As Zach Top Cools Off, Gavin Adcock Heats Up

Don’t look now, but there has been a dramatic shift in the trajectory of two of country music’s hottest up-and-coming stars, and it doesn’t bode well if you’re advocating for the continuance of country music’s resurgence of rootsier, twangier, more traditional country music.
Zach Top’s most recent album Ain’t In It For My Heath was released a month ago (August 29th), and could have been a catalyst to keep him at the top of the country music consciousness. But that isn’t exactly the case, at least not yet. It was a little disappointing when the 15-song album debuted at #4 in the charts when we were hoping for at least #2 behind Morgan Wallen’s latest. Still, Zach Top is just getting started in his career, and there will be plenty of opportunities for topping the albums charts in the future.
But just as disappointing, Top’s new album continues to enact a rather precipitous slide down the charts as opposed to showing signs of being one of those “sticky” records that sits in the Top 20 for sometimes years before slowly fading off. Last week, Ain’t In It For My Health dropped to #27, losing 26% of the streaming and sales activity from the previous week, which was the biggest percentage drop in the entire Top 100 of the country albums chart.
Where is Zach Top’s previous album Cold Beer & Country Music? Over the last many months, it’s been one of those “sticky” albums at the top of the charts. But for the first time in a long time, it dropped out of the Top 20 to #21 last week, losing 9.4% of sales and streams, making it the biggest percentage loser in the Top 25.
Granted, to have albums at #21 and #27 on the Billboard Country Albums charts would be a fate many country artists would love to have, including contemporary mainstream ones like Luke Bryan and Jason Aldean. Zach Top is still doing quite well comparatively. But it’s inescapable that Zach Top is cooling off.
Why is this? It could be that the new album Ain’t In It For My Health just isn’t being very well-received. Though the reviews were great, and folks hounded Saving Country Music for only giving it an 8.0, the numbers don’t lie. The new album just isn’t resonating like the previous one. And so far, we haven’t seen that super hit like “I Never Lie” was for Zach from the previous album.
This could also be part of a greater trend where listeners are starting to grow a little tired of the whole neotraditional thing that Zach Top embodies so strongly. So if Zach Top isn’t the hot new thing in country music, who is? That would be Gavin Adcock.
As Zach Top is tabling off in the charts, Gavin Adcock continues to rise. Last week, his latest album Own Worst Enemy rose from #11 to #9 in the charts, gaining 6.3% in sales and streams—more than any other title in the Top 25. What’s the bump from? According to Gavin Adock himself, it’s all the controversy he’s stirring.
On September 19th, Gavin took to social media to gloat,
“For all the people out there that’s loved and supported me over the past four years of my career, thank y’all so much. I love y’all. Gonna always stand up and support y’all and do what’s right. For all the sissies out there that I’ve been living rent-free in their head, thank y’all for making this one of the biggest streaming weeks of my career. You fell right into the trap.”
And that’s exactly what this is—a trap. As a troll, the controversial Gavin Adcock feeds off of attention. As controversies have raged between him and Charley Crockett, Zach Bryan, Beyoncé, and others, his name continues to make it into the public consciousness. Even when people pointed out his own fans were criticizing him for backing down from a fight with Zach Bryan recently, it still had more people asking, “Who is Gavin Adcock?”
Nobody would accuse Gavin Adcock of being a traditional, rootsy, or critically-acclaimed country artist. Many of his fans are more fans of the bad boy persona than they are of the music. But the music is slightly better than what they’re used to hearing in the mainstream. It has just enough of that “Outlaw” patina to make people think they’ve just discovered the “real deal” in a world of fake country stars.
Meanwhile, Zach Top’s out there keeping his nose clean as controversies and flame wars ensue between a host of various other artists. This isn’t a recommendation Zach Top start mixing it up with someone just to garner attention. If you’re a neotraditionalist like Zach Top, you’re here to play the long game, not be the next flash in the pan.
What could turn the tide for Top? He’s set up real pretty for the CMA Awards come November, with nominations in multiple major categories. A big night could give him a big boost, because just like Gavin Adcock a few short months ago, most of America still doesn’t even know who Zach Top is.
But with Hudson Westbrook out there collaborating with Marshmello, Ella Langley working with BigXthaPlug, we’re definitely starting to see some of the steam go out of the traditional country resurgence, at least in the mainstream. All of these things work in cycles, and we might be coming to the end of one in real time.
