On the Entry Issues for the Country Hall of Fame’s 2024 Induction Ceremony
On October 20th, the Country Music Hall of Fame honored its 2024 inductees during the annual Medallion Ceremony at the CMA Theater located at the Hall of Fame in Nashville. Modern Era inductee Toby Keith, Veterans Era inductee John Anderson, and musician James Burton were all feted as those in attendance at the 776-seat CMA Theater watched on.
But unless you were one of the 776 souls who got to witness the festivities live, you really didn’t get the full experience. Even worse, about 100 people who had been promised entry were turned away, and told they could watch a video feed of the event for the Hall of Fame’s other venue, the Ford Theater. Some did watch from the Ford Theater, and some left entirely.
Appreciate that those 100 ticket holders constituted about 12% of the people with RSVPs to get in, including “Honor Society” members of the Country Music Hall of Fame who pay five and six-figure annual fees for entry to the Medallion Ceremony event. It also included family of Hall of Fame inductees, most notably Hazel Daniels, the wife of Charlie Daniels, who arrived at the ceremony with Charlie’s Hall of Fame medallion around her neck, and was turned away.
The day after the Medallion Ceremony, Saving Country Music published an article comparing the impact of the Country Music Hall of Fame’s induction ceremony to that of the Rock and Roll Hall of Fame, which held their induction ceremony the day before on Saturday, October 19th. The opinion shared was that the Hall of Fame was squandering a stellar opportunity to promote itself and raise funds for its non-profit coffers by making the induction event so exclusive that less that 800 people are allowed to participate.
The Country Music Hall of Fame Medallion Ceremony doesn’t need to be a raucous party in an arena. But perhaps moving it to a slightly larger venue such as the The Ryman Auditorium right down the street with its 2,300 capacity, and making the event available via livestream or later broadcast would allow the fans of country music to participate in the event, not just high-powered donors and members of Nashville’s elite. It would also facilitate more media being there to help create buzz for the event.
The original 11-paragraph article published by Saving Country Music did not mention the ticketing issue that resulted in some 100 people being turned away from the event. It was only after publishing the article that the driver for Hazel Daniels left a comment on the Saving Country Music Facebook page, saying, “Over 100 people with tickets, were denied entry to the ceremony, & was told there was a TV in the Ford Theater. People weren’t happy!”
This prompted Saving Country Music to reach out to this individual to confirm this information since it seemed newsworthy and relevant to the previously-published story. Imagine having a ticket to see one of your favorite country artists, or an event like this Hall of Fame Medallion Ceremony that you paid five figures for, and being denied entry? The driver then confirmed the information and it was added as an addendum to the original story. The addendum stated,
“We know there was a streaming feed of the event, because about 100 ticket holders were denied entry when they showed up to the event, but were told they could watch remotely in the Hall of Fame’s other venue, the Ford Theater. Hazel Daniels—the widow of Charlie Daniels—showed up to the ceremony with her son and his wife wearing Charlie’s Hall of Fame medallion. They begged to be allowed into the ceremony, but were denied due to lack of seating. They eventually left.”
A note was also left at the bottom of the original article that the addition had been made, in accordance with proper journalistic standards.
Later in the afternoon on October 21st, the Charlie Daniels Official Facebook page published a long missive authored by Charlie Daniels Jr. where the information about the 100 RSVP/ticket holders being denied entry to this year’s ceremony was confirmed. Daniels Jr. went on to blame arriving slightly late to the event (5:06 for an event that started at 5 PM) for the reason they were denied entry. Daniels Jr. also stated,
That being said, someone posted an article that stated that we begged to be let into the ceremony but were denied. I can say unequivocally, that we never begged nor asked for anything other than to make sure that there weren’t any seats we could sit in, even if we were split up. We were late, so we weren’t making any demands or trying to make a spectacle.
We were late, we didn’t want to watch from a different theater, so we left. End of story, it also said that my wife was there, which she was not.
Normally, I wouldn’t respond to something like this, except for the fact that one of our contacts at the Hall apparently saw the “article” and was mortified that we were denied access as dramatically it was presented, and he said to please contact him if anything like that happens again.
It won’t happen again. We’ll consolidate our pick-ups or leave earlier next time.
The people at the CMHoF did nothing wrong.
And that’s all there was to it.
Much ado about nothing, to quote The Bard.
As soon as Saving Country Music saw this post, the final sentence about the entry denial was changed from “They begged to be allowed into the ceremony, but were denied due to lack of seating. They eventually left” to “They had tickets to the ceremony, but were denied due to lack of seating. They eventually left.”
