The Saving Country Music 2025 Single of the Year

It’s through the Song of the Year nominees that we try to determine the landmark track of a given year that can change a life, or change the world. These are the poetic movements and poignant moments that give you goosebumps and wet the eye. With the Single of the Year nominees, the requisites are much less lofty. We’re simply looking for the toe tappers and boot scooters—the songs that unlock the joy in music.
That doesn’t mean that a Single of the Year cannot be meaningful or momentous though. The 2025 Single of the Year is a perfect example of this. It’s as an enjoyable and infectious of a track as any released in 2025, even if not especially groundbreaking or poignant. It’s not from some critically-acclaimed independent country music darling like the kinds that tend to curry favor from an outlet like Saving Country Music.
In fact, the Single of the Year actually comes from a mainstream star, and it’s a mainstream song that’s charting at the top of big charts. It might seem like an unlikely, dark horse pick to some. But it’s also incredibly deserved because of the advantageous impact the song is having on country music.
Before we get to the winner though, let’s first show some love to the runner up, Joe Stamm Band’s “Territory Town.” The opening song from their 2025 album Little Crosses could be taken straight from the John Cougar Mellencamp catalog, or Springsteen’s mid-career output. And though the folks in the mainstream would never consider it such, for the Joe Stamm faithful, “Territory Town” was their Song of the Summer.
And let’s recognize that whether it’s Single, Song, or Album of the Year, it seems like Joe Stamm is always in top contention, and he’s always coming up just a place or two short of the top spot. But don’t take this as a sign that Stamm is being sold short. Constantly being in these conversations speaks to the incredible impact of Joe Stamm’s albums and songs, especially as a truly independent underdog whose music can compete and best even the biggest names in both the independent and mainstream worlds of country.
But in 2025, it’s Ella Langley’s “Choosin’ Texas” that is accomplishing things we never thought would be possible for a traditional country track, especially one sung solo by a woman. A late bloomer that wasn’t released until October 17th, the song has since set records, screamed up the charts, topped Billboard’s Hot Country Songs survey, and very well could be the moment country music launches its next superstar.
Ever since 2015, actual, traditional country music has been on a hot streak in the country genre, including in the mainstream. In 2025 though, that hot streak plateaued, if not started to regress. Zach Top was helping to lead the charge, but his 2025 album Ain’t In It For My Health didn’t perform like his debut Cold Beer & Country Music did. Though other country traditionalists released excellent albums as well, they didn’t really affect the mainstream like we hoped.
Then here comes “Choosin’ Texas,” co-written by Langley with Miranda Lambert, along with Joybeth Taylor and Luke Dick. It’s not really indicative of the hot ’90s country sound that’s all the rage in country at the moment. It’s more of a late ’70s, early ’80s sound, similar to certain tracks from Midland. But it really is the story, and the reference to two-step dancing that seals the deal in the hearts of country listeners from young to old, and from both the traditional and contemporary country mindsets.
Sales/streaming/radio numbers would not conventionally be something that would influence any end-of-year decision around here. But it happens to be that the numbers for “Choosin’ Texas” are what make it such an incredible story. The song reached #1 on the Billboard Hot Country Songs chart in early December. Not even Ella Langley’s mammoth duet with Riley Green “You Look Like You Love Me” achieved that, stalling at #7 on the chart.
Then two weeks later, “Choosin’ Texas” reached the Top 10 on the MediaBase Country Radio chart, taking only eight weeks to achieve this feat. That makes the song the quickest radio single from a woman in country music to reach the Top 10 in a decade. That record was previously held by Lainey Wilson’s “Watermelon Moonshine,” which took 12 weeks to get to the Top 10. “Choosin’ Texas” currently sits at #7 on radio, and will be at #1 in a matter of weeks.
As big as “Choosin’ Texas” has been in 2025, it could get even bigger heading into 2026, and could help carry the momentum for traditional country, Ella Langley, and women in country music into the new year.
