Gram Parsons / Austin Steel Guitarist Neil Flanz Has Died
There are few tours that are more legendary to the history of country music than the six-week tour that Gram Parsons embarked on in 1973 behind his album GP. Yes, there were certainly bigger tours with higher grossing receipts, or tours that featured a more scintillating lineup. But when it comes to sowing influence, few top it. Accompanied by Emmylou Harris and a band called The Fallen Angels, it was the rock world’s introduction to country, and it was the country world’s introduction to Emmylou Harris.
Hand selected for the band by Gram’s road manager Phil Kaufman was steel guitarist Neil Flanz, who was assigned the critical task of introducing the beauty of the instrument to a mostly rock audience. Along with Kyle Tullis on bass, N.D. Smart on drums, and Jock Bartley on lead guitar, the tour snaked across the United States, playing the Armadillo World Headquarters in Austin, TX, and was joined by Neil Young and Linda Rhonstadt in Houston among many other legendary spots and moments between February and March of 1973, making believers out of attendees, despite the band barely practicing before starting the tour, and the inconsistent performance of Gram himself, who would be dead by September.
Neil Flanz recalls the tour as one of the most exciting parts of his career with “thousands of cheering young long haired fans being introduced to country for the first time … rushing up to the stage just to touch us.” It also resulted in the recording Live: 1973 taped in Long Island, New York. Along with Gram’s languid disposition and Emmylou’s harmonies from those recordings, many took away the steel guitar playing of Neil Flanz as foundational to their love of country music.
But Neil Flanz wasn’t a 70’s country rock icon, he was a staunch traditionalist originally from Montreal, Canada who had been playing behind country artists for a decade at that point. Born June 22nd, 1938, he grew up listening to the Grand Ole Opry on the radio, and enjoying the music of artists such as Canadian cowboy singer Wilf Carter, first learning guitar at the age of 13, and moving to the steel guitar by the time he was 17. Playing with whomever he could in eastern Canada, he recorded two albums of steel guitar music, Neil Flanz and His Nashville Steel in 1962, and Get on the Star Route in 1964.
While playing at the Country Palace in Montreal, Neil Flanz had the opportunity to back up primary Gram Parsons influence Charlie Louvin. Along with his steel guitar albums, this Louvin connection helped spread the word about Flanz down south, and he eventually moved to Nashville where he regularly played behind Louvin, along with other artists such as Billy Walker, Jean Shepard, including on the Grand Ole Opry stage, while also working as a session guitarist and playing in The Kelly Rogers Breed.
After touring with Gram Parsons, Neil Flanz relocated to Austin briefly, and played with the Bronco Brothers, which was a traditional country outfit that included Marcia Ball. But eventually he ended up back in Nashville playing regular local gigs with Peppertree (prev. The Kelly Rogers Breed), as well as holding a residency at a place called Deeman’s Den where artists such as Johnny Paycheck, Webb Pierce, Faron Young, and “Little” Jimmy Dickens would sit in.
It was in 1980 when Joe Sun offered to make Neil Flanz his full-time steel guitarist, and he hit the road once again, playing all around the world, including a gig on Austin City Limits. Over time, Austin seemed like the place Neil Flanz ultimately belonged, and that’s where he ended up after permanently relocating there from Florida in 2004. A mentor, instructor, and elder in Austin’s country music scene, Flanz played in the band of Alvin Crow and others, and was also a long-time member of the country outfit Fingerpistol.
“Neil Flanz, who has been Fingerpistol’s beloved pedal steel player for the last decade, died last night,” the band posted on Friday, December 3rd, making Neil’s official date of death December 2nd, 2021. “His passing was peaceful. He was in the company of close friends … and listening to his favorite music. He will be dearly missed by all of us.”
Neil Flanz, his ties to Gram Parsons and the Grand Ole Opry, and to Austin music throughout his career made him a living legend, admired by fans and his fellow musicians alike. He was inducted into the Steel Guitar Hall of Fame in 2016.
janice brooks
December 4, 2021 @ 10:51 am
Always enjoyed our visits in Austin and at the TGSA shows. I think we first connected on the Steel Guitar Forum
Pedals Down
December 4, 2021 @ 11:24 am
Neil’s favorite story to tell was when he got an opportunity to play with Ernest Tubb. Neil was an ET fanatic and said he had learned every Ernest Tubb song so he could play with him one day. Neil finally got his chance and went on a short tour with Ernest. Afterwards, Ernest told Neil, ‘you played pretty good son’. Neil lit up every chance he had to tell that story.
Another interesting story he once told me was regarding his US citizenship. As a Canadian, his time in the States was about to expire and he was having zero luck getting his US citizenship. Charlie Louvin was friends with a TN senator at the time and gave the senator a call. The senator reached out to the office in charge of citizenship and gave them a stern talkin’ to that they would fast track Neil’s citizenship. He received citizenship shortly before he was supposed to be kicked out, thanks to Charlie Louvin.
Neil was one of a kind. God bless him.
Kent
December 4, 2021 @ 1:32 pm
And while playing for Fingerpistol, they also played a song called “Emmylou”. Written by band called First Aid Kit that was inspired by Emmylou, Gram, Cash and June One of the band member has drawing of Gram on her right upper arm.????
https://www.instagram.com/p/BrXsDAPDzic/
I think Fingerpistol played that song for about 2 years. RIP Neil.
https://youtu.be/F19wLutLHh8 Thanks for the article.
