Album Review – 49 Winchester’s “Leavin’ This Holler”

#519 (Appalachian) and #577 (Country Soul) on the Country DDS.
Life can sometimes be a pill. Music helps. If you’re looking for that one album that can allow you to lose yourself in Appalachian music bliss driven home by some of the most soulful lyrics around, 49 Winchester and Leavin’ This Holler is beckoning. This band of dudes out of Russell County, Virginia have tapped into a mother lode vein of righteous music, and it is far from running out. If anything, they’re hitting their stride right here, right now with this new album, and you love to hear it.
With no filler or falter in energy for 10 straight songs, 49 Winchester sells you on the idea that they’re one of this generation’s premier country bands. This really isn’t the “sad boi country” vibe for the Tik-Tok and Instagram crowd. The writing is strong, but isn’t especially deep and ruminative so the Americana audience can stroke their chin to it. They’re simply finding the right groove, singing about what they know about—which is often life on the road—and delivering good vibes in an album hard to not hit repeat on.
Frontman Isaac Gibson has got one of those voices that can only come from birthright, and from refining his craft on back porches in the holler from a tender age. The old adage of singing the phone book applies here for sure, because you kind of don’t care what he’s singing about, as long as it’s gracing your ears. Gibson truly belongs in the conversation as one of our generation’s most gifted singers.
But it’s also the seamless package presented with the entire 49 Winchester band, and the vibe of this outfit of hometown heroes who broke out nationally that make you fall in love with them. Even as the audience swells and the opportunities get bigger—like playing the gargantuan Buckeye Country Superfest earlier this summer at Ohio Stadium—they still feel like a cohesive group of guys in a garage on Winchester Street playing for their friends and neighbors.

On Leavin’ This Holler, 49 Winchester resist messing with the recipe that has gotten them here so far. Working once again with producer Stewart Myers, they lean into their strengths, and worry about delivering great songs as opposed to shaking things up for some indefinable idea of “artistry” like some bands do once they reach their fifth album. 49 Winchester just keeps refining what they do best, though they do add in a little extra, like working with the Czech National Symphony Orchestra on one of the album’s strongest tracks, “Fast Asleep.”
If there is any stylistic shift, it’s very subtle, and goes in the direction of country. 49 Winchester has always been more country soul or Appalachian Americana as opposed to straight up country. But you hear more steel guitar in these mixes than before, and multiple tracks are more country than anything else. As Isaac Gibson sings on the song “Traveling Band,” “…playing country music’s how I make my living, and the bill ain’t gonna pay themselves.”
One concern with Leavin’ This Holler is how half of the tracks were released before the album itself. This also included some of the album’s best songs, notably two of the upbeat tracks “Hillbilly Happy” and “Tulsa,” and two of the most heartfelt songs in “Fast Asleep” and “Yearnin’ For You.” Then when you take into consideration we’ve been waiting for the album for five months after the announcement and first song, some fans won’t be hit with that Christmas morning feeling or that new car smell when removing the cellophane and giving this album a spin.
But none of this is Leavin’ This Holler’s fault. This remains a big boy, full-tilt testament to the talent of Isaac Gibson and this band of by god Virginians who find the perfect mixture of American roots influences and make something resonant to a wide range of appreciative fans.
1 3/4 Guns Up (8.2/10)
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August 2, 2024 @ 9:44 am
This band is truly incapable of making a bad song. they are so fucking dialed in right now its a little scary
jeremy pinnell rips
August 2, 2024 @ 10:01 am
Looking forward to stroking my chin to this one,signed vinyl arriving tomorrow.
August 4, 2024 @ 5:57 am
PINNELL FOR LIFE
August 2, 2024 @ 10:34 am
I had no doubt this album would be solid, so I waited patiently and didn’t spend any time with the pre-release singles. No disappointment here. The album sounds great on first listen and all the whole way through. I’m pretty sure it’s gonna be that constant album I’ll be blasting in the car on roadtrips and on the back porch while drinking beers, to close out the summer.
August 2, 2024 @ 10:56 am
You’ve hit upon a point about the pre-releases that have helped me make a determined decision to *not* listen to any of my favorite artist music into the full album is released. I made that call with the most recent Cody Jinks album and I’m sorry I did not do it for this album as well.
