Lucette to Release Sturgill Simpson-Produced “Deluxe Hotel Room”
Before Dave Cobb was Dave Cobb, and Sturgill Simpson was Sturgill Simpson, Dave Cobb produced an album for Edmonton, Alberta singer and songwriter Lucette called Black Is The Color, and Sturgill Simpson appeared prominently in the video of the evocative murder ballad and signature song “Bobby Reid.” Now five years later, Sturgill has reunited with Lucette on a new record called Deluxe Hotel Room that will be released via Rock Creek Music/Thirty Tigers on May 17th.
Lucette’s Black Is The Color was a dark and rootsy exploration of primitive American country folk, and was cut right as Dave Cobb was becoming the hot item in Americana from the work he’d done with Sturgill Simpson and Jason Isbell. When Sturgill appeared along with Col. JD Wilkes of Th’ Legendary Shack Shakers in the the video for “Bobby Reid” produced by Judd Films, Sturgill’s magnum opus Metamodern Sounds in Country Music was becoming all the rage in independent country. But Lucette got sort of lost in the shuffle as Sturgill continued to explode, and Dave Cobb continued to produce one landmark album after another.
Then Lucette’s “Billy Reid” appeared in the Netflix special Nanette in 2017, and the song now has over 4.3 million streams on Spotify. To put that into context, that’s nearly 2 million more than Margo Price’s biggest song on the format. This illustrates the sort of quiet, bubbling under success Lucette has achieved without the press or public paying much attention. Even after announcing this new album two weeks ago, no other outlet has reported on it.
Songwriting is a said to be one central element to the record. “To me these songs are a way of getting through to anyone who’s had problems with depression or anxiety or issues with their body and, letting them know they’re not the only ones who feel lost sometimes,” says Lucette. “Making the album helped me realize that my strength doesn’t lie in how a partner or the public sees me—it’s about being open about mistakes I’ve made and things I’ve been through, and then moving forward with hope.”
But if you’re a country fan, don’t get your hopes up too high that Deluxe Hotel Room will be another exclusively dark and rootsy affair from Lucette like her last one. In fact the rumors that have been swirling about this record for a while as being a combination of primitive roots along with heavy synth and electronica seem to be corroborated in the press release that accompanied the announcement. “Her collaboration with Simpson pushed her sound even further, by incorporating synth lines, drum-machine beats and soulful saxophone tones to create a style that keeps one foot firmly planted in tradition while the other takes a giant step forward,” the press release reads.
Lucette underpins this herself by saying, “A lot of the songs are very traditional in their roots, but Sturgill and I had this idea of producing them in a more pop-leaning ways. There’s only one or two guitar tracks on the whole record, and instead of putting banjos or pedal steel all over the place, we did it up in a way that felt a lot more genuine to my upbringing and character.”
Deluxe Hotel Room was recorded at The Butcher Shoppe in Nashville where Sturgill keeps an office with John Prine, and Sturgill used his road band in the recording process. New Orleans saxophone player Brad Walker also appears on the album.
Some Sturgill Simpson fans may remember the rumors and quotes from Sturgill Simpson himself ahead of the release of his Grammy-winning A Sailor’s Guide to Earth that he’d been experimenting with synthesizers and drum machines, leaving some to speculate that A Sailor’s Guide could be an EDM record in part or whole. Of course that never materialized even remotely, but perhaps Lucette’s Deluxe Hotel Room will turn out to be the outlet for Sturgill’s synthesizer passion, and Lucette’s, along with incorporating the roots foundation of both Sturgill’s own sound and influences, and the established sound of Lucette.
Either way, this will be a very interesting project to watch develop. After seeing what happened to Tyler Childers after Sturgill Simpson produced Purgatory, you have to keep one eye on a project like this even if it may not fit your sonic appeal. At the moment, no music from Deluxe Hotel Room has surfaced, but expect to hear something in the coming weeks. Meanwhile Simpson himself is starting to become well overdue for news on a new album of his own. Don’t be surprised to hear something on that front soon.
March 8, 2019 @ 9:11 am
“You wouldn’t be covering this if Sturgill Simpson wasn’t involved.”
Maybe not, but I have have covered Lucette in the past, and nobody else is covering this story.
“If this was any other artists saying they would be going synth pop, you’d be destroying them.”
