Album Review – The Steel Woods – “On Your Time”

Listen to this review via YouTube
The Steel Woods stand on stage as modern-day Southern rock Gods. On what’s now their fourth full-length album, there’s no reason to measure them against any other, no need to attempt to draw comparisons with the bands that came before them, or to ask where their place is in the music world. Their mix of country, rock, and metal is all their own. They’ve carved out a growing legacy, and now it’s the scrappy young newcomers looking up to them.
We’re so spoiled rotten in the independent music world. Once you get hooked on bands like The Steel Woods, there’s no turning back. Not only is the music so much more face-melting, it’s also rendered so much more meaningful from the insistence on centering the songwriting. Whether it’s the bluegrass pickers, the country heartbreakers, or the badass Southern rockers like The Steel Woods, it always starts with a good song.
On Your Time comes after a trying period for the The Steel Woods. Right before the release of their last album All of Your Stones in 2021, founding member and beloved guitar player Jason “Rowdy” Cope died of complications from diabetes at the age of 42. Previously playing with Jamey Johnson and others, Rowdy’s passing hit the independent country community especially hard. But with the blessing of Rowdy’s family and after some soul searching, The Steel Woods decided to continue on with guitarist Tyler Powers sliding into the lead guitar spot.
Rowdy was a founding member of The Steel Woods with singer, guitar player, and frontman Wes Bayliss. The two often wrote songs together, and they produced the band’s albums as a tandem as well. Despite a significant age difference between the two (Rowdy was much older), they were tightly aligned. Bayliss now shoulders the songwriting and producing burdens himself, though he did solicit some co-writers. As On Your Time assures, Bayliss was up to the test.
A good example of Steel Woods songwriting is the second song on this album called “Cut The Grass.” About so much more than lawn care, like an onion, there are layers upon layers of lyricism to unpeel. Anyone who mows their own lawn can attest that there is a strange mix of zen, catharticism, and burden with the chore itself, but Bayliss takes it to another level by intertwining the ever-present feelings of burden and responsibility we all experience as the pressures of life weigh us down.

Like the other albums of The Steel Woods, there is a narrative thread that runs through On Your Time. Previous albums have told the story of Della Jane, Anna Lee, and Jimmy Sutherland similar to the recurring characters in the “Lorrie” universe of the Turnpike Troubadours. But on this album the songs loosely refer to a character named Uncle Lloyd that was introduced on the band’s first album Straw in the Wind from 2017. The song “Uncle Lloyd” was written by Darrell Scott.
Along with the original songs, one of the other signatures of The Steel Woods is they don’t just perform cover songs, they own them. These songs often don’t constitute the filler on their albums, but the features. Their rendition of “You Don’t Even Know Who I Am” written by Gretchen Peters and made popular by Patty Loveless is a perfect example. If you don’t know the song, it hits you like a haymaker. And if you do know the song, it hits you even harder.
As you’re listening through On Your Time, you don’t really spy a cohesive story necessarily, until you get to the eighth song “Stories To Tell Myself” and you realize that the songs all represent seasons in the life of Uncle Lloyd. We won’t give away any spoilers here. But rest assured, that Steel Woods magic of making an album blossom into something more than the sum of its individual parts is achieved for those who listen intently.
Some others may not want to be bothered by unraveling stories, and there’s plenty for them here too. The sludgy, powerful half-time moments of “Border Lord” get your heart pounding in your chest, and when they go to double time, you’ll be busting out the air guitar, and making funny faces. As for if Tyler Powers can fill the shoes of Jason “Rowdy” Cope, it’s difficult to say that anyone ever could achieve this from all Rowdy brought to the table. But from a standpoint of proficiency and taste as a guitar player, Tyler has slipped into the position of his mentor admirably.
You don’t listen to an album by The Steel Woods for mere escapism or entertainment. It can be both of these things as well for sure. But this is a band who knows how to immerse you in an entirely other universe, and knows how to impart life wisdom through stories, often not saying anything especially revelatory or prophetic, but figuring out how to positively reinforce important lessons that we all already know, yet always seem to need to hear again.
