Album Review – McKay & Leigh – Self-Titled
One of the greatest values of country music is the various applications in which it can be utilized. Whether helping to mend a broken heart, or making you forget everyday troubles, it’s always there for you. Country music is also one of the few constants in a world of change. The onslaught of technology and the incursion of automation into our lives hasn’t made country music less relevant, it’s made it even more imperative. It’s a stable rock in unsettled moments, and a compass to find your way home.
These are the themes and reminders you will find laced throughout the latest record from Noel McKay and Brennen Leigh—the talented music couple that spent a lengthy period based primarily in Austin, and who like so many Austin-based artists have moved on to more promising opportunities in Nashville. Holding forth at places like Layla’s and The Station Inn, Austin’s loss has been Nashville’s gain, but no matter where they happen to be playing, you can still obtain a copy of McKay & Leigh and get lost in the warm nostalgia of their old time string music which is like a harbor for fellow lost souls who wish things could be a little bit more like they once were.
The foreign feelings of interfacing with the modern world is what you’ll find harped about in the record’s opening songs, including “Analog” written by Brennen Leigh, but perhaps recognizable from when Whitney Rose first recorded it back in 2017. This leads into “Obsolete” penned by Noel McKay with Drew Kennedy. Both songs canonize those old country souls who can’t quite fit into a world of 1’s and 0’s, like so many of those who gravitate to true country music for the feelings of familiarity. The funny and smart turns of phrase in Brennen’s “Steam Thrashers Reunion” almost make you want to travel to such an event in some forgotten portion of the Midwest, and the beautifully-written and stirring “Hundred Year Old Farmhouse” might be the best of the lot and feels like a song begging to be recorded by a bigger name.
But as much as things changing can bring sorrow to the heart, others are more constant. “Are You Still Taking Them Pills” penned by McKay & Leigh could have been written and recorded in the 30’s, 50’s, or the 70’s, yet might be the most relevant today. First recorded by Sunny Sweeney for her 2017 record Trophy, it underscores how songs from this pairing are still potent enough to resonate wide with audiences in the modern era. Lee Ann Womack, Charley Crockett, and many others have also covered Brennen Leigh songs, and McKay has become a well-respected co-writer as well, speaking to the kind of admiration these two receive among their country music songwriting peers.
The sound of McKay & Leigh will find wide appeal among true country fans, but it centers more towards old-time and bluegrass compared to modern versions of old school country. There’s no drums here, and the sounds are all acoustic, and both Noel McKay and Brennen Leigh are excellent musicians beyond their songwriting chops. But don’t consider this as some incarnation of modern bluegrass. The style of the music is more similar to pre-Hank country, like Roy Acuff and such, where quick wit, folksy observations, and nostalgia are centerpieces to the mood and setting.
McKay & Leigh songs may have been covered by others, but there’s nothing keeping this duo from finding their own share of the bright spotlight. Both are excellent singers and fun performers. Perhaps the thing holding them back the most is their insistence on not letting slick marketing precede their music, and heeding their own lessons of keeping things simple, humble, and organic. McKay & Leigh was released with virtually no notice or fanfare. You had to stumble upon it to find it. But if you did or have, you’ve been handsomely rewarded.
Change is inevitable, and so is the ever-present speeding up of time. But that doesn’t mean you have to succumb to it fully. Taking the time to slow down and savor life and it’s little moments is what McKay & Leigh reminds you to do, while conveying lessons that will always be applicable no matter the decade or century.
8/10
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KGD
January 7, 2020 @ 9:31 am
I’ve seen her twice as part of Sunny Sweeney’s Dysfunctional Family Christmas. She’s great. Hope this means ill get to see them in a more standard show setting real soon.
Also this – “Brennan Leigh can play guitar like a motherfucker.” – Guy Clark
All you need to know.
Charlie
January 7, 2020 @ 9:50 am
‘McKay & Leigh was released with virtually no notice or fanfare. You had to stumble upon it to find it. But if you did or have, you’ve been handsomely rewarded.’
Love it!!
Matt F.
January 7, 2020 @ 9:59 am
Trig, I’m so glad you are bringing this one to light. I did happen to stumble on it near the end of the year and it messed up my personal AOTY rankings, lol.
Matt F.
January 7, 2020 @ 10:01 am
Whoops, forgot to mention that “One to Run the River With” is one of the best songs I’ve heard in a long time.
albert
January 7, 2020 @ 10:08 am
Huge fan of ”stripped down” but sparkly production of trad instruments and this is that …musically . But for me, the congested and calculated nature of the lyrics in the songs above seem to undermine the intent and the “simplistic” vibe suggested by the music .
