Song Review – Maddie & Tae’s “Die From A Broken Heart”
When Scott Borchetta signed Maddie & Tae to the Dot imprint of Big Machine Records, he wasn’t signing a signing duo, he was signing a song. And why not, it worked with Florida Georgia Line and “Cruise.” Scott Borchetta knew there was a backlash brewing against Bro-Country, and Maddie & Tae’s “Girl In A Country Song” was the perfect answer. And it was, at that time. Even if everything faltered afterwards, Scott Borchetta had himself a hit.
But of course Maddie & Tae are much more than just one song. They possess a keen skill beyond their years to encapsulate heartfelt sentiments into music. But it’s been a struggle to prove that to the rest of the world since “Girl In A Country Song” hit #1. When their single “Sierra” stalled at #47, they couldn’t survive the shuttering of Dot Records. And despite being picked up by Mercury Nashville, their struggles continue. The duo’s recent single “Friends Don’t” also stalled at #47 a few weeks ago, and despite a slight bump up to #46 this week on Billboard, the song fell completely out of the Top 50 on the current Mediabase charts. It could still rise, but it’s facing an uphill struggle.
Though we’ve been promised a new album from the duo and been told it’s a concept record following the arc of a breakup, we still don’t have a release date or title for it yet. What we do have is a second song from the record called “Die From A Broken Heart.” Where “Friends Don’t” found the duo veering into pop territory compared to their more traditionally-styled past, “Die From A Broken Heart” finds them heading back to their roots. No, this is not Whitey Morgan & the 78’s, but it is a song about momma and heartbreak, and has a healthy and sensible amount of steel guitar to set a good mood behind well-written, heartfelt lyrics.
There’s plenty of mainstream country stars right now like Walker Hayes and Lauren Alaina braying about the virtues of 90’s country in radio singles, but Maddie & Tae are the only ones actually singing and writing stuff even closely resembling it. If the duo’s new album plans to trace the story of a breakup, they sure did the immediacy just after being left fair justice in “Die From A Broken Heart.” Like all good country songs, “Die From A Broken Heart” would fit well in most any era.
Maddie & Tae are a mainstream country act, and one that never paid their dues out on the road. Touring with Carrie Underwood in 2019 will help, but that’s well in the offing. They must rely on radio to help support their cause and careers, and as well all know, radio is more of an unwieldy beast than ever. “Die From A Broken Heart” would make a great addition to country radio, but if true country and Americana fans like a song, that’s not always the best sign for commercial radio prospects.
There are many mainstream country women trying their hand at pop, and still failing to find favor with country radio. It’s going to take a different strategy, something more sincere and resonant to break through the low ceiling sitting over female prospects. A song like Maddie & Tae’s “Die From A Broken Heart” may not be a bad selection.
October 23, 2018 @ 11:50 am
Wow that’s really excellent. It reminds me of a time when I’d actually put pop country stations on the radio and hear legitimately decent music.
October 23, 2018 @ 12:04 pm
Excellent. The verse about Dad coming over to fix the door is really well done. it seems like a good fit for radio and the people who still listen to radio, but I’ve been wrong before.
October 23, 2018 @ 12:35 pm
They really have a knack for encapsulating universal sentiments into a song. That line sucked me in.
October 23, 2018 @ 12:10 pm
They were signed after a performance to dot records after watching them at a show at the bluebird cafe. Scott was in attendance as well as a few others. I don’t believe they were signing them for a song or for that one in particular it just worked out that way. It’s obviously pretty hard to make something like that happen. Right time, and right place.
October 23, 2018 @ 12:17 pm
They’ve release two solid songs now IMO. Die From a Broken Heart is selling quite well hopefully that makes radio take notice.
October 23, 2018 @ 12:20 pm
You’re gonna be alright. I’m pretty sure you can’t die from a broken heart.
October 23, 2018 @ 3:07 pm
I’m not so sure… they say Johnny Cash did.
October 26, 2018 @ 11:45 am
If we’re being literal… it’s a pretty common thing. If we’re being figurative, well…
October 23, 2018 @ 1:14 pm
What is that gawd awful guitar-ish sound at the beginning and after the chorus?
Tried to like the song, forced myself to listen to the whole thing, but the whole sanded down, radio-friendly thing is like nails on a chalkboard for me.
I’m not radio’s targeted demographic anyhow, so whatever.
