Song Review – Eric Church’s “Stick That In Your Country Song”

In a moment when most of us are looking for capable leaders and coming up empty, seeking out opinions and emotions we can all share together as opposed to repelling us apart, and looking for sentiments that stir us out of a languid depression at the direction that our lives and the lives of others are going, Eric Church delivers a lead single from his upcoming new album that injects an exclamation point of passion into the listener, no matter their backgrounds or political affiliations. Eric Church didn’t record “Stick That in Your Country Song” for this very moment. But it sure feels like he did.
Continuing the arc of Church’s maturation as an artist, and as a person, “Stick That In Your Country Song” comes as a ferocious rebuke of the patently sanguine, often irrelevant, and sometimes outright inappropriate country songs that seem so out of touch to our time and place. As buildings burn and a pandemic searches for it’s peak, Luke Bryan is out there singing about pouring margaritas, for example. Escapism is also a useful and important application for music that shouldn’t be written off. But apathy never should be.
“Stick That In Your Country Song” is less your typical country protest song, and more a call to action. Just this exercise of course can be read as prickly, problematic, and polarizing to some. But Church never rebukes the art of his fellow mainstream country performers specifically, or criticizes anything directly. He just challenges country music to dig deeper, like he has done with his own songs such as “Kill A Word,” and his most recent single, “Monsters,” which Church didn’t just write and record, but released to country radio, be damned what their commercial prospects may be.
But let’s be honest, it’s a little problematic, if not hypocritical for Eric Church to say what performers should be sticking into country songs in a song that’s decidedly hard rock. Of course, that ship sailed with Eric Church many years ago, but it’s worth underscoring here. “Stick That In Your Country Song” is also a little strange because it’s so expressive, but only the second song Eric Church has ever recorded that he didn’t write or co-write himself. Jeffrey Steele and Davis Naish are credited as the songwriters. But Eric Church is about the only one in the mainstream who could have delivered it, at least with any kind of impact. Putting it out there first ahead of a new album is ballsy, but typical Eric Church. Stir the pot, and get people talking. If radio actually plays it, even better.
The fingerprints of producer Jay Joyce are also on the finished product, with the recurring “Oh Oh Oh’s” that are one of Joyce’s signatures adding an element of puffiness to what is supposed to be a fiery song. Joyce’s philosophy that you can’t let a song pass by without some sort of earworm gets in the way once again. Yet it’s the emotion that is captured in “Stick That In Your Country Song” that makes it so resonant. It’s one thing to write it. It’s another to convey it, and the building crescendo of the song is hard to not get swept up in.
And as opposed to segmenting the audience with this exercise like some Americana writers do when they choose to lay all blame at a single set of feet or upon a certain segment of people, by speaking to issues that are universal—like unemployment, underserved communities, and overworked and outmatched teachers—Eric Church and the writers deliver a song that not only deserves an audience, but may actually draw one, and the ones that need to heed the message the most.
How will “Stick That In Your Country Song” do on the medium of mainstream country radio? Expect it to be shot out of a cannon due to prearranged song placement with major station-owning networks, and then meander for a while outside the Top 10, as worrisome program directors go lukewarm on it.
But chart success and sales have rarely been the aim of an Eric Church lead single. Unlike his mainstream counterparts who must acquiesce to the whims and trends to the format, Church’s boisterous and dedicated arena crowds are assured whenever the pandemic lifts, so radio is a second thought. This is also the reason that even though “Stick That In Your Country Song” is timely, welcome, and inspirational, it’s very speculative if this call to action will be in any way effective once studios open back up. Most Music Row artists record songs for radio, not for the real world.
But if you discount the energy and enthusiasm that is captured in “Stick That In Your Country Song,” and the prescient nature of the result, and the relevant nature of it’s release, you’re doing this song and Eric Church a disservice. Once again, Chief has proven himself to be one of the most bold and ballsy members of the mainstream country class, emboldened by the artistic freedom he’s earned, and willing to do something with it as a platform, and a podium.
1 3/4 Guns Up (8/10)
June 25, 2020 @ 9:49 am
I look forward to the comments on this review.
(Insert meme of Michael Jackson eating popcorn.)
June 25, 2020 @ 9:54 am
If he had the same lyrics but it was a pop song except a rock one I can’t help but think the rating would be much lower. But traditional country fans have long been hypocritical about being much more okay with rock songs calling themselves country than pop ones.
June 25, 2020 @ 10:04 am
As was pointed out in the review, challenging country songs with a rock song is problematic, if not hypocritical. But there is a reason rock has been more forgivable with its incursions into country than pop over the years, and it’s because rock tends to do it more with respect for country, while pop wants to take over.
I respectfully disagree this rating would be different if it was a pop song though. When pop intersects with country but does not sacrifice substance, it often overrides genre concerns. I think if you see my ratings for artists such as Caitlyn Smith and Kalie Shorr, you will concur.
