Yes, Eddie Rabbit Cut The First Country Rap Protest Song

Eddie Rabbit is one of those country legends who unfortunately has been mostly forgotten in time. Despite an incredible twenty #1 songs, and 34 total Top 10 hits—most of which he wrote himself—Eddie Rabbitt is never a name you hear bandied about for the Hall of Fame, or see tributes for on awards shows and such. Granted, in the minds of fans, the Eddie Rabbitt legacy is still fondly remembered, and lives on.
But something almost nobody remembers Eddie Rabbitt for is being a rabid traditionalist. If anything, he’s known for the contrary. In his time, Eddie Rabbit was considered pop country, or at least country pop with the way songs like “I Love A Rainy Night” crossed over to the pop market, and many of his songs didn’t include the commensurate twang that would come with being a traditionalist of the time.
Of course today, few question Eddie Rabbitt’s country music bona fides. This is partly due to how well his music has aged, as well as the poor state that popular country music is in today, which makes Eddie Rabbitt and others sound much more country in retrospect. Far from feeling dated, Eddie Rabbitt’s music sounds like what many folks think country music should sound like in 2023.
In 1991 though, Eddie Rabbitt was nearing the end of his commercial applicability. Capitol Records let Eddie go after his 1990 album Jersey Boy only landed him one #1 hit, and after Garth Brooks, Brooks and Dunn, and Alan Jackson had become the flavor of the day. Rabbitt wasn’t done though, and signed with the smaller label Liberty Records to release 1991’s Ten Rounds.
The album wouldn’t even land Eddie Rabbit a Top 40 hit. It was over for Eddie as a popular country star, even though just months before, he had been one of the biggest artists on the popular country format. But this unfortunate reality also presented an opportunity for Eddie. As opposed to trying to appeal to the masses on radio or to satisfy the desires of the suits at a major label, Eddie Rabbitt could record and release what he wanted. And for Eddie, that was to release a country rap song. But don’t worry, it’s not the kind of country rap you’re used to from today.
There are a lot of songs that are given credit for being the first “country rap” song. Many of them are simply spoken words songs, which is not rap, and in some ways is insulting to the rap medium to imply that they are. So no, “The Devil Went Down To Georgia” or some random Johnny Cash spoken word track do not qualify. Toby Keith’s 2001 song “I Wanna Talk About Me” is also given by some as the first country rap song, but it’s predated in decades by others. David Allan Coe loves to credit himself for inventing all of rap. But David Allan Coe loves to give himself credit for a lot of things that probably didn’t happen.
1987’s “Country Rap” by The Bellamy Brothers is probably the first true country rap song, but Eddie Rabbitt was not far behind. On Eddie’s 1991 album Ten Rounds there was a song called “C-Rap (Country Rap).” Oh but don’t fret country purists, this wasn’t Eddie Rabbitt’s last dying attempt at rekindling his popularity by chasing a trend. It was Eddie lashing out at the prevalence of rap, pop, and heavy metal that in part had probably helped end his popular career.
I don’t wanna hear any heavy metal
I don’t wanna hear one more rap song
I don’t wanna hear no dirty talkin’ on the radio
All day long
I don’t wanna hear any songs about Satan
I don’t wanna hear any violent screams
How in the world can they call that music
When you’re t-t-talkin’ with a drum machine?
I wanna hear good old country music on the radio
I wanna hear lead guitar and a hot piano and an old banjo
I wanna hear people singing in sweet harmony
I wanna hear something that sounds like music to me
Not only does Eddie Rabbitt (of all people) deserve credit for cutting one of the first country rap songs, he deserves credit for the very first country rap song protesting rap, drum machines, and other things in music, with Paul Franklin playing steel guitar, Brent Mason playing lead, and other top country performers behind him.
Since Eddie’s album Ten Rounds was a commercial flop, like so much of Eddie’s career, “C-Rap (Country Rap)” has been forgotten in time. But in the annals of country protest songs, “C-Rap (Country Rap)” was certainly a first.
If we’re being fair, Eddie probably deserves credit for coming across as a little prudish in the song too. You have to appreciate though, this was 1991, and as a devout Catholic, Eddie had fair concerns where popular music was headed. Thank goodness he wasn’t around to see the rise of Bro-Country, or hear many of the popular country songs of today.