October 23, 2018 @ 1:29 pm
Umm, that “guitar-ish sound” is a guitar. Sounds like a guitar — nothing “-ish” about it. I’m usually the first to complain about production, but this sounds good to me.
October 24, 2018 @ 8:32 pm
Ok, now I’m genuinely curious. Can you explain how hey get that sound? Is it an acoustic-electric with the mids turned all the way up and the highs turned way down? That’s my best guess. I would never mistake that sound for “country”, but I’ve heard it a lot over the last ~10 years.
October 23, 2018 @ 1:16 pm
Sounds good!
October 23, 2018 @ 1:25 pm
This is definitely the best song I’ve heard from them. It’s refreshing and encouraging to see them stick to their guns. Surely they have been pressured to, for example, add a little groovy r&b vibe to their songs, like almost everyone else on a major label, and a few layers of unnecessary beats and other gimmicks. This is real, organic, pure — in a word, country.
October 23, 2018 @ 1:34 pm
Not my song of the year but…for a Nashville-act…very good.
New Singles:
Della Harris – “Long As You’re Lonely”
Deryl Dodd feat. Wade Bowen – “Sundown”
Rob Dixon – “Country Music’s Gone To Shit”
David Adam Byrnes – “Beer Bucket List”
Darrin Morris Band – “Never Knew Texas”
Adrian Thomas – “Working Poor”
Chris Williams – “City Lights”
Grand Old Grizzly – “Rescind All My Amends”
Fanny Lumsden – “Real Men Don’t Cry (War On Pride)”
Jenni Dale Lord Band – “I Think He Still Loves Me”
Amber Joy Poulton – “In Your Wildest Dreams”
Emily Markham – “Right Where You Are”
Shelly Jones Band – “My Angel”
Aleyce Simmonds – “Rejected”
October 23, 2018 @ 2:15 pm
The worst of saccharine 90’s country resurrected for your listening displeasure.
October 24, 2018 @ 4:47 am
Many comments lead me to believe a number of people think the “Big Bang” of Country Music occurred in the 90’s.
October 23, 2018 @ 3:00 pm
I don’t mean to be a pessimist here but there is no way that these two are ever going to make it. We can dream about it. We can hope they will. I hope they will but if they were going to they would have by now. It’s not because they aren’t good at songwriting or singing (which they are) but it’s because Nashville is broken. If you have zero talent Music Row will hand you recording contracts on a silver platter but if you actually have heart and soul like Maddie and Tae do the Nashville Machine will shut you down (like they did at Dot Records) or turn you into an artist that you aren’t or don’t want to be in order to find success (Friends Don’t – transition to country pop, Die of a Broken Heart – back to country roots). These two have talent. A talent at songwriting. A talent at singing. A talent at expressing their soul and it’s a damn shame that you’re not allowed to be talented anymore. You were allowed to be… once upon a time.
October 23, 2018 @ 6:33 pm
I know. It sounds so counterintuitive, that someone could possibly be TOO talented for a record deal. They’d rather hire someone who can’t carry a tune in a bucket but whose “sex appeal” will sell to 13-year-old girls and then autotune him to death. Makes them more money that way.
It’s a tale as old as time in pop music, where even in the days before autotune they had other electronic tricks to enhance an untrained singer’s vocals (or they’d pull a Milli Vanilli and pray they wouldn’t be exposed). It’s been disheartening to see that happen in country too. Time was when you could still be a star in country without obvious sex appeal. That changed starting with Billy Ray Cyrus and Shania Twain in the ’90s. And yet Billy Ray and Shania might as well be George Jones and Loretta Lynn compared to today’s pop country.
October 23, 2018 @ 7:50 pm
So very true. I stand corrected. I bet if they pulled a Miley Cyrus on a wrecking ball and wrote the worst possible music that was autotuned to death they would have it made.
October 24, 2018 @ 5:38 am
Can you name another Milli Vanilli scenario.
and what pre-autotune (we use melodyne these days btw) tricks are you talking about outside of doubled vocals?
October 23, 2018 @ 10:46 pm
Dead on comments and observations , Desperado….these young women should be setting the standards for GREAT contemporary COUNTRY music and role models for aspiring young artists and instead they are all but ignored .
I likened them to the JUDDS in another comment .
