Songwriting Legend, Writer of “The Gambler” Don Schlitz Has Died

Don Shlitz wrote “The Gambler.”
The iconic and ubiquitous mega hit for Kenny Rogers would become a cultural phenomenon, launch a movie franchise, and go on to be one of the most recognized country songs the world over. It won the Grammy for Best Country Song in 1978, and the CMA’s Song of the Year in 1979. When being notified by a reporter about “The Gambler” being nominated for CMA Song of the Year, the reporter told Schlitz, “This will be the first line of your obituary.”
Unfortunately, April 16th will be the dateline of that obituary as word has come down from Tennessee that towering country music songwriter Don Schlitz passed away at a Nashville hospital after a sudden illness. He was 73 years old.
In so many other sectors of the music universe, songwriters are segregated to the shadows and fine print of the business. But in country music, songwriters are revered, celebrated, and respected. And when you have a songwriter that’s ascended to the level of Don Shlitz, they’re not considered secondary to anybody. They’re considered country music legends all to themselves, just as Don Schlitz was.
With an incredible catalog of hit songs, quality album cuts, and everything in-between that Don Schlitz amassed in his career, he wasn’t just inducted into the Country Music Hall of Fame in 2017—an incredibly lofty and difficult achievement for any individual in country music, especially a songwriter—he was also named a primary member of the Grand Ole Opry in 2022.
They gave Don Schlitz all the accolades they could, because Don Schlitz gave us so many of the songs that contributed so much to our lives. Kenny Rogers’ “The Gambler,” might have been where it started. But with songs like “Forever and Ever, Amen” by Randy Travis, to Keith Whitley’s “When You Say Nothing At All,” Don Schlitz set the pace for penning some of the most memorable compositions in country music history, and created those timeless moments for the performers who took those songs and made them hits.
Along with “The Gambler,” Don Schlitz is perhaps best known for his towering hits for Randy Travis, including “Deeper Than The Holler,” “Heroes and Friends,” “On The Other Hand,” and the aforementioned “Forever and Ever, Amen.” These collaborations resulted in two more CMA Song of the Year wins for Schlitz. He also wrote signature songs for Alabama, Mary Chapin Carpenter, George Strait, Garth Brooks, Paul Overstreet, and scores more through his storied career.
In total, Don Schlitz was responsible for twenty-five #1 country songs, and 50 Top 10 singles over his five decade songwriting career.
He was also a member of the Nashville Songwriters Hall of Fame among other distinctions, winning two Grammy Awards for songs he wrote (“The Gambler” and “Forever and Ever, Amen”), as well as multiple CMA, ACM, and ASCAP Songwriter of the Year awards.
Born Donald Alan Schlitz Jr. in 1952 in Durham, North Carolina, Don Schlitz traveled to Nashville on a Trailways bus with $80 to his name at the age of 20 after briefly attending Duke University. Mentored by Bobby Bare and Bob McDill, at first Don Schlitz wanted to be a performer, recording his own version of “The Gambler” released in 1978. But when it stalled out at #65 on the charts and Kenny Rogers had such success with it, he saw his path forward as a dedicated songwriter.
There are songwriters in country music, and then there was Don Schlitz. Considered equal to the superstar performers he penned songs for, but unparalleled in the songwriting realm, his sudden death is a shock to the country music system, only subdued knowing that he knew how much he was valued, receiving his deserved flowers from the Country Hall of Fame and Grand Ole Opry while he was still around.
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April 16, 2026 @ 11:31 pm
Schlitz was 23 when he wrote “The Gambler”–and he said it just came to him.
It was the second of two epic train songs from the era, which took decidedly different approaches: the first Steve Goodman’s macro “City of New Orleans,” recorded by Arlo Guthriie, which seems to touch on everything both inside–and outside–the train, as it rumbles on for hundreds of miles; and then Schlitz’s micro “Gambler,” brought to life by Kenny Rogers, which is basically about two tired guys and a shared bottle of whisky.