Let’s not count out Zach Top or the other young neotraditionalists just yet. Zach Top is inspiring a whole host of new artists as we speak, and inspiring labels to pay attention to them. The resurgence of country sounds in the mainstream could be just getting started.
But we live in an attention economy, for better or worse. And even without big hits on the radio, and even if he’s losing his battles, Gavin Adcock is winning the war.
– – – – – – –
If you found this article valuable, consider leaving Saving Country Music A TIP.
September 30, 2025 @ 7:54 am
This may bode well for Cody Johnson at the CMAs
September 30, 2025 @ 8:21 am
Ultimately, Ain’t In it for My Health just isn’t as good as Cold Beer and Country Music. I like it, and I will revisit it, but none of the songs stuck from first listen for me. That’s highly disappointing, because it is still a very good album, but there’s just something missing. If he wants to continue to release music within these sonic parameters, it might help him to record a cover or two for each album. A recorded version of his cover of “Everything That Glitters (Is Not Gold)” might have catapulted Ain’t In it for My Health to the next level.
September 30, 2025 @ 8:42 am
I caught a lot of hell for not acting like “Ain’t In It For My Health” wasn’t the greatest country album released in the last few years. I think it’s really important that we’re honest about what’s happening here, and that’s why I wanted to report these chart numbers, no different than I reported the chart numbers for Zach Top when “Cold Beer and Country Music” was surging on the charts.
The neotraditional sound is great. But ultimately, the reason Zach Bryan has multiple albums on the top of the charts is he has songs and lines that resonate deeply. That is what Zach Top needs to try and capture through his neotraditionalist sound as opposed to simply leaning on nostalgia. I say all of this as someone who wants Zach Top to succeed and excel, and inspire this business to champion more neotraditionalists like him.
September 30, 2025 @ 9:27 am
It really is remarkable to me that Zach Bryan’s schtick hasn’t had an expiration date, even if his sound and recordings have become more refined over time. I think Zach Top’s music needs something that Grady Smith used to highlight in his music reviews–specificity. There’s something to be said about music and art being tangible to everyone, and I think that sometimes leads to non-specific art that just doesn’t hold your attention. I think Zach Top’s songs maybe suffer from some of that. When we think about the best songs of the past 15 years, from Jason Isbell’s “Elephant” or “Cover Me Up” to Cody Jinks’s “David,” those songs were highly specific. We need a neo-traditionalist who incorporates that into their songs. Specificity might be the thing between Zach Top and Randall King and true superstardom.
September 30, 2025 @ 10:03 am
That’s a good point about specificity. Neon Moon and Chattahoochee became massive hits because of the great melodies and songwriting and specific imagery. Attempts to steal lyrics and melodies from those songs now will not recreate that magic. It reminds me of why sequels to great comedy movies do not work – even with the same cast of actors. Being self-referential doesn’t recreate the impact of the original. The original thing has already been done, only something with it’s own individual merits will stand out.
September 30, 2025 @ 8:23 am
There’s only one thing left to do. Zach Top is going to have to go on stage at the CMA’s and call Gary Levoux a f*****. Get that name in the press big dawg, clearly good music isn’t enough nowadays.
September 30, 2025 @ 9:04 am
Zach Bryan became very successful with zero social media scandals. (No one remembers the arrest) After he achieved success others leeched onto his fame for their own benefit. While I cannot emotionally connect with his music – a bunch of other people can, especially 20yr olds and younger. If anything Zach Bryan follows no other formula within Country music other than his own.
Is there a reason neotraditionalists are unable to write songs that directly and emotionally appeal to 18-30 yr olds like Zach Bryan can?
September 30, 2025 @ 12:03 pm
The issue with most modern neotraditionalists lies in how their songs tend to be about bemoaning modern country music, how country they are in comparison, how they are the last of a dying breed, and a general pastiche of past singers.
Very few of them are writing original stuff and there is where the disconnect lies. Zach Bryan, like him or not, offers his honest assessment of life. It is a personal misery and easy to emphasize with for a generation craving authenticity, not “a genre is going to hell” misery.
September 30, 2025 @ 1:07 pm
I don’t get how they are bemoaning modern country music in their songs. Listening to some of Zach Top’s songs again I hear him use idioms that previous generations used such as “waiting on my ship to come in.” Are older idoms, figures of speech, etc emotionally dead to Gen Z? There is a lot of idoms in older Country that are not in the vernacular of Gen Z. I question if that’s a reason for a possible emotional disconnect to modern neotraditional Country music.