But who knew that Eddie Rabbitt was so ahead of his time, saw where things were headed, and decided to speak out. It’s far from his finest song, but it does speak to Eddie Rabbitt’s love and devotion to true country music, even in a moment when the country music had put him out to pasture.
March 25, 2023 @ 10:21 am
Interesting find! I think it’s a worthy entry in the Rabbitt canon.
March 25, 2023 @ 10:43 am
I love how much you mention Eddie Rabbit in your posts and champion for him as he is one of my all time favorites and I feel the same as you do that he deserves more recognition. Ten Rounds was one of those Eddie Rabbit albums I picked up as a CD in a pawn shop a few years after it came out and during that time only Walmart sold his new CD – all had good songs on them. 747 is one of my favorites on Ten Rounds. Keep the torch burning for Eddie Rabbit!
March 25, 2023 @ 11:13 am
I thought this was fake news for a second. I found the song on Spotify, didn’t turn my volume up for a second, and heard the fiddle in the chorus. Ha!
This wasn’t bad but unexpected. Every Which Way But Loose, American Boy, and Driving My Life Away are huge songs. I should really dive into his catalog. Great post!
March 25, 2023 @ 11:25 am
” . . .insulting to the rap medium . . . ? Are you KIDDING ME? “Rap,” itself, is nothing less than an insult to humanity! How does one insult an insult? Oh . . . yes; one more thing. “Rap” is NOT music.
March 26, 2023 @ 11:18 am
You’ve never listened to Ryan Upchurch S music then . Id take anything he put out .
March 26, 2023 @ 10:24 pm
He sucks
March 29, 2023 @ 5:13 am
To quote the Curt Henning ” Rap is Crap”
March 25, 2023 @ 11:31 am
Requiem for a Harlequin, 1973, was closer to street rap than anything anyone white, or country had done at that point. it’s an entire protest album against racism, in rhymed verse to a non-existent audience. he was deprived credit and his place in coubtry nusic and that’s hy he’s earned th right to boastb what he does. whine more about how old town road and orville peck aren’t country. “trigger”
March 25, 2023 @ 12:15 pm
“Requiem for a Harlequin, 1973, was closer to street rap than anything anyone white, or country had done at that point.”
Sure. But it was spoken word. David Allan Coe didn’t call it “rap” at the time. That album didn’t go on to influence thousands of Black people to start making music to emulate David Allan Coe. It had nothing to do with the rise of hip-hop, and you won’t find one hip-hop expert that will assert that it does. This was David Allan Coe retrospectively giving himself credit for something he doesn’t deserve. And like I said in the article, conflating spoken word with rap is an insult to the medium.
But please, don’t take this as an indictment or rebuke of David Allan Coe. The guy is a madman and a country legend. But he didn’t invent rap music. That is beyond preposterous.
March 25, 2023 @ 1:23 pm
don’t see my reply posting, Trig. is there an issue?
March 25, 2023 @ 2:27 pm
You replied to Rich twice and me once. If there is any issue, it’s you overposting.
March 26, 2023 @ 3:18 pm
“You replied to Rich twice and me once. If there is any issue, it’s you overposting.”
it’s not “overposting” when my argument hasn’t acknowledged or addressed. are you able to view and reply to this comment, preferably without employing words and concepts you haven’t learned yet:
when I summitted my initial reply to this post, it came up immediately. this was not the case with my reply that you’re answering for him. despite multi attempts and using a VPN as a last resort.
I don’t need schooling in the histories country and black and/or white musics, where they diverged, merged and potentially departed. I also don’t need anyone repeating back to me what I just told them.
as we are all here to whinge about, the current date of country is shit, and hip rules our culture. I love both. I don’t think Coe had any influence on rap, because maybe twelve people hear record that when it came out and by my count. nine of the are in currently in a pine boxes, below the sea, and seven more feet deep below the sea floor – no one knows about this record, just that he used the n-word in a song once. anyone who doesn’t currently have a direct blood relation’s member currently pumping one of their seven orifices knows that was wrong. the guy was been denied respect and I’m happy to hear him shoot his shit off about any respect he thinks he is due, correct or not. because he’s right, and you people need collectively cancelled the guy. any one left need some air?
