Willie, Waylon, and Merle on Cocaine, In Their Own Words
The misconceptions about country music “outlaws” began when the term was first coined back in the 70’s. Ever since the Wanted: The Outlaws album became the first platinum record in country music history, people have drawn assumptions about the term, or co-opted it for their own devices. Waylon Jennings wrote about this himself in the song “Don’t You Think This Outlaw Bit Done Got Out of Hand”—a Top 5 single released in 1978. Yet still here in 2015, we have to fight the misconceptions on a regular basis.
In a recent interview, Luke Bryan professed that he wasn’t an Outlaw, saying, “I don’t do cocaine and run around . . . I don’t know about laying in the gutter, strung out on drugs,” and evoked the names of Willie Nelson, Waylon Jennings, and Merle Haggard as part of that characterization.
READ: Luke Bryan Defines Outlaw Country As “Laying in the Gutter, Strung Out On Drugs.”
So to give some historical context to Luke Bryan’s characterizations, I thought we would look back and see what Willie, Merle, and Waylon felt about cocaine. Willie hated the stuff, and would fire anyone in his crew caught using it. Merle barely touched it, except for one dalliance that ended poorly. And Waylon was a professed, long-term cocaine addict who openly expressed his struggles with the drug, and got clean later in life to tell his story.
It’s a lesson not just for Luke Bryan, but the other misinformed “Outlaws” of today who think that emulating their heroes with cocaine use is either cool, or accurate.
From Willie, An Autobiography by Willie Nelson with Bud Shrake
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While I’m admitting to the contents of my medicine chest of drugs and alcohol, I’ll tell you two things you’ll never find me doing—smoking cigarettes or using cocaine. Heroin is so far beyond anything I would use or even tolerate around me that I won’t bother to talk about it.
I have one firm rule with the band and the crew regarding cocaine: if you’re wired, you’re fired.
Anybody in the band or crew who hasn’t quit cocaine has at least pulled up hard from the way it used to be. Cocaine is a stupid drug to use. It gets out of hand before you realize what is happening to you. Everybody starts off thinking they can snort a few lines from time to time, get a pleasurable buzz of energy and confidence and a feeling of power. But sooner or later, cocaine will overcome you. Some of the guys in the band and crew were spending too much money on coke, damaging their health and definitely affecting their music. When you’re wired, you stay up and party, maybe never sleeping between one show and the next, thinking you’re doing fine. But really you think you’re making it when you’re really faking it.
Coke don’t even make you funny the way whiskey can do, it just makes you think you’re funny. For a singer, Cocaine is a disaster on your breathing and throat. Coke has fucked up many a singing voice. I appreciate that the coca leaf grows in the ground, like a medicine. A cup of hot tea brewed with coca leaves is a good tonic for the blues. Indians in the mountains of South America chew coca leaves to pick up their spirits and keep them going in a hard life.
But by the time cocaine gets to the user in this country, it is nothing like the coca leaf you would pull off a bush in Bolivia. The dealers cut the powder with some very poisonous shit. A coke snorter who is moderately deeply into it—like a gram a day—knows damn well he is sticking strychnine, borax, crank, baking soda, all kinds of words that end in -drine, up his nose, but he doesn’t care. Coke makes smart guys stupid. He keeps on throwing good money and precious time after bad dope. Eventually he blows his act.
The old joke is that a couple of snorts of cocaine will make you feel like a new man. But the first thing the new man wants is a couple more snorts of cocaine.
From “The Last Outlaw,” an interview with Merle Haggard from GQ, 2012.
– – – – – – –
“I never did party too much, ” he says. “There were periods of my life where I was in between wives, when there was a flamboyant lifestyle that was debatable as to whether anybody should have had that much fun. And you know, the Lord knows all about it, and I’m sure that I’ll have to pay for it all. But there was a period of time that went by in my life that I doubt that there were many people on the face of the earth in any period of the past or in the future that enjoyed their life much more than I did.”
That having been said, there were five months in 1983 when Haggard, as he puts it, “spun off pretty bad.” he had been jilted by a woman who he thought loved him, and his response was to buy $2,000 of cocaine and retire hurt to his houseboat. “For about five months there, man, I had quite a party,” he recalls. “And different famous people came in and out of that party and saw the condition of it, and I’m sure a lot of them figured I’d never survive.” Haggard says he snapped out of it when he realized that he had been on his houseboat naked with some good-looking woman for five days and had yet to have sex with her, though that was what they were both there for.
He says he never did cocaine again.
From Waylon, An Autobiography by Waylon Jennings with Lenny Kaye
– – – – – – –
After about three weeks, I got to where I could sit for a time and feel my mind clearing out. I realized, that’s the end of it. I waited another day to make sure about what I was thinking, though I still felt I had only “stopped.” That was my key word.