April 17, 2026 @ 7:30 am
Of course many folks recorded the Steve Goodman penned City of New Orleans and notably Willie Nelson had a charted hit with it and it was the title track to one of his albums. Willie loved that song so much he played it at every live show for decades. Johnny Cash pined that the song was ” the one that got away” and he later regretted not recording it despite Kristoffersons insistence that he should do it.
As for Schlitz , he and his buddy Paul Overstreet are now both memorialized in the CMHOF. As they should be.
The Gambler is indeed a global hit, it’s one of those songs that if you were playing a gig in Japan or Malaysia or other far flung corner of the world, you could bust that song out and have a sing a long instantly and Country Roads wouldn’t be too far behind it in terms of universal recognition.
April 17, 2026 @ 11:31 am
In the book “I Was There When It Happened”, Marshall Grant says Johnny DID record “The Gambler”, and got a real good take on it. And then Cash started going to the bathroom and coming out higher each time. Soon, Jonny started arguing with Larry Butler, who was trying to produce the session, and turned it into a mess.
Marshall says the very next day, Larry Butler took Kenny Rogers into the studio, cut “The Gambler” with him, and put it out as a single, while Cash’s album wasn’t even half finished. Result? Kenny got a “legacy” song and Johnny got an out-take.
April 17, 2026 @ 3:21 pm
That doesn’t really match the release dates – Cash’s “Gone Girl” with his version came out the same month as Kenny’s, November of ’78, and Bobby Bare’s version came out on his “Bare” album the April before but “Too Many Nights Alone” was the only one released as a single off there.
April 17, 2026 @ 3:57 pm
Well, when in doubt, go to Praguefrank.
His listings say for “The Gambler”:
Bobby Bare: Recorded October 10-28, 1977.
Kenny Rogers: Recorded June 16, 1978.
Johnny Cash: Recorded July 6, 1978.
So the song had been kicking around Nashville for a while.
April 17, 2026 @ 4:25 pm
There we go – had no idea Bare’s was cut that early! I swore I heard somewhere too – maybe his book? Maybe an article? That it was shopped to Willie, who turned it down saying he was so sick of singing the story song “Red Headed Stranger” and didn’t want another. Talk about folks dropping the ball left and right with it – though I wonder had it been pushed by Bare or Cash it would have hit the same…
April 17, 2026 @ 12:33 am
He was only 23 when he wrote The Gambler. Very impressive for those of us old enough to remember the phenomenon that song was, crossing over to the pop side as well. He knocked it out of the park right out of the gate and kept churning out classics for years after. RIP to a legend.
April 17, 2026 @ 4:56 am
You got that right Buddy!
April 17, 2026 @ 7:00 am
Rest in Peace Don we will miss you enjoy seeing your Buddy Kenny Rogers again ~~~~
April 17, 2026 @ 7:09 am
My first concert ever was Kenny Rogers on The Gambler tour (Dottie West opened). It really was a phenomenon back then.
April 17, 2026 @ 11:14 am
I saw the same show in Asheville when I was a teenager. To show you how the world has changed since then, you had to buy your tickets at the box office. Best I remember, there weren’t even phone sales. When the first day of ticket sales came, the line went from the front of the Asheville Civic Center all the way around the corner of the building to Lexington Ave.
Needless to say, the show was a sellout.
April 19, 2026 @ 7:07 am
Yeah we used to go into NYC, The Bottom Line to see shows, and you could only get tickets at the box office. Since I live in Jersey, it was a hassle if you wanted to attend. Now its gone and is owned by NYU. Sure miss that place and also the original Lone Star Cafe, just up the street.
April 17, 2026 @ 9:49 am
RIP Mr. Schlitz, I know a lot of your songs by heart.
April 17, 2026 @ 12:34 am
Got to see him at the Opry a few years ago. Came out and said “I’m just a songwriter”…he wrote some pretty good damn songs. His live at the Bluebird album is great.
April 17, 2026 @ 1:34 am
Got to see him at the Oprey when Shane Smith and the Saints played. Enjoyable time and seemed like a really nice man.
