Album Review – American Aquarium’s “The Fear of Standing Still”


#564 (Alt-country) on the Country DDS

Out of the wreckage of the American experience comes the pointed, propulsive, sometimes polarizing, and at other times gentle and ruminative musings of B.J. Barham and his long-running band of alt-county misfit toys, American Aquarium. They take the stage like musical warriors, and leave behind puddles of sweat and tears in one of the most engrossing shows out there. In the studio, they both try to capture this live energy, and compose songs that challenge for dominance over the deepest musings of Americana’s greatest singer/songwriters.

The Fear of Standing Still is in many respects an album from the road, of the road, and for the road. Though it delves into other subjects for sure, it’s bookmarked by two barn burner rock songs in “Crier” and “Head Down, Feet Moving” that you can’t wait to melt your face off the next time you catch AA live. “The Getting Home” and “The Fear of Standing Still” are much more behaved and thoughtful—and superbly written by Barham—but speak specifically to the tug and pull upon the heart of a touring musician.

The Fear of Standing Still is perhaps more viscerally enjoyable than their previous album Chicamacomico. Where the last one looked to be more purposely subtle, the new one ventures to be more uninhibited. Where the last one produced by Brad Cook felt surprisingly country and rootsy—facilitated by that more subtle approach—this one produced by Shooter Jennings feels much more progressive and omnivorous. It’s alt-country, while at times crossing over into straight up rock.

BJ Barham has never been one to shy away from sharing his opinions, whether it’s on the ills of the music business and venues taking a share of their merch sales, or his hopes for a reformed South that can keep the cool aspects of the region while finally moving on from some of it’s most ill-conceived projects. Unlike the way some others who engage in this effort colossally fail by falling into judgy and elite-feeling opinion-giving, Barham often finds the right balance between respecting his audience, but also asking the audience for the respect and latitude to follow his songwriting muse into sometimes contentious subjects among the country crowd.

The song “Southern Roots” featuring Katie Pruitt speaks to this work, and in a way that shows Barham at his best, including not running away from his Southern identity as a North Carolina native, but taking ownership of it and working towards a more positive future that all Southerners can be proud of.


Another issue Barham tackles effectively is the machismo culture of the American male being unwilling to express his feelings. Maybe Barham watched the recent wrestling film The Claw, or maybe it was something heavy on the heart already. But “Crier” and portions of “The Curse of Growing Old” speak to how suppressing feelings often leads to deeper problems than publicly expressing vulnerability.

“Babies Making Babies” makes use of a colloquialism to illustrate the complexities behind the abortion issue that have come into sharper contrast in the last year or two thanks to current events. Though Barham does what every good songwriter should try to do, which is using story to illustrate a point as opposed to invective indictments of direct rebuke, he arguably crosses the line when he presents a couple getting an abortion having to navigate through a sea of Christian protestors.

Has that scenario happened before? Of course it has. Is it common to the American experience while looking for abortion access? No, it’s not, and it bleeds the subtly out of the song and renders it more polarizing, especially towards the Christian audience. If anything, the issue is abortion access, period.

But one of the reasons so many American Aquarium fans allow BJ Barham and the band the latitude to go where they wish is because this band has continued to forward their blue collar attitude, and don’t actively look to alienate their own fan base in the name of “artistry.” They also just happen to be a killer band.

If nothing else, fans respect American Aquarium for their honesty and the unvarnished nature that has never left this band. Barham is also one of these guys who takes personal growth seriously, as well as taking responsibility for his previous behavior. The songs “Messy As a Magnolia” and “Piece By Piece” are about BJ and his wife’s relationship, and delve into his previous behavior intimately.

One may ask what makes an album like The Fear of Standing Still even adjacent to the country realm. Along with the presence of steel guitar, there is a decent amount of nostalgia in these songs like in the appealing track “Cherokee Purples,” which might be one of the album’s best. But it’s fair to say that this album might not be the best entry point for country fans to find favor with American Aquarium after hearing about them for years, though it might be the ideal entry point for rock fans who’ve also heard about them, but never jumped on board.

It’s always important to keep an open mind with American Aquarium, because no matter who you are or where you come from, they take you somewhere you want to go.

8/10

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American Aquarium also consists of guitarist Shane Boeker, bassist Alden Hedges, Rhett Huffman on keys, Neil Jones on pedal steel guitar, and drummer Ryan Van Fleet.

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