June 27, 2020 @ 7:13 pm
I think one of the reason for that is that Pop never had any direct affiliation with Country and even pre-dates it while instead Rock is the direct evolution of Rock-and-Roll and Country music was crucial and essential to the creation of Rock-and-Roll.
September 16, 2020 @ 9:37 pm
We are so bombarded with Covid and social justice. I have to say Luke Bryan’s song one Margarita makes me smile. With the way the world is going right now. I need an escape from reality. I get enough of it I real life.
June 25, 2020 @ 11:20 am
There’s a very simple explanation for that–rock songs, like country songs, use traditional instruments. Is it fair? Not really. There are a lot of great pop songs currently on country radio. Hell, even Thomas Rhett’s new single “Notice” is a great pop song, but would I, and many other listeners, be much more thrilled by this song on country radio? Absolutely.
It’s less hypocritical and more of a natural inclination. There have been great pop songs on country radio for years–there’s no denying that. But with all these modern flourishes, country fans are going to be naturally upset by a lot of the pop on country radio.
June 25, 2020 @ 3:36 pm
To me the trouble is these aren’t great pop songs at all… the stuff that gets passed off as country on the radio isn’t bad versions of pop that wouldn’t ever be able to be played on pop radio.
June 25, 2020 @ 5:20 pm
yup …..shitty country is usually shitty pop too
August 1, 2020 @ 5:19 pm
Country ain’t country anymore. Why don’ t these pop artist posing as “ country “ artist name their type music. No imagination or ability I guess.
June 25, 2020 @ 6:22 pm
The problem with pop radio is they play shitty dance music. Even that radio genre has changed so much. It’s like dance went to pop radio. Pop had to go somewhere. Country was rising, rock and rap are hard genres to hit. So you get pop stars in country.
June 25, 2020 @ 3:13 pm
Your ultimate point notwithstanding, a big reason why country and rock are often hand-in-hand is because the popular versions of both spring from the blues. Common knowledge, which I assume you’re familiar with. Of course, there’s the issue of the styles and narratives surrounding them being appropriated and re-written over the years, but that’s not the point. Country and rock have more in common than country and pop, or country and hip hop.
The other thing issue is that rock isn’t currently snuffing out traditional country music but pop is.
June 25, 2020 @ 9:56 am
That’s an impressive pretzel you’ve twisted there, Trigger
June 25, 2020 @ 9:57 am
[“Be Afraid”] is less your typical country protest song, and more a call to action. Just this exercise of course can be read as prickly, problematic, and polarizing to some.
June 25, 2020 @ 11:04 am
One difference that makes the Church “call to action” better, in my opinion, is that, as Trigger mentioned, he actually describes real problems that most people can get behind. Whatever Church’s politics are, you can probably listen to this song and be like “yeah, I can get behind this message.” With Isbell. he doesn’t actually mention any concrete issues in “Be Afraid”, so if you disagree with even some of his politics, it might make you pause and question whether you agree with the message.
June 25, 2020 @ 11:23 am
Church’s song is also not a thinly veiled political message. I like “Be Afraid” but if you want to write something more down the middle, you can’t let your inner beliefs and feelings tear at the seams.
It was a good decision to record something like this written by other songwriters.
June 25, 2020 @ 1:13 pm
I honestly think “be afraid” is only really considered a political song here bc Trigger said it was. The song has nothing to do with any political issues. It’s almost entirely about writing songs with integrity and vulnerability (hence being afraid or vulnerable) rather than churning out crap or holding back. Trig made a judgement call on his interpretation of a line being directed at other artists but even that doesn’t suggest that Isbell is suggesting anyone needs to adopt a specific ideology. That was more Trig’s assertion based on his own interpretation. The song doesn’t say that explicitly or even really suggest it. I have listened to that song a dozen times to try to hear the politics in it and if they’re there, they’re very strongly veiled and only apparent if you take his tweets into consideration above the words of the song itself(I dont follow him on twitter or pay much attention to his views) If you just read and hear the words, it seems very much like a song about having integrity in your work… It’s just weird to me to hear people refer to “Be afraid” as a political song.
June 25, 2020 @ 9:59 am
Song is solid. I’ve got some issues with Church but try as I might, I just can’t quit his music.
June 25, 2020 @ 10:01 am
Respect your consistency, Trigger, even if I don’t agree with what you are saying.
Personally, I love this song and can’t wait to hear the new album given the other couple of things we’ve heard off of it.
June 25, 2020 @ 10:02 am
This is awesome! Eric Church is probably the only mainstream act in country who can sing a song like this…I’m impressed! ????
June 25, 2020 @ 10:04 am
Sounds like a new Steve Earle song
June 25, 2020 @ 10:16 am
I agree with this. Yet, I find you acceptance of this vs the fine, frenzy of offense you worked yourself up into over the Isbell song to be kind of ridiculous. They are both related lectures.