1 3/4 Guns Up (8.4/10)
– – – – – – – – –
Purchase from The Steel Woods
Purchase from Amazon
October 6, 2023 @ 9:10 am
Hey Folks,
Just a quick note. Moving forward I am going to make audio versions of certain articles available on YouTube for folks who may be too busy or unwilling to read. Depending on how all of this goes, this might also be expanded to podcast form and available on other streaming services. I’ll have more about all of this soon. But if you want the audio version of this review, you can find it here:
https://www.youtube.com/watch?v=qWT9GcFkZCA
Any you can follow Saving Country Music on YouTube here:
https://www.youtube.com/@savingcountrymusic-video
October 8, 2023 @ 1:27 pm
Best record yet.
October 11, 2023 @ 1:24 am
i like the audio format and it’s a good way to improve my english
October 6, 2023 @ 9:15 am
Love their music, loved Rowdy, glad they carried on. We’ve seen them 4 times in Upstate NY. Can’t wait to listen to the complete album. Damn Trigger, I got goosebumps reading your review.
October 6, 2023 @ 9:38 am
I’ve enjoyed watching this band’s growth over the years. The first time I saw them was at the Yeti store in Austin in 2017 for SXSW week. The same afternoon showcase also featured Colter Wall, Jason Eady, Whitney Rose, and a group called Blank Range.
October 6, 2023 @ 9:58 am
“The Steel Woods stand on stage as modern-day Southern rock Gods.” That is a bit of a stretch..
October 6, 2023 @ 10:11 am
Well, I bet their mothers agree with me.
October 6, 2023 @ 10:33 am
I’ve been aboard since the first album. Seen the original band live, as well as the current version of the band. I wanna say this: Yes, there is great songwriting, yes the instrumental fireworks are there as well. ( though I will say that Cope had this style with the telecaster where he would palm mute, do volume knob swells, use complex chords and arpeggios very creatively, particularly live. He could emulate pedal steel on his tele, and man do I miss that. He probably got that while playing in Jamey Johnsons band. ) But, man does Wes Bayliss have a killer voice! Seriously, it’s a cannon, and live he just let’s er’ rip, to great effect. Honestly, he’s got one of the best voices out there among the younger roots bands. Hey, I love Charlie Starr too, but Bayliss just commands the stage with that voice, it’s a powerful instrument. He comes by it honestly, his range is superior, and he’s got one of the most legit southern accents to boot.
I’m sure this album will be a cranker.
October 6, 2023 @ 1:11 pm
Have you seen them live?
October 6, 2023 @ 1:43 pm
Yes. It is nothing against them at all. When I see a band and there are 11 people there. I just don’t refer to them as gods. I thought think they are great
October 7, 2023 @ 10:36 am
One of those people who thinks that rock is dead and has been dead for a long time. Seeing this band recently, I thought this is what it must have been like to see early hard Rock circa like 1974. Amazing show.
October 6, 2023 @ 10:20 am
I listened to the Album last night falling asleep and I thought it kind of dragged. I decided to give it another listen today and it is much better when I’m awake. I think I still like Straw in the Wind as their best album but all their albums have been great. In terms of the Southern Rock Gods comment, I think Whiskey Myers has something to say about that.
October 7, 2023 @ 4:45 am
Think of the Greek gods. There is room for more than one. I agree that Whiskey Myers should be in the conversation, especially after their most recent album, which I truly think might’ve been their best yet. I would throw blackberry smoke into the mix as well.
October 6, 2023 @ 10:20 am
In Uncle Lloyd there are references to Lloyd having a family out in Fresno and how Lloyd would work the family business “building fences in the Sun.”
In a recent interview, Darrell Scott mentioned his family living out in California for a while and how he’d helped his dad and brothers with the family fence building business.
Something about know there had to have been an Uncle Lloyd in real life makes this album all the more powerful.
October 6, 2023 @ 10:27 am
Everytime I see them live I leave with my mind blown and exhausted from the emotional roller coaster they took me on. The soul in Wes’ voice is haunting, and truly best experienced live.
October 6, 2023 @ 10:56 am
I always loved “Uncle Lloyd” so a whole album filled with stories about his fictional life is awesome.