There is criticism of Zach Top’s songs not being at the same level of 90s Country songs but he does avoid major songwriting faux pas such as using current technology terms as “texting” and “instagram” – which can cheapen a song as it ages.
September 30, 2025 @ 2:04 pm
This is a fascinating thought. I teach school and I can absolutely tell you that these kids now just do not know many expressions. You drop a turn of phrase that has been in southern vernacular forever and they look at you like you’re a space alien.
September 30, 2025 @ 6:31 pm
Before smartphones people were more connected to the world around them. I’ve always enjoyed the clever phrases of the past. I occasionally work them in. Recently I referred to a woman as a ‘seat cover’ to a buddy who is also in his 30’s and he had no clue what I was talking about and I had to explain it. (I learned it from Smokey and the Bandit) Shortly after that I played a gig with some old timers and I heard one of them use the exact same phrase. Ever since I was a kid I always thought 70’s trucker lingo was interesting.
October 1, 2025 @ 7:20 am
It has been my experience when my Spotify’s radar playlist generates new neotraditionalist artists their singles tend to follow into that formula.
Protest songs are stale. Write this generation’s “Nothing’s News.”
October 1, 2025 @ 8:09 am
I haven’t come across those but I would skip it if I did because that is just another version of “songs about songs.”
‘Nothing’s News’ is one of my favorites and also my wifi password. Now you have me trying to think what are some modern comparisons to that song and several of my other all-time favorites ‘Still Make Cheyenne’ and ‘Good Ole Boys Like Me’ by Don Williams. I know other people my age who also consider those songs some of the greatest ever written. None have exaggerated vocals. At first I thought maybe ‘Til You Can’t’ by Cody Johnson but that song is comparable to ‘You’re Gonna Miss This’ by Trace Adkins – both good songs but thematically clique and formulaic – in a good way – but aren’t my favorites. Zach Top has the voice and cadence to sing a truly great Country song like the ones I mentioned – if someone wrote another.
September 30, 2025 @ 8:29 am
As Eric Bischoff said back in the day, “Controversy creates cash” and as mid as Adcock is, that’s what he’s doing
September 30, 2025 @ 8:52 am
I really wouldn’t take business advice from Eric Bischoff unless the advice is “spend a billionaires money like money isn’t real” and “hire stars someone else made.”
September 30, 2025 @ 12:48 pm
Hey now, this is slander to The Wall and Horace Hogan!
September 30, 2025 @ 8:30 am
I thought the timing of Top’s release was interesting. It seemed like a summer record if anything and it wasn’t released until the Friday before Labor Day weekend.
Speaking of August 29th releases Trigger, we aren’t going to get a review of Rodney Crowel’s album? That’s ok, there is a lot going on. I liked it though. I think Grayson Jenkins had my favorite album released that day though. I got to meet him in Seattle for a few minutes, real nice guy.
I’ve tried with Gavin Adock. I just can’t do it. Beyond the music being shit it doesn’t really go hard, like you think it would by the way him and his fans act. And the music not going hard is fine, but like I said it’s shit. I just don’t understand the appeal.
September 30, 2025 @ 8:44 am
I’m reviewing as many albums as I can. Just posted two more reviews yesterday. Hoping to circle back to both the Rodney Crowell and Grayson Jenkins at some point.
September 30, 2025 @ 8:57 am
Awesom, looking forward to both of those!
September 30, 2025 @ 11:00 am
Love seeing that’s on the radar. Grayson’s album got completely drown by Jinks and Childers on release day.
Damn shame because it’s such a great record. Any press on it may work wonders for him too.
October 1, 2025 @ 1:16 am
correct and i can say, though their styles are completely different, i like Grayson’s album much more than both Childer’s and Jinks’
September 30, 2025 @ 2:25 pm
I do like Rodney Crowell I’ve been a fan of his music since 1988. My mom likes his music also.
September 30, 2025 @ 8:37 am
Ok, putting Ain’t In It For My Health on today and still not giving Adcock any spins just to hear how bad his music is.
Also, how about the worlds worst concert over the weekend with 112,000 in line for the bathroom, beer, and exits? Not to mention the traffic after.