August 2, 2024 @ 12:09 pm
49 Winchester might be one of the most underrated bands out there today, in any genre. I don’t know anything about Stewart Myers, but he deserves a little nod for what he did with these last two albums. III is awesome, but FFtB and this one are next level. The band is definitely hitting their stride, but damn these tracks just sound GREAT.
Almost had a hard time finishing the album because I had to resist the urge to replay every single song as soon as it was over. Those first four tracks come out of the gate on fire. Can’t wait to hear how “Make It Count” sounds when played loud enough to draw a noise complaint.
Side note, the number of cover to cover, killer albums that have blessed with these past 5 weeks has been a wild run.
August 2, 2024 @ 1:40 pm
‘Hillbilly Happy’ sequenced as the second song rather than the album closer is glorious, guitar-crunching madness.
August 2, 2024 @ 2:36 pm
I saw them Wednesday night in Seattle and this song was off the charts good and the crowd went bonkers.
They rocked much harder than I anticipated. This really happened when Isaac switched his acoustic guitar for the electric about halfway through the concert. He and the lead guitar really played off each other well. Great band.
My only complaint was how far down in the mix, pedal steel player Noah Patrick was.
August 2, 2024 @ 5:54 pm
I was also at that show and the boys damn near burned Showbox down. The entire place singing Russell County Line was nothing short of spiritual
August 2, 2024 @ 12:49 pm
We are in the Golden Age of Country music right now. 49 Winchester, Sturgill, RCS, Charley Crockett, Billy Strings, and even ol’ Jamey is coming out with new music. 49 Winchester is at the top of my mountain right now but this ain’t the Olympics and I don’t care about awards or charts. Our ears are the real winners.
August 2, 2024 @ 12:55 pm
I’m one of the ones that except for a spin or 2 of one song I didn’t get caught up listening to the early tunes, and I’m happier for it now. I like this album a lot on first play. Right into the afternoon bike trail rotation it goes with Ben Jarrell’s record.
August 2, 2024 @ 1:02 pm
Having not really gotten into this band in the past, i still decided to give the album a listen. I have to say its pretty good. Im not as big a fan of the fast stuff that trigger is but plenty of the other songs are great. While i didnt listen to any of the pre releases here, i do totally agree with artist prereleasing songs. One or two are fine if you are making a standard size album, more than that and you quell the anticipation. Now if you are releasing albums made up of 20 plus songs, its fine to release more.
August 3, 2024 @ 5:43 pm
Love 49 Winchester and this record. Saw them two weeks ago (for free!) in Cedarburg, WI and they burned just as they had every other time I have seen them. Look forward to catching them again this winter. Another deserving addition to the many great releases this summer.
August 2, 2024 @ 1:22 pm
“I love you like I always watched my daddy love my momma”
“Well I hate to waste my time here, I ain’t got but so much left”
I love this band. In my opinion, they should be getting a good chunk of the love and attention that’s been heading the way of the Red Clay Strays lately. (Not meant as a slight against RCS.)
Trigger, you’re right to have concern about how almost half the album was released beforehand, but what impressed me listening to it today as a whole was how cohesive it was. It felt old-school, for a time way back when an album was an event that you listened to from beginning to end. That kind of sequencing is subtle and it’s a dying art in a streaming age.
I saw them when they came to England a couple of months ago and they’re amazing live too.
August 2, 2024 @ 1:26 pm
It does feel like a very “cohesive” album. All the songs fit together well, and it’s one of those albums you can listen straight through.
August 2, 2024 @ 1:31 pm
I like it so far. I also like the hats that Hank Jr gave them from his 1970s era.
August 2, 2024 @ 3:51 pm
This band is my comfort music. So reliable.
August 2, 2024 @ 3:59 pm
I like the last two albums better, but this is still going to get plenty of repeat listens from me. I’ve had the last RCS album stuck on repeat for the last week, but this finally pulled me off.
August 3, 2024 @ 6:20 am
I’ve been a little busy this weekend so I have only been able to kinda give this album a play in my truck so far. Like others have said here, I have continued with trying to avoid pre-release singles from my favorite bands other than a quick preview listen to a few. Unlike Fortune Favors The Bold, which seemed a little bit of a let down compared to their debut on initial listen, Leavin’ This Holler has got me excited right out the gate. I’m anxious to set down and give this album a good listen, where the last one had to slowly grow on me.