Kevin Smith
December 4, 2021 @ 2:12 pm
Kent
The song Emmylou is currently a big hit in the bluegrass genre for Darin and Brooke Aldridge. Its doing really well for them. Check out the video. Its a beautiful song for sure.
https://www.youtube.com/watch?v=Ygtu7qap7rI
Kent
December 4, 2021 @ 7:56 pm
Thanks for your reply. I have seen this video with them before. Its a were nice cover that they with love and skill turn into a Country/ bluegrass. song
Mike2
December 4, 2021 @ 5:47 pm
That song has aged very well. I was at Joshua Tree NP last month and couldn’t help but think of it.
Dan Hardick
December 5, 2021 @ 9:25 am
We still do, and it definitely won’t be the same without Neil.
Kent
December 5, 2021 @ 11:29 am
“…won’t be the same without Neil”
Yes I understand that must be a big loss for you. He must have been with you for a long while… It’s several years since I saw one of your videos. My condolence.
And also, I like your cover of “Grievous Angel”.
RJ
December 4, 2021 @ 1:41 pm
Any time a steel guitar player dies we should all say a little prayer and have a moment of silence. They are truly doing the Lord’s work because that incredibly beautiful sound cannot come from anywhere else!
Donnie Rass
December 4, 2021 @ 9:32 pm
Donnie Rass Here Denver Colorado. Met Neil at the Texas pedal steel convention in Dallas. 3 years ago. Super nice guy. I got my first Pedal Steel Guitar in 1973. My wife bought me Neil’s Sho Bud lesson Tablature Books. along with a LP that was included. Learn quite a bit from him and been playing ever since. Thanks To Neil for getting me started on a Beautiful Journey
RIP Neil Lost but not Forgotten
Doug
December 5, 2021 @ 10:44 am
Thank you Trigger, for another excellent obituary. I don’t know how you do it — the breadth and depth of your knowledge are remarkable.
Ken Fairlie
December 5, 2021 @ 1:22 pm
Neil used to come to my home in NDG in Montreal around 1959. We were both diehard fans of traditional country music and both of us were born in 1938. I left Montreal in 1963 for Los Angeles and Neil had already headed south. We never saw each other again. had a Gibson J50 and Neil would accompany me on my vocals and guitar playing. Neil was always exploring different chord progressions, and, there were several times when I had no idea what he was playing or trying to play . The years quickly passed, and about five years ago I was able to track Neil down. He sent me several vcr tapes of his different sessions over the years. The most impressive tape was the one of Neil backing up Ernest Tubb. I was so proud of him. I am sorry to hear of his passing. May his soul rest in eternal peace.
Jason
December 10, 2021 @ 5:51 pm
R.I.P.
Richard Stark
March 8, 2023 @ 1:14 pm
I am happy to fill in the gap of some of Neil’s many years down in Florida as I am a Tampa native. There was a guy named Mark Holland who was a huge Gram Parsons fan and the owner of a B & B called “Gram’s Place” located in the historic Seminole Heights area of Tampa. Mark’s vision was to create an establishment were musicians would come and stay and play Gram’s music and see some Gram Parson memorabilia. Mark sang and played acoustic guitar (traditional country and some of Gram’s stuff) and he had a similar look to Gram. Mark tracked down Neil somehow in South Florida where he was doing a boring Telemarketer job while drinking heavily and not playing steel. Mark convinced Neil to quit the boring job and come stay at Gram’s Place and start playing music again. I was invited by a musician friend to go jam with Neil at Gram’s Place. So I began going over to jam with Mark and Neil and I would play guitar or bass depending on what was needed on any given night. Those nights were an amazing experience and I learned so much about Country music from Neil. We played a few gigs most notably the annual Gram Jam at Skipper’s Smokehouse in North Tampa. Mark used to record our jam sessions on cassette tapes and he actually put out a CD called The Porch Pickers because we always played outside on the porch. When it got late we would move inside so the neighbors wouldn’t call the cops which happened on many occasions even though we were all acoustic except for Neil. I still remember how Neil taught the drummer how to play (and count) a 2/3 beat. We had to twist Neil’s arm in order to get him to play Wild Horses because he didn’t consider the song being a country song. Mark finally convinced him so I sang and played 12 string acoustic guitar and we did it. I still have photos and cassette tapes from some of those jam nights. I can’t help but think that if it were not for the efforts of the late Mark Holland that Neil may well have drank himself into oblivion in that one room studio in Ft. Lauderdale. It has happened to so many musicians in the past. Mark got Neil off the bottle and got him back into playing music again. So to all those who had the wonderful opportunity to jam or play in a band with Neil after 1991 you may owe it all to the late Mark Holland. Mark wanted me to quit my job and go out on tour with him and Neil. Mark used to say “a weekly paycheck is like a drug and you get hooked right away.” I often wish that I had taken his advice as I was young and single with no dependents. The last time I saw Neil was at Mark’s funeral where Neil had flew in from Austin. That was how much Neil loved Mark. Neil was an amazing talent and a kind soul. His playing would not only take you to church but it would take you all the way up to heaven…