The iHeartMedia Bankruptcy Is No Victory for the American Consumer
Well it finally happened. After months and months of inevitability hanging in the air, and only waiting for the final shoe to fall, America’s largest radio station owner iHeartMedia (formerly ClearChannel) filed for Chapter 11 bankruptcy protection in the wee hours of Wednesday night/Thursday morning, setting in motion the alleviation of more that $10 billion in debt that will bring the company’s historic burdens to a close—at least for now—while creditors big and small are left holding the bag for iHeart’s insatiable appetite to buy up as many radio assets as possible in the aftermath of the Telecommunications Act of 1996 and the subsequent radio consolidation race that followed, leaving the American radio consumer woefully underserved now for over two decades.
But just like the recent Cumulus Media bankruptcy, the fact that this is a Chapter 11 filing (restructuring) instead of a Chapter 7 filing (liquidation), means little will change in the radio landscape, and the misdeeds of America’s long-standing #1 and #2 radio station owners is not being punished, it is being forgiven, with the result likely being the same “one size fits all” nationalized programming, evisceration of local talent in lieu of syndicated shows, programming decision made from on high trickling down to local stations, and a great homogenizing of American culture from sea to shining sea.
Radio is quickly racing towards irrelevancy, and frankly needed a bloodletting punch to the nose, not a passing glance on the brim like they’re getting here. Creditors, seeing the adverse future for the radio industry, saw more value in getting pennies on the dollar for debt as opposed to forfeited portfolios of hundreds of radio stations that may not be worth anything in five years or less with the rampant spread of streaming as the preferred media for consuming music and audio media.
That’s not to say radio couldn’t be relevant, and isn’t relevant when considering certain markets and specific stations, especially ones whose focus has been to keep it local. In the impersonalized era of streaming, what local radio can offer that is unique is a local perspective, a local personality that you can then connect with at live events in the community, that can serve you local news and perspective, and that makes the whole enterprise of interacting with passing entertainment as you commute to and from work, or listen in the backyards during a barbecue, more than a passing notion.
But instead we’ll get even more cost-cutting measures, and more consolidated programming, aided by a recent decision by the FCC to relax regulations even more, with local television and the entire media and telecommunications industry looking to simulcast whatever possible to save money. Radio has become so irrelevant to some, certain new cars are being manufactured without tuners in the dashboard. Granted, iHeartMedia’s iHeartRadio app has become a useful tool in the smartphone era, and is allowing listeners to connect with stations that may be foreign to their local market, but dedicated to their more personalized tastes. But this is a far cry from the rapid growth of Spotify and other streaming behemoths, who offer something the consolidated radio landscape doesn’t: choice.
Yes, it’s great that all the voices decrying radio consolidation for the last two decades have finally been vindicated in their opinions that consolidation didn’t just make for bad radio, it didn’t make prudent economic sense. But now Cumulus and iHeartMedia will be allowed to continue to go about their business barely scathed. There won’t be massive layoffs in the executive offices of these companies. There won’t be any major restructuring of their assets in a way the American consumer will hear or see. There won’t be the returning of ownership of radio stations back to the local level so there can be a rebirth in the medium.
The poor performance of iHeartMedia won’t significantly affect its standing beyond credit ratings. The lessons learned will be fleeting, and their tireless work to erode everything cool about American culture will drag on. Unfortunately, this was the lesson we have learned in the 3 1/2 months since Cumulus filed its Chapter 11 paperwork.
A complete liquidation of iHeartMedia would have been terrible for the company and many of its employees (or what’s left of them) in the short term. But it also could have been the wake up call American radio needed to look towards the future. Now, they’re granted another reprieve, delaying the inevitable, and making the rest of us pay for it.
There’s no more Toys ‘R’ Us, but iHeartMedia survives. That just doesn’t feel right.
March 15, 2018 @ 12:00 pm
How they got so big is disheartening. Now this is too. Feels like things in general keep changing and in a negative direction. Feel bad for all the employees in the lower ranks trying to put food on the table
March 15, 2018 @ 12:13 pm
The reputation of “the media” is in the toilet, and for good reason. Whoever thought “I Heart Media” was a winning brand name should be re-folding shirts in a department store.
