Album Review – Arna Georgia’s “Yes Girl”

Many are calling for greater diversity in country music, and that’s certainly an important cause. But gender and ethnicity shouldn’t be the only concern when trying to increase the quality and representation in the genre. Too often the American music market overlooks the high caliber country music coming from different continents. And no, we’re not talking about Keith Urban. The strength of diversity comes from the unique perspectives artists can bring to the music, and the appeal they sow among new segments of the population.
Australia has long been an overlooked enclave for quality country, and not just counting the artists who make a concerted effort to court the American market. Down Under is a great place to go rummaging around to find something new and fresh, with plenty of open landscapes and rugged characters ripe for inspiring country songs no different than in the States.
Granted, Sydney where Australian singer and songwriter Arna Georgia is from isn’t exactly The Outback, but as she proves on her official debut album Yes Girl, she has the grit and talent to sing, write, and perform country music in its true form with the best of them from any port of call. Full of heartbreaking tales that are often autobiographical, it’s exactly what you’re looking for, even if it comes from an unexpected place.
From the first crack of the steel guitar on the opening song “Just Passing Through,” you’re sucked in and attentive to what Arna Georgia has to offer, which isn’t on par with much of the country music in America, it’s portions better. Loyal to the traditional modes of country and roots, but not inauthentic to herself from trying too hard to sing in some twangy Southern voice like some painstakingly do, Arna makes a name for herself and an expression all her own by bringing in bits and pieces of other associated roots genres to compliment her country sound.

Yes Girl is Arna’s young adult life set to music—reminiscent, honest, forthright about her insecurities, and cautiously hopeful for the future. Cuttingly personal and achingly slow songs like “Blues on a City Street,” and especially the devastating “Truth” really set the hook for a deep appreciation in what this Aussie brings the the art form. Even when the music is a bit more upbeat like in “1998 (Catching Up To Do)” and “Story For The Kids,” the personal nature of the songs is palpable and poetically rendered.
Arna Georgia’s resume comes with all sorts of accomplishments in higher education involving music and theater in Australia. She has a bachelor degree in music, and is a graduate of the CMAA Academy of Country Music—an elite Australian music program. But where these things sometimes spoil the authenticity in roots music, Arna keeps it all stark, real, country, and cool. Maybe one of the best songs of the set is the haunting “Missing Rose” told from the perspective of the sister of a missing woman. The specificity and use of point-of-view really shows an advanced level of songcraft.
Maybe a bit too much variety keeps Arna Georgia from forging a definitive sound for herself on Yes Girl, but it also keeps things spicy throughout. When she brings in the high set Celtic-style flute in “All My Married Friends” and pairs it with fiddle and mandolin, it turns what could have been a honky tonker from the writing into a spirited pub singalong. A cover of Delbert McClinton’s overcovered “Two More Bottles of Wine” might be too obvious for the American audience, but to the Australian one, it might be many people’s first time hearing it, and Arna compliments the song quite well.
Produced by Nash Chambers—who is the son of well-known Australian country artist Bill Chambers, and the brother even better-known country artist Kasey Chambers who’s had quite a successful career in the States—Arna Georgia makes a strong push to be regarded as one of the new generation of Australian country performers that help keep the American ones on their toes, and everyone well-entertained.
1 3/4 Guns Up (8/10)
August 4, 2020 @ 9:54 am
For me, this is one of the best releases of the year thus far. It’s even up to tussling with Tessy Lou Williams’ album, and I think that one is pretty damn perfect.
Arna’s voice has a melancholy edge which helps add more weight to the lyrics. And the lyrical themes are specific enough to be revelant while not feeling exclusive.
The string instrumentation is straight ahead traditional Country, but there are occasional other tidbits to spice things up. For example, the percussion in “1998” is busier than I’d expect from a traditional American band in this tune, but it works perfectly.
Production is balanced – organic, but without artificial patina or cobwebs thrown in. You can hear strings squeaking, but the squeaks aren’t masquerading as notes.
It’s pretty much a 9 for me, but that’s because old six-shooters are really five-shooters, and it’s smart to hold one back.
August 4, 2020 @ 10:06 am
When I look her up on iTunes it only gives me Bebe Rexha and FGL…
What I’ve heard is amazing, would love to hear the whole thing together.
August 4, 2020 @ 10:12 am
Yeah happened to me on Apple Music too.
These songs here sound pretty good.
August 4, 2020 @ 10:22 am
It’s on Spotify and Amazon Music in full. Not sure what’s going on with iTunes, but sometimes when you have different countries, it won’t go to certain services, or sometimes there’s a hiccup and it’s not distributed properly and it takes time to show up.
August 4, 2020 @ 2:07 pm
It is also on Google. Cheaper than iTunes, at least here in U.K. and better bit rate.
August 5, 2020 @ 8:13 pm
Yeah, Amazon didn’t have her EP so I sourced that from Google Play. Only then did I remember that it was a hassle to jailbreak the only other album I ever downloaded from Google. It irks me when a music seller tries to rope me into using their app to play music I’ve purchased. Now, the Amazon app is a bit of a pain to download with, but at least once something is downloaded it’s easy to get to.