September 30, 2025 @ 1:21 pm
Gavin Adcock cant hold a candle to Zach Top. His voice is in no comparison to Zach. As far ad the second album goes it is just as good if not better than the first. Adcock is only in the headlines for his loudmouth drunk comments about other artist. Zach Top carries himself well. He doesn’t need to criticize or throw whiskey and beer bottles to get attention. People like Adcock will come and go. Top is the kinda music country has been needing.
September 30, 2025 @ 8:47 am
Told ya so 🙂
September 30, 2025 @ 8:55 am
The war that Adcock is fighting for social media attention will die off almost as quickly as it started. No one care about the Hawk-tua girl anymore. Attention on social media is strong and then quickly moves onto the next thing. I hope Zach Top doesn’t follow the same trajectory as Chris Janson – one massive song that becomes a bar band standard and no follow up success and some poor attempts to do the modern sound. Zach Top’s fame seems to most closely mirror that of Daryle Singletary’s. He likely won’t ever get the level of success of Zach Bryan or Morgan Wallen but he can be around for awhile if he stays traditional country.
September 30, 2025 @ 9:29 am
Finally, someone else with the Daryle Singletary reference! That’s been my Zach Top comparison as well, while places like Whiskey Riff love to feed into the Alan Jackson comparison. I like Zach Top alright but comparing him to Jackson at this point is asinine and annoys me every time I see someone make the comparison.
September 30, 2025 @ 9:47 am
Somehow comparing Adcock to the Hawk Tuah girl is totally fitting. Will likely be a flash in the pan. And he blows.
September 30, 2025 @ 10:48 am
“The war that Adcock is fighting for social media attention will die off almost as quickly as it started. No one care about the Hawk-tua girl anymore.
I’d caution folks on not taking Gavin Adcock seriously. His music isn’t terrible. I can go back and cite all the folks who said Zach Bryan and Morgan Wallen would be flash in the pans. Gavin Adcock might be, but I wouldn’t just say that flippantly. There is a very dedicated strategy behind him and his music, and it is working. Only if you take it seriously can you can you consider how to seriously address it. That’s what this article is about.
September 30, 2025 @ 11:38 am
People who cheer on rapid social media fame will also gladly cheer on the quick fall from grace of those same people. I do firmly believe that engaging in social media drama is a double-edged sword and it will come back to bite him in the ass because it never lasts.
If Gavin does manage to break into the mainstream is he stealing market share from Zach Top and others?
October 1, 2025 @ 6:38 pm
Adcock crosses over to southern rock, Zach Top to Bluegrass.
Which has the bigger audience?
September 30, 2025 @ 8:57 am
Told you so.
September 30, 2025 @ 9:27 am
Whiskey riff likes nothing more than to post stories to inflame and rile up readers and comments – avalanche of adcock, chicken fry, and something trump/maga related. They are well programmed in that regard to get the views and eyeballs (and comments).
And it’s true- adcock has played this superbly to get max attention.
September 30, 2025 @ 10:50 am
As conventional media continues to implode, these artist flamewar stories are what they’re leaning on for dwindling clicks. Whiskey Riff will post 6-7 articles amid each dust up, but they’re not alone. Rolling Stone did a whole podcast with Gavin Adcock, and leaned into his conflict with Charley Crockett. They also just did another with Amanda Shires, making a big deal about her divorce with Jason Isbell. This is where “music” coverage is going. It’s basically lifestyle coverage with music as the excuse.
September 30, 2025 @ 12:50 pm
It is sort of sad (not really) that Whiskey Riff seems to have just completely stopped caring. It used to be between 6-7 clickbait articles about Briana Chickenfry and Zach Bryan they would spotlight someone like Danno Simpson. Now it is just straight up People magazine. Yuck.
September 30, 2025 @ 7:51 pm
Two of the most off-putting individuals in music these days. It’s a shame Rolling Stone gives either the attention they don’t deserve.
September 30, 2025 @ 9:33 am
He’s too vanilla. Kid gives off altar boy vibes.
September 30, 2025 @ 1:20 pm
Thats marketing. I’ve seen instagram reels of Zack Top smoking pot while playing cornhole at a frat party, but his team doesnt market him that way.
His first two records were just so much better than the new one. He claimed to have written so many songs and this one seems like its all the leftovers.
September 30, 2025 @ 9:34 am
Strong songs > Short Term fame
Gavin Adcock is the Billy Ray Cyrus of our day
Zach will be a staple 20 years from now .