Perhaps, but Lucette has a track record as an artist, and Sturgill has the track record as a producer that I think regardless of what they come up with, it deserves a chance, or at least an agnostic opinion until we actually hear some music. This project could also have implications beyond Sturgill or Lucette, so I think it’s an important story to follow. If it sucks, it sucks. We’ll find out then.
March 8, 2019 @ 9:48 am
Sounds like an interesting project. And completely relevant for this site to cover a sturgill-produced project. Anybody going into this expecting anything country out of it is uninformed, and has no reason to piss and moan about it. It is widely known that Sturgill has (and always has had) wide ranging musical tastes, and he’s been very clear about exploring them. Anyone still whining about him not exclusively putting out or being involved with High Top / Metamodern – type projects is annoying, uninformed and living in the past.
March 8, 2019 @ 9:50 am
I always love posts like this highlighting the upcoming release or bubbling success of an artist I’m not familiar with. While I enjoy the criticism and rants in posts like the Kelsea Ballerini and Jason Aldean ones from this week, the true reason I visit SCM on a regular basis is for the album reviews and praise of artists like Lucette here. I consider myself a fan of everything from traditional country, folk, indie rock, Americana, and everything in between, so I appreciate you having a wide range of coverage, Trig.
March 8, 2019 @ 10:16 am
Also, looking forward to hearing Sturgill’s band on this one. The combo of Chuck Bartels (a monster on the bass) and Miles Miller is awesome.
March 8, 2019 @ 10:40 am
Hope he doesn’t become a sellout
March 8, 2019 @ 11:40 am
How cool. I really liked this song and video and wondered what happened to her. This is very promising and I love it when good artists get a bump like this.
March 8, 2019 @ 11:53 am
I’m personally looking forward to it.
March 8, 2019 @ 1:27 pm
I enjoy your reporting about different topics including new music because in general you seem to be honest & consistent with your comments. There’s so much music out there being made, luckily people like you are digging around finding some of the unusual stuff. I have found a lot of music I wouldn’t normally have found on my own from other people’s reviews. Music lovers will always seek out new music. Thanks for putting the effort in.
March 8, 2019 @ 2:47 pm
as usual , you whetted my appetite for “new” trigger . I checked out you-tubes and music by lucette . what a wonderful voice ….unique with great pitch and phrasing .
I can’t get past the so-so singers when there are so many GREAT ones struggling for exposure . I get when a writer is just laying down a song demo and singing it on their own ….. but if you are marketing yourself as a vocalist , you’d better deliver . most of the wannabes on the ‘voice’ are terrific vocalists . there’s no reason we should have to be watching inferior talent ( aldean ) with singers like lucette around .
I had never heard of her prior to this article ……. looking forward to hearing more
March 8, 2019 @ 3:38 pm
“Before Dave Cobb was Dave Cobb, and Sturgill Simpson was Sturgill Simpson”
Wong. They were both buzzing pretty good when her last album was released. Yeah they hadn’t yet signed their big league contracts but Metamodern was already trending and Dave Cobb was already being sought out for that album as well as Isbell’s current and previous album at the time. Traveler by Stapleton was still fresh as well.
March 10, 2019 @ 5:42 pm
That’s totally wrong
March 8, 2019 @ 3:53 pm
I saw Lucette open for Alejandro Escovedo in 2016 and she was great. Just her and a keyboard and she killed it. I’m a big fan of her first album, and this new one sounds promising.
March 8, 2019 @ 6:55 pm
“to create a style that keeps one foot firmly planted in tradition while the other takes a giant step forward”
*rolls eyes*
“Sturgill and I had this idea of producing them in a more pop-leaning ways”
How special.
March 8, 2019 @ 8:23 pm
I don’t believe she said anything about it being particularly special. She was simply talking about the recording and production process. Do you fault her for doing a press release ahead of her album? Not sure what “point” you are attempting to make.
March 9, 2019 @ 8:25 am
It’s not a “giant step forward” to lean toward pop. It’s a step *backward* from extending an amazing and valuable genre.
Better to say “I’m pop with roots in country.”
March 9, 2019 @ 6:59 am
She also had a pretty good song, “whiskey and wine” that she did with Justin Wells and Fifth on the Floor on their very last release before breaking up that is worth checking out
March 9, 2019 @ 12:08 pm
Thanks, I did check that out. Pretty sweet.
March 9, 2019 @ 4:52 pm
Corncaster must be a very unhappy dude!
March 12, 2019 @ 12:39 pm
Will totally check this out! Thanks for sharing.