Album Review – Charles Wesley Godwin’s “Seneca”
The magic that many claim to experience when they listen to music is bred in its most potent form when a compelling individual opens up about their deepest personal experiences, and their story unfolds like the consecutive pages in a long-winded narrative. Unlike a novel though, music doesn’t afford the capacity for all the bits and details of a story due to its economy of space and time. But what’s left out is where the magic of music wells from, as the listener’s imagination kicks in to fill the voids, brought to a fevered level of activity by melody, and making the story much more personal to each listener uniquely.
When you hear an artist like Charles Wesley Godwin sing, there is no need to power cycle your sense of disbelief. The sinewy roots of West Virginia’s hardscrabble existence seem to be intertwined with Godwin’s synapses and muscle tissue, almost as if he’s a construct of the land itself, like a scrub tree clinging to life on the ridge side of an especially steep holler.
We first heard the sounds and stories of Charles Wesley Godwin when he was performing with the band Union Sound Treaty. Similar to when you first heard Sturgill Simpson in his initial band Sunday Valley, you got the sense that there was something deeper to this individual. His voice and songs gave you a shiver of anticipation and excitement, knowing this might be an artist who will be giving of their creative bounty for years to come. Charles Wesley Godwin had “it” as some like to say when words fail to grasp the gravity one feels when a song or story hits you just right, and as a new discovery, Goodwin had ample years with which to cultivate “it” within the musical medium.
But unlike early Sturgill Simpson, or Tyler Childers and Colter Wall later down the timeline, Charles Wesley Godwin doesn’t just give you hints and allegations of life taken from the region that birthed both his body and his music. He goes even deeper down, imprinting virtually every expression with his West Virginia experience to the point where you feel like you’re witnessing an Appalachian epic unfold as the 12 songs of his debut album transpire.
Seneca is the name of this project, as well as a 20-mile creek that feeds into the Potomac in Pendleton County. And though you may want to stop short of calling it concept record, Seneca certainly encapsulates the West Virginia experience in a capacity where all the songs work greater than the sum of their parts, and impart both a love and history of the region along economic, geographic, familial, and romantic lines for Godwin personally. It is a love letter to West Virginia and the bloodlines from whence he came, and that sense of everlasting love and appreciation is something everyone can relate to, regardless of the setting of their own personal stories.
Godwin’s singing is natural and effortless due to the intimacy he has with the subject matter, but he’s also simply gifted with a compelling tone, a slight warble for texture, and the years long experience that so many country and roots artists receive while growing up in West Virginia where music remains such a valued priority in hearth and home.
Seneca is a country record undoubtedly, but more than anything it is a songwriters record, with the stories and songcraft at the center of attention, and with elements of folk and hints of bluegrass also included, as any project that professes to be steeped in West Virginia lore should boast. The songwriter’s style may also limit a bit of the audience for Seneca, because many of the songs take undivided attention to appreciate to their greatest capacity. These aren’t groove jams or ditties for the drive home, they’re songs to settle in with on a Sunday afternoon with a vinyl copy, though “Hardwood Floors” and some other songs will get you burying your boot heel in the planks nonetheless. It’s a thoughtful record that delivers its joy through earnest storytelling.
Just like Sturgill Simpson, Tyler Childers, and others from the depressed regions of Kentucky and West Virginia who took those inspirations to large crowds across the country, Charles Wesley Godwin’s stories are forged through the authenticity of a local experience, but are worthy of being enjoyed by a national and international audience.
8.5/10
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Tex Hex
February 15, 2019 @ 10:39 am
Been looking forward to this. Haven’t formed a solid opinion quite yet, but I’m hearing stuff here that comes awfully close to other similar artists. Hate to nitpick a really promising new artist, but, for example “Strawberry Queen” is more than reminiscent of Tyler Childers’ “Lady May” in its melody, instrumentation, tone, and subject matter – in my opinion. The intro guitar work and tone are almost interchangeable, and both songs are dedications to their respective wives. Would’ve thought, considering the inevitable Childers comparisons, Godwin would’ve been extra careful to avoid, or tweak, stuff like that. Anyway, I’m very much looking forward to spending time with this album.
hoptowntiger94
February 15, 2019 @ 11:01 am
A lot of artists are going to starve if we start comparing everyone to Childers.
