How Joey Feek’s Solo Career was Killed by Sony
Joey’s love for Rory may have cost Joey her solo career. Her debut record still sits on a shelf in Nashville, unreleased. But she gained so much more.
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All Joey Martin Feek ever wanted to do was to be a country singer. Well, a country singer, or to work with horses. When she was growing up, Feek would travel to local venues in and around her hometown of Alexandria, Indiana to perform with her mother and father, though it was never in any sort of professional capacity. When she graduated high school, she she spent the next three years as an assistant to a horse veterinarian, and performing either solo or in a band when she could, juggling her passions of country music and the equestrian life. Then on August 15th 1998, full of ambition and dreams, Joey left Indiana to pursue a country music career in Nashville, TN. Her mother helped her load up all of her possessions in a cattle trailer, and she was off. But like so many who move to Nashville, fulfilling those country music dreams would prove to be quite difficult.
Joey Feek didn’t land in Nashville proper to begin, but in Lewisburg, TN, where once again she took up helping in the veterinary trade while living in a rustic cabin roughly an hour south of Music City. Through her equestrian work, Joey soon met Wilbur Rimes—the father of LeAnn Rimes—-and Barbara Brooks, who is the wife of Kix Brooks. In the meantime she was doing what she could to get involved in the music business, including attending songwriter nights and other showcases. Eventually she found her way, and in 2001 Joey was singed to Sony, and was paired up with producer Paul Worley (known for working with The Dixie Chicks and Martina McBride), and songwriter and performer Billy Crain to record her debut album.
Joey Feek admits she was naive about the business, and didn’t know what she was getting into. But like so many young artists, she was excited about starting her career, and willing to do whatever she could to land a major label deal and keep it. She put herself in the hands of the Sony staff, and hoped for the best. “I really never found all the great songs [for the album] I was hoping to,” Joey said in 2008. “Looking back, it’s nothing I would record today. But at the time, I was really proud of it.”
But something happened when Joey was roughly halfway through recording the album. She met a songwriter named Rory Lee Feek, and four months later they were married. Rory had done eight years in the Marines before deciding to become a songwriter, and broke into the business with the help of Harland Howard. Rory had written songs for Waylon Jennings, George Strait, Alan Jackson, Randy Travis, Charley Pride, Mark Chesnutt, Clay Walker, and went on to write Blake Shelton’s #1 hit “Some Beach” in 2004. At the time, Rory was strictly a songwriter, and Joey was strictly a performer. But they fell in love, and way before either had visions of becoming a singing duo.
However at Sony, the news wasn’t exactly well-received. “I was actually scared to death of that part of the industry, very scared to be married to a woman who was a singer because of the terrible stories,” Rory Feek says. “I was very nervous about it, so I asked Joey questions. Then Joey would go in [to Sony] and ask questions, just commonsense questions to make sure our marriage could stay intact while she was busy doing radio tours and setting up the album. They did NOT respond well to these questions at all.”
After Joey met Rory, her priorities began to change, and so did Sony’s. But she still wanted to be a singer, and still was excited about her debut album. The record was completed in 2002, but no singles were ever released from it. In fact, the album was never released at all. As will happen with labels, right as Joey’s album was getting ready to be released, Sony was going through a regime change. Along with the label reshuffling, and potentially because of the Joey’s change in marital status, her debut album was completely shelved. To this day, Joey’s Sony record has yet to be heard by the public.
The story of Joey Feek’s solo career is all too common, though it uncommonly found a happy ending. Rory Feek started his own independent label called Giantslayer Records in 2004, and went on to release a debut album from Joey called Strong Enough To Cry. The couple then formed Joey + Rory, and were eventually signed to Sugar Hill Records. As a duo, they won an ACM Award for Vocal Duo of the Year, were nominated for CMA and Grammy Awards, and recorded Top 40 hits.
It all eventually worked out for Joey Feek, and she was able to accrue a proud, successful career in the music industry. But for many other talented artists, especially women, the expectations are insurmountable, especially when restrictions are put on their personal lives. In Joey Feek’s case, it was love that may have brought her solo career asunder. But it was that same love that resulted in her eventual success, and on her own terms.