March 25, 2023 @ 1:29 pm
is your argument that this Eddie Rabbit junt was more key yo the development of hip hop than Requiem? because I wouldn’t argue anything so dumb. I provided a reason for Coe’s hyperbolic in currently about how mainstream media wants to pitch stories about country going “queer” or “black,” Coe was putting songs out like Fuck Anita Bryant, because he was a true outlaw who didn’t care who was buying.
March 25, 2023 @ 2:01 pm
Neither Eddie Rabbit or David Allen Coe had an iota of influence on rap. The early 90’s had a ton of cringy hokey stuff people forgot.
Rap started in the late 70’s when black Dj’s started putting rhymes over samples of popular songs in the Disco and Funk genre.
March 26, 2023 @ 11:28 am
I didn’t ask you. unless trig is too pussy to use his own accont?
when I summitted my initial reply to this post, it came up immediately. this was not the case with my reply that you’re answering for him. despite multi attempts and using a VPN as a last resort.
I don’t need schooling in the histories country and black and/or white musics, where they diverged, merged and potentially departed. I also don’t need anyone repeating back to me what I just told them.
as we are all here to whinge about, the current date of country is shit, and hip rules our culture. I love both. I don’t think Coe had any influence on rap, because maybe tweleve people hear record that when it came out and by my count. nine of the are in currently in a pine boxes, below the sea, and seven more feet deep below the sea floor – no one knows about this record, just that he used the n-word in a song once. anyone who doesn’t currently have a direct blood relation’s member currently pumping one of their seven orifices knows that was wrong. the guy was been denied respect and I’m happy to hear him shoot his shit off about any respect he thinks he is due, correct or not. because he’s right, and you people need collectively cancelled the guy. any one left need some air?
I don’t participate in conversations where my commentary is screened or censored so I will no be this around again if I still live.
March 26, 2023 @ 6:53 pm
I think you are off your meds odibex
March 25, 2023 @ 2:33 pm
odibex,
I feel like you’re reading me all wrong here. You’re getting defensive about David Allan Coe in a way that’s not really necessary. I think we’re both on the same page about Coe. I was just calling out his propensity for hyperbole, which if you’re a Coe fan, you have to love about him, but also recognize it for what it is.
Of course I don’t think that Eddie Rabbitt was more key to the development of rap than Coe. I don’t either of them had any influence on rap at all, especially Rabbitt. Barely anybody even knew about this song. That is why I wrote an article about it.
“I provided a reason for Coe’s hyperbolic in currently about how mainstream media wants to pitch stories about country going “queer” or “black,” Coe was putting songs out like Fuck Anita Bryant, because he was a true outlaw who didn’t care who was buying.”
I 100% agree.
March 26, 2023 @ 4:49 pm
Were your parents related?
March 25, 2023 @ 11:33 am
Man I remember getting a copy of “Horizon” on cassette from Columbia House when you could order a dozen tapes for a penny. I didn’t even know Eddie was country at the time because his sound fit right in with the Pat Benatar, REO Speedwagon, and Asia tapes that came in the package. I wore that cassette the hell out. Cool article Trig. Maybe I was into country back then, I just didn’t know it?
March 25, 2023 @ 1:10 pm
is your argument that this Eddie Rabbit junt was more key to the development of hip hop than Requiem? because I didn’t argue anything so dumb. I provided a reason for Coe’s hyperbolic claims, which are 100% valid and understandable to anyone with any sense. while you’re currently whinging about how mainstream media wants to pitch stories about country going “queer” or “black,” Coe was putting songs out like Fuck Anita Bryant, because he was a true outlaw who didn’t give af who was buying or what they thought. catch tf up.
March 25, 2023 @ 1:15 pm
is your argument that this Eddie Rabbit junt was more key yo the development of hip hop than Requiem? because I wouldn’t argue anything so dumb. I provided a reason for Coe’s hyperbolic in currently about how mainstream media wants to pitch stories about country going “queer” or “black,” Coe was putting songs out like Fuck Anita Bryant, because he was a true outlaw who didn’t care who was buying.
March 25, 2023 @ 1:56 pm
The late 80’s and early 90’s had a lot of rightfully forgotten trends. As a kid I remember Christian artist Carmen Licciardo (Christian Tom Jones) putting out ‘rap’ songs during that same time period. Paul Franklin played on some of his albums too. I was surprised to see that in the liner notes.