I was in the car with Jessi [Colter] one afternoon, watching the desert scenery go by, and I turned to her and asked if so-and-so knew “that I quit.” She stared at me. I realized what had just come out of my mouth. I didn’t believe that I had said that. “Did you hear me?” I asked her, though I was really directing the question at myself.
It had come from deep within, and we both understood it was absolutely true. I wasn’t ever going to do drugs again, as amazing as that sounded. I had painted myself into a corner, and when I give my word, I don’t break it.
A month after entering my halfway house, I walked out the door, slightly shaky, but feeling strong, at least physically. I was anxious to see what life was going to be like, though I didn’t dwell on the mental hurdles that were sure to come. I sniffed the fresh desert air, crisp in the morning, feeling it rush into my nose and lungs where once drugs had lived and breathed. I felt washed out.
Back on the bus, there was still that twenty thousand dollars worth of cocaine waiting for me. The last temptation . . . I went in the back, unearthed the briefcase with the coke, and took it from the bus. I handed it to Jessi. “Yo, of all people, deserve to do with this whatever you want.” She went in the bathroom, poured it in the bowl, and hollered, “Hallelujah!” She was the happiest girl in the world. And I was the happiest boy. . .
For a long time, it was like I’d lost somebody close to me. I was in mourning, pining away. The best way I can explain it is there’s a guy over there. He’s another person. You can do anything you want to because you can blame it on him. He’s a good-time Charlie, and a lot of fun. You really like him, because he’s your escape from every damn problem you got in the whole world. And when you quit drugs, he dies. Lay out a line, and he’s alive again.
That’s why you have to stay away from him. Change playmates and playgrounds. It’s like the crabs they sell on street corners in Mexico. If you watch, they’re just milling around, with nothing to keep them in the pan but a lip about an inch high. Until you see one try to get out and another pull him back. Your drug friends don’t want you to quit. . .
I was sitting with Shooter in a restaurant booth. He was on the inside, and he got his coloring book out. He was all of five years old. He put his left arm through my right, and we sat there for about an hour while he colored. Shooter hadn’t even done that before. I’d never been able to sit still for so long with him.
I wasn’t about to move my arm.
July 10, 2015 @ 10:14 am
A great read here Trigger. Waylon’s memory with Shooter nearly brought a tear to my eye.
December 5, 2015 @ 1:10 am
The hardest thing for Waylon to give up was CIGARETTES!
He gave up the COCAINE, but the “fags” fucked him!
Sigmund Freud had the same problem and his CIGARS killed him.
Jessi & Shooter are in denial, when they blame Diabetes for Waylon loosing his leg!
February 15, 2019 @ 8:33 pm
The cocaine could have damn well caused the diabetes, think about what it does to a person’s mind and body. Meth, Coke, etc are very likely to cause it along with another long list of complications.
December 15, 2020 @ 9:36 am
Jerry Garcia went into a diabetic coma in 1986 from drug use. He missed death by a hair’s breadth. Diabetes and drugs don’t do well together. Dave Torbert had a heart condition and still used. It killed him. He played bass with New Riders of the Purple Sage and Kingfish.
March 10, 2021 @ 8:29 am
Bobby you are correct. Waylon smoked incredible amounts of cigarettes 5 packs a day and more. He had breathing problems and was sure to die of emphysema at some point. The cigarettes killed Waylon without any doubt in my mind. If he had never smoked and done everything else, I think he would have lived into his 70s or 80s.
September 26, 2023 @ 9:22 am
If drugs were really good for you and your health don’t you think you’re doctor would have written a prescription for them for you.
Ha Doc I’m feeling tired lately,oh no problem just shoot up heroin and cocaine four times a day and you should feel better soon if you’re not dead first.
July 10, 2015 @ 10:40 am
This post reminded me how at the height of the outlaw movement in 1975 Coe wrote Cocaine Carolina and did a duet of it with Cash on Cash’s album John R. Cash.
Then in 1985 Coe covered (and bettered) Steppenwolf’s Snowblind Friend, a song literally about doing cocaine and lying in the gutter.
Both songs are great.
July 10, 2015 @ 11:14 pm
Snowblind was written and performed by Hoyt Axton. I only bring that up because Axton deserves a lot more recognition
July 13, 2015 @ 6:03 am
Axton also wrote “Joy to the World” and “Never Been to Spain”, big hits for Three Dog Night.
I only bring that up because you’re right about Axton deserving a lot more recognition.
July 14, 2015 @ 9:34 am
Hoyt also wrote “The Pusher”
December 15, 2020 @ 9:38 am
Didn’t he write The Race Is On?
July 10, 2015 @ 10:54 am
Awesome article.
July 10, 2015 @ 11:09 am
I loved the part from Waylon. I’ve never read that before.
I’m surprised Merle Haggard was even mentioned in Luke Bryan’s comments. He always struck me as much too professional. “Outlaw”? Sure. But when you think about the addiction stories – ‘No Show’ George Jones, Waylon, Johnny Cash’s struggles – there really aren’t stories like that about Merle Haggard. I guess that’s just further proof that Luke Bryan was talking out of his ass.