June 25, 2020 @ 8:58 pm
the difference is… umm. well i’m sure trigger will write ten paragraphs rationalizing this to himself.
June 25, 2020 @ 10:17 am
It’s not bad, but it’s nothing new either. There has been quite a few of these “calling out” songs over time, Alan Jackson’s “Murder on Music Row”, Montgomery Gentrys “Oughta be more Songs About That” etc.
June 25, 2020 @ 10:18 am
Meh, It’s not “Some Of It” he always saves his best songs for deep cuts. I just hear a lot of yelling in this song.
June 25, 2020 @ 10:30 am
It’s interesting that you mentioned Some of It because Eric Church has not had a big radio hit on his last four lead singles to an album but his second single off the last four albums all went to No. 1.
I’m a big EC fan and I know a lot of EC fans and this morning I’ve heard a lot of ERIC IS BACK which I found interesting. I wonder how Desperate Man will age and if EC fan will forget about it sooner than other EC albums.
June 25, 2020 @ 1:15 pm
I’m a big eric church fan but Desperate man is forgettable save a few songs. I can never remember the name of the album half the time.
June 25, 2020 @ 10:22 am
There’s just something incredibly annoying about his voice to me. He’s sounds like somebody on SNL trying to do a country voice. The way he over enunciates Stick takes me out.
Not that it matters because the band formerly known as The Dixie Chicks just released the ultimate country protest song with some good fiddle.
July 13, 2022 @ 4:52 am
It’s too bad you can’t understand the reality of what’s happening in our country today and that this song represents what’s wrong with all the meaningless songs that are being played just to make $$$$
June 25, 2020 @ 10:28 am
And in other news, The Dixie Chicks are now known as The Chicks. If they collaborate with Lady A, they could be Lady Chicks.
June 25, 2020 @ 10:30 am
like this song alot, reminds me of Shooter Jennings Outlaw You. a favorite of mine.
June 25, 2020 @ 10:34 am
Love it !!!
June 25, 2020 @ 10:35 am
Reminds me a lot of Whole Lotta Boot and Country Music Jesus (which in my opinion sort of predicted the arrival of Chris Stapleton four years later). A hard rock song criticizing the state of country music. Doesn’t make sense but sounds great. Gets your attention and makes a good point. Doesn’t belong on country radio any more than the pop drivel though, while Jinks has never seen airplay, and I’m a big Church fan.
June 25, 2020 @ 12:35 pm
Jinks has some pretty rockin’ tunes himself especially on his more recent albums.
I would country style songwriting of eitherartist to not be played because theres distorted guitars.
June 26, 2020 @ 4:50 am
I’d compare Jinks to someone like Jennings. Certainly toes the rock n roll line sometimes, but I think any of his songs would still belong on country radio. Probably just based on the amount of steel in his songs right with the guitar riffage. In my opinion, Jinks is the best definition of modern country music.
June 25, 2020 @ 10:38 am
Murder on music row bemoans country songs having drums in them and the song itself has drums. Church himself sang “are you sure Waylon done it this way” in a song that sounds nothing like Waylon would have ever recorded. And yeah this isn’t a country song but it is a good song.
But what trigger says about church is right on when he says church has always been willing to use his platform and status to be more adventurous while Luke Bryan carries himself like a man terrified of losing his audience. I’ve always appreciated that about church.
June 25, 2020 @ 10:39 am
It’s fine. I’m less in love with it than Trigger is, but then again I liked “Be Afraid” much more than Trigger did. Bluntly, I think the issue I have with this song is it doesn’t really say much, while promoting itself as saying something.
As others have said, Church saves his best for deeper cuts on his albums, so I’m not worried. Still, I can’t help but feel a lot of media types are going to fall over themselves loving this song, but it just says things that are pretty universal. Outside of Russian Trolls on Facebook and Twitter is anyone really going to argue that teachers are underpaid? Especially when compared to the insane salaries we hand out to professional athletes? Is anyone going to argue that Detroit and Baltimore are pillars to economic disinvestment by private and public capital?
I kind of feel like this song is promoting itself as saying something, when in reality the topics broached are about as vanilla and agreed upon as any topics in modern American can be.
June 25, 2020 @ 11:05 am
What is wrong with bringing up issues that are universal? These are the things we could actually solve if we would stop focusing on the more polarizing issues and come together to address the ones we all agree upon.
The fundamental difference between Jason Isbell’s “Be Afraid” and “Stick That In Your Country Song” is Isbell is challenging artists to speak out in a manner that is parallel to his personal ideology, while Eric Church is asking us to challenge apathy on issues we all agree upon.
June 25, 2020 @ 11:48 am
Fair point, though I would counter that this song doesn’t really say anything original about those universal issues. Don’t get me wrong, I am quite happy that Church is singing about issues like teacher pay compared to another song about a truck or a summer night…but I’m not sure the songwriters really broached these topics in an original way.