April 17, 2026 @ 3:26 am
This is heartbreaking. I loved Don Schlitz. He was a real goofball. The first thing I did when I moved to Nashville in late 2017 was go see him and Jelly Roll Johnson at the Bluebird Cafe. I talked to him afterwards and he and Jelly Roll introduced me to Fred Knobloch, who helped me tremendously as a songwriter and in turn introduced me to Dickey Lee.
He told me when he wrote “The Gambler” he had been in a writing slump so he went to go see Bob McDill for advice. Bob told him to try to write something in a different guitar tuning to free up his mind a little. He went home and wrote “The Gambler” almost immediately. He is a real hero of mine. Rest easy, Don!
I saw him at the Opry a year ago and thanked him for taking the time to talk to me all those years ago and helping a young songwriter get started. I’m glad I got to do that.
April 17, 2026 @ 7:38 am
That’s great stuff Conrad.
I assume the Fred Knobloch you speak was the one who had a popular song in the 80’s “Why Not Me”?
Don obviously was a huge treasure tor Country music.
April 17, 2026 @ 2:19 pm
Yes. He was also in a band called SKB (Thomm Schuyler, Fred Knobloch and Paul Overstreet) later SKO (Thomm Schuyler, Fred Knobloch and Craig Bickhardt)
Fred is under-rated as a writer. He’s got a crazy wide range of cuts from Ray Charles to Faith Hill to George Strait.
April 17, 2026 @ 4:54 am
#RIP Don Schlitz! Thank you for “The Gambler” and those words you whispered in my ear at Kenny Rogers’ Memorial. 🙏
April 17, 2026 @ 5:00 am
My first visit to the Grand Ole Opry was early September 2025, celebrating 25 yrs marriage with my beautiful wife. At our ceremony in 2000 I sang When You Say Nothing At All for my wife. Then 25 yrs later Don Schlitz was singing it on the Grand Ole Opry and what a surprise that was. Didn’t matter that it wasn’t Keith Whitley or Allison Kraus, it was our song by the songwriter who (along with Bob McDill) had more or less written the soundtrack of my formative years. I’m glad Don received the recognition he deserved while he was alive to enjoy it.
April 17, 2026 @ 5:46 am
I agree that it’s good that Don Schlitz got the recognition that he deserved while he was alive to enjoy it. His co-writer on When You Say Nothing At All, Paul Overstreet, just got that recognition when he was inducted into the Country Music Hall of Fame as a songwriter this year. Great song and great writers.
April 17, 2026 @ 7:06 am
Don and Paul were an unbelievable team. They wrote mega country hits!
April 17, 2026 @ 7:07 am
Wow, this is definitely out of nowhere. I got to see him at the Opry last year and he was quite the character. His songwriting was top notch. May he rest in peace.
April 17, 2026 @ 7:10 am
The Don Williams of country songwriters. Bob McDill was a large influence on him. McDill wrote a a lot of songs for Don Williams, songs like “Come Early Morning,” “Amanda,” and “Good Old Boys Like Me”
Mr. Schlitz was a classic. Look up an interview with Don Schlitz by Library of Congress April 10, 2018. It’s a short but a good read.
Thanks for the post Trigger!
April 17, 2026 @ 9:04 am
Those were three of the best songs in country music history.
I can make a strong case for “Good Old Boys Like Me” at #1.
April 17, 2026 @ 9:39 am
Speaking of McDill; “Coyotes” is certainly one of the absolute classics in his – and Don Edwards’ – catalog.
April 17, 2026 @ 3:17 pm
Yes sir
April 17, 2026 @ 6:28 pm
“Good Old Boys Like Me” has been one of my favorites since it first came out.
April 17, 2026 @ 7:23 am
It does make me glad that he got to see his songwriting partner, Paul Overstreet, join him in the Hall of Fame before he passed.