I’d kinda consider 49 Winchester more Southern Rock or maybe Country Rock than a straight country band, but the addition of steel on this album is welcome. This band has really become one of my favorite listens.
August 3, 2024 @ 6:52 am
Finally got a chance to listen this morning. My initial reaction is that it is every bit as good as I had hoped and expected it to be. They’re one of my favorites, consistently excellent. I would love to see them as Headliners as I’ve only caught them once for a short set at a festival. I bought tickets to see them last year, and again this year, both shows were canceled by the band. Unsure what they have against me.
August 3, 2024 @ 8:08 am
This is as good if not better than their previous album. Really enjoying it.
August 3, 2024 @ 9:34 pm
“One concern with Leavin’ This Holler is how half of the tracks were released before the album itself….”
Such a good point Trigger. I did find this troubling for the past few years that bands were doing this (or being forced into doing this by their record companies, more likely). I let this stop bugging me a while ago when I came up with my own solution: I just don’t listen to any of the pre-release songs anymore. If I know I’m going to buy the album, I just wait until the album is released. That may not be an option for you or other bloggers/journalists that need to keep covering the music real time, but for me as a listener, I want to hear the whole package. So nowadays, I just wait.
I know that the point is to build pre-release buzz, but back in the day they used to manage to do this with a single song (aka a single) (and if the band was cool, like most the rock bands that I liked, the B-side to the single would be a standalone song that wasn’t even on the album, inciting you to purchase the single as well if you are a true collector). If the single was good, you were going to go pick the album up, and that was just that. Why they have to drop four or five songs, literally half the album nowadays, is beyond me. It has just hastened the death of the album as a concept and pushed people towards the idea of downloading stand-alone songs. I guess I am just an old man now, shouting at the clouds, but the art of the album seems to be lost and I miss it.
August 3, 2024 @ 10:31 pm
My policy is to only highlight one, maybe two pre-release singles, usually the premier single as part of an album announcement, and then maybe another on the Top 25 Playlist. The only people who seem to benefit from releasing half a dozen singles ahead of an album is publicists looking for news placements.
One or two singles ahead of an album is enough.
August 4, 2024 @ 6:46 pm
I’m somewhat torn on the release schedule of singles on a long build up to full album. From what I saw/heard at a show a couple of weeks ago, the early release of these singles seems to be paying off. There was a huge response to ‘Yearnin’ For You’ and ‘Tulsa’ by the younger portion of the crowd. These singles are clearly getting picked up in the release radar playlists and young folks seem to be digging into their music and buying tickets as a result.
I think the album is great (despite listening to all the singles numerous times behorehand). I heard ‘Leavin’ This Holler’ for the first time at the show and it hit me hard. Hearing it will Maggie Antone on the album is just perfect. Songs like this are rare to me.
Finally, do these guys ever play Annabel? The two times I’ve seen them they leave the crowd chanting Annabel after the encore. It looks to be their 2nd largest streamer. I’m not saying they should play it, I’m just curious why they leave it out.
August 6, 2024 @ 12:57 pm
I never really checked this band out before and for some reason I put this album on. And then I listened to it four times in a row. Glad I have the back catalogue to go through once I can stop listening to this one.
August 6, 2024 @ 7:06 pm
100% agree! Isaac’s songwriting and the bands punch were already pleasing when I saw them at the final Firewater in 2022 but they’ve stepped up into elite level here. Gotta catch them again and hear these new songs live.
August 7, 2024 @ 2:47 pm
Easily album of the year so far and single of the year as well, but can’t pick which one between Fast Asleep and Leavin’ This Holler.
August 13, 2024 @ 7:11 pm
Next to Zach Top, this is my favorite release so far this year. Just so good. I’d take these guys over Silverado, Turnpike among others.
September 19, 2024 @ 11:43 am
I really dig the new album! Fingers crossed will be able to catch the show in Charlottesvile in October. Congrats to 49 Winchester for getting booked by 9:30 Club on 12/30 and 12/31. Pretty impressive to get such a booking from the biggest promoter (IMP) in the DC area for the past 25+ years.