Album Review – Jesse Welles – “Hells Welles”

#570.1 (Folk-inspired Americana) on the Country DDS
“Cancer is as lucrative of a business as a war.
So if you ain’t expecting peace, why expect a cure?“
It’s official, ladies and gentlemen. Late stage capitalism has set in and metastasized. Corporations have virtual control over our lives, from private equity cornering the market on the American dream and locking out younger workers, to social media networks selling our personal data, to pharmaceutical companies getting you coming and going with over-diagnosed ailments that require over-prescribed drugs that make you even more sick from the side effects.
Then there is the processed food that’s poisoning us and spiking Cancer rates, along with the corporate chemical polluters, while the military industrial complex perpetrates endless wars all across the globe, all while the octogenarian politicians entrusted to oversee everything become feeble and dementia-ridden, bickering among themselves while grasping rapaciously at the last dying gasps of power.
But hey, at least it is inspiring some really great music.
At this point, all that’s really left to do is laugh and be entertained. The madman musings of Jesse Welles are most certainly a more healthy alternative to cable news, or the “hawk tuah girl.” Over the last few months, Welles has been posting videos from out in the woods both lampooning and speaking sharp truth to power about a host of problems that seem to be snowballing together, hurdling towards a decidedly dystopian, or at least third world result for the United States.
It hasn’t just been the incredible keenness of the observances, or the tightness of the arguments, or the masterful turns of phrases from Welles that has made the whole damn thing so compelling. It’s also been the curiously voluminous nature of Jesse Welles output that has rocketed him from a somewhat obscure semi-successful rock musician to America’s Apocalyptic poet laureate. What Jesse Welles is doing right now truly is comparable to Dylan and Prine in their heyday, and it should be going viral and topping the charts like Oliver Anthony did a year ago.
Now Welles has taken 21 proper recordings of many of his now semi-viral live songs, and packaged them into an album called Hells Welles. Though the heart of the album is capturing the Welles experience in its raw, acoustic form where it’s at its most resonant and expressive, he does flesh out many of the recordings with extra acoustic parts or percussion. So even if you’ve worn out some of the videos on repeat, there’s still something worth paying attention to here.
In one song after another, and in one verse after another, Jesse Welles stuns with his cutting criticism interwoven with sarcasm addressing today’s current events. From the War in Gaza, to the fentanyl crisis, to the obesity epidemic, Xanax, modern slavery, even more recent events like the Boeing whistleblowers and the revelations about Nickeloden, Welles loads up and unleashes, all served through his cracked and raspy voice that may not be the sweetest sound you’ve ever heard, but makes the words feel that more impactful and foreboding.

Jesse isn’t totally bulletproof or immune from releasing a weaker song, though you can be fooled otherwise by falling down a YouTube rabbit hole that seems to be endless. Instead of only putting the cream of the crop on Hells Welles, he includes all of his songs, including a few like “Genocide Cake” that fails to convey the wit of many of his other songs to make its point.
Another concern about these songs is many of them are invariably time stamped because of the reliance on the news cycle. It will be curious to see if they’ll hold up years from now. But in certain respects, that’s the reason to release all of these songs right now. You wait 18 months to release some sort of compilation, and some of the songs will comes across as dated.
What’s perhaps even more insane is that Welles hasn’t stopped here. Just in the last couple of weeks he’s released even more songs addressing the Presidential debate and the celebration of Independence Day in the United States. There seems to be no bottom to the Jesse Welles well, and where so many performers fall within the American political binary with their commentary, Welles actively criticizes the duopoly while being willing to turn the poison pen on just about everybody.
At some point this word factory may run out of steam, or Welles may just get bored with being the current events commentary guy. But what’s for sure is it’s working for him right now, and the world’s disorder doesn’t show any signs of ceasing to serve up fresh material and inspiration for Welles to tap into. If anything, the challenge will be to keep up as we circle the toilet bowl in the coming months and years.
As entertaining all of of this is, if you have a loved one suffering from Cancer, are a 20 or 30-something with a steady job that still can’t afford a house, are truly heartsick over the endless wars the United States seems to fund or the overall future of the country from the lack of leadership, Jesse Welles is here to give voice to your pain and concern, and to speak truth to power. Art isn’t just entertainment. Though sometimes its effects are only felt in the margins, music and the power of the written word cannot be discounted.
The greatest art always reflects the era in which it is expressed. And right now, nobody is expressing the fear, anger, alarm, and frustration we all feel better than Jesse Welles.
8.5/10
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July 9, 2024 @ 8:57 am
I listened to the song before I read the article and my first thought was: Man that’s John Prine
July 9, 2024 @ 9:50 am
No offense, but to me just another leftist folk singer wailing about all that ails us. Rant against it but enjoy all the benefits of it. Man what a depressing bunch.