Charles Wesley Godwin and The Steel Woods going back to back is hard to beat. Favorite albums in awhile.
October 6, 2023 @ 11:45 am
I have been a fan from the start. To me, above all it’s their melody and arrangement of songs that hooked me. The melody and arrangement brings you into the lyrics and provides a double-whammy. They are some of the best and have been since the beginning.
October 11, 2023 @ 7:33 pm
Couldn’t agree more. They’re in a class all their own. IMO, they’re adjacent to southern rock, but something more unique all together. Obviously Wes has one of the most powerful voices around, but he does well at dialing it back when needed. And as far as their arrangements and song structure, they’re unmatched. They’ve got some of the most killer riffs (Axe, Straw In The Wind, Rock That Says My Name, You’re Cold, The Man From Everywhere, etc) as well as knowing their way around a chord progression and keeping the arrangement exciting. For example, in last chorus of The Man From Everywhere when they go from a G major chord to a B7 (as opposed to they previous 2 choruses that went from a G major to a D major) and other tunes with surprise key changes that further elevate the song. And as Trig has mentioned in previous album reviews, their lyrics are as meaningful and insightful as anyone. I never had the privilege of seeing them live with Rowdy, but I have absolutely zero complaints about this lineup.
October 12, 2023 @ 5:54 am
Looserack Bob,
Your comment, “Wes has one of the most powerful voices around, but he does well at dialing it back when needed”, this is why I prefer hsi voals over Christ Stapleton.
October 6, 2023 @ 11:49 am
In a world of pretty short albums and very lengthy double albums, I love that these guys just put out healthy albums that just rip for a solid 45-60 minutes. Nothing wasted, nothing lacking.
I’m on my third straight listen of “You Don’t Even Know Who I Am” and it’s just so good. I love it.
October 6, 2023 @ 2:32 pm
Trigg,
I really appreciate the recording. I drive a long way everyday. Thank you. Also, this album is soo good!
October 6, 2023 @ 2:43 pm
I remember the first time I heard them play “You Don’t Even Know Who I Am” live. I’m pretty sure it was the first time for 90% of the ppl there too and man, you want to talk about a moment. Could have heard a pin drop. Was one of those never forget shows. ????⬆️
October 6, 2023 @ 4:05 pm
need a way to differentiate these guys from the Steeldrivers and the Steel Wheels, because they all seem to take turns touring the Midwest, and it takes a minute or two to figure out which one is playing around here next. I think all of them are supposed to each have some merit unlike the Akins – Atkins – Adkins situation or Currington – Covington.
October 6, 2023 @ 11:44 pm
The pain in Wes’ voice when he sings this song is true heartbreak to me. The original was great, but their version is better, especially live when it seems like every band member is pouring their heart into it
October 6, 2023 @ 7:14 pm
I listened to them and gave them a chance, none of their songs really grabbed me.
Jamestown Revival is the best new band I think. Do more stories on them. They are like Midland if midland wasn’t phony and they have great harmonies.
October 7, 2023 @ 6:21 am
Vern,
What a great comment! ???? I appreciate the fact you have used a great deal of logic here. You don’t care for The Steel Woods, clearly that implies no one else here likes them either. Therefore, the review was pointless, Trigs clearly wasting his time reviewing a band no one cares about and fortunately we have you to thank for steering the ship back on course! And you have condescended and been willing to provide band names of worthwhile acts for The Triggerman to spend time reviewing. Most helpful, good sir
Shall I send you a list of my favorites and get you to weigh in on their relative merit?
????????
October 6, 2023 @ 8:44 pm
Well, this is getting interesting. I enjoy your cadence. Question. Why is the site asking for a login every time I click on a post?
October 6, 2023 @ 8:49 pm
We’re currently doing some updates, maintenance, and adding features to the site. Stuff may look a little strange as we get everything fixed and finalized. Big things coming. Sorry for the dust.
October 6, 2023 @ 9:04 pm
Right on man. No worries.
October 6, 2023 @ 9:22 pm
There can be more than one god.. .