The industry and media can try and push certain performers and songs they believe should be successful all they want. But addressing or vanquishing some of the problems people love to complain about in country music ultimately takes songs that just can’t be denied, grow organically and exponentially on their own, and find the universal appeal that builds consensus among all country fans, irrespective of their tastes.
This is what Ella Langley’s “Choosin’ Texas” did in 2025 better than any other single, and perhaps better than any other traditional country single from a woman in the last decade. For that and the simple appeal of the song, “Choosin’ Texas” earns the distinction as Saving Country Music’s Single of the Year.
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December 26, 2025 @ 12:23 pm
The Tik Tokers win again.
December 26, 2025 @ 1:08 pm
I don’t think it’s fair to characterize this as a TikTok song. I’m sure there’s been some TikTok activity behind it, but this song is enjoying widespread appeal well beyond any TikTok campaigns. Besides, one of the big stories in music this year has been TikTok’s diminishing ability to launch songs and new artists. And even if it’s been helped by TikTok, it’s still a traditional country single at the top of the charts. If TikTok can help push quality songs like this to the top, more power to it.
December 29, 2025 @ 7:21 am
Us music purest types should at least factor in a TT dynamic. Single of the year = “jingle” of the year. While I personally thought any 3 from Sunny S were tops I understand the result of Ella’s release made a big splash. It was the tune I heard on SCM first and then my 14 year old heard on TT second. That means the single has reach. And that’s criteria for what single of the year could be judged by. Thankfully Ella is a real deal from Hope Hull, Alabama. I’d rather my kid hear her than the synthetic non-instrument crap that dominates the TT world. Ella may morph as money and fame lean hard on a girl (and guy). But for now she belts out an ear worm for old grumpy guys like me and 14 year old young ladies who scroll too much.
December 26, 2025 @ 12:31 pm
It might not be my first choice but it is a good choice. Great song deserving of the honour,
December 26, 2025 @ 12:48 pm
A great song is a great song regardless of who sings it. There has always seems like there is a divide between mainstream and independent.
While Ella is not a favorite….yet she did hit a homerun with this song. A song both sides can embrace.
December 26, 2025 @ 12:50 pm
Man its a good song but I gotta say I would have rather seen any independent artist win this rather than one of the biggest artists in the mainstream. Though maybe thats just me being a snobby bitch
jeremy pinnell rips
December 26, 2025 @ 12:56 pm
Bomb ass song not gonna buck (much) but it says a lot that JSB put out a record with both a song of the year and a single of the year and still goes home empty handed… Kristina same, Wells with even more, what a time to be a music fan. Blessed.
December 26, 2025 @ 1:24 pm
Nobody would deny it’s an incredible song and one of my favorites of the year, but I’m wondering, with the other 3 writers, how much Ella had to do with it? Whereas with Territory Town I know it was written solely by Joseph Robert Stamm, and that stuff matters to me, and I would imagine many of us on here, especially with the Ai future we’re up against that’s all. Congrats to Ella, I really do wish her the best because we need more successful females in both mainstream and independent Country. Looking forward to her next album.
December 26, 2025 @ 2:56 pm
It’s always a plus when a performer writes their own song solo, or at least co-writes it. For something like Single of the Year this would measure less than with Song of the Year. But even if Ella Langley didn’t write on it at all, the single would still be remarkable due to its success. I don’t know how much Langley is responsible for the writing of the song. But she certainly had the magic potion to launch it into the stratosphere. This same song from Miranda Lambert probably meanders on the chart since radio now treats her as a has-been. Smart move to let Langley record it.
December 27, 2025 @ 6:22 pm
This is the first time I’ve jumped in on the comments. Not sure if I agree with anyone on SONG OF THE YEAR. Terrible…no but song of the year…are you kidding me. It’s not even in the nominations for song of the year. There’s at least 5 to 10 better than it. Turnpike’s Heaven Passing Through is better. Sorry I can’t agree with Trig on this one or anyone else. Just because it went top of the charts doesn’t mean it was great. Faithful reader of this website but this makes me not want to come back
December 27, 2025 @ 7:24 pm
Hey Tom,
I appreciate you chiming in. I just want to reiterate that this is not Song of the Year, but Single of the Year we’re discussing here, which are two very distinctly different things.