March 25, 2023 @ 2:27 pm
And Carmen sold 10 million albums compared to Eddie Rabbit’s 2.1 Million.
March 27, 2023 @ 2:09 pm
And?
March 26, 2023 @ 8:13 am
Oh Carmen, always going fisticuffs with Satan! I stumbled on a web forum in like 2006 with all kinds of drama about him and all the affairs/drama he was involved in. Could not have been less surprised.
March 26, 2023 @ 9:08 am
Same. I remember the VHS and cassette tapes from my childhood and there is no way that guy wasn’t slinging Old Testament levels of dick in the 90’s.
March 25, 2023 @ 4:15 pm
What would you consider Rock Island from The Music Man? The film version came out in 62 before Here comes the Judge and has more in common with rap including a hook (whadya talk whadya talk whadya talk part)
March 25, 2023 @ 4:48 pm
Exile had a song in 1985 called “Music” that could be considered as having a rap style. Here is the link: https://www.youtube.com/watch?v=36MzGgdyPnE
March 25, 2023 @ 7:08 pm
Hmm…????…this is interesting to say the least this song is protesting what was the current state of country music at that time but it’s also mocking rap….I LOVE IT! ????????????
March 25, 2023 @ 7:08 pm
Never heard this before. Feels like this song was more of a cry against what was popular at time while he saw his star fade as opposed to a protest just against rap.
“I just broke jail and they’re gunnin’ for me”
March 25, 2023 @ 11:34 pm
Prudish?
More like good taste. It is a sad state of affairs when that is considered prudish.
March 26, 2023 @ 8:17 am
I mean he was talking about “Satan” so maybe “absurd” “ludicrous” or “asinine” would be a more accurate pick. No matter what you call it, those lyrics are very funny, probably more than they were intended to be.
March 26, 2023 @ 5:33 am
When I think of Eddie Rabbit I always think of his AOR hits like Driving My Life Away or I love A Rainy Night more than his more traditional country songs. I think his success at more cross over radio hits is why he isn’t mentioned more often among the country greats at the time.
March 26, 2023 @ 7:53 am
One interesting early rap-country connection to consider is Blowfly’s version of “Convoy” circa 1980.
March 26, 2023 @ 8:21 am
Blowfly is so great that I was looking his albums up on Spotify to play for my coworkers but he is so far from appropriate in a professional setting that it’s not even funny. Even though his songs are extremely funny.
March 26, 2023 @ 10:42 am
Strange to see all the Eddie Rabbit Stuff on this site. Since Rabbit wasn’t really traditional country and Im really ok with that. The mid 70s to early 80s are my favorite era of country music. I know most everybody on Triggers site shudders to think of this time period of country music, but, it was so diverse at this time. You could tune into Country Radio and hear just about anything, traditional swing, shuffles, beautiful ballads, rocking fast songs, recitations, even disco from Charlie Pride, Connie Smith, Bill Anderson, and Waylon Jennings and Rabbit was a big part of this era. Elvis recorded two Rabbit compositions Patch it Up Baby, and Kentucky Rain, Elvis mostly used Patch it Up as the second number following Sprach Zarathustra in concerts. Ronnie Milsap recorded his first number one song with a Rabbit tune, Pure Love. Eddie Rabbit was also the first performer to use syndrums in country music, “You Don’t Love Me any More,” which he took to #1. The other #1s using syndrums were Ronnie Milsap’s, Let’s Take The Long Way Around the World, and the Gatlin’s, All The Gold in California. Eddie Rabbit’s, ‘Suspicions,’ Helped put him on the mainstream map, a top 10 in Adult Contemporary and top 20 on the PoP charts. One of my favorite Rabbit tunes is “You Put The Beat in my Heart,” a top 10 song from 1983 and it isn’t available except for vinyl and cassette on Greatest Hits vol 2.
March 29, 2023 @ 10:30 am
Eddie Rabbitt released two brand new songs on his 1983 Greatest Hits Vol. 2 album. “You Put The Beat In My Heart” was edited for the radio single. The single release of “Nothing Like Falling In Love” received a remix. To date neither of those versions are available on CD or as downloads.
Another “lost” Eddie Rabbitt hit is his 1986 RCA single “Gotta Have You.” The single remix is very different from the album release and is also unavailable as a download or on CD.