October 23, 2018 @ 4:00 pm
It ticks me off to hear these people associate acts like this as “mainstream country”.. None of Nashville’s pricey folks are mainstream anything… I dont understand how they can sign someone that is more pop and girl band and not give mention to Cody Jinks!! Now that is “country”!!!! If you want real music, give Cody Jinks some listening and time. You will fall in love with music all over again!
October 23, 2018 @ 6:40 pm
“Mainstream”/”pop” country is 95% either bubblegum pop with a twang for 13-year-old girls or adult contemporary wallpaper. Artists like Cody Jinks are country music for people who actually know and are passionate about country music.
That said, Maddie and Tae are still one of the brighter spots in the mainstream. Many posters are comparing this song to ’90s country. A lot of ’90s country fell into the adult contemporary wallpaper category but it was still recognizable as country, unlike Lady Antebellum, Keith Urban and other Nashville acts who fall into the AC wallpaper category today.
October 23, 2018 @ 5:41 pm
4 seconds and I gave up.
This is awful.
What the heck do a couple of barely drinking age girls know about broken hearts?
I sure don’t wanna hear about their leather-wearing boyfriend who got suspended for flipping off a teacher and can’t pass algebra.
I don’t wanna hear how hard it was to pick a prom dress.
Is there an adult in the room that I can listen to instead?
Oh that’s right I have a Bellamy Bros. cassette in my new van. I like the Bellamy Bros.
I don’t like Maddie and Tae.
Wake me up in another thirty years when they have some experiences to sing and write about.
And don’t even start about Hank Williams being in his twenties.
That was the 1950s. folks matured a lot quicker then.
October 23, 2018 @ 6:03 pm
Just let your love flow, Fuzzy.
October 23, 2018 @ 7:43 pm
You don’t like Maddie and Tae. We get it.
But saying someone doesn’t have a right to talk about something like heartbreak simply because they’re young is ridiculous. You’re baisically telling them “Your feelings aren’t valid”. And that’s a horrible thing to say.
October 24, 2018 @ 5:25 pm
It’s not that their feelings aren’t valid.
It’s that their feelings are not unique, exceptionable, or remarkable, and that I shouldn’t be expected to listen to them.
It’s not an issue of validity, it’s an issue of “I don’t care” with a dose of “I heard all of this when I was in High School I don’t need to hear it now”
August 14, 2019 @ 10:22 am
So what should people equal to their age and experience listen to? Country music isn’t made to just satisfy the old folks home. I’m just happy it’s not rap/r&b influenced like every other popular “country” group out there. You don’t have to relate to appreciate it for someone else.
October 23, 2018 @ 7:58 pm
“Leather-wearing boyfriend who got suspended for flipping off a teacher and can’t pass algebra.” High school must’ve been hard for you fuzz. The “picking out a prom gown” is what got me though. Hahahaha.
October 24, 2018 @ 7:14 am
High school was hard but that’s because I was a deep-thinker in a room full of carbon copies. I listened to Grandpa Jones and Roy Acuff and I questioned why I was being told things.
And I especially had a problem with my algebra teacher.
I play 15 instruments, I’m a successful writer who presented an essay at my state’s capitol during a Holocaust memorial.
But if other kids can’t do that “that’s okay not everyone is good at that”
But God forbid you be bad at math because “you’re stupid and need to try harder”
October 23, 2018 @ 10:21 pm
two words F2S …….
THE JUDDS
You probably weren’t a fan of theirs either ….which is fine , of course
BUT like the Judds , Maddie and Tae are nothing if not REAL….. and focused and talented .
They are singing about what they know ….its age-appropriate and what every young girl their age understands …. and they’ve found a way to employ EXCELLENT song crafting to effectively convey the sentiment of an experience we’ve ALL lived through -guys and girls …a first break-up .How much radio is that real ? How much radio features a country production like this one and a vocal performance that NAILS the emotional tone without sounding maudlin , vindictive , fake , forced or over-the-top hip-hop trendy ? This is as good as country radio gets right now .
yes …I’ve been a huge fan of this duo since their first record …loved the whole thing . And this song only confirms my initial reaction to their approach to writing and recording …..its as good as mainstream country gets …light years better than what a young far less talented Taylor Swift tried to sell a young female demographic with NO capacity to deliver emotion vocally .
Like Josh Turner , Joe Nichols , Easton Corbin and more than a few others it would be criminal to see these young committed women NOT be afforded the opportunity to grow and contribute to COUNTRY music at this calibre while FGL and Co. continue to monopolize radio with the shit they release .