READ: Joey Feek of the Country Duo Joey + Rory Has Died
January 11, 2016 @ 9:29 am
Record Company Executive has to be one of the 5 least trustworthy professions. It must give Joey some measure of peace to know that she went through that and came out with her soul intact. What a great person, and what a great story–though with its final chapter being written all too soon.
The world needs more of what Joey (+ Rory) brought to this world–not less.
January 11, 2016 @ 9:43 am
‘some beach’ is an awful song. But that’s the trap of songwriters, forced to write bad songs to pay bills, can’t blame them.
I remember J+R had a show on RFD, but for some reason the setting looked like a nuclear waste storage facility: all brown and green and dusty…
Sony also killed Sega, but that’s tangential to this article.
It’s a shame when a record gets trapped, that’s what happened to ‘Don Rich sings George Jones’ AND Don Reno’s guitar project… Either of those albums could permanently have changed the careers of the artists…
If she wins that Grammy I wonder if Sony will try releasing it to make money off her new name recognition…
January 11, 2016 @ 10:00 am
Fuzzy TwoShirts, That is their farm in Pottsville, TN. BTW, the TV show is still rerun on RFD-TV and on DVD via joeyandrory.com In fact, the Giantslayer CD is still in print via joeyandrory.com. They will eventually release that Sony album as a vault item via their Legacy imprint (the imprint they use for reissues, compilations, and vault releases)
January 11, 2016 @ 9:58 am
Joey’s Giantslayer album has been released and is available on joeyandrory.com though.
January 11, 2016 @ 10:38 am
One Side of the Story:
This article is written solely from the viewpoint of Joey Feek.
All stories have two sides.
Unless a full account is also available from the other participant (in this case Sony), it is not possible to come to a fair standpoint on what actually happened.
Events described from the view point of only one of the participants must always be viewed with a healthy dose of skepticism.
January 11, 2016 @ 10:59 am
FACTS:
–Joey Feek signed a contract with Sony.
–Joey Feek recorded an album for Sony.
–No singles were ever released from that album.
–The album was never released.
–Joey Feek wanted the album to be released.
–Since Joey Feek’s album was never released, and she wasted years with Sony that never resulted in anything, her solo career never took off.
–She married Rory Feek during the recording of her Sony album.
–According to Rory Feek, the marriage caused difficulties with Joey’s relationship with Sony and/or vice versa.
Do we know for a fact that Joey Feek’s career with Sony was ended because she married Rory? No. But I never said that it did. I said there was a chance that it did. What we do know is she put over a year’s worth of effort into an album and into a career which resulted in absolutely nothing. This is not a hair-brained, implausible scenario. This is the very common story of dozens of artists who show up in Nashville and have their dreams smashed because of corporate bureaucracy.
If Sony wants to send me a statement, I will be more than happy to run it. But something tells me they’re way too busy not giving a shit.
Saving Country Music was literally founded on the idea that artists should be allowed the free flow of their expressions, and artists should not be held ostensibly in indentured servitude simply because they have a dream.
January 11, 2016 @ 11:10 am
I thought Big Machine was the record label that gave shits…
They gave us FGL, Thomas Rhett, Danielle Bradbury…
January 11, 2016 @ 12:53 pm
If Big Machine was the real outlaw label they were trying to be with Toby Keith back in the day both Jack Ingram and Danielle Peck would be the big sellers but instead they abandoned those two and went with the pre-teen crowd for Taylor Swift. Pisses me off to this day.
January 12, 2016 @ 10:22 am
The list of facts that you state is simply a summary of what is written in the article. It provides no new additional information.
As you are the originator of the article, it is your responsibility to contact Sony in the first place and ask for their side of the story prior to publishing the article. The onus is on you to contact Sony, not the other way round. If you had contacted them and they did not respond, then that can be stated in the article.
As it stands, the article is completely one sided, and again I restate my original opinion that it should be viewed with a healthy dose of skepticism. For all we know, following their marriage, Joey’s requests from Sony may have been unreasonable and not in line with the deal initially signed by both parties.