September 30, 2025 @ 9:48 am
I am enjoying Top’s new album (it is a very good album) but it has not replaced the one before for me. It does not have that big song but is an album of good songs. The sophomore album is often a challenge. Top needs a big song on his next album. He has the ability and the sound to be around a long time. Adcock, will probably fade fairly quickly as it is appears to be his character rather than his music that is important.
September 30, 2025 @ 10:52 am
Sophomore slump – happens a lot. Artist hits it then tours more than planned or ever in life, had more new obligations in his life while being pushed to create a second album timely rather than organically. ZT’s talent is there, it will always be there. He’ll get it back out for us. Haven’t heard anything from GA that meant anything, ever.
September 30, 2025 @ 11:44 am
As far as I’m aware, I’ve never heard a Gavin Adcock song. Sort of wear that as a badge of honor.
September 30, 2025 @ 12:45 pm
Honestly, same. I’m familiar with much of Top’s music, but have never heard a Gavin Adcock song to save my life.
September 30, 2025 @ 11:49 am
I like Top, but the album just falls flat on songs that you just have to keep replaying. Meanwhile, the Adcock album has a few songs that are just fun and have that replay value. The song Own Worst Enemy is a rock song but has interesting lyrics. Need to is a very good song. I also like the Brent Cobb song. I truly love traditional country especially with fiddle, but Top album just not grabbing my attention.
September 30, 2025 @ 12:17 pm
My guess is Zach Top is just thrilled with any amount of success. It’s gotta be brutal trying to follow up a debut album like that. I hope he finds his Dean Dillon or Bob McDill like George Strait and Don Williams did. I think he needs it.
September 30, 2025 @ 12:22 pm
You should apply for the role.
October 1, 2025 @ 11:32 am
Carson has got that circle locked down pretty tight.
September 30, 2025 @ 12:53 pm
Agreed 1000%.
Top has all the musical “tools” (though probably leans a bit TOO much into the 90’s looks wise at times), but the songwriting is just….so mid.
He’s young and has time, but I worry this could go a Dierks Bentley direction where once the radio play and streams starting cooling off, his label is gonna make him record his own “Drunk on a Plane” or whatever to stay relevant.
In reality he should knuckle down with some “non-Music Row” songwriters and crank out an album with more substantial material writing wise. Fingers crossed.
October 1, 2025 @ 11:27 am
Well-written songs is never a gimmick. I think it took almost a year for ‘I Never Lie’ to become a Country standard. Songwriting issues is what sank Midland. They have just faded into near obscurity now, and for a while they were the most hopeful neotraditional act.
September 30, 2025 @ 12:22 pm
If Zach would have led with any song but Good Times and Tan Lines and South Of Sanity, I think he would have seen higher sales. Tan Lines is just Chatahoochee and it sounds like it plus anything beachy now reminds me of Kenny Chesney and I gag. Sanity wasn’t bad but there are a bunch of other great songs on the new release.
September 30, 2025 @ 3:18 pm
I never heard of Gavin Adcock till I saw the posts about him here. I listened to some of his songs and didnt care for the songs at all
September 30, 2025 @ 4:59 pm
How much free virtual column space has Gavin Adcock got on sites like yours thanks to his antics?
September 30, 2025 @ 6:56 pm
How much free publicity has Gavin Adcock gotten due to the foolish diatribes of race hustlers like Beyonce and Charley Crookett?
October 1, 2025 @ 6:25 am
Exactly. But that’s the whole point of what Adcock is doing. It’s free publicity. In all honesty the comparison between Adcock and Top isn’t a fair one. Top is traditionalist that is doing surprisingly well, but he is never going to compete for the attention or sales of the Whalens and Adcocks. These guys will be pumped by the labels as well as both mainstream and small media due to their wild antics. The traditionalists will shake their fingers in shame, while a bunch of young guys will blast their music and smash beer cans on their heads to what they believe is the best country music of all time. Young girls swoon and wish they could have their children.
Top has more talent than any of these manufactured meatheads, but really it’s just not the same market. Fans should be happy that Top is getting any tread at all in the mainstream, and stop giving the kiddy music any more attention than it’s already getting.