I think that is what drops the rating for this song in my book, there just isn’t a ton of originality with this songs content and I think that drags it down a bit in my book.
June 25, 2020 @ 11:41 pm
Yeah, kinda like balls vs a safe cop out.
June 25, 2020 @ 10:50 am
I have no issue with the review or score here, but I think the review for Isbell’s “Be Afraid” deserves a revision in light of it. Believe it or not, “unemployment, underserved communities, and overworked and outmatched teachers” are politicized issues, and by naming those specifically, I think the lyrics do segment the audience just like your unnamed Americana acts.
In “Be Afraid”, there are no such specified issues in the lyrics. We all know where Isbell stands, but the song itself is pretty vague. In that song, I think the line “your words add up to nothing” must’ve struck a nerve with SCM, who wrote “there is a big difference between telling an artist to “shut up and sing,” and wishing they would not polarize their music or public persona with terse, political messages that cast wide aspersions on people, and in this case, simply for not wanting to get political in music.”
I think SCM should take another look at how “Be Afraid”, which was only polarizing because of who wrote it, compares to this one. I think Church is making the same case as Isbell, except he used specific examples in his lyrics, and he was rewarded for it with a good score. The SCM POV appears to be that only if I agree with the singer’s general politics, the song is non-controversial enough to be a net positive for society.
June 25, 2020 @ 11:01 am
Have to agree. He made a social commentary song by not actually commenting on anything. Nobody is going to be talking about this song after the Chicks release today anyways. Stick it looks like a lame bandwagoning attempt after Be Afraid and March March.
June 25, 2020 @ 11:15 am
“Nobody is going to be talking about this song after the Chicks release today anyways.”
Not even close.
June 25, 2020 @ 1:28 pm
That D Chicks song is brutally bad.
June 25, 2020 @ 4:07 pm
Rather than call it Country, I’d classify the new Dixie Chicks song PopGrass.
June 26, 2020 @ 4:03 am
“Nobody is going to be talking about this song after the Chicks release today anyways.”
Seeing the new Dixie Chicks name used in this manner literally makes my skin crawl. It’s coming across like they are picking their own nickname.
I’d like to unplug myself from all media. It’s unfortunate that it would be unwise to cut myself off from the <1% of it that is important right now. Maybe I'll try a different filter.
June 25, 2020 @ 11:33 am
I think it’s obvious to the point of cliche and triteness that people are going to compare “Be Afraid” to “Stick That In Your Country Song.” And though there is clearly an underlying theme that is parallel, the approach and outcome of the two songs are significantly different enough to make side by sides comparisons problematic, and possibly unfair to both songs and artists.
If I could go back and rewrite the review for “Be Afraid,” I probably would. Because even though I stand behind what I said, clearly I failed—as least in the minds of some—to convey my opinions in a way that was understandable, even if some disagreed with me, while I could have spent more time talking about the song itself. But I don’t think it’s fair to hold up my opinion of the two songs as hypocritical, because ultimately, they’re two different artistic expressions with important differences.
June 25, 2020 @ 12:01 pm
To me it seemed unfair: Isbell has his views and his Twitter presence. He wrote a song with the message “say something substantial”, and because of who he is and what he’s said outside of the song, SCM and others were left to assume he meant “say only things I agree with”. Building on that assumption, the review accused the singer of pushing politicization where it didn’t belong, sowing a fear of speaking out, and indoctrinating society into the belief that we are in the worst of times. And the song didn’t say any of that!
I just question what kind of song Isbell’s supposed to write. If he specifically criticized, for instance, our lagging education system, then the idea that he was pushing a viewpoint would actually have some ground to stand on. If all he does is call out “patently sanguine, often irrelevant, and sometimes outright inappropriate country songs that seem so out of touch to our time and place”, SCM and others assume he’s shit-talking conservatives and go off on him. Thank you for the reviews and the response.
June 25, 2020 @ 10:56 am
Big fan Trig and I agree with 90% of your opinions. Just got to say though…
“As buildings burn and a pandemic searches for it’s peak, Luke Bryan is out there singing about pouring margaritas, for example.”
Build me a Daddy was just released during this time and is an excellent song and what some folks needed during this time.
June 25, 2020 @ 11:11 am
Okay, then release “Build Me a Daddy” as a single, like Eric Church has done here, and like he did with “Kill a Word” and “Monsters,” not as an instant grat album cut. The reason I cited “One Margarita” is because it’s the Luke Bryan song sitting at #4 on the radio at the moment, and rising. If he releases “Build Me a Daddy” to radio next, then we’ll talk.
Don’t want to downgrade “Build Me a Daddy” from Luke Bryan. It’s a good song for him, and I’ve always given Bryan credit for his quality album cuts. But releasing quality songs as singles is what takes courage.
June 25, 2020 @ 11:28 am
Ah my apologies, I thought it was released as a single. No doubt Church has led the way recently with releasing high quality songs such as the ones you mentioned. It’s a damn shame Monsters didn’t get the radio play it deserves.
