Jamey Johnson, Raul Malo Make Vocal Magic on ‘To All The Girls’

Usually a random cover song posted to YouTube would not be worthy of making a big stink about. But when the principal actors are the one and only Raul Malo of The Mavericks—who continues to be both the most underrated, and most talented male singer that country music boasts—and Jamey Johnson—who is as talented as he is reclusive from recorded output these days—it’s a perfect combination that worthy of stopping down for, and letting the pure vocal magic sink in.
A smart selection for the upcoming Valentine’s Day holiday, the two venerable singers and songwriters stepped inside the studio for The Mavericks’ “Quarantunes” series to perform the Hal David and Albert Hammond-written song “To All The Girls I’ve Loved Before” made famous by the cross cultural collaboration of Willie Nelson and Julio Iglesias in 1984.
The conjoining to two perspective on the universal language of love is revived, as are the incredible vocal renditions in this pop standard captured brilliantly both in audio and visual form. Only accompanied by a little bit of drum, bass, and organ, it came out exquisite. “We wanted the focus to be on the vocals,” Raulo Malo says. “My son Dino helped me create, arrange and record this track. Sometimes It’s a family affair here at Mono Mundo Recordings.”
Though the two have never sung in the studio together before, they’re apparently long-time acquaintances.
“Jamey and I have been wanting to do something in the studio since we hung out about ten years ago at the Key West Songwriters Festival,” Malo recalls. “I always knew he was a great writer. But to me he’s equally as impressive as a singer. I remember in Key West a late night or two where guitars were passed around and songs were sung into the wee hours. (Honestly it’s a little hard to remember through the fog of tequila, weed, rum, beer, sun, sand, and ocean…) I’ve heard plenty of people throughout the years recount these nights. I’m pretty sure they happened.”
Along with allowing one to observe how over the past few years, Jamey Johnson is beginning to look more and more like Jeff Clayton from the wild punk band ANTiSEEN sans the bloody forehead, this rendition of “To All The Girls I’ve Loved Before” illustrates what an incredible gift it is to country music that these two men have chosen to lend their voice to it over the years.
If chocolates don’t get her in the mood, this likely will.
February 13, 2021 @ 10:29 am
With Raul being one of the greatest singers of the past quarter century the past several Mavericks albums have been let downs. Maybe it’s Raul’s songwriting which aren’t equal to his vocals or the continued use of the horns and accordion which tends to over shadow his voice but this right here shows that he has not lost a step. Jamey more than holds his own and we definitely could use some new music from him.
February 13, 2021 @ 10:35 am
Ok that’s pretty cool.
February 13, 2021 @ 10:56 am
They sound amazing together!
February 13, 2021 @ 11:26 am
BRAVO, Trigger!
They sound amazing – to borrow Farmer’s comment . . . .
February 13, 2021 @ 11:38 am
Yeah tough to beat Willie and Julio, but excellent vocals and a beautiful rendition!
February 13, 2021 @ 12:23 pm
Holy Crap. That was amazing!
February 13, 2021 @ 12:34 pm
Well that was amazing!
February 13, 2021 @ 12:41 pm
Jamey Johnson and duet covers.
Name a more romantic and iconic couple.
February 13, 2021 @ 12:45 pm
Even though I’ve always loved the Julio/Willie version of this song, I would not have thought this would be my thing but it totally surprised me that I like this version better. Jamey when he’s good is great.
February 13, 2021 @ 1:14 pm
Wow, very nice indeed. I did not see that coming.
February 13, 2021 @ 1:15 pm
WOW
February 13, 2021 @ 1:22 pm
They should do a whole album of Loretta and Conway covers.
February 13, 2021 @ 2:42 pm
Neither are fit for the Loretta part they would have to call up Dan & Shay.
February 13, 2021 @ 1:55 pm
Why can’t Jamey sing an original song? Does he sell them all? Jeez this is boring.
February 13, 2021 @ 6:06 pm
That’s what I would like to know.
February 15, 2021 @ 7:01 am
https://tasteofcountry.com/jamey-johnson-concussion-songwriting/#:~:text=I%20slipped%20on%20some%20ice,which%20it%20focuses%20on%20survival.
This will probably explain your question.
February 13, 2021 @ 4:59 pm
Well, even if he never puts out another album, it looks like Jamey will have steady seasonal employment opportunities around the holidays from this point forward. Maybe that is his master plan…
February 13, 2021 @ 5:29 pm
Hey Jamey & Raul,
Mucho Bueno!!!
February 13, 2021 @ 6:17 pm
That was very good.
February 13, 2021 @ 6:27 pm
Wow. That is really good. I couldn’t have imagined how their voices would work together before hearing it, but they nailed it.
February 13, 2021 @ 6:58 pm
Holy moly. JJ and Raul Malo. Two of my favorite, incredible voices. More please !!!!!
February 13, 2021 @ 7:00 pm
It’s not just Jamey and Raoul recording the song. They seem to have done it as a tribute of sorts to Willie and Julio. Jamey sounds a bit Willyish and Raoul seems to have adopted Julio’s accent.
I read once–maybe it was in Willie’s book–that Willie “discovered” Julio Iglesias when he and his wife happened to overhear a song of Julio’s being played somewhere and they liked the voice. So Willie told his manger, [paraphrasing] “Get me that guy. I want to do a record with him.”
This was in the early-mid ’80s when Willie ruled, and figured he could get what he wanted. Willie’s manager contacted Julio’s manager through his record label and he agreed to record with Willie. They came up with the song, “To All the Girls…,” which had previously been recorded and released by its cowriter Albert Hammond. And they scheduled the recording session at Willie’s studio in Austin. On the day of the session, Willie was waiting in the studio, not thinking all that much of it when he heard that Julio had come. Willie was expecting just some guy, but he was amazed to see several vehicles and an entourage of who-knows-who accompanying Julio. Willie said he had no idea that Julio was a world superstar from Spain with a string of platinum albums in Europe and Latin America and had sold more records than Willie had.
The recording went #1 on the country chart and #5 on the Billboard Hot 100. It’s first appearance on an album was actually on Julio Iglesias’s album “1100 Bel Air Place,” which went multiplatinum in the U.S. in 1984. It didn’t appear on a Willie Nelson album until the next year, when it was included in a compilation of Willie duets called “Half Nelson.”
February 13, 2021 @ 8:06 pm
Luckyoldsun dropping some history on us. Thanks for this.
February 14, 2021 @ 2:56 am
yes, i read about it too in the Joe Nick Patoski’s book “an epic life”.
Also Julio, sporting a total white dress, was shocked at the beginning seeing how those country hippies lived.
Anyway; Jamey&Raul: the voices.
February 13, 2021 @ 9:25 pm
oh, that’s really good and I grew up hearing the original 4 times a day on the radio.
Good stuff.
February 20, 2021 @ 3:40 pm
I Remember version my hero MERLE HAGGARD 1984
Version the Album All the Game