July 9, 2024 @ 10:01 am
Place Jesse Welles in the political binary at your own peril. Meanwhile, there’s people on the left saying he’s just another far right Oliver Anthony type.
“Rant against it but enjoy all the benefits of it.”
This is very much at the heart and specific lines of multiple Jesse Welles songs.
July 28, 2024 @ 12:17 pm
I find it a mark of our time when being centrist is the radical position
July 9, 2024 @ 6:26 pm
Guess you don’t like Hank, Johnny, Willie or Chris ?
February 28, 2025 @ 8:49 am
So…..You’re on Cancer’s side??? I guess it’s a right wing thing.
July 9, 2024 @ 9:52 am
This is easily the lamest title he could have chosen.
July 9, 2024 @ 10:02 am
I agree with everything you said in the first couple paragraphs, and on paper, I should really like this guy. But there’s something about his approach that doesn’t only not grab me, but kind of annoys me. Hard to articulate, but I feel like he’s overly naive or something. And maybe he was out singing in the woods about how “it’s both sides that are fucked up man” before Oliver Anthony but I can’t help feeling like he’s riding coattails. His aesthetic doesn’t really help either. Shallow, I know. I hope the message of what Oliver Anthony hit on, especially in his most viral song, isn’t watered down and made cliche by an overly earnest, goofy bandwagon.
July 9, 2024 @ 12:31 pm
I can understand what you’re saying here. But I think there are two important points.
First, this is not a review of the Jesse Welles videos. I already did that. This is a review of an album of songs, and it was important to put all the videos and their aesthetics aside and simply judge this as recorded music. It’s hard because I was already familiar with 3/4 of these songs as videos, but that’s what you have to do.
Second, I think you’re undervaluing how Jesse’s whole approach in part is mocking the whole Oliver Anthony / viral video thing. The very first time I saw this guy was his song “Payloa” on Instagram, which specifically calls out Western AF, which is one of the outlets that releases these viral “man out in the woods” videos, and the social media approach to music. He’s not as much adopting or bandwagoning onto this approach as much as he’s using the only outlet available, while mocking it and complaining about it at the same time. It is its own social commentary.
As I said in the review, I do question the long-term viability of all of this. But Jesse Welles is clearly engaged in the here and now. “it’s both sides that are fucked up man” even seems diminishing to what he’s trying to do here. He’s pointing out how the problems run much deeper.
July 9, 2024 @ 10:15 am
Modern America is the 450s Roman Empire. Playing out the string.
I enjoy puns but the album title doesn’t fit what he’s aiming for in his songs.
We lost an Oak Ridge Boy today.
July 9, 2024 @ 1:32 pm
Hey Jesse,
Want to be taken seriously?
Then, sing about covid.
It is the #1 global corporate greed scheme, thus far created, and perpetuated, upon mankind.
Want to be a REAL badass?
Let’s hear it.
Otherwise, take your Dylan wannabe bullshit, and sit down.
July 9, 2024 @ 2:28 pm
Bad comment.
He does address COVID in multiple songs, but like I said in the review, his whole shtick is hitting you with topical subjects, and the pandemic was four years ago. Though he could tie in how Trump presided over the initial lockdowns, gave billions to pharmaceutical companies in Operation Warp Speed while ensuring them legal protections from lawsuits on any side effects or injuries.
July 9, 2024 @ 5:02 pm
Oh my goodness.
You just keep your head in the sand.
July 9, 2024 @ 11:23 pm
“Trump presided over the initial lockdowns, gave billions to pharmaceutical companies in Operation Warp Speed while ensuring them legal protections from lawsuits on any side effects or injuries.”
These are quite objective facts. You see, when one deifies a political or authority figure, of any sort, they will be buried whole in the goddamned sand, no idea which way is up. And, as if stricken with Stockholm Syndrome, argue they’re in a state of deliverance, not obfuscated but protected.
I think Mr. Welles does well in pulling back the curtain on some ugly truths of the world.
I do wish he’d slow the output from time to time and let some of these songs simmer; too much availability and it starts to feel like a commodity.
July 10, 2024 @ 3:17 am
Personally I wouldnt take anyone singing about covid seriously, Van Morrison for instance sulked and moaned cos he couldnt play live and come out as a conspiracist. But he was sat at home with the live of a millionaire in his big house he didnt work through covid like I did. I nursed enough people to know it was real. I had the virus twice and it was much worse unvaccinated and the only time the virus levelled off was thanks to the vaccinated, lockdowns didnt help one iota.
July 9, 2024 @ 1:40 pm
I think his songs are spot on as social commentary and I love the topical references. I bought the album just to offer some financial support. I listened through it once but will probably never do so again. But I do enjoy catching his videos on social media. I hope he is able to earn enough sustenance to keep it up.
