A Deeper Look at NASH Icon’s Ratings & Impact
Is the country music radio format splitting? That’s the question on many people’s minds in country radio, with Cumulus Media’s new NASH Icon format at the forefront of the potential fissure. Offering a mix of music that adds in older artists stretching all the way back to the early 80’s, NASH Icon has the potential to return worthy country music forgotten by modern radio back to the airwaves. And when the biggest NASH Icon affiliate located in Nashville beat the rival iHeartMedia pop country station WSIX—the flagship of The Bobby Bones Show—as well as equaled its own NASH sister station WKDF in in its first full month of ratings data in September, the idea of country radio splitting in two never looked more promising.
The September ratings news was shocking to say the least, but it could be chocked up to a number of things, including the curiosity factor, a big promotional push, or simply beginner’s luck. Now in the new October ratings, NASH Icon’s WSM-FM has not only registered the highest rank amongst country stations in the market (5.4), it has pulled away from the mainstream NASH station, reinforcing the idea that we could indeed be witnessing country music splitting.
But how is NASH Icon faring outside of Nashville? Sure, Music City is an important battleground as the ‘Home of Country Music’ and the home market for iHeartMedia’s rival flagship country station. But for the country format to formally split, it’s going to take much more action across the country in major markets.
“There’s a very healthy energy and enthusiasm for what we’re doing with this format,” says Cumulus Media Executive Vice President John Dickey. “I still hold to what I said in August. I think you will see, in the next 24 months, a NASH Icon format in each of the Top-100 markets. It may be 36 months…”
But where does NASH Icon sit in regards to Top-100 markets at the moment? We’ve already covered Nashville, which is #45 as far as market size, and it’s doing quite well there. But out of all the other major Top-100 media markets in the country, NASH Icon is only in seven of them at the moment. And how is it faring in those seven markets? Aside from the Nashville station, the NASH Icon affiliates all come in last amongst country stations in their respective major markets. And in the Atlanta, Kansas City, and Detroit markets, they come in dead last out of all major radio stations in the market.
The biggest market NASH Icon is in is Atlanta, the #9 media market. Relegated to an HD2 channel, the Atlanta NASH Icon affiliate is pulling only a 0.2 rating. A similar story plays out for the #34 Kansas City affiliate that registers an anemic 0.1 rating on its HD2 signal, and the #12 Detroit affiliate on an HD2 channel doesn’t even register in the ratings at all. Birmingham, AL at #60 fares a little better with a 1.6 rating on WZRR, as does #73 Des Moines at a respectable 4.3 rating. But they still come in dead last amongst country stations locally.
Albuquerque, NM at #68 in market size is the 7th major NASH Icon market, but 96.3 KBZU didn’t appear in the latest ratings Saving Country Music has access to via Radio Online.
Here’s a run down of NASH Icon’s Top-100 market ratings amongst rival country stations:
Nashville (#45)
#1 NASH Icon – WSM-FM – Rating 5.4
#2 NASH – WKDF – Rating 4.8
#3 iHeartMedia – WSIX – Rating 4.8
#4 Grand Ole Opry – WSM-AM – Rating 1.4
Atlanta (#9)
#1 iHeartMedia – WUBL – Rating 5.3
#2 – Kicks (Cumulus) – WKHX – Rating 3.2
#3 – NASH Icon – WWWQ-HD2 – Rating 0.2
Kansas City (#34)
#1 Mgtf Media Company – KFKF – Rating 7.4
#2 Entercom – WDAF – Rating 4.8
#3 Mgtf Media Company – Rating 4.3
#4 NASH Icon – KCMO HD2 – Rating – 0.1
Birmingham, AL (#60)
#1 Summit Media – WZZK – Rating 6.9
#2 iHeartMedia – WDXB – Rating 5.5
#3 NASH Icon – WZRR – Rating 1.6
Des Moines (#73)
#1 NASH – KHKI – Rating 6.4
#2 NASH Icon – KJJY – Rating 4.3
– – – – – – – – –
The other issue is that many of the NASH Icon affiliates are in very small markets, making their reach and influence marginal or minimal on the greater country radio landscape. In late October, Cumulus announced it was adding three new NASH Icon affiliates, but all three were outside the Top-100 radio markets.
- #102 Lexington, KY – WVLK
- #107 Chattanooga, TN – WOGT
- #116 Worcester, MA – WORC
Those are additions to other NASH Icon affiliates in very small markets
- #105 Huntsville, AL – WWFF
- #120 Oxnard- Ventura, CA – KRRF
- #129 Fayetteville, AR – KRMW
- #152 Savannah, GA – WZAT
- #160 Ft. Smith, AR – KLSZ
- #221 Lake Charles, LA – KQLK
- #231 Bloomington, IL – WJBC
- #235 Muskegon, MI – WLAW
- #240 Albany, GA – WNUQ
- (?) Monroe, MI – WMIM
Unfortunately Saving Country Music does not have access to current ratings data for these stations. Many of these stations were switched over to NASH Icon because they were under-performing in their previous format.