July 10, 2015 @ 11:22 am
Merle Haggard is not an Outlaw. Neither is Johnny Cash. They were buddies of the Outlaws, but they weren’t part of the original Outlaw movement. Another misnomer by Bryan.
July 10, 2015 @ 11:27 am
True. But he was a contemporary, so I’d be willing to give a pass to Bryan for that one. But to lump him in as a drug addict was just in poor taste. Especially when the guy wrote “we don’t smoke marijuana in Muskogee…,” lol.
July 10, 2015 @ 11:36 pm
Oh, so you’re going to hold Bryan to being a scholar of the Outlaw movement and using the term exactly as it was first used? Maybe no-one except Willie, Waylon, Tompall and Jessi is allowed to be called an outlaw?
December 5, 2015 @ 1:12 am
Waylon didn’t like Merle!
March 12, 2023 @ 4:29 pm
Sir, Merle Haggard broke out of jail or youth facility 17 times. He is the only one of that class that ever did significant time in prison. Anyone and did a concert at the prison Johnny paycheck was incarcerated at in Ohio after shooting a man in a ballroom brawl. If Merle Haggard wasn’t an outlaw I’ll kiss your ass!
July 7, 2024 @ 10:09 am
Outlaw didn’t mean a criminal in the sense of outlaw country. It meant you were an outlaw to the music industry. Doing things your way, making music the way you wanted to vs what the record labels wanted you to do. Think of it as a chef at a restaurant. If a company recipe called for 1 cup of sugar and 1 tsp of salt. You think the recipe should be sweeter, so you add 1.5 cups of sugar instead. You’re now an outlaw cook because you didn’t follow the recipe, you did it your way. That’s what outlaw country was. Merle wasn’t an outlaw country singer. He followed in line as the labels wanted. He was a convicted criminal, yes, outlaw country singer, no. Two totally different things. If SCM wants me to write an article to explain the difference, I’d be glad to so everyone understands this.
July 10, 2015 @ 11:40 am
If I’m not mistaken, these gushoulde “outlaws” because thy broke the Nashvegas “Laws” of what country music should should like, look like, and where it could come from~ only later did the lawbreaking, black-hat outlaw begin to take on the coke and gutter image our uninformed friend references.
And thanks for doing the digging to correct him and his igborance re: Mssrs. Nelson, Haggard, and Jennings.
g
July 10, 2015 @ 11:44 am
Great article Trigger. Luke Bryan ought to read it.
July 10, 2015 @ 12:01 pm
You presuppose that he reads….
July 10, 2015 @ 4:58 pm
You are assuming that he can read.
July 10, 2015 @ 12:45 pm
Trig, nice article. When you think about the comments that LB made, he really shows the lack of music knowledge he really has. He’s doing what every young star does these days, he’s trying to get as many “Likes” “Tweets” or whatever else they do to drive publicity good or bad. Unfortunately, that’s our society today. If you think about the time frame that the outlaw movement was happening, people didn’t know what they know now about drugs. Yeah, these artist dabbled with drugs but found out quickly that it wasn’t worth it in the long run. So to say that “they we’re laying in the gutter” is just ignorant. These same so called “Stung Out” artist still managed to write some of the best songs ever and probably put on some bad ass shows (without falling off the stage). Now a days, you hear of artist that are strung out and they can’t handle themselves. I’m not condoning drug use, I’ve never touched the stuff, but at the peak of the Outlaw/Cosmic Cowboy scene, drug use was part of the scene. And from what this article shows, these artist who were called out, clearly understood their limits and went on and are still going on strong. I don’t think we can say the same for LB when Pop/Rap/Country fades away.
Here’s a good outlaw drug story from Billy Joe Shaver:
“I was booked to play the ”™Dillo in front of the Grateful Dead but got there a day late. Eddie was ticked but didn”™t make a big deal of it. Actually, he chased me down in the parking lot and said, “Billy Joe, the Dead left you something,” and handed me this roll of toilet paper that had a hit of acid on every square. For about two years, I walked around with that toilet paper in my pocket. I couldn”™t hit it every day. I would hit it every other day.”