October 7, 2023 @ 2:58 am
Hey guys
I’m from Brazil and I’ve loved country music since 2011, before I discovered this site I only knew a few artists and unfortunately I started exploring country music at the height of bro-country, but after I discovered this site my taste and my vision about Country music has expanded completely and The Steel Woods is a band that I really like, I remember listening to the album “Old News” a lot in 2019 and their new album is very good.
October 7, 2023 @ 6:47 am
Thanks for reading Jonas.
October 7, 2023 @ 6:30 am
Gave this a few listens yesterday. First listen and it sounded like The Steel Woods, but the second listen I noticed this was probably the most mellow of their releases. Seems to be more slower moodier songs than rockers this time around. Still, good stuff. Probably be a few more listens before I start getting a feel on how this album stacks up to previous ones.
October 7, 2023 @ 6:48 am
I like these guys a lot and this album is great,
BUT, Blackberry Smoke are the gods of modern southern rock. Period. No one does it better. Steel Woods are a close second.
October 7, 2023 @ 10:59 am
Whiskey Meyers ARE BETTER !!!!
October 7, 2023 @ 3:05 pm
False.
October 9, 2023 @ 11:21 am
lol
October 7, 2023 @ 9:33 am
Great Review…Thanks Trigger. By The Way, The Black and Gold Swirl Vinyl, Available through Their Website Plays Perfect !!!!!
October 7, 2023 @ 10:12 am
Great article Trigg, I think no one has pointed out or speaks about how the steel woods operates. Which is clearly stand alone and uncommon in the social world we live in today. No childish tik toks – very few interviews – just hard working talented men doing what they know how and perfecting the craft and talents that they have. Keeping their Mouths shut… keeping the latest news trends or the political modern culture bullshit out of their lyrics.
If you Do some diving in the 4 albums and find common country/Americana over used words then let me know ….because I haven’t heard them. That takes work that no one else is willing to do…..other artist are being lazy and over using whiskey / cocaine and taking about how bad ass they are because they’re “ independent” .
The whole woods camp / Bayliss work harder than most and it shows
Todays artist need to take notes.
October 7, 2023 @ 2:40 pm
They simply never miss. Yes, this one is a little more contemplative and slower, but I think that’s a good thing. It fits perfectly in their excellent catalog. I personally think this is Album of the Year material. It may not be for SCM, or maybe it will, but it very well might for me.
October 8, 2023 @ 10:24 am
As a new listener in the last year to these guys what else should I be listening to. Grew up listening to classic rock, Motown, outlaw country and ect from my Dad. Saw these guys and Cody Jinks/whitey Morgan in concerts this summer and would like some more suggestions. I’ve also dabbled in to Tyler Childers and Sturgull Simpson. Any advice is appreciated. Thank you.
October 9, 2023 @ 5:19 pm
Brandon, based on what you are into, here’s a few recommendations: Kendall Marvel, Blackberry Smoke, Mike and The Moonpies, Ray Wylie Hubbard, Whiskey Myers, Allman Betts Band, The Wilder Blue, Billy Don Burns.
October 10, 2023 @ 3:44 am
I have all the Steel Woods albums and think they all excel in their own way . The latest is without Rowdy is slightly more of a slow burner . After the 3rd or 4th listen , you really get it . I don’t think they can be compared to other bands as is being done on here as Steel Woods are in my opinion unique . I haven’t seen them live yet as they postponed last year when coming to London . However , have tickets for Oct 2024 at the Hammersmith , London when they support BlackBerry Smoke . Should be a great night .
October 11, 2023 @ 7:55 am
The guitar solo in Broken Down Dam went straight into my soul. They will be a different band without Rowdy, but they will still be an incredible band.
October 17, 2023 @ 7:22 am
Just got my CD copy at the end of last week. Looking at the credits today, I see there’s Darrell Scott playing steel guitar on a couple of tracks and some other vocal credits. And then all other vocals and instrumentation are credited to Wes Bayliss! And I just read the American Songwriter review of the album, which the writer addresses this and states that it is a Wes Bayliss solo album in all but name. Whoa.
October 25, 2023 @ 2:36 pm
I think that’s complete Bullshit, I don’t care what the CD Credits say there’s literally Tictok videos of the entire band recording this album…