All this data paints a somewhat bleak picture, especially compared to the exciting news of NASH Icon’s success inside Nashville. But it must be appreciated that it is still early in NASH Icon’s plans, and Cumulus appears to be unfazed and finding important demographic figures amongst these numbers to be excited about, namely that younger listeners are surprisingly receptive to NASH Icon. At the same time, country radio is a buzz business, and media executive’s enthusiasm always has to be tempered by reality.
It’s a long way to go before we could see country radio officially split, especially when taking into account NASH Icon’s difficulty in finding space on the dial in major markets. We also must consider “Icon-style” stations not affiliated with Cumulus like HANK-FM who will also help factor into country’s format split. This look beyond the Nashville market is a sobering reminder there’s a lot of work to do before country music is the tale of two separate radio formats.
November 19, 2014 @ 12:59 pm
I was curious when I heard my area was getting a NASH Icon station. The station bills itself as playing, “the stars that made country great” or something like that. The first three songs I heard were Luke Bryan, Rascal Flats and Sam Hunt. No thank you. Been flipping back ever since just to see, and it seems the most “classic” they can get is Tim McGraw. Disappointing, but then again I wasn’t expecting much.
November 19, 2014 @ 1:19 pm
When they first started out, Lew Dickey said there would be no Bro-Country. That promise has been broken about as hard as it could be. Where including so much new music may work for them in Nashville, it may be hurting them in these more rural markets that have more older listeners who any time they hear anything from Luke Bryan or Florida Georgia Line, they’re going to tune out and never come back. That is why I thought it was important to zoom out some and look at the rest of the country. For NASH Icon to grow, they may have to ditch the Bro-Country.
November 19, 2014 @ 2:18 pm
That depends on exactly what type of songs they are playing. If they are featuring “We Rode in Trucks”, “Do I”, “Drink a Beer”, or “Roller Coaster” from Luke Bryan, then the station should do fine with the older country audience, while also bringing in Luke Bryan fans who might take a liking to classic country. With Florida-Georgia Line, the one song that could be played without violating principles is “Dirt” (although even there the sonic style might turn off the older fans).
November 19, 2014 @ 2:50 pm
As we saw when I broke down their playlist, they are not just playing Bro-Country artists, but Bro-Country songs. Even if it’s one every 90 minutes, that’s going to be too many for a lot of the listeners NASH Icon hopes to attract.
https://savingcountrymusic.com/a-breakdown-of-the-nash-icon-playlist-aka-merle-haggards-back-on-the-radio
November 20, 2014 @ 12:11 pm
Any fan of more trad country has already got a bad taste in his mouth left by just the name of the bro-country artists who derailed things. If the Kruise Kids went out and recorded the Merle Haggard Songbook at this point it would take some serious $$$ and promotion to get that trad fan back on board.
Format change is a strange beast . If you’ve ever seen your local live music club try to change its format , say from country to pop or rock bands , immediately you lose the following you currently may have. BUT you don’t get back the old ( or a brand new ) following overnight . It can take 2-3 years of solid commitment , promotion , ads ,etc, to convince people that-
A. the change is for real and
-B. we ain’t goin’ back to the old format.
Most clubs have a near impossible time making this change and bow to the pressure of mounting bills , employee layoffs and disgruntled patrons even though the format change may have been necessitated initially by a decline in business.
Three months is no measure of how successful format change CAN be . Its all about the willingness to implement that change and the deep pockets necessary to afford the patience . My own experience as a professional player , teacher , writer , studio owner , indicates that given the choice of older country as opposed to all-bro-type -southern-rap-rock–no-women pop-country radio more people ( young and old ) than you might think will become fans of the more traditional ( read emotional , memorable melodically , more traditional instrumentation and arrangements , varied themes and a stronger presence of women artists) country and roots music . It seems to come down to exposure and a commitment to continuing to provide exposure to the options available outside of commercial radio . Particularly so for the many young songwriters I work with and record . .
November 19, 2014 @ 1:43 pm
As you mentioned at the end for this to become a really big trend it’s going to have to be more than just one company going this way. I don’t listen much to the two country stations in the Seattle market nearest me but neither one of them is a Cumulus or iHeart whatever owned station. A sign that his trend is really going to break big is when a number of different companies jump on board.
As for playing bro country stuff I fear that they would argue whether some of the Luke Bryan type stuff is really bro country and that is a much bigger problem for these types of stations.
November 19, 2014 @ 2:35 pm
I think a lot of Nash Icon’s early growth will probably have to start in mid-sized and smaller markets. Speaking from personal experience only, I think smaller metro areas, such as Chattanooga, Fort Smith and Lake Charles tend to have a larger percent of country fans that have been listening since the ’70s or ’80s. I think Icon could have great success in these types of areas.
I don’t know how much profit stands to be made in metros with less than 300,000 people but it should be a decent place to start. If Icon can be the top country station in many smaller markets, other radio groups are gonna have to take some notice.