Examples of the perfect marriage of lyric to music in terms of arrangement and production may be ” The Carper Family ” albums featuring Melissa Carper on vocals and bass …or Melissa Carper’s solo work , Dori Freeman , Loretta Lynn’s most recent records or The Wrights ( Adam Wright and his wife ) . I think authenticity ( the story , the message , the heart of the song) should never take a back seat to the crafting …clever or otherwise .
albert
January 7, 2020 @ 3:23 pm
i should add Irene Kelly and Dolly to the aforementioned examples of folks who beautifully marry lyric to music without telegraphing craft . and yes …I realize most of the writers mentioned are women . for me , women are writing or co-writing THE best songs .
Timmy
January 7, 2020 @ 10:14 am
This is precisely the content I come to this site for. Thanks for bringing this to light, Trig. I’m one listen in, and I loved what I heard the first time through.
Mike Honcho
January 7, 2020 @ 10:33 am
That second song was every bit as bad as Southbound, or Kinfolks.
Trigger
January 7, 2020 @ 1:34 pm
Ridiculous.
Jack Williams
January 7, 2020 @ 2:16 pm
Just realized what it reminds me of. Roughest Neck Around by Corb Lund.
Strait country 81
January 8, 2020 @ 8:33 am
It’s reminds me of a more known song that I can’t place but I know I have heard it on radio before
Jack Williams
January 8, 2020 @ 8:51 am
The Wanderer by Dion and the Belmonts is another one that popped into my head.
Mike Honcho
January 7, 2020 @ 4:03 pm
That’s like, your opinion, man. Stupid song. Fake as hell persona.
618creekrat
January 7, 2020 @ 4:26 pm
Withdrawal?
Happy Dan
January 7, 2020 @ 2:24 pm
It’s high time these two are getting some recognition for their efforts. I’ve seen them several times and would drive several hours to see them again.
If you get a chance to see them with a backing band such as the one they play with in Austin (Lisa Pankratz and hubby Brad Fordham) you’re in for a real treat. Just Joel and Brennen, or either of them on their own, also absolutely killer!
Jack Williams
January 7, 2020 @ 2:42 pm
The Guilty Ones rhythm section! Seen them four times and hubby Brad backing Kelly Willis on her tour for the 25th anniversary of her album Well Travelled Love
Kevin Smith
January 7, 2020 @ 3:03 pm
Didn’t know Fordham was currently with Dave Alvin. Last time I saw Fordham, he was backing Bobby Bare. ( Might have been just the one gig) This was a couple years ago. Lisa Pankratz of course has been with Dave since the inception of the Guilty Women some years back. And I also remember when Lisa was backing Ronnie Dawson and hanging with High Noon, Wayne Hancock and other Austin characters.
Jack Williams
January 7, 2020 @ 3:20 pm
Looks like they have backed him and Jimmie Dale Gilmore as recently as last October. I’ve seen them (and former Guilty One “All Killer No Filler” Chris Miller on guitar) back Dave twice and then Dave and Phil twice. I think those shows would have been between 2011 and 2015 or so, with the first being when Dave was touring on his album Eleven Eleven. And I guess Brad was part Kelly Willis’s Radio Ranch band back when she was making her first album Well Travelled Love in 1990 and she did get the band back together for that anniversary tour.
Kevin Smith
January 7, 2020 @ 2:54 pm
I saw em together with full band at Twin Sisters in Texas, opening for Dale Watson. They were pretty solid. It was billed as Brennan Leigh, not Mckay and Leigh. So she did all the lead vocals while he played lead guitar and offered harmonies. They had a pedal steel with the band that night, made it extra good. If I have any criticisms of that show, its that she didn’t mix up the styles or tempos much, and as folks were there to two-step and such it woulda been nice to hear a bit more variance. But I did come away impressed with her songwriting and voice. Her acoustic playing was pretty kickin too I might add. This project sounds interesting. Old -Timey kinda like Gillian Welch and David Rawlings yet different.
Tom Clark
January 7, 2020 @ 3:13 pm
Before the World Was Made is an excellent album, no reason this one shouldn’t be the same. Leigh’s The Box was also one of the finest country albums of the previous decade.
618creekrat
January 7, 2020 @ 4:23 pm
Been enjoying this one since Matt brought it to light here a couple weeks ago. Two emptied smoke wagons for me!
Ann Stokman
January 8, 2020 @ 3:42 am
Love it.
Benny Lee
January 8, 2020 @ 9:48 am
Very enjoyable listening. Love the fiddle on Run the River.
A.K.A. City
January 13, 2020 @ 8:56 am
I follow Brennen Leigh on my socials and still missed this release. Thank you for covering it. It is a great collection.
Tommy
January 16, 2020 @ 4:23 am
Considering this LP opens with a love letter to “analog” it’s kind of ironic you can’t buy it on vinyl…
Uncle Rotten
April 20, 2020 @ 11:55 am
I’ve loved this duo since they played with fiddler Beth Crisman as High Plains Jamboree.