October 23, 2018 @ 10:40 pm
I’m not going to criticize anyone for saying Maddie & Tae are not their thing, especially some burly traditional country dude who loves his Cody Jinks and Whitey Morgan. This is not for them, but that doesn’t mean it’s bad. 15-year-old girls deserve good country music that caters to them as well. And if they don’t get it, they’ll head to the pop station. This is a good entry point for country music, for listeners whose tastes will mature as they do, while not pandering to anything.
October 24, 2018 @ 7:24 am
To Albert:
The Judds did some good songs, I will admit to thinking Wynonna is a fine singer even if she doesn’t habitually sing material I can relate to.
The big turn off point for me for the Judds was their production on a lot of their tunes.
It’s very non-dramatic and kinda drones on and on and sonically is very boring even if the singing on the track is exemplary.
I’m not saying Maddie and Tae aren’t real, but I’m saying their reality is not something I particularly value. it doesn’t offer me anything spiritually.
and Girl in a Country Song was very fake, Albert. it was a clever ruse to market these girls as antithetical to mainstream Country music even though they were a part of it.
To Trigger: thank you. I don’t know that I’m big or burly (I’m actually short and don’t build muscles in any meaningful capacity) but I’m very traditional and I do like Whitey Morgan.
but at what point did we decide 15 yr olds deserved Country Music?
Has that ever been a thing? Historically teenagers listened to Del Shannon, Elvis, later the Beatles, eventually culminating in Justin Bieber and Miley Cyrus and Taylor Swift.
And don’t teenagers have enough Country Music in the form of FGL and Luke Bryan?
I listen to Del Shannon, no shame. I know it’s juvenile in some ways but the musical value is fine and a lot of the music itself is simply joyful. Everyone loves Elvis and the Beatles, although they were admittedly acts for younger women at their earliest days.
Why exactly is this “entry level” Country Music?
We hear this argument all the time, including about FGL and stuff?
It really doesn’t introduce people to actual Country Music because there isn’t any of that on the radio and stylistically Maddie and Tae have much more in common with FGL than with Josh Turner or Whitey Morgan, meaning that they won’t exactly share a huge listening base.
October 24, 2018 @ 10:21 am
“but at what point did we decide 15 yr olds deserved Country Music?”
At what point did we decide 64 year old luddites deserved country music?
October 24, 2018 @ 3:44 am
4 seconds and I gave up.
This is awful.
Calling bullshit.
October 25, 2018 @ 5:23 am
A few other commenters were praising aspects of this so I tried again. A minute and ten seconds this time mostly because I was watching the video. Okay, I respect how cool the animation is…
But if this is a single it sets a low bar for the rest of the album.
If this were the filler then I’d be a bit less condescending. It’s vapid and dumb but otherwise harmless.
But if this is the best on the album then that doesn’t paint a good outlook.
October 24, 2018 @ 5:30 am
I disagree with the age factor.
Are you saying that this composition is meaningless because it was written by a 12-year old?
https://www.classicfm.com/composers/beethoven/guides/first-composition-theme-variations/
In all fairness, I prefer a well sounded story from a 12-year old than another spring break song by a 50-year old guy lol
October 24, 2018 @ 6:56 am
Fuzzy – you’re my favourite commentator on this site. However, I have to respectfully disagree with your point about the age of artist (although I will agree this song is not my cup of tea). Keep in mind that Jackson Browne penned some pretty profound lyrics (“don’t confront me for my failures, I had not forgotten them”) as a distinctly younger artist.
October 24, 2018 @ 7:33 am
Thanks! I’m really just grouchy and not afraid to ruffle feathers and say what I mean, I don’t know that I’m looking to inspire conversation or anything.
but really, thanks. it made my day.
I have commented this before, I habitually use age or specifically distinguish between children and adults by their maturity and not their age.
Luke Bryan is a child, as far as I can see, whereas Hank Williams would have been an adult.
I get that it’s kinda confusing to see in writing without a disclaimer.
Also, thanks to the proliferation of “memes” and an economy that makes lots of people stay at home later, maturity has been shifted back several years, so whereas people would have grown up and lived more a few decades ago, now they are somewhat stunted and inexperienced at the same age.
There are lots of inspired young people, including me when I was in high school.