October 1, 2025 @ 6:39 am
This type of meta analysis comes up each time I report on how the media is inadvertently feeding public sentiment in a way that makes a folk hero out of an idiot, just like they did with Morgan Wallen, Jason Aldean, and now Gavin Adcock. There is no way to address this issue without mentioning the artist’s name. That is just a physical impossibility. Saving Country Music is not the problem here. It’s the seven mentions each week in Whiskey Riff. It’s Rolling Stone sitting down with him and doing a dedicated profile on him for their “Nashville Now” podcast. I’m the counter programming here. And no, ignoring the guy and hoping he goes away never works. That definitely didn’t work for Morgan Wallen, and as I illustrate in this article, it’s not working here.
September 30, 2025 @ 5:37 pm
Zach Top has a higher likelihood of more staying power than Gavin Adcock. Not only because of their music but because of their record labels.
Top is on an indie label called Leo33, founded in April 2023 by former record execs, and he is their flagship artist. Adcock is on Warner Nashville (1 of the big 3). Warner has more resources and money for promotion and marketing allowing Adcock greater exposure in a shorter period of time. Top’s label doesn’t have near the budget and relies on momentum and more boots-on-the-ground style promotion.
I think it’s impressive to see Top do as well as he has on brand new independent label. Warner could make an AI artist exactly like Adcock and pump so much money into it that it would chart (unfortunately). Top is writing most all his material, and it’s good. Adcock has the Warner team, a factory style production, and likely has much lower creative control of his music.
While the indie label can’t absorb losses as much as Warner the big labels are also more likely to cut their losses when trends shift, or he has a loser album. I am sure Adcock’s marketing budget is much higher than Top’s. If Top will stay the course and keep putting out quality material he will continue to develop a loyal fan base. Alcock’s fan base may currently be larger, but is also more fickle.
If they were both stocks I would buy and hold Top, and pass on Adcock until I saw a dip, and then buy a put option.
September 30, 2025 @ 7:02 pm
Cosplay Waylon!! Christ, this idiot is everything that’s wrong with “ country” music. Be good when he fades away and we don’t hear from this clown anymore. Btw, for such a tough guy, why doesn’t he square up with anyone?
September 30, 2025 @ 10:58 pm
Feel free to like his music ….just be real that he’s a baby back bitch. #minuscock
October 1, 2025 @ 3:53 am
…gavin adcock is a fluke. that’s where the story will end up soon enough. zach top, however, is a decent enough vocalist, a fine guitar player but has largely been an almost perfect tool in the hands of carson chamberlain, whose creativity only results in the recreation of something i’ve got shelves full of. even at a higher qualitiy quite often – let’s not kid ourselves. however, zac top – in sharp contrast to mr. adcock – has a good amount of star potential left in him. let’s see where his forthcoming win(s) at the cma awards will take him and the album anew. generally, his trajectory points in the right direction. sometimes it’s only one song performed there, that can make a whole world of a difference.
the other zach is a completely different kettle of fish: as original and impactful as it gets and a creative powerhouse. his “american heartbreak” is one of the albums of the century so far.
October 1, 2025 @ 4:31 am
I’ve always commented the neo-traditionalist Zach Top felt more like imitation than artistry. But, he should ride that wave until he hit the shore. If this is the shore, welcome back to bluegrass Zach Top! That’s the album I want.
October 1, 2025 @ 6:07 am
I think there is a problem for any artist that bases themselves in a retro type sound. There is that initial reaction from fans of, hey, this reminds me of the music I used to love, but the next release almost becomes an also ran. I like Zach Top, but also said from the beginning that I din’t feel he was bringing anything new to what so many Neo-Traditional artists out there haven’t been doing for years.
I think Top missed an opportunity with his second album to broaden and expand his sound, or to add some individuality and uniqueness that separates him from the pack. He opted to go the safe route with what is basically Cold Beer and Country Music part 2. While still good and a solid album, the shiny new thing phase has passed.
October 1, 2025 @ 10:11 am
I actually like most of the songs on this record, but yeah, it’s tough to follow up the last one. Here’s the thing….. remember when we were talking about the song titles for the Turnpike album before it was released and a few said they didn’t like em and someone said, “Well, what’s a good song title?” Now, if any Country artist we know said to me, “I’m working on this new song called “Good Times and Tan Lines,” I’m pretty sure I would’ve laughed and said, “You’re kidding, right? No, really, what’s it called?” I don’t hate the song, but the contrived Spring Break title doesn’t help. He should know better…lol I absolutely love Flip–Flop, I think it’s a hit, but it might be tough singing along to a tropical song in the Jeep during the Chicago Winter….lol I’m sure Zach will be just fine with a long career ahead of him we’ll look forward to.