July 9, 2024 @ 4:09 pm
I like Jesse, and the stripped down delivery, but I agree with Jake Cutter about Welles’ naivety. We’ve been hearing the doom and gloom from artists forever, so while the songs are clever there’s nothing groundbreaking. “The sky is falling, the sky is falling” gets tiresome after awhile, but this album is going in my collection and will receive many spins.
July 9, 2024 @ 9:08 pm
Yeah I don’t want to hate on the guy, I just think that if you’re going to go down this road, you have to do it right. And I don’t think self-consciously “mocking” and “complaining” about what he’s doing is some sort of pass or edgy creative angle.
July 9, 2024 @ 7:21 pm
Love Welles! I don’t think the reliance of current events in his music is a flaw at all. The best part to me is that he’s in the moment we are in. I think that is what makes what he is doing so special. He’s hitting the nail directly on the head without beating around the bush. Oliver Anthony is mentioned a few times in the comments, and he really avoided calling out people directly– and I really enjoy that Welles uses a sledge hammer to get to his point. I think it makes the music feel more organic. Very bard-esque.
July 9, 2024 @ 9:51 pm
Thoughts on the record as music:
The record is too long and too musically repetitive. The predictability of it all takes away from the brilliant lyrical moments that pepper the record as a whole. and I think Welles had an opportunity to really put out a tighter focused record if he shaved off a lot of the songs and added some his stronger and more complex tracks he released on YouTube.
There really are strong moments in this sort of record and of course if you’re a close listener to Dylan it’s very easy to see there is not much of a comparison except in every thing that isn’t actually the song writing. The persona, delivery, style sure and of course and the on the nose lyrics and themes/ Melodie’s he’s borrowing (god Xanax, that debate etc) . To put it simply there is a difference in being good at song writing and writing a good song.
Welles is no doubt is a strong song writer, but I’m afraid- and typical of culture right now, because excellent song writing is rare, okay song writing is mistaken as excellent. And of course everything these days is glossed politically and so to separate a song being “good” from a song being enjoyed for its “political commentary” is also tricky here.
Anyway big fan of the dude and what he’s accomplished and no doubt exposed in our times that people are hungry for lyrical songs.
July 9, 2024 @ 10:01 pm
It’s not so much “sit down Jesse Wells, you sound like everyone before you” and more of an invitation to stand the #$&@ up, if your wits aren’t microwaved out of your brain. Nobody has been socking it to the fascists since old Woody G settled down, but Jesse W is like a call to arms, and music is the ammunition.
Any two bit musician can do the same honest shenanigans, and we ought to, because YouTube is giving musicians the rights to their own work and productions these days. However, vaudeville was killed for a reason, so I check on this guy everyday now.
July 9, 2024 @ 10:12 pm
Elizabeth coming in on point.
July 10, 2024 @ 2:36 am
If he had made videos in the mall, there would have been no comments about Oliver Anthony. Maybe he likes the woods. I certainly do. Maybe his guitar sounds how he wants for recording there.
Repetitive – you could say the same for the late GREAT John Prine.
His phrasing is masterful.
I hardly can pinpoint any partisan political stance in his songs.
I still listen to the tunes from Kristofferson’s era where he was singing about Managua. I believe what may or may not make these songs last will be less about the content and more about how the melodies age.
If he had slowed in his content output, maybe Trig would not have done a review.
I am just playing devil’s advocate here yet I believe these things. GREAT for this dude – he gave us something interesting to listen to this week and I hope he makes some dough!
July 10, 2024 @ 6:01 am
No offense, but it sounds like someone to stay away from at all costs. I don’t listen to music to listen to current events. I’m afraid to hear what he has to say about the Gaza war – probably on the side of the terrorists, like a good portion of America.
July 17, 2024 @ 1:53 pm
Not sure if you are a faith guy, but if you are,
Thou shalt not kill. (Exodus 20:13) / Thou shalt not [be complicit in genocide].
BTW:
More than 14,500 children killed in Gaza. The latest death toll stands at 35,287 Palestinians and 1,139 people killed in Israel since October 7. (2024.05.07)
July 17, 2024 @ 2:05 pm
Did you get your numbers from the Gaza ministry of health that purposely inflates numbers according to all reputable sources, ignores the fact that most Palestinians support the murdering bastards that raped and killed my people, and would now cry foul when we try to prevent it from happening again?
Don’t get me started on this. My people have been murdered for thousands of years. And if you believe that they are at fault again, then you’re no better than the murderers.
July 17, 2024 @ 2:30 pm
Folks, let’s appreciate that this is a country music website. I know Welles broaches some polarizing subjects with his music, but let’s please try to keep the discussion on the music before the political trolls find an open door and destroy this comments section entirely.