I’m not completely opposed to them playing some current pop country from big stars, but I wish they would ditch the total “tailgate music” trash. I would also like to hear more new releases from traditional leaning artists. For example, Easton Corbin and Josh Turner both have new singles out that aren’t getting tons of airplay. I wish Nash Icon would play those two songs more.
November 19, 2014 @ 2:59 pm
I hadn’t heard the comment that they weren’t going to play “bro country”, so if they’ve gone back on that, shame on them. I was under the impression that their current playlist would be pretty much the same as mainstream country, but that the music clock would feature more recurrents and would go back in time a little farther for recurrents that typical mainstream stations. Plus the plan to develop a slot on the clock for new releases from older artists regardless of their chart performance.
I’m not currently listening, but KJJY lists the current song on their website and I’ve been checking it every couple of minutes. The last five songs have been recurrents: Pickin’ Wildflowers (2004), 5-1-5-0 (2012), Strawberry Wine (1996), I’m Gonna Miss Her (2002), and Gone Country (1994). So it does appear that they are digging deeper into the pile of non-current material and playing more of it. I think this is a good sign; if they make good on their promise to play new music from the older artists, I can live with a crappy FGL tune once in awhile.
November 19, 2014 @ 3:08 pm
On August 25th, John Dickey said, “You won”™t hear a lot of what we affectionately term in the business today as ”˜Bro-Country.”
https://savingcountrymusic.com/cumulus-media-its-time-for-country-to-fragment
Then when I did an analysis of their playlist on August 28th, I found songs like Florida Georgia Line’s “Get Your Shine On” and Luke Bryan’s “That’s My Kind Of Night” (once called by Zac Brown the “worst song ever”).
https://savingcountrymusic.com/a-breakdown-of-the-nash-icon-playlist-aka-merle-haggards-back-on-the-radio
Since then I really haven’t seen much change in the playlist.
November 21, 2014 @ 10:06 am
I do actually remember that quote; I don’t want to split hairs, but I think there’s a little space between that quote and your earlier statement that they said there would be NO bro-country.
I get what they’re doing. They want the current playlist to include the entire spectrum of current hits to maintain appeal with mainstream country fans while diluting the pool to include material not heard on mainstream stations to make it more appealing to older demographics.
It’s not ideal by any means, but I think it’s a nice alternative to the typical mainstream country station where the more objectionable current material makes up the majority of the programming.
November 19, 2014 @ 3:02 pm
Much as we have been discussing repeatedly here with regard to contrast between genres being necessary to maintain in that this is how culture in the broader sense is conserved and appreciated……………the same goes with marketing to a large extent.
NASH Icon isn’t going to achieve its full potential if they merely pass off as The Wolf or Go Country 105 Lite. They need to be marketed as another distinguished choice for those who are disenchanted with bro-country and many of the mechanizations of the monogenre. Certainly not anathema to mainstream sensibilities, but nonetheless receptive to artists who rose to prominence during the 90s onward who receive minimal airplay as is, as well as those who have received much acclaim and cult success as is but hasn’t translated to airplay such as Brandy Clark and Jason Isbell. And, finally, proving a counterpoint to the Bobby Bones brand of business by recruiting local talent as far as deejaying and programming is concerned.
*
I did notice NASH Icon also netted notably promising numbers in Des Moines. So there is evidence that the appeal for an alternative resides beyond Nashville.
November 19, 2014 @ 5:14 pm
We’ll see but thankfully its not here in FL yet.
November 20, 2014 @ 10:06 am
I live on the edge of the listening area for the Bloomington, IL station, but I drive away from it for work, so I rarely have the chance to tune in. Sunday I drove through the listening area and listened for a couple songs. They started playing Jason Aldean’s Burnin’ It Down. I couldn’t believe it. How does that garbage find its way onto a Nash Icons station?
November 20, 2014 @ 12:47 pm
That’s the problem. If they’re going to appeal to country music’s disenfranchised masses, they’re going to have to ax the Bro-Country at least. It’s hard to see how it will work otherwise.
November 20, 2014 @ 10:59 am
Not sure using an HD signal is a true apples to apples comparison.
November 20, 2014 @ 12:23 pm
Segregating playlists by year doesn’t really do it for me. The ratio of good to bad music played on the radio hasn’t changed substantially since the 70’s. It’s about 2 songs in 10, and I have a wide strike zone. If they are just going to force a bunch of old crap on us that is unacceptable.
If somebody would just play the best of the music that was played on the radio, that would be outstanding. Nobody does it–not country, not rock. They still play what they are paid to play. Classic or contemporary.
November 21, 2014 @ 11:27 am
Programming a radio station with music to consistently fit a desired sound has become a lost art. Today the vast majority of playlists are chart-driven, which is exactly the opposite of how it should be.
November 24, 2014 @ 6:38 pm
I’m in he Detroit market area & I’m 100% not impressed. This NASH is hitting hard & playing to the younger set, so you can imagine their playlist. It’s bad enough our main country station went that way long ago. Thank goodness for my CD player lol