Trigger
February 15, 2019 @ 11:27 am
Listening to the two songs, I guess there’s some similarities there, but I think these song comparisons can be very subjective. You’re talking about similar artists from a similar region, and their influences and styles are going to overlap at some point. I don’t think anyone is trying to steal anyone else’s work. Coincidence and simply the supply of songs these days does play a factor.
Tex Hex
February 15, 2019 @ 11:44 am
Definitely not trying to imply anybody actually stole anything. “Strawberry Queen” does unfold into more of a jaunty toe tapper about a minute in, whereas “Lady May” keeps a somber tone throughout. The man’s obviously got talent, and the album is pretty solid so far.
JK
February 15, 2019 @ 12:27 pm
The guitar work Strawberry Queen sounded more like Wildwood Flower to me than it did Lady May, though I agree the similarity is there. I suppose the progression of both those songs stem from that general source, however remotely.
Corncaster
February 15, 2019 @ 2:08 pm
We could do worse than having Tyler have broad influence. I hope this is the leading edge of a movement.
This is a buy.
OlaR
February 15, 2019 @ 10:47 am
Great find & fine review.
But…it’s not a 8.5. Why? The start of the album “(Windmill) Keep On Turning” to “Strawberry Queen” is first class. With “Shrinks & Pills” the album loses steam. Exception to the rule is “Here In Eden”.
Maybe it’s not so much the sound or the songs & more the voice of Charles Wesley Godwin. The voice is (for 11 songs & the acoustic version of “Seneca Creek”) exhausting.
My current album on repeat: Danny Burns – North Country – Album – 10 Tracks – Released (01/18/2019)
Danny Burns is an irish-american red-head with 20 years of touring experience & a new released album mixing folk, bluegrass & country.
Guests include Mindy Smith, Tift Merritt, Sam Bush, Jerry Douglas, Tim O’Brian, Dan Tyminski, Critter Fuqua (Old Crow Medicine Show) & Holly Williams.
Best album in a long time.
hoptowntiger94
February 15, 2019 @ 10:54 am
Yesterday late afternoon, I picked up a job from Bridgeport, WV to Norfolk, VA (then back home to Pittsburgh, PA). I had 15 1/2 hours of mostly driving and at midnight 3 new albums were available for for my listening pleasure.
Just seeing Godwin last Friday night open for Sarah Shook and tearing through the eastern panhandle of the state this album inspired throughout the night, I was most excited about Seneca (being an Appalachian boy, I also had a vested interest).
However, the listening experience was very foreign to me. Something I never picked up on in his live performance or on the Union Sound Treaty album is how Celtic Godwin’s voice sounds. I think you could argue Seneca is a Celtic album (not country or folk). And I know the influence Celts had in Appalachia (I saw Songcatcher and have the soundtrack). But this album took me out of West Virginia and across the ocean to Scotland or Ireland.
Just when I was trying to adjust to my expectations of the album, ‘Pour it Down’ throughly confused me. It sounds like an Irish anthem (one meant to sing-along in a bars), but then there’s this 80’s power ballad guitar screaming all over the happy drunks. Also, I thought his vocals were washed out on a few tracks, especially on ‘Shrinks and Pills.’
Because the album and Godwin’s success is important to me and the region I call home, I will revisit the album. But, in my opinion, it was surprisingly the weakest of the 3 releases.
Trigger
February 15, 2019 @ 11:29 am
I agree that I wanted to like this album slightly more than I did, even though I can go through the track list and find very few flaws. That speaks to the accessibility issue I tried to address in the review, without discounting the record just because it takes multiple spins, and dedicated listening to really get into.
As for the Celtic stuff, I certainly don’t think this is a Celtic record at all, but like you said, those influences are prevalent in the region.
Tex Hex
February 15, 2019 @ 11:33 am
Good call regarding the “celtic” sound of the album. Definitely got that vibe too. Overall, I’m getting a much stronger celtic, folk, singer-songwriter, Gordon Lightfoot vibe from the album, rather than “country” per se.
tara
February 20, 2019 @ 10:26 am
I hear the celtic influences as well. The fiddle and his singing style.