August 6, 2020 @ 1:34 am
Was not aware of that. I would have thought that it would be same world-wide. I simply go to Music On Google Play and get it there. But I think you must have a google account to use that. I have been getting reminders from Google that I should move my stuff to YouTube. I would rather close the account than do that. But there you go. I do believe that ep is on iTunes But iTunes and Amazon charging far more.
August 4, 2020 @ 10:45 am
It’s there on Apple Music, along with her 2017 EP “Midnight Carousel”. I drew pretty much a blank on my initial search, too.
Maybe if you can locate one of her songs you can back into her artist page from there.
August 4, 2020 @ 10:57 am
https://music.apple.com/us/artist/arna-georgia/1251701808
August 4, 2020 @ 11:02 am
Thanks
August 4, 2020 @ 11:09 am
De nada. Went back into the app to see if there was a Share function, and there is.
August 5, 2020 @ 9:57 am
Thanks for the help! Love the album.
August 4, 2020 @ 10:38 am
My AotY 2020 so far.
“Passing Through” is on my playlist for a couple of weeks now…but the whole album is on repeat.
More Young Aussie Country:
More on the modern side: Haley Marsten (Album: Spectacular Heartbreak).
More on the folk side: Emma Dykes (Album: The Riddle Of Life).
More on the pop side: Emma Jene (Album: Erosion).
In The Pipeline:
– Mark Chesnutt – Numbers On The Jukebox – EP – Release Date: 08/14
(Duet with Georgette Jones & live tracks)
– Mandy Barnett – A Nashville Songbook – Album – Release Date: 08/21
(incl. “I Love A Rainy Night”, “Heartaches By The Number”, “A Fool Such As I”…)
– Mike Barnett – + 1 – Album – Release Date: 09/10
(Featuring Sarah Jarosz, Molly Tuttle, Sierra Hull, Ricky Skaggs & more)
– Market Junction – Burning Bridges – Album – Release Date: 06/08
– Kree Harrison – Chosen Family Tree – Album – Release Date: 08/21
– Mickey Lamantia – Honky Tonk Confessions Chapter Three – EP – Release Date: tbd
– Ward Thomas – Invitation – Album – Release Date: 10/02
– Gareth Leach – Trigger – EP – Release Date: 09/04 (Australia)
– Thomm Jutz – To Live in Two Worlds Vol. 2 – Album – Release Date: 09/24
August 4, 2020 @ 10:42 am
only listened to what’s posted here . and I do like it .
am I the only one who thinks the set would be at least as effective as straight-up acoustic arrangements ? I think that may showcase her vocal more . maybe she ‘s fighting the band sound a little ? maybe just me ?
August 4, 2020 @ 11:05 am
Not to get too nitpicky but she is fighting the snare in the mix for sure.
August 4, 2020 @ 4:14 pm
her voice really doesn’t have that edge and power across the range to compete with the band ….its fixable with a possible key change or just compression . but yeah …to my ear the key doesn’t allow her to inject these particular tracks with the emotion they may need to make me feel it .
saying that , I LOVE the band arrangements ….banjo and steel are interesting .
August 4, 2020 @ 4:20 pm
Yeah good point. I noticed the mixing wasn’t the best but wasn’t going to say anything until you asked if it was just you. I can still listen and enjoy. So far I am….
August 6, 2020 @ 9:03 am
Vocal performance could be a bit too relaxed to punch through the track, maybe just a bit more vocal level would get you where you need to go. Certainly there’s other mix things to critique but the spirit is there.
August 4, 2020 @ 11:06 am
For me…the album sound fine the way it is.
Try to listen to “All My Married Friends” with the flute or “Change”.
August 4, 2020 @ 11:29 am
I think her vocal attack has a bit of a feint in it, like Eilen Jewell’s. It shows up more in the faster, more rhythmically rigid pieces. I enjoy the tension.
August 4, 2020 @ 1:48 pm
I just heard this album based on some previous comment on scm( maybe olar?). Well another great discover! There’s absolutely hope for the genre!!
August 4, 2020 @ 2:49 pm
Something about the “Missing Rose” really reminds of Brani Clark’s “Since you have gone to heaven”, especially around the chorus. I
August 4, 2020 @ 9:49 pm
Keith urban is also fro Australia. She kicks his ASS!
August 5, 2020 @ 11:06 am
Actually, Keith is a Kiwi, originally from New Zealand. His family was forced to relocate to Australia when.he was 10 after a devastating fire burned down their home. That’s why he’s such a big supporter of the Red Cross after the relief organization helped his family in that rough time.
August 5, 2020 @ 7:22 am
good stuff there.
August 5, 2020 @ 10:00 am
Great, great album. This one will be in my rotation for a while. AOTY contender.
I love how it flows along between standard American country sounds and Australian. A work of art.
August 6, 2020 @ 8:19 pm
Excellent songs put to beautiful music. I especially love the themes about traveling.
Even though she is Australian, her voice sounds rather Appalachian to me. She has that classic mountain alto.
August 15, 2020 @ 6:03 pm
Started to listen to this album based on Trig’s rating. (I usually find his rating and prioritize listening based on it).
Anyway, I liked the First song, passing through, but then 1998 kinda lost me. I was about to shelve it for another day, when I decided skip to Truth. That and Missing Rose is a middle of the album gut punch of the best kind.
I need to go back and finish listening, but I love her voice and a few of these songs will be some of my favorites of the year.