December 26, 2025 @ 1:42 pm
It’s decent. But it’s not for me. I do like hearing somewhat of a more traditional style coming back. So it’s got that going for it.
December 26, 2025 @ 2:43 pm
I personally love it. I tap my toes, it nails the storytelling, the sad, the production, a great voice backing it, and hopefully sends a message to music row that there is a thirst for this stuff from the mainstream listening audience. I can’t find anything not to cheer for about this song.
December 26, 2025 @ 3:12 pm
Its a winning song all around. I like the 80s vibe it’s got. Vocals great, fun, great hook, instrumentally fairly simple but effective. Ella’s got it going on for sure. Yes, a win for the mainstream.
As for Territory Town, thanks to Trig I’ve been listening to Stamm a couple years now. I saw him live a few months back in a very small club, and all 25 of us there cheered him on. Yes, really 25 people, tho in fairness TT was in town that night!
However you categorize him, Stamm is a bottle of nitro right now and he’s not only a terrific writer, he’s a very rocking performer. Many times throughout he reminded me of Eddie Vedder. Hes definitely grunge influenced, though you won’t hear that in the records, it is prominent in the live space with his sound. Country? Ehhh. Maybe 40%. Still, he’s exciting and worth getting into. Territory Town has taken me multiple listens to appreciate, but it’s growing. Believe it or not, I hear early Steve Earle in that song, in particular the monster guitar riff/ hook in it is super reminiscent of the Guitar Town era Dukes sound.
Anyhow, it’s a great song but Ella’s song is Country to the core, so I’ll give the nod to her for SCM single of the year.
December 26, 2025 @ 3:47 pm
It’s no Lone Star State of Mind.
December 26, 2025 @ 4:32 pm
I don’t follow mainstream country, so I had no clue who Ella Langley was until she started popping up on SCM. Jake Worthington originally had my vote for single of the year, but your arguments about the significance of Ella’s song are pretty compelling. (And I have to admit it’s damn catchy.) Here’s hoping that 2026 will find even more traditional country music infiltrating mainstream radio and charts.
December 26, 2025 @ 6:36 pm
Shocked this wasn’t Territory Town. The easy winner in my book. Tbis feels like a snub
I like Choosin Texas but don’t have it near the top of my list.
Either way thanks for an other great year of work.
December 26, 2025 @ 7:18 pm
I loved this song from the first time I saw the video on YouTube. I’m really happy to see a young female artist saying things that other women can really relate to. Another Ella song that really gets to me is “Girl You’re Talking Home.” Ella seems like an artist who can speak to today’s fans the way Loretta did in the 60s-70s.
December 26, 2025 @ 9:20 pm
Great choice, I really liked Ella Langley’s last album for a main stream artist. Choosing Texas is very catchy and traditional sounding song.
December 26, 2025 @ 10:03 pm
Excellent call. Catchy, great dancing song.
December 26, 2025 @ 10:35 pm
Is she the one who looks exactly like Jessi Colter or are there more than one?
Asking for a friend…and for country music.
December 27, 2025 @ 2:14 am
Yeah, she looks a lot like 70s Jessi Colter.
December 26, 2025 @ 11:59 pm
Ella Langley seems to hit a nerve of many people right now. “Choosin’ Texas” isn’t a particularly noticeable composition and is a very polished production, but that’s probably why it’s successful.
I have doubts if the songs’ success will really help carrying the momentum for women in country music into the new year. It’s also possible that everyone is so focused on Ella as “the woman” in country that other women are pushed to the margins of the attention economy.
December 27, 2025 @ 12:32 am
My first time hearing that song and I’m sure my last. Yuck. Same with that Joe Stamm song. Is that even country? The music sounds like some bad 80s crap. I thought this site was to get away from that kind of junk?