Crum
February 15, 2019 @ 11:27 am
As a North Georgia boy with roots in Kentucky, I’m a sucker for “Appalachian” music. This is a solid album, but for my money, “The Last Bite” and “Sorry for the Wait” really stand out.
Luke
February 15, 2019 @ 12:06 pm
He reminds me of Gordon Lightfoot. This album is great. Thx for turning me onto him, Trigger.
Throwback Country
March 1, 2019 @ 12:32 pm
Good call. I’ve often thought that of and heard it in both CWG and Ward Davis.
Jimmy's Carhartt
February 15, 2019 @ 1:01 pm
I heard “Hardwood Floors” this morning on my spotify recommended playlists. I hadn’t heard of this guy before but that song got me pumped to listen to the full record.
scott
February 15, 2019 @ 1:32 pm
Trig, this album is fantastic, but I neeeeed the FGL album review injected into my veins STAT. I may have to see a physician after listening to 17 seconds of “Swerve.”
mick
February 17, 2019 @ 8:14 pm
“it sucks”
there you go
Phil Oxford
February 15, 2019 @ 1:49 pm
Like several others, I was really looking forward to this release, but didn’t like it as much as I expected on first listen. But it has a great sense of place, and I will spend some more time with it.
What happened between him and Union Sound Treaty? The sonics of that album are much better and more interesting than what’s going on here.
Trigger
February 15, 2019 @ 1:56 pm
From my understanding, Godwin really wanted to step up and do something full time while the Union Sound Treaty members made that difficult just due to availability and such.
Phil Oxford
February 15, 2019 @ 2:10 pm
That’ll do it. Also, after reading the FTM interview, it seems he’s leaning into that lone financial advantage of being a singer-songwriter: you don’t have to pay a band in order to tour.
Too bad. I disproportionately enjoyed a lot of that Union Sound Treaty album haha
Tex Hex
February 15, 2019 @ 2:29 pm
Have been planning to see Godwin live in DC soon, playing at a little venue across town. Likely a solo, guy on a stool with mic and guitar sort of situation. Was expecting, and fully intending to pay, a cover fee $10-$20 at least, but recently found out the show is free. He could (should?) be charging for shows at this point, right?
Curious to know how this works financially. I guess, based in WV he’s close enough to travel around the region playing free shows, building up the fan base, selling CDs and merch for gas and motel money? The album is self-released, so it’s not like he’s got a label or promoter/agency backing him. Seems like a really tough hustle, but I respect it.
Nick
February 15, 2019 @ 7:31 pm
Agree! I’ve been really looking forward to this album, and I was a little disappointed in the production and instrumentation/backup vocal choices. I feel that they detract from the vocals and songwriting efforts that ought to be unabashedly front-and-center on this album. If I didn’t already know the lyrics to most of this album, I’d really be missing out on the best part of it. Godwin’s songwriting has come a long way since that UST album, and I found myself nearly cringing at the abrupt drum/bass that would start halfway through songs, or the horns that assaulted my ears midway through “The Last Bite.”
CWG has become one of my favorite new singer-songwriters over the past year and in certainly happy for him finally putting out a solo album. Much like Tyler Childers, I suppose I’ll come to like the studio versions of these songs (even if only for their convenience and accessibility), but they really shine the most when sang live with nothing but an acoustic guitar.
JTL
February 17, 2019 @ 8:58 am
You’re 100% right. His lyrics are more prominent acoustically. Was so used to his stuff on YouTube that the album was so jarring at first
Tballs
February 15, 2019 @ 2:36 pm
He reminds me of Gordon lightfoot singing Tyler childers
albert
February 15, 2019 @ 5:21 pm
or vice versa ..?
hoptowntiger94
February 15, 2019 @ 3:14 pm
I guess I’m going to have to break down and listen to some Gordon Lightfoot.
Trigger
February 15, 2019 @ 3:32 pm
“Sundown” is one of the greatest records of all time.
Corncaster
February 15, 2019 @ 4:34 pm
“I can see her lying back in her satin dress,
in a room where you do what you don’t confess”
What an opener. I want the 70s back.
Euro South
February 24, 2019 @ 12:44 pm
Love Gordon Lightfoot! My favorite album of his is Don Quixote.