June 25, 2020 @ 11:56 am
I feel that “Build Me a Daddy” or “Born Here, Raised Here, Die Here” will be Luke’s next single (both are good songs). His new album only has 10 songs and he’s released 3 singles from it all ready. Looking strictly at the songs he’s already released as “promotional singles”… I think he ran out of bland pop songs. The rest we haven’t heard hopefully are decent.
June 25, 2020 @ 12:11 pm
“Looking strictly at the songs he’s already released as “promotional singles”… I think he ran out of bland pop songs. The rest we haven’t heard hopefully are decent.”
One can only hope. Can’t say I’d be shocked if a 2020 version of Kick the Dust Up gets released soon though…
June 25, 2020 @ 2:08 pm
There’s only 5 unreleased songs left.. And most of the titles seem “subdued” – not super poppy or youthful… We can only hope lol.
June 25, 2020 @ 10:58 am
Well…no.
In which universe is “Stick That In Your Country Song” a country song?
But it’s SCM-darling Eric Church…so it must be good. Nope. Sorry.
Eric Church knows what his audience wants & how to stay in the headlines…but he is not country (like the majority of Music Row acts) or in other words: “The Future of Country Music Is Safe with Triston Marez”.
Now cancel me…
June 25, 2020 @ 11:18 am
Hilarious. Go back and read SCM’s coverage of Church six to ten years ago. If anything, Trig has been very reluctant to admit the substance found in Church’s music since then. Church was Trigger’s number one target when he gained a lot of popularity.
June 25, 2020 @ 11:21 am
SCM-darling? EC has gotten more then his fair share of criticism from Trigger. He raises questions about Church that he would about any other artist. In many posts, he’s always been critical of Church’s genre bending. Trigger has been more then transparent about what he likes about Church and what he doesn’t. And I’m saying this as a massive Eric Church fan. I don’t always agree with Trigger, but I respect that he stays consistent with his criticisms.
June 26, 2020 @ 7:28 am
haha last thing church has ever been is a scm darling.
August 24, 2020 @ 7:11 am
I back OLA-R’s comment all the way. Seems to me that Trig willingly drank the EC kool-aid over the last 5 or so years. And can you blame him? Why continue to rub so many potential readers the wrong way. He’s a manufactured artist with “some talent” not Aldean or Sam Hunt or whoever, so why not bring him in the SCM fold along with his legions of fans? Manufactured outlaws get the clicks not Whitey Morgan or whoever. I’ll hand it to trig though, when his music agenda and sustainability agenda align as in the case of say, Tyler Chidres or Colter Wall, etc, the effort is still there for the music….. just my take from looking at the EC headlines over the years in the SCM archives. Where does the revenue of SCM start to encroach on the mission of this sight? Of course I could be wrong people are entitled to change their minds, but I still don’t think Church is the type of artist who needs the backing of this site. Maybe one less article about EC could of made room for (just to throw out a random name) a John Hatchet album review, or any of the 100’s of other die hard, true country artist toiling away that don’t have arena legions waiting for them once Covid receeds.
August 24, 2020 @ 8:47 am
Red,
This is a really shitty comment that calls out the credibility of something I’ve been working on for 13 years and contributed more than 6,200 articles to, and offered it all up to the public for FREE. I’ve written 24 dedicated articles on Whitey Morgan over the years, not to mention may others where he’s featured, so I don’t know what you’re talking about there. I get more traffic writing negative articles about mainstream artists than I do positive ones. But I also believe to save country music you must be a pragmatist. If Eric Church is better than most in the mainstream, then he deserves our praise, however measured. But this idea that I’m writing about him positively to make more money is bullshit. The idea that anyone would ever write about music to make money is bullshit. There’s no money in it. And no, I’ve never written about John Hatchet, but I’ve written about hundreds of artists you’ve never heard of, and that nobody else has ever written about. Discovery is still the central focus of Saving Country Music, has always been, always will be. Instead of calling my ethics into question, why don’t you make the suggestion of John Hatchet of someone I should feature? I’ll put my record of featuring “die hard, true country artist toiling away that don’t have arena legions waiting for them once Covid receeds” over anyone’s, ANYONE’s. Period. And the fact that you passed over dozens of these very types of articles to leave a comment on one that’s two months old underscores just how much you don’t know about Saving Country Music. Maybe you should get informed before leaving such an irresponsible comment. You might find something you like as opposed to navigating to an article you don’t.
August 24, 2020 @ 2:47 pm
Trig
Few things… I get you taking issue with your motives being called into question, but all I’m doing now is voicing a dissenting view point which you’ve said before you welcome. Plus
I’m no ‘Johnny come lately’ to your site. It seems there, you’re making the sort of assumption that you don’t like folks to make about you. Also why should it matter if a piece is 2 months old? I guess you’re implying that I skipped over content that could of been more personally relevant, to find something to bitch about, but that’s simply not the case.
