Album Review – Morgan Wallen’s “I’m The Problem”
78 Comments
“I’m The Problem” sounds like 37 slightly different versions of the same song over and over. resulting in a grayish goulash of a mono-genre sound for many of these tracks.
Album Review – Storey Boys – “Patterns”
13 Comments
“Patterns” is a patently traditional country record that immediately impresses with the first few songs that rear back and try to knock the wind out of you with an emotional wallop, and then shows off its depth of knowledge and acumen with a quality run through some country classics.
Sturgill Simpson Sets Residency at New York’s Webster Hall
22 Comments
Along with his eight appearances on Willie Nelson’s Outlaw Music Festival Tour throughout September, and a stop at Merlefest in Wilkesboro, North Carolina on September 16th, Sturgill Simpson has set a five-night residency at Webster Hall in New York City.
Album Review – Riley Green’s “Behind The Bar”
30 Comments
Starting with his hit “I Wish Grandpas Never Died,” Riley Green has delivered one song after another that labors and often achieves to touch something deeper in the listener than just their vapid, passive-listening pleasure zone placed in the bullseye of the likes of 101.1 FM.
This New Mike and the Moonpies Album Should Be Big
33 Comments
The chemistry of this band is just so perfect, not just unto itself, but for this very time and place. They’re classic, but cool. That’s the reason they aren’t about to compromise anything they do just for a quick step up the ladder.
Album Review – J.P. Harris “Don’t You Marry No Railroad Man”
15 Comments
With his place secured as a Telecaster-slinging and leathery kicker of the country music haunts, and just like so many musicians last summer sequestered from the rest of the world, it was the perfect opportunity for J. P. Harris to reconnect with his deep history in old-time.
Newest Adds to Saving Country Music’s Top 25 Current Playlist (#86)
6 Comments
It’s the 4th of July weekend! Don’t risk tanking your festivities by turning on some terrible corporate country radio station. Take a listen through the Top 25 Playlist that’s just been reinforced with a bunch of great new tunes from a bunch of top independent country artists.
Alan Jackson Raises $2 Million / To Perform on 4th of July
4 Comments
Alan Jackson’s “Where I Come From” benefit concert for his hometown of Newnan, Georgia held on Saturday, June 26th at the Coweta County Fairgrounds raised an estimated $2 million for disaster relief efforts in the region. On March 26th, 2021, an EF4 tornado ripped through Newnan.
Roy Acuff’s Fiddle Finds Rightful Place Thanks to Vince Gill
18 Comments
There are some items that are so important, so revered, they shouldn’t be possessed by any individual, but by us all. In country music, this includes a specific set of instruments tied to the music’s history so irrevocably, they comprise the very bedrock of the genre.
Album Review – Flatland Cavalry’s “Welcome to Countryland”
29 Comments
Welcome to Countryland is a worthy introduction and a resounding pronouncement for an important band coming into their own. It’s a step up, a stepping out, and an effort worthy of the buzz and adulation Flatland has been garnering for five years now. Well-written and executed, heartfelt…
Trace Adkins, Luke Bryan & Pitbull – The Collab Nobody Asked For
109 Comments
Boy, we thought we’d rounded the corner on terrible Trace Adkins songs just like we’d squashed the pandemic with vaccines, only to have this vomitous monstrosity foisted upon us like a new, virulent COVID strain especially adept at circumventing immunization.
Country Legend, Reckless Kelly Songwriter Pinto Bennett Has Died
17 Comments
Maybe you’ve heard of him, and maybe you haven’t. But his legacy and influence is intertwined with a lot of the music you most certainly have enjoyed over the years. And now a legacy that started in Idaho and stretched all across the country and world has come to a close.
Country Music’s Most Important & Valuable Artifact (Country History X)
16 Comments
Arguably the most important artifact in country music—and most certainly the most valuable one—is not an instrument as one might assume. Instead it is a work of art, and one that holds special importance, has an incredible story, and was never officially finished.