TillBillyHill
June 8, 2019 @ 9:51 pm
When my spouse and I were making playlists for a 7-day Caribbean cruise, a friend (high school classmate in East TN, with Kentucky roots and similar music taste to mine) recommended “The Wreck of the Edmund Fitzgerald.” I laughed.
Weeks later, as we chilled on the balcony of our cabin, watching the wake and listening to tunes, my spouse asked, “what the hell is this?” I said, “it’s your playlist!” Then I realized someone had taken my friend seriously on his song recommendation for a “boat mix.”
????????????
Jumpin’ Jack Flash
February 15, 2019 @ 4:22 pm
Great record. I hope this blows up like Tyler and Colter.
albert
February 15, 2019 @ 5:17 pm
Your review is superb , Trigger . On point and on all counts , in my opinion.
This is some fine country music in the truest sense . Terrific vocals …., tight clean and clear production featuring stellar and tasty instrumental performances by all .
thebugman10
February 15, 2019 @ 8:39 pm
This album is some good shit. I had been looking forward to Bingham’s album today. Listened to Bingham’s once, and this twice.
I’m really excited about this guy.
Mark
February 16, 2019 @ 11:11 am
Very good voice, fine melodies, good musicianship and arrangements, well recorded…..
there’s so much good music coming out of this branch of popular music these days.
dagenscountry
February 17, 2019 @ 3:20 am
Love the record, his singing reminds me of Eddie Vedder actually.
Lisa
May 9, 2019 @ 12:35 am
I thought the same thing about a couple of tracks that are somewhat reminiscent of the Into the Wild soundtrack.
ShadeGrown
February 17, 2019 @ 5:51 am
This is excellent. Best album I’ve bought in a long while.
Benny Lee
February 18, 2019 @ 8:20 pm
Just nabbed it on iTunes. Sounds like a keeper.
A.K.A. City
February 20, 2019 @ 9:54 am
This is one of my favorite new releases in a while. Great, haunting voice and songwriting. I hope he tours outside of his immediate region- I would to see him live. I think Charles Wesley Godwin is definitely one to watch.
AusTXHorn
February 26, 2019 @ 7:39 pm
Trig, thanks so much for the review and heads up. Wow, just wow. This is an absolutely amazing record. I come to it unburdened by any prior knowledge of him or Union Sound Treaty. (I say that as a simple fact, as I totally understand the ambivalence and mixed emotions of fans of the band he left, or that left him, depending on how these comments are taken above). Artists need to be able to move and grow and sometimes one has to move beyond his band, even if others view that as a betrayal and whether they fail or not. I, as a complete outsider to the mini-debate above, just love it and can’t wait for him to come through Austin. I also will go dig back into Union Sound Treaty. Thanks
Koozie
February 27, 2019 @ 1:49 pm
There’s some seriously great stuff on here. I agree that the back end of the album is a bit weaker, partially because there’s not enough variation in delivery style and tempo to consistently distinguish the songs. Still, this is an excellent album. Definitely see the Gordon Lightfoot meets Tyler Childers comparisons. (Windmill) Keep on Turning also has some major “Gimme Shelter” vibes, one of the best songs of all time in my book.
TillBillyHill
June 8, 2019 @ 9:44 pm
I’m arriving at this review backwards. Not sure how I ended up hearing CWG on a road trip from Bridgeport WV to GA, but I made sure to check him out. Based on the song I heard and the album name of “Seneca,” I dared to wonder if he was from WV. What I have heard and read of him so far leaves me happy to count him among fellow mountaineers.
Side note on the association with “Seneca.” My first thought when hearing that word is of Seneca Rocks, WV, a much better known landmark thank Seneca Creek. (Though I am now curious as to whether Seneca Creek is the location of the great crystal clear swimming hole near the campground).
Seneca Rocks was what came to mind and made me look for a WV connection. (It wasn’t a given, as there is Seneca Falls, NY, of Susan B. Anthony fame, and the Native American tribe itself.)
The highland music fits well with the landscape, whether it’s technically “Celtic” or not. (Gordon Lightfoot LP is in the den with the rest of the vinyl I liberated from my parents 20+ years ago).
https://en.m.wikipedia.org/wiki/Seneca_Rocks