After coming across your 2010 post on him I was curios to know how things progressed from there. I didn’t read every EC piece, but I read the one from ‘10, and the latest one, and a few in between. And as I said people are entitled to change their minds. And as you acknowledged mainstream content leads to more traffic. I get that more traffic means more opportunity for discovery.
Being sincere, I didn’t know discovery was the primary objective, although I’ve benefited in that way from SCM myself.
I thought educating, upholding, and instilling standards of quality musical expression, in the confines of what was once a respectable genre, was part of the mission. Along with the hopes of, returning some of that respectability, for the sake of, in your words those who “ride or die with country music”. A great national treasure of a tradition, created by artist that have always had more respect for said tradition than just playing up a good ol boy accent over rock riffs.
Some of EC’s songs must have some substance, but that’s where his qualifications stop imo . You said your self it’s hard rock and that ship has long since sailed. You’re documented his inauthenticity several times. So what do you expect one to think if you search EC’s name, and scan the headlines about him that span SCM. What accounts for the drastic shift in tone overtime? He likes Ray Wylie Hubbard? he performed with a independent artist or two, it all seems so calculated on his part.
On the front end, you did a hell of a job branding him a phony. Did he start making real country music? idk I’m not a listener. One of your articles was “EC wants it both ways”, seems like you want to view EC both ways.
I’ve heard your argument for not excluding the mainstream, and I’ve seen it in action, where a review about Luke Combs led to myself and others getting turned on to Tom Buller. My question is, to what end though? When the mainstream and their “ohhhh oh,oh, oh, oh ohhh” ear worms get judged on a sliding scale. It just seems today, I’m visiting ‘Sustaining Country Music’.
You take people to task all the time. I’m just tossing out my .02 of feed back, I still look forward to reading your post regardless.
June 25, 2020 @ 11:06 am
Eric has never been one to chase trends or pander to the masses. No matter your opinions on his songs individually, I would go as far as to say he has never put out an uninteresting single.
I can see this song growing on me with time.
June 25, 2020 @ 11:19 am
anyone else getting major gimme shelter vibes off this?
anyhow quality piece Trig
June 25, 2020 @ 11:33 am
Nothing country about it. I like what Church is trying to do here, but at the same time just make some real songs like he is describing. As Trigg stated, Church released some very decent songs especially when you look at Rhett, Bryan, Aldean, etc. I am just saying there is tons of great country music be made today that will never find the radio. If Church was real ballsy, maybe the song would have a steel, and the forgotten fiddle. Can a mainstream artist put a quality country song on the radio that actually has country music in it? I truly don’t think we will ever see it again. Cody Jinks should be a mega star. Nobody putting it all together better than him right now! #nashvillecowards
June 25, 2020 @ 11:38 am
“But chart success and sales have rarely been the aim of an Eric Church lead single.”
Lol. Church is all about chart success and sales. He definitely has a good marketing team behind him who know how to set up each CD release.
That being said, this song, like most of Church’s music, is rock and roll and has nothing to do with country. Now I like rock and roll, and I like country (not 90% of the shit on the radio), but this track should be called “Stick That In Your Song” or “Stick That In Your Rock Song.”
Church lost me with his last album. Hope the new album is stronger. This song is a good start.
June 25, 2020 @ 12:16 pm
Chart Success is definitely not his end game when it comes to lead singles.
They new damn well that “The Outsiders”, “Homeboy”, “Mr. Misunderstood”, and “Stick That in Your Country Song” (All lead singles) were different than anything else on mainstream radio at the time of release. These were all risks definitely not sure fire radio friendly material.
June 25, 2020 @ 6:35 pm
Thanks for making my point for me. Lol. This is all part of the Church team’s game plan. Release first single that has no chance of being a hit, and then trot out the over-used underdog storyline, release tailored for radio song and build on the Eric Church doesn’t give a damn myth. Church gives a damn. This is clever marketing. Nothing more. But I like Church (and this song), just not his contrived outlaw/outsider image.
June 25, 2020 @ 11:59 am
This is some of my least favorite type of music. Vaguely country tinged 2000 era rock.
June 25, 2020 @ 12:02 pm
It’s interesting that it’s a near carbon copy of Country Girl (Shake It For Me) with different lyrics. I wonder if he used the melody and structure from that song to drive the point home even further?
June 25, 2020 @ 12:03 pm
I don’t know of I like it or not…
Eric Church has always been his own man, making his own rules. I respect that more than Jason Bryan and Brantley Gilbert Line and Rhett Swindell that literally have the same damn lyrics all the time
But Eric church is a bit of a crazy person and not in the complicated sturgill Simpson sense
Also the feeling with Jason isbell is that he’s talking down to his audience not lifting them up to his level
At least that’s my take
But what the hell does this libertarian furry with a music theory degree know about anything?