However, the characterization that they “begged” to get into to ceremony was not one forwarded by Saving Country Music. This characterization came directly from the source of the information (the driver) confirmed via email. Here is the exchange:
This is not to throw the driver for Charlie Daniels under the bus or put them in a difficult situation, or to start some beef with Charlie Daniels Jr., or to mischaracterize the bahavior of Hazel Daniels. But as the post from the official Charlie Daniels Facebook page was viewed tens of thousands of times and liked over 2,000 times, and shared dozens of times, the credibility of Saving Country Music was called into question, and publicly. And nobody from the Charlie Daniels camp or the Country Music Hall of Fame reached out to offer any clarification, or to ask for a correction. It was only addressed publicly via the Facebook post, which garnered many negative comments.
This article might seem like making even more of a mountain out of a molehill. But somehow, it has been twisted that Saving Country Music is the bad guy in this situation, not the Country Music Hall of Fame, who denied entry to around 100 people for the Medallion Ceremony, facilitated by the fact that they held the event in such a small venue, and either seated people without tickets or RSVPs, or gave away too many tickets. This is unacceptable for any event.
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The Country Music Hall of Fame is an important and revered institution in country music. That is the reason it’s worth advocating that the Hall of Fame make as much of the opportunity to promote itself through its induction process as possible, and to use the moment to engage with the public. This isn’t an attack or a rebuke of the Hall of Fame. It’s simply an observation and suggestion. The Country Music Hall of Fame and their induction ceremony process is happening in a different decade than the one we’re living in.
What is unacceptable is the denial of entry of people who were promised they had a seat. This is not the media’s fault. If anything, the media on-hand should have been more on top of this story. Charlie Daniels Jr. says, “The people at the CMHoF did nothing wrong.” But they did. They handled the ticketing for the 2024 Medallion Ceremony poorly. And they should take responsibility for that, or it is bound to happen again.
Dawn Holliday
October 30, 2024 @ 11:08 am
The disrespect to the Daniels family is there, either way. I am sure the drivrer was humilated for the family. I am sure he read the car on the way home. He felt he needed to speak up. He read the car and the Hall right. The Hall was wrong in its actions. Totally amateur hour. You were correct to bring up the Hall’s amateur behaviour and disrespect.
RCB
October 30, 2024 @ 11:25 am
One of the risks of single-source reporting. That’s not a criticism – sometimes it’s unavoidable.
And, overselling a paid event is real scumbag behavior, revered institution or not.
Trigger
October 30, 2024 @ 11:51 am
For the record, it wasn’t single source reporting. After I corresponded with the driver, I searched around and also saw numerous comments from “Honors” members of the Country Music Hall of Fame who pay at least $1,000 for tickets to this event complaining they were denied entry as well. The only dispute is whether the Charlie Daniels party “begged” or “asked” to get into the event, despite no more seats being available. As soon as I saw they disputed the “begged” characterization, it was changed.
One of my further concerns here is that this event is so hard to get into, anyone who can get in, or wants to gt in must “kiss the ring” so to speak, and don’t want to rock the boat and get denied entry the next year. 100 people not getting into an event is news, yet none of the press there reported on it. There are so few press members even allowed to cover it in-person. Conversely, I know of numerous members of the press that were there who are basically grandfathered in, and didn’t even cover the event at all.
RCB
October 30, 2024 @ 12:20 pm
The “begged” characterization (i.e., the only thing that’s really disputed) is what I was referring to as single-source. That, unless I’m misreading, came only from the driver and then was contradicted. (Obviously, I don’t know whose characterization was more accurate.)
Again, not a criticism of your reporting.
Trigger
October 30, 2024 @ 12:26 pm
No worries. Just wanted to clarify that point.
James
October 30, 2024 @ 12:16 pm
Nothing ever seems to go right in a Fords theater…
Kevin
October 30, 2024 @ 4:07 pm
Seems they’re always causing a headache
MUMarauder
October 30, 2024 @ 12:48 pm
Sure sounds like CD Jr’s explanation is his way of trying to stay on the good side of the CMA HOF. Just my opinion.
CountryKnight
October 30, 2024 @ 3:51 pm
Charlie Daniels Junior wants to ensure continued access to the HOF. I am skeptical of his take.
RJ
October 30, 2024 @ 4:28 pm
Trig, I only understand a fraction of your mission with saving country music. That said, I wonder if there is a time in the very near future where you think that rewards shows will not be in your content. They seem to make little to no impact at all at this point and have little to no implications. Perhaps a year or two from now they will have no impact and no implications.
Trigger
October 30, 2024 @ 8:47 pm
I definitely think that award shows have lost their importance over the years. During the pandemic, it was almost a joke. But they have rebounded a little bit over the last couple of years. Just like radio, they have severely diminished power, but that doesn’t mean they don’t have any power to move the needle in the right or wrong direction.
This really isn’t an awards show issue. Hall of Fame inductions by nature pay tribute to past greats. And that’s why I think we should make a bigger deal about them in country.
