We don’t know for sure since nobody is talking in either the Charley Crockett camp, or at Island Records. But talking to numerous individuals within the music industry, there is a handful of likely reasons ‘Clovis’ was pulled.
Streaming service users in the United States and elsewhere noticed on Wednesday afternoon (5-6) that all the tracks on ‘Clovis’ were greyed out, if the album could be found at all.
Nobody panic. But there are so many great songs being released at the moment that we must interrupt regularly scheduled programming to update the Top 25 Playlist out-of-cycle.
Only time will determine if Clovis is a career-defining record for Crockett. But what Clovis clearly is already is a turning point in Crockett’s career where he’s re-asserting who’s in control.
A new album from Charley Crockett, and dropped at 8:00 pm Central on a random Tuesday night? Why not. Or as Charley Crockett said on Instagram about 30 minutes after the surprise release…
The continued frustration with how the media and journalists decidedly outside of the country music fold decide to commentate on the genre irresponsibly was sent into the stratosphere recently by an article in NY Mag.
When searching on Spotify for the new Paul Cauthen album by quite literally entering “Paul Cauthen,” the very first thing that came up and in highlighted form was Charley Crockett’s ‘Age of the Ram.’
‘Age of the Ram’ is the third and final installment of what Crockett calls his “Sagebrush Trilogy” following the harrowing story of Billy McLane, and truly fulfills the promise of a conceptualized narrative.
Charley Crockett was scheduled to perform eight dates all across Canada heading into early March. Now none of them will be fulfilled due to a 10-year-old marijuana charge in the US. Marijuana is legal in Canada.
Charley Crockett’s Sagebrush Trilogy of albums will be completed when he releases the Shooter Jennings-produced ‘Age Of The Ram.’ To complete the trilogy, it will take 20 overall tracks.
In 2026, The Blue Ox Festival features a stacked lineup of country and roots talent, topped off by some of the top live performers of the discipline, some of the greatest live acts in all of music.
Jelly Roll is finally starting to experience the widespread scrutiny his life, career, and music has deserved for a few years now. But it’s coming in a very unusual, and frankly, misguided manner.
They call him Kashus, and he’s the latest to tap into the inviting and lucrative sound that infuses influences of vintage soul and country together, making something that’s distinctly Southern and soulful.
This year, using the term “essential” has never felt more important. As AI threatens to upend the music industry in the new year, it’s critical we underscore just how essential music is to all of us.
The point of this exercise is not to devolve music into a competition. It is to stimulate a lively conversation about what we all believe is the best album, using our differing perspectives to inform each other.
Singer/songwriter Benjamin Tod has been mixing it up more and more in the country music space lately, specifically calling out the cucks in the industry that didn’t spend a second paying dues.
It’s a classy move by Charley Crockett, and perhaps a vote for Charley can be seen as a vote for Turnpike as well, especially since as he rightly points out, it was the Turnpike Troubadours who seeded his career.
What is it about the Grammy system that doesn’t allow that one consensus album of a given year to rise to the top like it should, like it didn’t for the Turnpike Troubadours in 2025?
It might be an awkward Thanksgiving around the Nelson household. Actually, probably not. They seem like the kind of clan that’s not especially competitive with each other and is more supportive.
The nominees for the 2026 Grammy Awards were announced on Friday morning (11-7), with extra interest this year in country due to how the Grammys split the Best Country Album category into two categories.
To be able to see Sierra Ferrell, Charley Crockett, and Tyler Childers all on the same bill—and not at some 50,000-person megafest—is incentive enough. Add John R. Miller, and Memphis legends Amy Lavere and Lucero…
Don’t look now, but there has been a dramatic shift in the trajectory of two of country music’s hottest up-and-coming stars, and it doesn’t bode well if you’re advocating for the continuance of country music’s resurgence
the bigger you get, the brighter the spotlight shines, and the greater the scrutiny comes down, especially when you’re scrutinizing others. Charley Crockett is starting to feel those effects.
It’s not just that it isn’t country. It’s that it’s just not good. If this is who you want to integrate country music with, and use to highlight the genre’s Black roots, you will do significantly more harm than good in that pursuit.