June 25, 2020 @ 12:27 pm
I like it and the message behind it. Mainstream is so plain and vanilla. I miss the days where you first heard a song it kind of punches you in the stomach and knocks you on your ass. I think it was jason michael carrolls “alyssa lies?” I remember being with my friends and talking about what that song meant, how we were all saying “did you hear that song.” That doesn’t happen much anymore. Just dont feel like country music has much impact anymore. Its bro country, boyfriend country, or country vacation music. Just my .02 cents.
June 25, 2020 @ 12:42 pm
Juvenile.
And before anyone gets shirty, consider this. When the song stops, what do we remember? “Stick that in your country song.” All the emotion is in the hook, but the hook itself has no content. It’s like basing a song on neener neener, which makes me wonder if the writer has any actual curiosity or feeling about what the plywood boards on the windows actually conceal, or about why they were put there.
It’s nice the song isn’t more Beta Country bullshit, and it’s understandable to hear his frustration in the vocal, but this kind of material has a long ways to go before it gets close to understanding municipal insolvency, bond issue BS, maintenance contracts, and other stories adults know and get really pissed off about.
Dig deeper, Eric. Protest is cheap.
June 25, 2020 @ 1:46 pm
Somewhat agree.
But I don’t thing the real point of the song is to highlight issues. Tbh, i think everyone, including Trigger, missed the hidden message. Its a song to say “its alright to listen to country music and still think there are problems in the world. Also, if your life sucks, you aren’t alone”
There is a lot of social pressure in pop country songs, have fun, drink beer, find a girl or many, love parents, ignore the city and live in a bubble.
When your house, farm and cows got burnt in the fires (not me, but people I know) it helps to know that we aren’t the only ones, and Eric sees this. He mightn’t see us, but he sees that people have real problems.
June 25, 2020 @ 1:57 pm
That’s fine, but I expect more of a man of his talent. Not that what I think matters.
June 25, 2020 @ 1:14 pm
just as a side note, the Dixie is gone. the Former Dixie Chicks announced they are now The Chicks. just thought I would throw that out there. since their name came up. saw it on twitter.
June 25, 2020 @ 1:38 pm
I object! “Chicks” is sexist! And don’t get me started on “gals,” which I’m told is also sexist. Don’t even think of “broads,” you big old bigot. In fact, don’t even identify as “female” with any kind of female-like term because we all know “female” is just a figment of your sexist imagination and unlimited power. To be fully in line with social justice, all bands will now be called “X.” No, wait, I have an idea way smarter: all bands, especially country bands, have to register for a social credit score number from the Ministry of Indeterminate Justice.
June 25, 2020 @ 1:49 pm
I wonder when the feminist extremists want them to stop saying Chicks because of bad connotations. Also, how dare some guys be in a band called “Lady” A????
June 25, 2020 @ 2:50 pm
It was reported on SCM 3 hours before that! Faster than twitter!
June 25, 2020 @ 1:22 pm
It passes the music-as-entertainment threshold, so it more than qualifies for radio…
As a country song, well, it’s not.
It sounds like a decent rock song, but the lyrics have about as much depth as Nickelback.
How this is favorable to a harmless Isbell song is beyond me.
This screams of EC doing what he often does: being “edgy” for marketing purposes.
And we still have no songs of substance on our radios…
June 25, 2020 @ 2:19 pm
Just terrible. Minus the slight twang in the vocals, this would fit seamlessly on whatever Nickleback album had the song “Rockstar” on it.
June 25, 2020 @ 5:50 pm
Yes, this is a shouty rock nothing burger.
June 25, 2020 @ 2:20 pm
I just think Eric’s voice on a song like this is so jarring, especially in the middle. It takes away from the lyrics because I at least am more distracted by the vocals which just sound kinda rough, not edgy.
June 25, 2020 @ 3:10 pm
Sorry, I tried but this song doesn’t do anything for me. I don’t hate it but there really isn’t that much to like about it either. Better than the a lot of the mainstream stuff just isn’t good enough for me.
June 25, 2020 @ 11:08 pm
Man how I relate to this. I’ve moved so far past what the radio plays, I don’t think I’ll ever like the music they play ever again. Anything “traditional” that squeezes its way on the radio these days just is so ok, that’s it just ok. Don’t hate it, but I’m not going out of my way to listen to it again. Best example of this for me is Luke Combs and Jon Pardi, so much better than the other stuff but just nothing special.
June 25, 2020 @ 3:37 pm
I have the same opinion that I have of Eric Church every time he tries pushing his carefully selected envelope. Whenever he does this, he just comes off as desperate…man.
For the record: Been to 5 live shows, including a cross country trip with premium seats, so I’m not crapping on him for the sake of crapping on him.
June 25, 2020 @ 8:17 pm
I can’t think of any good country songs with the phrase “country song” in the title. I can’t see this being an exception.