BUT Maddie and Tae strike me as the dime a dozen suburban white girls who are stereotyped by dating older men on parole and saying “oh my god” and “I know right” and enjoy “mudding”
And I’ll admit that my personal preferences tend to make me listen to late in life records from established artists.
Bobby Bare, Don Williams, Porter Wagoner, Willie Nelson, Vern Gosdin and so many more put out their best songwriting and singing later in life as their voice lost its edge. their production mellowed out and their singing was filled with experience and wisdom. So yeah I even say Bobby Bare was better as he aged than when he was in his prime.
October 26, 2018 @ 7:15 am
”BUT Maddie and Tae strike me as the dime a dozen suburban white girls who are stereotyped by dating older men on parole and saying “oh my god” and “I know right” and enjoy “mudding””
Fuzzy , Fuzzy , Fuzzy ……this is what you take away from their music ? Man …you really may want to check your processing mechanism .
These young ladies are crafting some above average , age -appropriate EXTREMELY well crafted songs . As a writer ,probably around your own age, I’m a fan based on THAT talent alone . Add in the superb vocals and arranging prowess and they are not only a VERY bright light in the mainstream din , but I think we should be hapy that young listeners are finally being exposed to age-appropriate COUNTRY music based on real world experience by the writers.
I mean….have you listened to some of the crappy , throw-together trend -inspired pop and pop-country alternatives for young people ? It is DREADFUL dreadful song crafting with almost NO redeeming qualities and nearly completely machine -driven ‘musically’ speaking .
Maddie and Tae are , in my humble estimation , among the BEST the biz has to offer a younger listener in terms of inspiration , relate-ability , using their knowledge of excellent song crafting to connect …..not a 126 BPM drum machine and sex !
Your comment borders on …..well ….I won’t go there .
C’mon ,my friend …..give the music and this act some credit even if you are , understandably , not a fan .
October 26, 2018 @ 3:32 pm
Above average?
Nah. It’s barely average, Albert. I heard all this before. Everything from If I Die Young to Got My Name Changed Back.
This ain’t special.
almost a hundred years of serious songwriting, and “this” is the average now? what happened to “I left my heart in san francisco?”
what happened to “twelfth of never?’
If you think this is above average you need to realign your standards and make sure you factor in more than the last decade of mainstream songwriting.
Amazing vocals?
Albert I couldn’t tell these girls apart from Maren Morris, Kelsea Ballerini and the seemingly endless tirade of interchangeable ladies I’m subjected to on the Voice (my family likes it so I have to deal with it)
But Loretta? nobody sounds like Loretta, Albert.
Age appropriate? whatever happened to making your kids sit through a John Conlee or George Jones tape like my father made me?
Why do twenty somethings need that? there’s ten decades worth of easily accessible music, Albert. it’s their problem if they can’t find it.
We don’t need to set aside time on our radio stations to accomodate people in the internet age because they can find it themselves.
and again with that word, inspired.
This isn’t inspired. We’ve heard this before.
November 1, 2018 @ 12:02 am
”Age appropriate? whatever happened to making your kids sit through a John Conlee or George Jones tape like my father made me?”
I don’t even know how to reply this F2S . Gotta confess to getting a good laugh from it though …and it explains your ‘perspective’….lol lol….
October 23, 2018 @ 6:01 pm
Sounds like Shane McAnally.
October 24, 2018 @ 4:38 pm
You’re right –
This could be right off a Kacey Musgraves or Brandy Clark album!
October 23, 2018 @ 7:45 pm
Much better than “Friends Don’t”. It definitely sounds like a late 90s/early 2000s song, which is fine with me.
October 23, 2018 @ 10:33 pm
This song and this sound is simply soooooo damned encouraging in these musically vacuous trend-chasing times on mainstream radio that as fans of REAL country music we should be ecstatic . These young woman have known what they wanted to sing about and how they wanted it to sound SINCE DAY ONE . They are the real thing in these Bebe Rexa , Little Big Town times . They are recording the RIGHT material for their life experience and it is high quality writing supported by terrific COUNTRY production . This is a great tune and I’m sooooooo happy these ladies have bounced back and have stuck to their guns . They are selling great songs and Talent ……not fake pop and sex.
October 24, 2018 @ 3:27 am
S’cool
October 24, 2018 @ 4:01 am
I really like this song. Hopefully the record follows suit.
October 24, 2018 @ 4:02 am
Great song….feels like a more modern Patty Loveless hit.