November 12, 2023 @ 8:06 am
Hey Bro,, Thanks For Trying To Protect WAYLON,,WILLIE,,HAGGARD,,CASH,,D,A, COE AN WHO Ever I 4 Got,!,!,! This Guy LUKE BRYAN Is A REAL ASS,,, BECAUSE IF U HAVE NOT BEEN THERE,, AN DONE IT,,U DON’T HAVE A CLUE,!,! ON WHY THEY DID THE THINGS THEY DID,!,!,! AN I DON’T SEE A (ST) IN FRONT OF UR NAME (LUKE BRYAN),, AN U SURE THE HELL DON’T WALK ON WATER,!,! (OLD HANK SR,,) SAID IT RIGHT,!,! AN TO THE POINT,!,! MIND UR OWN BUSINESS,!,! AN U WONT BE MINDING MINE,!,!,! Luke Bryan IF U WOULD WORRIE ABOUT WHATS GOING ON IN UR OWN BACK YARD & HOUSEHOLD,, U WOULD NOT HAVE TIME TO WORRIE ABOUT ANYONE ELSE,!,! THEY WERE AN R COUNTRY MUSIC ( LEGENDS ) AN MADE COUNTRY MUSIC WHAT IT IS TODAY AMONG OTHERS,,,
July 10, 2015 @ 1:28 pm
To my way of thinking, outlaw country begun the day Waylon hired Billy Joe Shaver to write honkytonk heroes. I know this is debateable, and a case could be made to call hank sr. the first outlaw, way before any of this happened. I don’t consider Merle an outlaw either, more of a contemporary artist of the day. I would consider the original 70s era outlaw country to be a small group. waylon, willie, the glaser bros. , Kristofferson, coe, and billy joe shaver. Hank Jr. came to the party a few years later, after his accident. Just my 2 cents on the original outlaws.
July 11, 2015 @ 7:03 am
I don’t think Waylon hired Billy Joe. Billy Joe brought most of those songs to Waylon, hoping he
would like them and record them. Lucky for us all he did.
December 5, 2015 @ 1:19 am
It was a hard sell!
Waylon treated Billy Joe like shit, but Billy wasn’t taking any of Waylon’s shit and demanded he listin to his songs!
He said, “Just put your hand up & I’m out ofe here.”
Waylon listened to them all and the rest is history!
NEVER TAKE SHIT FROM PEOPLE; YOU MAY BECOME A STAR SOME DAY!
July 11, 2015 @ 2:33 pm
Agreed. I listened to this just yesterday, and it’s an amazing, classic album. Just top notch across the board. It definitely brought the Outlaw Movement to the forefront. BJS and WJ couldn’t have chosen a better selection of music to say, “We’ve arrived”. The writing and Waylon’s take on the songs are perfection. What an album.
October 14, 2022 @ 2:46 am
Outlaws are the stigmatized legends of their own music. To be an outlaw is to be on your own road.. one that doesn’t fit into one lane going one way, the black sheep amidst the herd headed to the Opry and cmas. Assumptions on lifestyle are part of that stereotype… I’m not a musician but I’m an outlaw in my own right bc i defy the norm by simply expressing myself without abiding to anyone or any rules. Whether I’m sipping coffee, toking a puff or getting wasted with all my country heroes. Depends on the day. The outlaw is judged but doesn’t judge…makes a uturn when the herd hems us up . And keeps on drivin.
This is a great article and glad it was written..no sugarcoatin running these roads.
July 10, 2015 @ 2:47 pm
My former bandmate John let his whole band go to his ex-wife because he didn’t want any business with drugs. He himself was quite an alcoholic but he was aware of it and hated “true” drugs. By the time I met him he’d found a new wife and was still pretty regularly stewed.
July 10, 2015 @ 2:52 pm
That story about Waylon and young Shooter was really touching.
July 10, 2015 @ 3:25 pm
Thanks for posting these excerpts, really liked their perspectives on drug use.
July 10, 2015 @ 4:18 pm
Really good read….thanks for posting.
July 10, 2015 @ 5:47 pm
Here’s some gossip for ya’ll:
The woman that Hag was naked on his boat with, was a Country music star.
Any guesses as to who it was?
July 10, 2015 @ 6:54 pm
Dolly Parton?
Apparently, there are some articles from around 1981 that discuss Merle’s “unrequited love” for Dolly. Perhaps Dolly eventually requited him?
July 10, 2015 @ 7:19 pm
Yup, Merle’s pining for Dolly was well-known. He even wrote a song about her. It wouldn’t surprise me…
July 11, 2015 @ 9:26 am
There’s no way it was Dolly. Dolly Parton would not have left her husband for a week, to go on a naked cocaine/sex binge with Hag on his boat.
My money’s on Tanya Tucker. I know she had “relationships” with Hag and Glen Campbell.
July 11, 2015 @ 2:30 pm
I agree, and I think you’re right. Tanya Tucker was known to party pretty hard during this time. Her trysts with Glen Campbell and all that went on with them are legendary.
July 11, 2015 @ 5:34 am
probably Minnie Pearl.
If he told us who it was we’d swear he was making it up.
October 21, 2024 @ 12:26 pm
It was Dottie West, or Tanya Tucker. He had a relationship with Tanya for awhile.
Old post, so it’s just for the record.
July 10, 2015 @ 7:56 pm
At The end of the day Luke only cares about making money and giving an answer that makes the record company and all of his miss guided fans happy.