January 12, 2016 @ 1:50 pm
Cowboyal,
I didn’t say there was any new information in my comment. I was just stating the facts of the story since you said this was all a one-sided account. This isn’t a new story. This happened fifteen years ago. If I called up Sony, in all likelihood they would have no idea who Joey Feek is. The people who replaced the managers who signed Joey Feek had no idea who she was. That’s one of the reasons the album was never released. Since then, the personnel at Sony in Nashville has changed over completely three or four times. They’ve had three separate CEO, including a new one who just started a few months ago. Nobody knows anything, and even if they did, legalities would have kept them from talking. This is a historical account, not news. I stand behind my reporting.
March 5, 2016 @ 1:13 pm
Trigger, don’t mind Cowboyal. He is a troll who has come in here numerous times defending his beloved bro-country crap. I wouldn’t trust his opinion any further than I could throw it!
March 8, 2016 @ 10:56 pm
I agree. The other poster says you should have contacted Sony to get their side of the story. You could have done that sure. But, Sony would not have answered. This blog is of so little importance to them that you would have been lucky to have been given the use of a sticky pad piece of paper for your message to have actually been written down on. So, its not that you didn’t care about trying to get their side of the story- its just that it was recognized that they could care less to give it to you! So, you did the best you could with one side, and it does look fairly written to me!
January 11, 2016 @ 11:02 am
I hope Sony will release Joey’s cd eventually.
January 11, 2016 @ 11:31 am
They probably will when she dies so they can make money off of her death.
January 11, 2016 @ 12:03 pm
Is this unreleased album different from Strong Enough To Cry? That solo album, billed as Joey Martin, is available through Joey + Rory’s website. She also performed the songs from it on their RFD-TV show.
January 11, 2016 @ 12:29 pm
Yes, they’re two totally separate albums. The Sony album has never been released, and the public has never heard the music. “Strong Enough To Cry” was a completely separate endeavor.
January 11, 2016 @ 6:53 pm
I have nor respect for Sony since they dropped Tammy COCHRAN, Billy Gillman, Blackhawk, Collin Raye, Pam Tillis, and a lot more since 2001. Epic Records defected since 2006.
January 12, 2016 @ 1:17 pm
Collin Raye has been on the record as asking off the label back then. Collin thought another major would pick him up but word spread that he was ‘difficult’ (he’s no more difficult than any other successful artist). Raye has gone on to release good to great albums through various labels and should be a candidate for something like Nash Icon, just like John Berry should (though his current covers project for Goldenlane/Cleopatra is basically such a label with a roster of artists like Sammy Kershaw, Little Texas and TG Sheppard among the country artists with recent projects on the label.
February 12, 2017 @ 10:23 am
Epic/Sony dropped Tammy Wynette in 1996 and at a function around that time, Tammy thanked Epic/Sony for being her record label for 30 years. Tammy had no clue that the label had dropped her. These facts came out in a book about Tammy by Jimmy McDonough. So if Sony dropped a legend like Tammy Wynette, they probably gave Joey Martin little thought. I do hope Joey’s unreleased album gets a release soon, even though she isn’t here to enjoy that. Her 2005 solo release is being re-issued by Gaither Music in April…..
February 12, 2017 @ 10:50 am
The album has finally received a release date. Updated story:
https://savingcountrymusic.com/joey-feeks-shelved-major-label-debut-finally-gets-a-release-date/
January 12, 2016 @ 2:23 am
I try not to know which one’s Joey and which one’s Rory.
January 12, 2016 @ 10:50 am
Joey made all of the right decisions. She didn’t know what her life would hold waay into the future. The heart wants what the heart wants. She chose a man who would stay by her side in sickness and in health.
She was led by a star to the right place at the right time.
January 13, 2016 @ 12:54 pm
Couldn’t have said it any better!
January 13, 2016 @ 3:16 pm
http://thislifeilive.com/
March 5, 2016 @ 11:48 am
Wonder how fast Sony will release her unheard album to make a buck off of her death?