March 17, 2018 @ 6:13 pm
Americans don’t hate “the media”, they hate media that they disagree with. This extends to both the right and the left.
My guess is iHeartMedia got its name become of Apple and how popular their “iPhone, iOS, iPod, iPad, etc.” naming convention has been. They wanted to jump on that bandwagon. It’s really sad how shameless they were about it.
In the end, iHeartMedia went broke because they jumped headfirst into a section of the media that is quickly dying due to Millennials and changing tastes and technologies. Why should listen to blowhard sports talk guys spitting “hot takes” when I can download a Podcast, have less ads and have a more intelligent/better product. The same goes for music, I’m not sure why I would willingly listen to Country radio when 99% of what they play is terrible, it’s filled with ads, and for $10 I can get all-you-can-eat music with no ads and no bad songs (if I choose) through Spotify, Apple Music, etc.
Country radio is the equivalent of Blackberry at this point. It still has its fans, but an entire generation has moved onto Apple or Samsung.
March 15, 2018 @ 1:34 pm
Hey Trigger, do you have a story on cars being manufactured without tuners? I believe it, but I did a quick Google search and couldn’t find anything. I would be interested in reading an article on it.
March 15, 2018 @ 1:44 pm
Personally, I think more interesting are the articles about what self-driving cars will do to radio. Once people don’t have to focus on the road, they will be able to work, play games, watch movies, etc. Radio is not looking forward to that change either…
March 15, 2018 @ 2:07 pm
Still a big unknown though
https://jalopnik.com/what-if-autonomous-cars-just-never-happen-1820778692
March 16, 2018 @ 4:45 pm
Still interesting though. Sometimes by interesting I also mean fucked up though.
March 15, 2018 @ 4:22 pm
Already happening with dvd players for road trips. SiriusXM got out ahead with all this, but even with money I’m too old to want to pay, and too many of the young are too poor or in debt (I’m guessing) for Sirius to get rich. I’d listen to local college radio, but I have litlle in common with their apparently limitless appetite for yapping over Garageband loops. So it’s cd’s and youtube for me, pretty happy about it overall. Plenty of local beer, too.
March 16, 2018 @ 3:51 am
Sirius is great. But at $16 per month it’s too steep for this Yankee cowboy. Thats more thsn Netflix!!! I dont understand why anybody would pay that much a month for “radio”.I had a buddy who got in on a lifetime Sirius subscription locked in at $5 a month , years ago and he’s still going strong. If only….sigh, story of my life, last guy to ever catch the deal.
March 16, 2018 @ 6:13 am
$16 a month and it sounds like garbage. They use such a low resolution digital signal so that they can cram so many stations in. Hi hats sound like garbage cans, literally. I can’t listen to it.
March 16, 2018 @ 7:07 am
You can join for 6 months for $30 and then cancel. Wait a couple months, and they’ll send the same 6 mo for $30 offer. Rinse and repeat. I did that a couple times, but their music programming does get a bit repetitive, and I agree with ScottG above. The sound quality is so-so at best, and garbage at worst. I mainly did it for the sports channels.
March 15, 2018 @ 7:37 pm
I can’t wait until I can treat an 8 hour drive like an 8 hour flight and just drink the whole time.
March 16, 2018 @ 10:25 am
Self-driving must be a ways off though. There are too many vriables, leaving aside the fact some tech nutjob could override the system and create havoc. I know plenty of people who will refuse to give their driving of their own cars. And mixing the two on the raod has been tested enough. I think the only way self driving cars would not be a total clusterfuck is if all cars were put on tracks like a ride a Disneyland. That said I saw a guy the other day driving his car while watching a movie on his iphone that was propped up on the dash. So watching movies in the car, even beyond backseat screens is already happening. Scared the hell out me to see that and i was walking.
But I think radio will evolve and those that want it will support it. It may become hyper local and niche. Like YouTube channels. You won’t have a mass market but you will have your local DJ(s) and who knows maybe they will celebrities once again the 50s and early 60s.