July 10, 2015 @ 10:56 pm
I think I saw one time in an interview that Stevie Ray Vaughan used to put cocaine in his coffee in the mornings( before he got sober). Talk about a pick-me-up. Of course he never laid around in a gutter. Guess he wasn’t an outlaw., Just the best guitar player there ever was. Plus, he was more country than Luke Bryan and just played blues
June 20, 2017 @ 8:25 pm
Love me some Stevie Ray Vaughan. Had a chance to see him in Salem Oregon in July of 90 but I didn’t wan to make the drive figured I’d see him next time he came around. Still kicking myself over that one.
July 10, 2015 @ 11:19 pm
Waylons career would’ve been about twice as great without cocaine. When his voice went, it went fast. No disrespect
July 11, 2015 @ 2:28 pm
I’m a huge Waylon fan, but this is true. Cocaine did a hell of a number on his career. I tend to think he was insulated from it for a majority of the 70’s, as he was the hottest thing going in country music, and didn’t fully feel the effects of it until the whole thing started to crumble in the mid-early 80’s. If you read his autobiography, he says something along the lines of, “I couldn’t afford to stay on the road, but I couldn’t afford to stay off of it, either”. He was so wasted for most of the 70’s that he didn’t realize what was going on and left his financial matters to others, which cost him dearly. He was financially ruined, basically, because of his drug-induced escape from reality for this period of time. He didn’t shy away from this, though, and owned up to all of it. He acknowledged that drugs damaged his career.
It’s also astounding he lived as long as he did; if his accounts of drug use are to be believed, he was in the throes of a hardcore addiction, going through briefcases of coke, literally. If I’m not mistaken, I think he said his habit was up to $10,000 a week or something. Scary.
March 10, 2021 @ 8:36 am
Plus add on a 5 pack a day cigarette habit. Most men would not make it to 50 on the combination of smokes and coke at that quantity. And he mixed in pills also. He used them in the morning to wake up without a hangover(when he slept)
July 11, 2015 @ 12:08 pm
I don’t take Luke Bryan seriously for many reasons, but first and foremost, in regards to this article I have a problem with this: his hypocrisy. He has no hesitation singing about drinking and romanticizing all the events that happen when he’s drunk, after he’s drunk, etc, but he’s pointing his finger at other forms of addiction, those which are not alcohol-related, and being all sanctimonious about it? How does he justify that singing about alcohol and pontificating on its merits and effects is any better than singing about substance use? Short answer: he can’t.
Not only is LB not knowledgeable about country music history, he appears to have little respect for those who came before him. Country music generally does not have a lot of instances of artists making jabs at each other (publicly) as much as other genres of music, and there is a perception of artists supporting each other a bit more than other types of music. Now obviously we know that the country music industry is just as cutthroat as any other genre, but it just doesn’t get publicized as much. I’m sure some well-known artists dislike each other immensely, but we don’t hear about it much. LB, in his own way, has sort of broken the unspoken rule of “do not insult fellow artists publicly”. His handlers need to perhaps filter what he says, in order to ensure that he’s not embarrassing himself publicly, and committing yet another faux-pas, as he’s clearly clueless about what to say, and what not to say.
I would also posit that if one reads each of the above snippets, each artist does not make their drug use sound grand or like something they are proud of; in fact, they sound regretful and sorry for their actions. They are not bragging, and I would guess that each of them, were they inclined to do so (with the obvious exception of Waylon, who, if he was still here, would look LB in the eye alongside each of the others) and own up to their actions and be a man about it. LB truly needs to think before he opens his mouth.
July 11, 2015 @ 1:45 pm
I don’t think he was being judgmental, he’s just trying to say “I right what I know,” but he did it in a stupid, stupid way.
July 12, 2015 @ 12:06 pm
you’re spot on, CLS. I didn’t think this quote was particularly offensive, it was just dumb. Like the stuff 17-21 year olds say based on misconceptions about the world.
July 11, 2015 @ 12:25 pm
I like Luke Bryan but I agree,he isn’t country-not real country nor is Jason Aldean or Eric Church,Keith Urban or Billy Currington. I acan’t think of a single song on the charts that is REAL COUNTRY with the exception of Mo Pitney’s “COUNTRY” . This song deserves to be a hit and it’s barely on the charts but that stupid tweenager song”Kick the dust up” is a BIG HIT.
July 11, 2015 @ 1:49 pm
Eh, Eric Church can be country when he wants to. Look at Carolina, and some of his cuts off Chief.
He’s going for (a poppy-er version of) Steve Earle rock-country sound.
July 11, 2015 @ 6:58 pm
I enjoyed reading this. Can’t help but believe this entire situation is blown out of proportion. Media at it’s finest.
July 11, 2015 @ 8:45 pm
It is my understanding that “Outlaws” didn’t really have to do with law, at all.
(My father knew Merle)
The country music industry wanted them to conform to what was already taking place. They did music their way !
And I agree, very little REAL COUNTRY THESE DAYS.
I like the new guys but they are no
Merle, Waylon or Willie or Cash !