June 26, 2020 @ 4:58 am
Jackson Taylor and the Sinners: “Country Song”
June 27, 2020 @ 3:26 pm
The Country Westerns just released a terrific album with a great song called “Two Characters In Search of A Country Song.” Check it out!
June 25, 2020 @ 9:45 pm
Curious. Does anyone else see this song borrowing from Springsteen’s Badlands and The Promised Land? When I listened to it earlier I kept thinking it’s imagery was familiar. It’s an ok song. But I go back to listening to Bruce’s earlier songs about the working class.
November 28, 2021 @ 2:02 pm
He would never understand ” when the big man joined the band”. He would only go back to Apple, ” Make me sound better”
June 25, 2020 @ 11:00 pm
Great lyrics, musical choices were…questionable.
June 26, 2020 @ 4:21 am
Boring sums it up! Nothing to see here, next song.
June 26, 2020 @ 5:00 am
Teachers are vastly underpaid. Therefore you get what you pay for. And society reflects that. You can’t produce your best and brightest if they are not being taught by some of your best and brightest. Not to take away from the good teachers that are intrinsically motivated and dedicated but most of the teachers my kids have had from elementary up to high school would struggle with fry management at Micky D’s and have no business in a classroom.
So you do get what you pay for in most cases. You build a country of losers when they are being taught by losers. Just one of the reasons we are totally screwed.
June 26, 2020 @ 5:47 am
” “Stick That In Your Country Song” comes as a ferocious rebuke of the patently sanguine, often irrelevant, and sometimes outright inappropriate country songs that seem so out of touch to our time and place. As buildings burn and a pandemic searches for it’s peak, Luke Bryan is out there singing about pouring margaritas, for example. Escapism is also a useful and important application for music that shouldn’t be written off. But apathy never should be.”
I don’t get you, Trigger. When Jason Isbell challenged other artists to speak up in “Be Afraid,” you got all bitchy about it. Here’s Eric Church doing it, and you praise it. I don’t get what it is you actually want. It is virtually the same sentiment that is being expressed.
Did Isbell run over your dog or something?
June 26, 2020 @ 9:19 am
That’s why i wrote SCM-darling…& NOT Trigger-darling.
I’m not surprised the…fans…come out & defend the spectacular overrated EC for releasing just another not-so-country “country”- song.
June 26, 2020 @ 8:16 pm
Not a fan. Not a fan of Church or of this song. What’s with the heavy metal guitars? That ain’t country.
June 27, 2020 @ 2:09 pm
I don’t think anyone’s mentioned it but always happy to hear Joanna Cotten in the mix. She’s a great addition to Eric Church’s music and a welcome part of the touring band. She gets a lot of love from Church’s fans in those concerts, and it’s well deserved.
June 29, 2020 @ 6:18 pm
This is perhaps the dumbest review I’ve ever heard. Eric Church has gone full liberal SJW at this point and his career is toast. Look at where he is now compared to a few years ago. Nowhere.
July 6, 2020 @ 7:42 pm
I think he jumped the shark on this one. Song comes across as rushed and sloppy. I kind of felt embarrassed for him. It’s bad when an artist gets to the point that a song that at one time would have been considered filler for them is now their big hope for a single.
July 8, 2020 @ 8:50 am
Does any one know the female backup singer in this song?
August 6, 2020 @ 6:36 am
Song sounds ok but the lyrics are just corny. I mean corporate country artist telling his buddies in Nashville what to stick in their songs to become more real. It is similar to some stupid rap lyrics in a way. I like some of Church’s songs and albums but this is just a big wgaf.
November 28, 2021 @ 1:28 pm
“New county” is all rap by white guys, trying to be different. Calling anything he did as” hard rock”, well just no. This guy has no talent. Just none.
I have had to help deliver Bred Heifer’s giving birth during prolapse…
Way better to listen too…
And the stench leaves a lot faster…
If you need a voice generated fill in,,, (Phil Collins), to try and make yourself sound, well, kind of good, ….
Give it up…
Prince, yes, PRINCE, had more musical talent in one pinky, and really knew how the play a guitar..
August 10, 2020 @ 12:24 am
Besides the point everyone has been hammering about Country and Rock being related both in terms of history AND shared instruments, there is another reason a lot of “Twang Rock” songs get a pass. Lyrics.
I came into country from rock and metal and what drew me in was the focus on lyrics. Telling a story. “Just three chords and the truth”. A twangy rock song with good lyrics feels more country than another snap beat pop song about date rape in a pickup.
EC has a lot of great Twang Rock songs with good lyrics. Do they sound Country? Not really, but the lyrics of a tune like “Monster” beats out mostly anything by Luke Bryan in terms of telling a story, and creating emotion in the listener.
And I do belive many passed country greats would integrate a slightly driven Tele or Les Paul every now and then, had they been alive and active today.
August 28, 2020 @ 12:11 pm
Jared Blake’s version is way better.