On Randall King Finally Getting a Single on Country Radio


Well it’s about damn time.

Randall King has been one of the leading young neotraditionalists in country music for years now, and has a million dollar voice to back it up. Folks in Texas we’re already hard behind him when he signed to Warner Music in 2019. The signing was a big indication that perhaps traditional country would be returning to the mainstream.

Since the signing, Randall has continued to do well, but hasn’t really reached that big mainstream star status like fellow Texans Cody Johnson and Parker McCollum. He seemed to have been lost in the shuffle, which can happen on major labels.

But now there is a positive sign that perhaps Randall King is finally getting his due. It only took half a decade and two album releases, but Warner Music is finally promoting a proper single to country radio. King’s “I Could Be That Rain” was the most-added track on country radio this week. 27 adds is not an eye-popping number, but much of country radio still doesn’t even know who this guy is, so we’ll take it.

Amid the positivity for Randall King though, there are some interesting questions and observations. In an era when virtually any male can release virtually any single and get it to #1 while the women struggle, why wait five years for Randall King? Perhaps it’s because Warner Music now sees an opening for a more traditional entertainer like Randall, including on country radio. With the success of Zach Top, Lainey Wilson, and Cody Johnson, why not maximize this resource already on your roster?

But of course, “I Could Be The Rain” happens to be one of the least traditional songs on Randall King’s current album Into the Neon released in January. Out of the 18 tracks, it’s the only one with what sounds like an electronic drum opening. This makes it advantageous for country radio, but lame as a difference maker on the mainstream country format. Maybe the logic is to get country radio familiar with Randall King first, and then unleash the hard stuff.

Now is not the time for mild songs and safe strategies though. Zach Top’s “Sounds Like The Radio” went from #24 to #22 on the radio charts this week, and is proving that traditional country songs can succeed. This is the moment to activate the traditionalists on your roster while the sound is hot and everything is moving in that direction.

Then of course it’s fair to ask if any of this really matters anymore? Why are we still even wondering and worrying about what country radio is doing when everything seems to be shifting away from the format? The answer is that radio has never mattered less than it does now, but that doesn’t mean radio doesn’t matter at all. It can still reach audiences that a pragmatic traditionalist like Randall King can find resonance with.

What would be even more cool is if we started seeing Randall King on some of the big festival rosters across independent and mainstream country, and other similar opportunities he seems to be continuously locked out of. Randall King has been in the major label “Artist Protection Program” for too long. No better time than now then to tap this traditional country music resource and put it into action.

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