August 28, 2017 @ 7:06 pm
Merle was not part of the outlaw movement, so I would question whether you father actually knew him.
Quit giving Merle these bullshit labels. His music was very little like Waylon and Willie’s. I love Waylon and I love Merle Haggard, but for fuck’s sake, let’s quit pretending they were musically similar.
July 29, 2019 @ 4:39 pm
Yep, they went to Austin and grew their gorgeous hair. I am older and I remember the Outlaw shtick. It was a promotion. I think Loretta L needs to patiently straighten LB out lol
July 12, 2015 @ 9:37 am
Great article. That was a great era in Country music. Some of the best singers and songs ever. No artist should talk about another, that is just wrong.
July 13, 2015 @ 7:01 am
Thank you Trigger for this good piece. I appreciated reading the artists’ own accounts instead of someone else claiming to know their thoughts.
July 13, 2015 @ 2:08 pm
Good read. Stupid Luke also write he wasn’t a looking back guy and didn’t believe in the good old days of country. If ya want Wille, Merle and Waylon do buy them. I personally think that the “Bros” are starting to show how irritated they are about being referred to as this crappy part of the genre. Don’t think it will change much b/c they still but out the same crap single after single.
July 13, 2015 @ 7:27 pm
Luke Bryan has more fans than anyone of those “artists” did in their whole careers. Sounds like a bunch of jealous people sounding off with their silly comments. Luke is living a clean life and career. He’s a superstar and will go down in history as such. I’m his biggest fan and I was proud of him and his comments.
February 26, 2022 @ 2:08 pm
Luke Bryan is a insecure under talented bum who likes to run his mouth, anyone of these men have more talent in there little finger than Luke Bryan well ever have.
July 15, 2015 @ 5:03 am
@gina..are you 12????? You can be his biggest fan & luke has a huge fan base for sure but you do need to educate yourself on the other “artists” they have a fan base that you cannot even comprehend…they will live on forever..luke will have a spot in country music history but since he doesn’t look back it won’t matter…
July 29, 2015 @ 1:27 pm
WHO is this luke bryan what does he sing tom country music fan dont know him in uk
December 20, 2015 @ 1:56 pm
Never heard of Luke Bryan. He isn’t a singer I recognize, although I only listen to true country music. Being an idiot, though, is a good way to get people to remember your name. He doesn’t sound like much of a music historian either. Give me Willie, Waylon, and the boys.
March 28, 2016 @ 3:56 pm
Great write up man. Most think Outlaw country came from these guys being on drugs. It was about them not conforming to the same type of Country music produced at the time, they said NO and wrote or played music that was what they liked and we still do, no matter what Nashville or The Grand ol Opry wanted them to play. So yeah, “LB” is not an Outlaw, he conforms to the exact mold hes told to and follows the same crowd and sings the exact same type of songs that all the rest of these new “Cuntry” artists do. Make sure to mention you smoked some pot and drank whiskey. Outlaw? Merle Haggard was an outlaw, when he broke out of jails and was charged for burglary and sentenced to San Quentin. Outlaw? Waylon was when he carried around $20,000 worth of coke across state lines. Outlaw? Willie was and still is when he smuggled pot across every state line and then some. But OUTLAW COUNTRY? Yeah thats from these guys saying FU ill write or sing what I like and if I dont make a million dollars, or get 2 Million “Likes” then I am just fine with that. That took some balls and I for one am damn glad they did so I can listen to them daily. BTW I got tickets to Merle and Willie next month. I’ll support these guys until I cant anymore. Hat Tip to Merle, Willie, Waylon and Trigger for setting things straight. Jon (Missouri)
April 9, 2016 @ 7:17 am
It looks like Willie is going to close the show.
April 15, 2016 @ 7:06 am
According to Coe, the outlaw country movement began as a headline in a newspaper “The Outlaws Came to Town” because he was affiliated with the motorcycle gang “The Outlaws.” (see below)
“At that time I was in the Outlaws Motorcycle Club. I had my Outlaws’ colors on, and I had my pistol in my pocket and I rode my motorcycle up on stage while Waylon was singing. I got off my motorcycle, and went out and started singing with Waylon. And then Willie came out and sang with us. There was a picture of us in the paper that had an arrow pointing to the pistol in my pocket and another arrow pointing to where it said, “Outlaws, Florida.” The headline said, “The Outlaws came to town.” That’s actually how it all started”.
He was explaining how he, Willie and Waylon came to be known as the
“outlaws” of country music–as many theories have been presented. He may have been a member of another chapter at one time, but he mentions the newspaper article as showing “Florida” on his rocker.
July 12, 2016 @ 9:03 am
In truth, the whole “outlaw” moniker was part musical reality and part marketing ploy. The other big thing to remember about the phenomenon is that it really reached its peak (after about four years of build-up) with the release of the ‘Wanted: The Outlaws’ album in 1976, and the big follow-up albums by Waylon, Willie, and Jessi, and then it began it began to lose steam.