October 24, 2018 @ 9:25 pm
How does one design a bridge that stretches from this to something like “You Don’t Even Know Who I Am” or “You Don’t Seem to Miss Me”?
Maybe I’m just getting old…
October 24, 2018 @ 10:46 pm
Honesty in the writing .
October 24, 2018 @ 7:07 am
Spotify surprised me with this one in my new release mix and it struck me right away as moving and well written. Judds comparisons spot on. Glad you reviewed it.
October 24, 2018 @ 9:10 am
“There’s plenty of mainstream country stars right now like Walker Hayes and Lauren Alaina braying about the virtues of 90’s country in radio singles, but Maddie & Tae are the only ones actually singing and writing stuff even closely resembling it.”
^^ THIS. 😀
As for the song, I think it’s lovely. A heartbreak song from a distinct point-of-view — a young adult just starting out on her own but who knows she can still call on her folks for advice / reassurance / help if and when she needs them — that a lot of teen girls might be able to relate to.
October 24, 2018 @ 3:36 pm
They’re good young songwriters with damn fine voices. It’s a shame Taylor never takes lead, though. I get it to an extent–Maddie has a more unique voice, a voice that has the chance to be iconic years from now–but Taylor’s harmonies are phenomenal, and when you do hear her, she sounds great. Hopefully she sings lead in the future.
October 25, 2018 @ 4:31 am
I love this. The second verse was better than the first, which means somebody was actually trying to write a good song. They did a goofy thing with the melody on the word “heart” which surprised me in a good way. The line “Mama can you die of a broken heart” surprised me too, I didn’t lose interest throughout the song, which makes it a good one in my book.
October 26, 2018 @ 2:14 am
Nice little song, no problem with it. I will give the girls and their management props though they came and played 2 or 3 “neighborhood” festivals around here this summer so they’re not afraid to take the “odd” gig for exposure unlike so many others that are “above that” in their minds. It doesn’t go unnoticed around the Chicago area.
October 26, 2018 @ 8:23 am
You hit on a really important point JB. Especially when it comes to mainstream acts, so many of them don’t think it’s worth their time to leave Nashville unless they can open on an arena tour, and this is especially true for some of the female acts. You have to hit the road and go out there and earn those fans. Folks remember when they saw you at a small club or a street festival, and return that loyalty later on. This is how you build up a grassroots fan base irrespective of radio or anything else. Good to hear Maddie & Tae are doing some of this.
October 26, 2018 @ 5:53 am
It’s a good song, and a real shame that it will probably struggle to chart while Bebe Rexa dominates the country top ten. They great vocalists and songwriters.
October 26, 2018 @ 11:57 am
I don’t know if I can remember liking a song so much while still hating the hook. That line just doesn’t work for me. Otherwise, it’s great.
October 26, 2018 @ 4:15 pm
I came with an open mind, to this more-‘Country’ sound.
I thought it was clever to have the lyrics written like that for the video.
I respect them a lot for being singer-songwriters.
I’ll root for them to have much success–hopefully the huge tour next year provides that.
Listening to it, trying twice thru. I just didn’t like it. It sounded a bit monotone to me, like they were singing the same few lines of the same sound. Also the lyrics–not to be taken literally, I’m sure, but taking us to a place of ‘heartache’ and, I think, leaving us there. Not even ending the song with a brighter outlook for tomorrow. In this case I think it might have been written for teens, where often all you know/care about is how you feel ‘right now’. It could suit someone who feels like that, who wants someone ‘just to understand’.
Trigger—you said that verse “sucked you in”. I felt nothing– maybe you have to be a ‘Dad’ to appreciate it. (I’ve had a Dad I have adored, so not bec of problem from that angle).
The Bluebird Café, Big Machine Records, singer-songwriters with a ‘younger sound’—very reminiscent to me, of one Taylor Swift, esp with her first two Albums.
October 27, 2018 @ 8:42 am
Woow I rarely accept some songs to play in my ears
But as long as I hear the sound of steel Guitar there you got me, With “Die From A Broken Heart”
Nice song from Maddie & Tae
February 9, 2019 @ 10:48 pm
Them two are so good. Hope to see a new CD coming soon.
January 15, 2021 @ 3:19 pm
Love the song.Its my favorite every time I hear it on the 96.7 Beaver i start singing it.I want the CD of Maddie and Tae’s song die from a broken please do one.