March 15, 2018 @ 3:38 pm
“Radio is quickly racing towards irrelevancy”
Yeah, but is that really a problem?
If you want music, you can get it without ads on Google Music, Spotify, Amazon, etc.
Talk radio? Podcasts.
All of this tuned to your interests, without ads, without the weather, without irrelevant traffic reports, without annoying news breaks…
It’s more amazing that radio has lasted as long as it has, considering how terrible it is
March 16, 2018 @ 10:27 am
True but you get what you pay for. And since most people want music for free AND streaming. The mega-mainstream music companies are putting less and less money into their product and screwing with play and streams to make people their shit doesn’t stink but is actually popular. I strongly believe part of the reason most new mainstream music blows is because people won’t pay what music is worth so record companies are not investing the money to make even half-decent shit. There are a few exceptions and stuff outside the mainstream isn’t too bad overall.
March 16, 2018 @ 8:54 pm
So true. Record labels don’t have the money to hire A&R anymore.
Auto Bot finds facebook music profile with most likes/follows
Scans face to determine marketability
Signs 360 deal to struggling/injured college football player
March 15, 2018 @ 3:48 pm
Great breakdown Trigger ….thanks for doing this .
There are just so many factors which play into the watering down and homogenization of media its hard to identify them all . Certainly ‘blanket ‘ programming by these two radio conglomerates is top of the list in terms of monopolizing what people are exposed to commercially . I guess we can only hope they can’t ‘restructure’ in a successful economic way and that they fall off the radar at some point .
March 15, 2018 @ 4:30 pm
I don’t trust radio as a filter, though it is potentially and obviously a great nearly-free medium. I want to pay artists and their teams as directly as possible. Pretty simple.
How about crowd-funding free radio streams of concerts and festivals? Patrons at x level get free uncompressed audio pressings of the stuff, but we all benefit — and are in control of what gets aired.
March 15, 2018 @ 6:19 pm
Does this mean we can finally get rid of the “Country Airplay” chart that only serves to inflate the stats of country musics’ chosen few pretty boys and let stuff like actual sales determine who gets to truly have a “#1 hit”?
March 15, 2018 @ 6:31 pm
No.
March 16, 2018 @ 11:24 am
Which is worse – the Country Airplay chart or Hot Country Songs where a pop star like Bebe Rexha gets to be number one for four months and counting?
March 16, 2018 @ 11:28 am
Yeah, Bebe Rexha is unfortunately having airplay on pop radio count towards her placement on the country charts which shouldn’t be allowed, especially since she isn’t a country artist. But in the case of Sam Hunt last year with “Body Like a Backroad,” it truly was the best selling song in country for as long as it was, so it deserved that placement. Before the rule change in 1990, the country singles charts still counted total sales of singles as placement on the chart. In the year before the rule change (1989), there were fifty different number-one country hits.
March 17, 2018 @ 6:17 am
It will be a race to the bottom between IHeart and Cumulus. IHeart’s only advantage as you pointed out is that they have an app where you can find stations from all over to listen to. I don’t know if radio will survive past the Baby Boomer generation. Very few people I know listen to the radio still other than for NPR or Sports talk radio and you can get all that through Apps or website streams.
I don’t listen to the radio much at all but even in the times when I do a lot of it is nationally broadcast shows in place of the local DJ. We are also in the age of listeners/viewers trying to do everything they can to get away from ads. When radio plays 2 songs and then 5 minutes of ads it’s a huge turn off hence why Spotify, Google Music, I-Tunes etc have become the norm and will continue to do so until something batter comes around.
Radio’s other problem is lack of variety. Country radio is trend chasing year after year which is probably the same for every genre but it has become bland, boring and not creative. The more they move away from catering to the listener in their area the less listeners they will retain. 1st Step should be to limit commercials somehow and bring back listener requests. It’s not hard to set up polls on Facebook, Twitter etc and put up songs to vote on. This way they get a feel for what people want to hear. Bring back things like call in lunch hour requests where you get some of those deeper album cut or some of the “older” song requests along with the Top 40 stuff. Make the station more interactive again and make it feel like a custom experience.