The “reality” part of the phenomenon stemmed from the fact that a very small group of musicians in the early-mid ’70s were ditching the whole Nashville sequins & satin record-label session players, as well as the churn-’em-out songwriters. Instead, they were bringing in their road bands as session players (as if recording as “live” acts in the studio) and they were either writing all/most of their songs themselves, or tapping gritty writers on the margins of the Nashville establishment. Waylon, Willie, and Jessi were really the ones who first exploded this approach onto the charts in a big way.
In 1974-1975, each one of them released landmark albums that went straight to the top of the country charts and also broke into pop top 100 charts, as well, due to the fact that rock fans and blues fans and folk fans and pop fans were finding things to like about this original, non-Nashville American music. Willie’s mostly self-written ‘Red Headed Strange’ (Columbia)’, Waylon’s phenomenal Billy Joe Shaver-written ‘Honky Tonk Heroes’ (RCA), and Jessi’s entirely self-written ‘I’m Jessi Colter’ (Capitol) were the vanguard albums, and they each sold enormously. Created a whole new vibe in the industry, coast to coast.
None of them sounded or looked like the cookie-cutter Nashville stars. Willie and Waylon looked like rough roadhouse denizens and Jessi looked like some mystic, gypsy swamp-woman who could be found playing piano at a jukejoint. Tompall and the Glaser Brothers were very much involved in the momentum, but were not anywhere near as successful with their own music. Tompall’s part stemmed from the fact that he cultivated a place for Waylon and his team (especially) to write and brainstorm when in Nashville, and he set-up a music publishing company to handle Waylon’s, Jessi’s, and Billy Joe Shaver’s compositions (in addition to Tompall’s and his brothers’ own stuff). So Glaser was very instrumental, though not a major chart force, at the time.
Another person who has to be mentioned in the equation was Ken Mansfield, who had pushed Capitol VP Al Coury to sign Jessi in 1974 to the label’s Pop/Rock marketing division. They agreed, and Mansfield also signed her to his Hometown production company and helped craft Jessi’s unique sound in the studio for her debut album, bringing in members of Waylon’s band (like Richie Albright) and a mix of grungy-but-sharp LA rock musicians to add extra edge. Mansfield had also worked hard on Waylon’s ‘Honky Tonk Heroes’ (taking no credit) and the bottom line was that both platters were a sensation. Jessi, especially, went through the stratosphere when a couple of the gothic ballads on her record (I’m Not Lisa and What Happened to Blue Eyes) became massive country and Top 100 pop singles. The rest of her record was mainly swamp-funk, roadhouse, country-blues stuff.
In any event, these three –Willie, Waylon, Jessi– became *the* “non-traditional” superstars in the 1974-1975 period, and toured a number of dates together with the less-famous Tompall and his band in 1975 (each star also toured separately that year). Others in that touring constellation were people like David Allan Coe and Jerry Jeff Walker. A couple of times they billed the ticket as the “outlaws” for a few of those late-’70s gigs. But it really was the mood and vibe and image created by the big commercial and critical success of Waylon, Willie, and Jessi at the head of the class. But none of them referred to themselves as “outlaws” at that point, except for a few mentions on a multiple-bill touring promos in 1975.
The marketing ploy part of the whole thing came strictly from Jerry Bradley of RCA in 1976. He was the one who came up with the idea for the Outalws album, which, interestingly enough, was only the first *certified* million selling country album. Here’s Bradley’s direct quote about what happened:
“Willie had supposedly sold a million albums over at Columbia, Jessi had supposedly sold a million albums at Capitol, plus her big singles, I felt that our guy, Waylon, should be at the head of the pack. We had back-catalogue material in all three of these artists, so I decided to package it up and ride the wave. Willie’s people over at Columbia and Jessi’s people at Capitol told me I couldn’t do that, and I told them, ‘Just watch me.’ And I did it. And I made sure Waylon was front and center.”
The rest is history. The album became the biggest record sensation of the year, certainly in country-music, but also in the ranks of American music, period. Once everyone was on board, Waylon insisted that Bradley include Tompall Glaser because of his involvement. Bradley was reluctant, but finally relented. The album, even though it was essentially a “sampler,” was historic, using all old or already-released tracks from these four artists. It truly captured a “freedom moment” in American country music, and only increased the momentum of the already-established Waylon, Willie, and Jessi (while finally making Tompall a star).
The four of them package-toured in 1976, selling-out arenas and stadium-sized venues. It was something to see. They really were the biggest names in country music or “live” American music at that juncture. No one was like them. And they all released more hit product on their respective labels that year –Waylon’s defining “Are You Ready for the Country,” Jessi had two more bestselling albums that year, Willie as well. Tremendous success.