April 17, 2026 @ 7:52 am
Looking back on the recent George Strait article, & seeing this, reminds one how important a songwriter is to the a country artist. RIP Don. <3
April 17, 2026 @ 8:19 am
Saw him at the Opry on the night Kathy Mattea was inducted and he lead an absolutely lovely singalong to When You Say Nothing At All. Truly a loss.
April 17, 2026 @ 9:05 am
I guess he knew when to fold ’em.
Hope he found an ace that he could keep.
April 17, 2026 @ 9:16 am
While the news stories covering Schlitz today are correct in mentioning The Gambler, When You Say Nothing At All, and Forever and Ever Amen, here are my favorites written by Schlitz :
I Never Expected To See You – album track by Ronnie Milsap
And So It Goes, by Nitty Gritty Dirt Band, with John Denver singing lead
I Won’t take less Than Your Love, by Tanya, Paul Davis, and Overstreet
Oh Heart, by Baillie & the Boys
On the Other Hand, by Randy Travis
April 18, 2026 @ 10:56 am
I Think About it All the Time – John Berry….unique sound at the time.
Old School – John Conlee…my favorite Conlee hit, and I love almost all of them.
April 17, 2026 @ 11:54 am
I always thought “The Greatest” was such a well written song, but then pretty much everything Don wrote was well-crafted. RIP.
Thanks for this, Trigger. The minute I heard Don had died, I head over here to see if you had written something yet. Well done.
April 17, 2026 @ 12:43 pm
My grandfather loved that song.
The local classic country station has the tune in rotation. I always tear up hearing it. Good memories.
April 17, 2026 @ 2:19 pm
I was a little late for The Gambler phenomenon, (86), but I remember his name from his Randy Travis, Mary Chapin Carpenter, and Keith Whitley hits. Plus his random output for Tanya Tucker, and Reba, the Forester Sisters, and so many others. I’ve sat today and listened to so many of his songs. It’s like a trusted family friend is gone.
April 17, 2026 @ 3:31 pm
This is really sad news. Mary-Chapin Carpenter’s “Come On Come On” is one of the first mainstream country albums I really loved and I’m just now finding out how many of her hit songs he wrote… “He Thinks He’ll Keep Her,” “I Take My Chances,” “Not Too Much to Ask.” “The Gambler” was his crowning career achievement (and the only song of his to also be a major crossover pop/AC hit), but it’s those Mary-Chapin songs that left a bigger imprint on me growing up. Rest in Heaven, Don Schlitz.
April 18, 2026 @ 9:57 am
Same here — that was one of my first favorite albums as a tween/young teen. 🙂 Don also co-wrote “I Feel Lucky”!
RIP Don. 🙁
April 17, 2026 @ 3:34 pm
One additional thought…when your song gets performed on The Muppet Show (by Kenny Rogers of course, and featuring an original Muppet named after the title character), you know you’re legendary.
April 17, 2026 @ 5:47 pm
What an unexpected and devastating loss to the Opry and to country music. I had no clue until now how much more he was besides the songwriter of “The Gambler”; he shaped the sound and hits of so many ’80s and ’90s country artists. I’m just going to copy and paste what the Wikipedia article lists:
“Singles written or co-written by Don Schlitz include the following. Asterisks denote songs that reached Number One on the U.S. Billboard country charts.”