March 26, 2023 @ 1:23 pm
Trigger, Eddie left Capitol Nashville after his 1991 Ten Rounds album didn’t have much success. Eddie recorded a Christmas song for the 1993 compilation album Sounds Of The Season on BNA Records. I’ve been wondering for a while if Eddie recorded any songs (or even a whole album) that never got released for BNA in the early to mid 1990s? If anyone knows, any info would be appreciated!
March 26, 2023 @ 1:56 pm
Eddie rabbit is a damn good singer.everyone of his songs went to the top 10 and alot of them made number 1 ans stayed #1 for at least 2 to 3 weeks .he
Had a. Voice like Keith whitley.ill would buy one of Eddie’s album before I would Luke combs,or even David Allen coe.besides Eddie rabbit the only other person or persons album I’d buy would be brooks and dunn.theres no way you can go wrong with these 3 country singers
March 26, 2023 @ 3:42 pm
It’s easy to dismiss Eddie Rabbitt’s sentiment as him being an “old man yelling at the cloud” but that would be too easy I think. It’s undeniable that once beauty becomes something that is no longer looked for in music, very extreme forms that would otherwise have been inconceivable before start to take over, which Is I think what we see with rap or metal.
The curious thing is that metal is essentially a niche genre nowadays, probably less popular than country
March 27, 2023 @ 3:04 am
Great post. This reminds me of the Confederate Railroad song, “I Hate Rap.” Basically the same thing going on. I kind of have mixed feelings about these songs. If we’re criticizing hip hop influences encroaching into country, that’s perfectly fine with me. And if the sentiment is more like, “I just don’t understand this new stuff the kids are listening to,” then I suppose that’s fine too. But if it is just outright disparaging other genres of music, that seems to be too much. I don’t like rap either, but I can respect it and the people who make it. I’m not saying that is what either of these songs are doing – they both are a little more nuanced – but they probably are approaching that line a little bit.
March 27, 2023 @ 10:39 am
Eddie was just concerned about what he considered negativity in music for the masses and how it would affect young people. That’s all.
March 28, 2023 @ 11:02 pm
Gross!
March 29, 2023 @ 10:40 am
You may want to check your info regarding the record label for Eddie Rabbit’s “Ten Rounds” album. That album was first released on Capitol Nashville in 1991. Label head Jimmy Bowen changed the name to Liberty in 1992 after Rabbitt had left the roster. “Ten Rounds” may have been re-released on the Liberty imprint after Rabbitt was no longer onboard.
Eddie landed at Capitol Nashville because he was signed to Bowen’s Universal label in 1989 The following year Bowen sold the Universal label to Capitol when he became the head of Capitol Nashville. Bowen brought most of his Universal roster with him including Eddie. In 1992 Capitol Nashville became Liberty Records so it was not a smaller label but rather Capitol Nashville with a different name.
It was the second time Eddie found himself on a different record label due to change at the parent company. He was on Elektra from 1974 – 1982 where his hitmaking career began. In early 1983 Warner Communications Inc. [WCI] parent company of Elektra and Warner Brothers merged their two separate Nashville divisions. Most of the Elektra roster including Eddie Rabbitt were moved to Warner Brothers Records under Nashville head Jimmy Bowen. Eddie continued on the Warner roster until 1985 then left for RCA. He reunited with Bowen at Universal four years later.
As for his song “C-Rap” it may have been created purely to express his dislike of rap music. But religious beliefs aside it could well have been just an effort to create something that would cause controversy and excitement. His career was clearly fading at that point so he may have felt that throwing anything at the wall was an option. Clearly the record label felt that it had no single potential. Remember that in 1991 only artists that had Garth as their first name received major attention at Capitol Nashville so Eddie likely had little or no hope for any further success there.
March 30, 2023 @ 6:43 am
I am surprised that Jimmy Dean’s “Big Bad John” (1961) didn’t get a mention. I have read an article that argued it was the first big rap song, hitting number one on Billboard’s Country and Hot 100 charts.
March 30, 2023 @ 7:54 am
Rap and spoken word are two completely separate things, and it is an insult to both art forms to insinuate they are the same, in my opinion.
April 1, 2023 @ 6:22 pm
Good find and interesting conversation. Understand there is a difference between rap and taking (blues), but can’t help but think that CW McCall’s “Classified” deserves mention here as well.