Soon, everybody else in Nashville, from Dolly Parton to Johnny Paycheck, wanted to get some of the “outlaw” shine and bring-in gritty LA musicians and Memphis musicians and get creative, but none of them could really duplicate the unique sound of Waylon, Willie, Jessi & co. Instead, the “outlaw” movement unintentionally sparked the mass interest in country music that created the “countrypolitan” and “urban cowbow” craze of the late ’70s and early ’80s … which smothered the Outlaw movement!
Waylon and Willie continued to do their thing into the ’80s, but poor Waylon hit a brick wall with his substance abuse issues. Jessi had a baby in 1979 and, except for a hit duet album with Waylon (Leather and Lace), she entirely chucked individual stardom and pretty much retreated to the role of motherhood, sometimes touring as “special guest sidekick” with Waylon. Willie branched out with some creative collaborations (Julio Iglesias, anyone?) as well as some colossal projects (Farm Aid) and the movement itself became a memory … albeit a legendary one.
I have always said that no country albums from the ’70s have even remotely “held-up” like the records Waylon, Willie, Jessi, and their immediate cohorts created. Genius work. Influential work –moreso than any other country artists, I believe. It’s a tragedy we lost Waylon … he had more music left in him, but his health was permanently damaged in the 70s and 80s. Glad we had him around as long as we did. And their records really do stand the test of time.
February 14, 2025 @ 2:39 am
“Red headed strange?” I’ve been there.
August 25, 2016 @ 12:27 am
Merle was a gentleman and didn’t say so, but it was Tanya; they both stayed high for almost a week and never got around to anything else but the dope. I heard about this through multiple channels (worked in the music field then), and we were all just waiting to see whether it would end up another Glen and Tanya headline deal.. luckily, Merle snapped out of it, Glen took a lot longer. Not throwing shade on TT, but she had a rep by then and the old school was worried about MH. Now, one unproven tidbit was that George Jones had a thing for Tanya, but his wife at that time shut that down fast, lol. I never saw a line of gossip on it, so don’t know how much fact there is to that one.
May 2, 2019 @ 8:21 am
You know, there were a lot of us in the early 80’s who walked away from music careers because of the insane drug addiction culture and the requirement to sexually “put out” to the filthy Jews who own and operate the music industry which was the “pathway” to success in the field. It is not difficult to be happy as a farmer or in another career, but it is difficult to see how the ones who made enormous amounts of money could justify their self-absorbed, lustful lifestyles while so many hard working people in this country could have been helped with that money that was blown on hundreds of thousands of dollars of drugs, lavish trips, lavish “stuff” and so forth. Of course, to look at it in the manner of “how people can be helped”, one has to give a damn about other people. How many times have we heard of “entertainment” people who were raised in dirt poor conditions as children and who grow up to accumulate extreme wealth and flourish in a self-absorbed, “better than thou” lifestyle completely forgetting where they came from. It’s not possible for me to go out and spend a lot of money on really fancy, designer clothing and shoes, etc. when I can clothe myself cheaper and give that left over money to a family that has suffered a bad car accident, or the man got hurt at work and can’t support his family until he recovers and they are just scraping by to pay their utility bills and get school supplies for their kids (just two examples). The extreme pleasure that I get from knowing that I made someone happy and helped them get over a hurdle for a little while is much more fulfilling than snorting up a bunch of Cocaine or getting drunk at a stupid party full of people with dead souls.
February 6, 2022 @ 1:04 am
So maybe the late Merle Haggard didn’t smoke marijuana in Muskogee or take trips on LSD, but that certainly didn t stop country s greats from trading a shot of Tennessee brown for a toke of Colorado green — and singing about it, too. But true to the genre s roots, these songs capture a complete, complex story: It s never just as simple as relaxing on the beach with a joint in hand, and, more often than not, there are bitter consequences. These are tales that show both the pleasure and sorrow that comes with a life lived high. In This Article: Brandy Clark, Cannabis, Drugs, Eric Church, Jamey Johnson, John Prine, Johnny Cash, Kacey Musgraves, Kris Kristofferson, LSD, marijuana, Old Crow Medicine Show, Toby Keith, Waylon Jennings, Willie Nelson
December 28, 2022 @ 3:18 pm
All legendary great talented individuals. RIP they gave us great music & memories
April 20, 2024 @ 9:11 pm
Some of yall are confusing being an outlaw to outlaw music.
It had nothing to do with your jail record.
It was about them playing the kind of music they wanted to, using their own bands and doing it their way.
They went against Nashville tradition.
Being a criminal HAD NOTHING TO DO WITH OUTLAW COUNTY MUSIC.
June 3, 2024 @ 12:43 am
i always thought that the outlaws were henry paul, hughie thomasson, monte yoho, et al. green grass and high tides indeed…
September 14, 2024 @ 2:19 am
It’s all about coke
By Willie Nelson
January 4, 2025 @ 9:17 pm
I JUST DON’T LIKE LUKE BRYAN. HE’s A JERK, FAKE and IS NOT COUNTRY. jussayin