Thanks!
July 10, 2024 @ 6:10 am
5 songs in and then realize there are 16 more to go… ha! Life is a grind, but this sure takes the edge off and allows for a good laugh.
July 10, 2024 @ 9:42 am
Love it! I bought the album to support the artist.
July 11, 2024 @ 9:28 am
I’m all about what this guy is doing, just bought the mp3s on amazon, but I REALLY want to get this on vinyl. I see comments on “too much” output, or that he should “slow down”, which is a head scratcher to me. Whenever I see a new track drop, I drop what I’m doing and listen. His output is impressive, and the quality is consistent. Hope he keeps this up for a long time.
July 12, 2024 @ 9:10 am
I’ve known Jesse for a while now, and it’s really fascinating to see how it’s this current events, folk music in the woods genre that’s finally garnered him some more significant recognition from listeners.
This album, in my opinion, is quite good and it’s amusing to see how overly-serious some people take it. There is a lot of tongue-in-cheek humor about the record, but for people who don’t know Jesse, this understandably flies over their heads!
Almost all of Jesse’s best work still lives on Bandcamp, Patreon, Soundcloud, and in his personal collection, which is exciting because in the coming years people will get to hear his music, which I genuinely say is some of my very favorite music of all time.
He has some heavy rock with a couple exceptional country songs on Spotify and Apple Music through his old band Dead Indian, and he also has a record under the name Welles on Apple Music called Red Trees and White Trashes, which is solid but way overproduced by big whig record execs in Nashville.
But for what he hasn’t released on Spotify and Apple, you can find phenomenal LPs and EPs he’s done that range from Black Sabbath-like rock, to TRex, to Americana, to country, to Brian Jonestown Massacre, to the Beatles, to even more contemporary artists like Tame Impala, Kurt Vile, Temples, and Tyler Childers.
I’m happy for so many people who will finally get to hear Jesse’s full catalogue one day and appreciate one of this generation’s greatest talents!
July 24, 2024 @ 5:07 am
Hey, Trig!
Did you see Jesse Welles is playing Farm Aid in September?
October 12, 2024 @ 7:20 pm
I am shocked at some of these comments. There are only a handful of artists that can write this articulately about the world we live in and so prolifically. You did a Great review! To reduce his writing to Oliver Anthony’s one hit saddens me. He is so nuanced. He dives deep but is also hilarious with his Harry Potter references , his take whistle Boeing and the likes of trump trailers show he’s able to use balance serious issues with humour. I think many commentators are missing out on a rare talent. John Prine, Towns Van Zander, Dylan would love this guy. Americana is not partisan, it’s a commentary, a lens. I’m afraid his take scares some so they struggle and want to drop him in a box to categorize him. But like he sings: Fear is a mind killer. Sorry many of you can’t see passed yourselves to see his talent. Nice job, Trigger
November 13, 2024 @ 5:34 am
I am writing this comment from Russia, as I am interested in folk/country aesthetics and stumbled upon this review and comments to it. Let me present the point of view from outside the US, so that the perspective to the discussion will be in place for US audience.
I am impressed by his ability to add a more intensive and sincere emotions to the songs recorded in the woods on camera mic or something like that. For me his songs allow a listener to stop the endless flood of media, news, political events and tragic events which happen like in one moment or period of time and process the emotion which comes from it all. This emotion can be described as a deep frustration of the seeming complexity of the world.
This frustration is definitely marked in dark colors of sadness and melancholia, when we try to process the unproccessable content of the world, a content which we were not biologically intended to digest. When you try to imagine the world today, then it seems like all the nations across the world are deeply divided and even hostile to each other, but that is not truly so. Because the ordinary individuals as a part of nation, whose only intention nowadays is to keep the shit together (“my boss is a jerk and being alive costs money”) are not even involved in these tragic events, they were coercively sited before the scene of the world disorder and made to see the whole world burn.
For me, Jesse is a guy who grabbed his guitar during that bloodshed performance I mention above and started carefully singing about all the shit that is going on, trying to convey only one reason: hey, we are not truly enemies, try to save yourself, try to stay the same. Hence, for me his songs are not about the current agenda. They are existential by nature, like a claim to stay yourself, nothing can be changed and adapted to you ideals or beliefs, because everything is corrupted and embedded with violence. But it does not mean that we lost ourselves. To the contrary, we have obtained the chance to find who we are by adhering to something good (I refer to his beautiful recent song Forever, Whatever).
December 16, 2024 @ 11:13 pm
A superb artist.
There isn’t much new that catches my ear these days, but this man does.
Very smart lyrics, unique voice and elegant. From an hour on his youtube, I think he’s got momentum, and he’s certainly got the talent. Hope he can ride it. If there’s any justice he’ll be a legend in twenty years.