“40 Hour Week (For a Livin’)” by Alabama*
“Almost Goodbye” by Mark Chesnutt*
“And So It Goes” by Nitty Gritty Dirt Band with John Denver
“Ball and Chain” by Paul Overstreet
“The Battle Hymn of Love” by Kathy Mattea and Tim O’Brien
“The Center of My Universe” by The Bellamy Brothers
“Cheatin'” by Sara Evans
“Crazy from the Heart” by The Bellamy Brothers
“Crying Shame” by Michael Johnson
“Daddy’s Come Around” by Paul Overstreet*
“Deeper Than the Holler” by Randy Travis*
“Didn’t We Shine” by Waylon Jennings
“Forever and Ever, Amen” by Randy Travis*
“The Gambler” by Kenny Rogers*
“Give Me Wings” by Michael Johnson*
“Good as I Was to You” by Lorrie Morgan
“The Greatest” by Kenny Rogers
“Guardian Angels” by The Judds
“He Thinks He’ll Keep Her” by Mary Chapin Carpenter
“Heart of the Matter” by The Kendalls (1980), Loretta Lynn (1983)
“Heroes and Friends” by Randy Travis
“Houston Solution” by Ronnie Milsap
“I Could Be Persuaded” by The Bellamy Brothers
“I Feel Lucky” by Mary Chapin Carpenter
“I Know Where I’m Going” by The Judds*
“I Take My Chances” by Mary Chapin Carpenter
“I Think About It All the Time” by John Berry
“I Think About You” by Collin Raye
“I Watched It All (On My Radio)” by Lionel Cartwright
“I Won’t Take Less Than Your Love” by Tanya Tucker with Paul Overstreet and Paul Davis*
“If I Could Bottle This Up” by Paul Overstreet
“If I Never See Midnight Again” by Sweethearts of the Rodeo
“If You Can Do Anything Else” by George Strait
“I’ll Be Lovin’ You” by Lee Greenwood
“In Terms of Love” by SHeDAISY
“Learning to Live Again” by Garth Brooks
“Leaving’s Not an Option” by Chris Cummings
“Like Father Like Son” by Lionel Cartwright
“Long Shot” by Baillie & the Boys
“Looking for a Sign” by Chris Cummings
“Loved Too Much” by Ty Herndon
“Midnight Girl/Sunset Town” by Sweethearts of the Rodeo
“My Arms Stay Open All Night” by Tanya Tucker
“Not Too Much to Ask” by Mary Chapin Carpenter with Joe Diffie
“Oh Heart” by Baillie & the Boys
“Old School” by John Conlee
“On the Other Hand” by Randy Travis*
“One Promise Too Late” by Reba McEntire*
“Point of Light” by Randy Travis
“Richest Man on Earth” by Paul Overstreet
“The River and the Highway” by Pam Tillis
“Ready and Waiting” by Deborah Allen
“Rockin’ with the Rhythm of the Rain” by The Judds*
“Satisfy You” by Sweethearts of the Rodeo
“Say What’s in Your Heart” by Restless Heart
“Say Yes” by Dusty Drake
“She Deserves You” by Baillie & the Boys
“Sowin’ Love” by Paul Overstreet
“Stand a Little Rain” by Nitty Gritty Dirt Band
“Strong Enough to Bend” by Tanya Tucker*
“True Heart” by The Oak Ridge Boys
“Turn It Loose” by The Judds*
“When You Say Nothing at All” by Keith Whitley* (later covered by Alison Krauss & Union Station and Ronan Keating. Keating’s version was in the film Notting Hill, and made it to number one on the British charts.)
“Why They Call It Falling” by Lee Ann Womack
“You Again” by The Forester Sisters*
“You’ll Never Be Sorry” by The Bellamy Brothers
Thank you for everything, Don.
April 18, 2026 @ 7:22 am
He was an incredible songwriter. So many artists owe so much to him. A sad loss. RIP.
April 18, 2026 @ 8:06 am
Ive never been known to really know who wrote what songs, i just generally know who sings them. But seeing that list by NPC above, thank you for that, shows how great he was. Lot of great songs there, even and esp the ones not number one. I didnt know he wrote give me wings which i have always loved and the greatest is def an underated track. This dad of a little boy who could have been that very boy can attest to that. The gambler has always been stuck in my head, i always sing it in alone and private times. May he rest in peace.
April 18, 2026 @ 8:07 am
Sorry didnt mean to reply to you.
April 18, 2026 @ 8:29 am
Oh,boy.First Brady,now Don.RIP,Mr. Schlitz !!!
April 19, 2026 @ 6:35 am
Rest in peace, Don. Thank you for the wonderful music & songs! 💔😭💛
April 20, 2026 @ 10:22 am
I’ve always thought that Mellencamp’s Minutes to Memories was inspired by The Gambler.