David:The Duke of Everything
October 30, 2024 @ 4:34 pm
In the end all this could be avoided by having it in a larger arena. It seems they want to continue this upscaled country club nonsense. Country music isnt about that nonsense and its hall of fame ceremony shouldnt be either. Personally i find it a bit sad that more stars who are in there arent speaking out against this nonsense.
Wayne
October 30, 2024 @ 5:13 pm
Does anything good come out of Nashcrap anymore?
Oh wait a minute. Of course, yes. Another artist’s bar.
Strait
October 30, 2024 @ 8:38 pm
Can we make fun of the imbeciles who are all about the Josie Awards? HAHAHAA
Trigger
October 30, 2024 @ 8:49 pm
Yeah, it really is bad. I honestly don’t want to punch down at the independent artists who celebrate these things. But I don’t know anyone who takes The Josie Awards seriously beyond the artists that win, and they’re almost always performers I’ve never heard of, and have no real fan base.
Strait
October 30, 2024 @ 9:43 pm
The past two years the Josie woman who runs it has rented out the Opry and I am seeing people I know, and have occasionally gigged with, act like the Opry ITSELF is giving them an award. It’s embarassing.
I have played music with at least 3 people that have been nominated (self-nominated) and won Josie awards and I would cringe on the inside because it’s just awards for people who wouldn’t win awards. I privately messaged one artists asking about it on Facebook and I explained what it was to him.
Luckyoldsun
October 30, 2024 @ 10:39 pm
One of the neatest H-o-F inductions that I’ve come across is the one for the Statler Brothers, which seems to have been in front of a small, lucky group. It’s the only time they “sang a note together” after their retirement in 2002.
I don’t mind them doing the induction in a small venue, but I’d think they could at least record it professionally. This is from 2008 but it looks like VHS recording from 1978.
BTW, speaking of various H-o-F snubs, Don Reid should also be in the Nashville Songrwirters H-o-F, either solo or as an entry with Harold. Don wrote most of the songs that the Statlers recorded over the decades–some with Harold, most alone, including the one they sing here. Clint Black should also at least be in the Nashville Songwriters H-o-F (and eventually in the CM H-o-F, too).
https://www.youtube.com/watch?v=Mcyc3w6z-Uc
Steve
October 31, 2024 @ 6:19 pm
Agree with you about Don Reid.
I would love to see the full Statler performance from their induction. It just doesn’t exist though anywhere that is publicly accessible. Another highlight of that particular evening was Tom T Hall (who was also retired) doing a great version of Watermelon Wine. I would like to see that also.
Luckyoldsun
October 31, 2024 @ 8:21 pm
Steve– That’s interesting because one of the early songs that the Statler Brothers did–sometimes with Johnny Cash–was a song called “Billly Christian.” It’s on their debut album “Flowers on the Wall.”
Around 1994, TNN, Crooke & Chase did a show honoring the Statler Brothers. Johnny Cash apppeared with June and it was sort of a renunion because they had not appeared with the Statlers in many years. At one point, Cash says that one of the Statler Brothers songs that he liked was “Billy Christian” and says to Don, “You wrote that, didn’t you?” Don politely corrects the record and says “That song was written by Tom T. Hall.” “Billy Christian” was one of Tom T. Hall’s first cuts and maybe helped pave the way for “Harper Valley PTA” a couple of years later.
It’s like they came full circle with Tom T. and the Statlers being inducted into the H-o-F on the same day.
https://www.youtube.com/watch?v=XdvUmBLTxx4&t=8s
Steve
November 1, 2024 @ 5:55 pm
You probably already know this but for those unaware: “Billy Christian” was not only on the Flowers album it was the flip side of the single. When Flowers became a monster selller, Tom T got half the royalties as was the normal practice for 45rpm singles. The money he got helped him with his move to Nashville.
Every HOF class is special but I always thought the 2008 class with the Statlers, Tom T and Emmylou was one of the more exceptional ones. Three great acts whose music has held up well.
Sofus
October 31, 2024 @ 8:32 am
Pushing 50, I’m probably turning into an old, bitter grump, but it seems to me that the whole entertainment business whirls around in a toilet bowl.
Movies, music, literature, even the theaters, obviously threw away whatever dignity it once had by chasing the dollar instead of the “art”.
The movie star is gone (Burt Reynolds, Cary Grant, Lauren Bacall, even Schwarzenegger), the recording star is gone, the authors doesn’t care about writing anything worth surviving for more than a year or so etc. And the business itself are busy peeing on whatever’s left of the old glory. Especially the dedicated fans.
And let’s not get into politics or the state of the world’s societies…
To quote the mighty Leonard Cohen;
Now, you can say that I’ve grown bitter
but of this you may be sure
The rich have got their channels
In the bedrooms of the poor
And there’s a mighty judgment coming
but I may be wrong