December 28, 2025 @ 12:35 pm
Here here. Ever since this site was bought out by Wal-Mart and Burger King, it’s been all downhill.
December 27, 2025 @ 3:34 am
…if you incidentally came across “choosin’ texas” on your radio dial – or tiktok reel for that matter – and you’re a country fan you’d most likely hang on till the end. and if the same thing happened to you and you’re not a country fan – you’d do the same.
by the way, the absolutely delightful ms. langley has two country hits of the decade under her belt already now. not counting her exquisite contribution to riley green’s “don’t mind if i do”. if you’re looking out for a (the) sensation in country music, look no further.
December 27, 2025 @ 10:59 am
Great way to put it about hanging on till the end fan or not. The girl has something and as far as mainstream goes, I’m all.for it
December 27, 2025 @ 11:39 am
Rather than making good on my promise to burn this site to the ground if JSB didn’t take this one home, I decided to wait the requisite 24 hours and make a more rational comment. Am I crushed my guy didn’t get this one? Abso-freaking-lutely. But Trig makes a solid argument for Ella and I do like “Choosin Texas” a lot. And yes, seeing JSB at the top of the conversation for several “___of-the-year” nominations over the past 3 years or so is very gratifying. “Territory Town” actually got some decent airplay on The Ranch, I heard it nearly a dozen times on there since it was released. Not bad for a band from Illinois cracking onto the Texas airwaves.
I saw Ella in a 400 cap room about a year ago as her star was starting to rise. Her band is great and you can tell they have fun together. They’re not just a bunch of hired guns. I’ve liked Ella’s voice from the get-go. She’s got some great smoke and has a very distinct, yet not perfect, vocal which is a plus in my book. Kinda like Randy Rogers in that no one is gonna put that guy on a list of the greatest voices, but the character – the cracks in it for lack of a better word – makes it one of my favorites. I said a couple years ago now, Ella just needed one great song and even the snobby SCM peanut gallery would come around. Choosin Texas is it I’m getting more and more OK with Ella taking this one home but man I was really thinking Joe and the boys had it this time….
December 27, 2025 @ 12:02 pm
Not for me. Watching the vid and song for the first time, and she doesn’t own it for me.
Like the song, but the performance seems too passive.
December 27, 2025 @ 4:12 pm
Overrated. Period. Really just not that good. At all.
December 27, 2025 @ 9:32 pm
Ella Langley – when you are talking the whole package, is totally the IT girl in music, today.
Vocal talent, well grounded.
December 28, 2025 @ 9:48 am
Well, if you like Western swing, and are tired of the headlines and a lot of the crossover artists/music coming out of Nashville, then this song is definitely a keeper.
December 28, 2025 @ 11:51 am
This song could have been off of the Urban Cowboy soundtrack. Very nostalgic in that way. Ella is easy on the eyes and the ears. Solid choice for Single of the Year.
December 28, 2025 @ 12:55 pm
This is actually the first time I’ve heard the single and watched the video. Usually the best reaction I have to a new “country” single is “Not bad, maybe not that country though.”
This track is legit solid and actually country, not country influenced or adjacent. It has legs and should hold up over the years. Maybe, just maybe, this can move the needle in a real way.
December 28, 2025 @ 7:22 pm
Good choice Trigger, the song rips. Legitimately my favorite mainstream country song that’s come out since maybe “Traveller.” Surely there was something else in between but I sure can’t think of it.
December 29, 2025 @ 9:29 am
One of my favorite songs of the year, glad it won. It even has crossover appeal while still keeping those late 70s-early 80s country roots.
December 30, 2025 @ 1:59 pm
Why do I get the feeling that if you swap states it would make the worse of list. Just kidding…kinda… good song.
January 3, 2026 @ 5:16 pm
I like it when I can like a mainstream country song, and I like this one. Good choice, Trigger.