and my play list is 100% SCM finds. Regards Robert.
June 4, 2025 @ 6:30 am
Hey Robert,
Thanks for reading. Yes, heard of Bayker Blankenship. I’m sure I will be featuring him at some point.