The 2017 Nashville Boogie presented by Muddy Roots is set to go off May 18th to the 21st at Nashville’s Opryland Resort and the nearby Nashville Palace, and they have just announced that Jerry Jeff Walker will headline the event Sunday night (5-21) at the Grand Ole Opry House.
It was bound to happen at some point. It’s almost strange it took so long. Two guys who have long called Austin, TX their main haunt, and who have made careers out of steadfastly sticking to their guns in their particular styles of country music, be damned of the financial ramifications, what fleeting trends come and go, or what Nashville thinks of it all, joining forces on a duets record.
This year the event will be held for the second year in a row at the Austin 360 Amphitheater on the grounds of the Circuit of the America’s Formula 1 raceway just outside of Austin, and will feature an impressive list of talent, from Picnic mainstays like Johnny Bush, Ray Wylie Hubbard, and David Allan Coe, to newcomers such as Margo Price and Shakey Graves.
According to Blake Shelton, nobody wants to listen to grandpa’s music anymore. But somebody forgot to tell the throng that assembled at Austin’s historic Paramount Theatre on Tuesday evening (2-16) and filled the venue to capacity for the 3rd installment of the Dale Watson-helmed Ameripolitan Awards.
Who hadn’t thought that when Han Solo was outrunning Imperial starships in the Millennium Falcon—not the local bulk-cruisers mind you, I’m talking about the big Corellian ships now—that he wasn’t booming a little Waylon Jennings, Johnny Cash, and Billy Joe Shaver? Remember, Han was a smuggler, so it’s only fitting he’d find a hankering for music that many a moonshine runner would blare.
Voting opens for the 2016 Ameripolitan Awards on Thanksgiving, Thursday Nov. 26th., and can happen one of two ways. Founded by Dale Watson three years ago after the “Old Farts & Jackasses” comments of Blake Shelton, the Ameripolitan Awards was Dale’s answer to the concern that so many artists doing their best to keep roots traditions alive were going unrecognized by the rest of the country music industry.
The songwriter, singer, guitar player, and frontman for the legendary Western Swing and classic country band Asleep At The Wheel had some harsh things to say about today’s country music in a recent interview, and specifically about the reigning CMA and ACM Entertainer of the Year, Luke Bryan.
Guy Clark is in an Austin area hospital after having a bad reaction to medication right before he was scheduled to appear at an Austin City Limits Hall of Fame induction ceremony on his behalf. On Thursday evening (6-18), Guy Clark, Townes Van Zandt, Asleep At The Wheel, and Flaco Jiménez were all inducted into the long-running TV show’s sophomore class of Hall of Fame inductees.
Texas Playboy, Million Dollar Band member, and legendary country and Western Swing fiddle player Johnny Gimble has passed away. Known best as one of the primary fiddle players in Bob Wills’ Western Swing band the Texas Playboys, Gimble spent his life charming audiences and being revered as one of the Godfathers of Texas fiddle music. “My hero passed away today. Godspeed Johnny Gimble. We love you,” said current Western Swing fiddle maestro Jason Roberts
Over the last few years, David Letterman and The Late Show have become tireless supporters of many of the older country artists and up-and-comers that mainstream country so unfortunately pays little to no attention to. To giving artists like Ray Wylie Hubbard, Dale Watson, and Sturgill Simpson their first network debut, to being one of the few shows regularly willing to book Willie Nelson and other legends…
As the longest running music show on TV enters its 40th season, Austin City Limits has announced its second installment of inductees into its Hall of Fame founded in 2014. The original crew of the Austin City Limits show will also be honored as the 2015’s non-performing inductee. As part of the Hall of Fame announcement, more performers for season 41 were also revealed.
Every Justin Townes Earle album cover has featured Earle himself and a pretty woman somewhere in close vicinity to him, and just exactly who these pretty women are is part of the fun and mystery. But Justin Townes Earle broke from this tradition on his latest record “Single Mothers” and put someone else on the cover instead of himself. Or did he?
The song “It Ain’t You” off of Ray Benson’s album A Little Piece continues this trend of offering both something unheard, but something wrought during the living era of a legendary artist, and paid forward with reverence and care by those still around who are inspired by their legacy. Originally written by Waylon Jennings with Gary Nicholson, “It Ain’t You” was never recorded.
Within the new rules is the establishment of only one new category for the 2015 awards, but it is one that will benefit many of America’s roots musicians. An award for “Best American Roots Performance in the American Roots Music Field” will be handed out for the first time in 2015, and both the nominees and winner will enjoy the distinction of being recognized….
King George Strait played what is expected to be his final show as a big ticket touring musician to a packed audience at Dallas Cowboys’ stadium in Arlington, TX on Saturday night, and the event that saw people travel from all over the world to witness, and drew some of country music’s biggest names in support, shattered previous attendance records for an indoor concert.
As sad as it is to turn on the radio and hear what country music has become, it is even more sad to zoom out in your mind to a broader perspective and understand that what we’re hearing in mainstream country now is what will define country music for a generation: laundry list songs perpetrated by pretty boy entertainers, pock marked by rap phrases and EDM elements.
Not attached to an announcement of a new album or any other notable news, Ruby Jane has released a new single and a new video called “Ticket Out.” Written by Ruby, and produced by Mario Marchetti who’s worked with The Lumineers and some other notable names. “Ticket Out” evokes a Lumineers-esque vibe with a heavy, woody bass beat and hand claps, but is centered mostly around the chorus hook…
No ladies and gentlemen, Western Swing is not dead; not when Davy Jay Sparrow is on the job, doing his level best to keep the distinguished country music sub-genre fresh and fun by forging ahead with his fast-paced and frolicking take on one of country music’s original modes. Sparrow has migrated west from Indiana to Portland, OR and traded in his “Well Known Famous Drovers” for a gaggle of “Western Songbirds”.
A big battle ground in country music right now is the presence of so many songs about trucks. Though this recent popularity trend seems especially sinister in its simplistic, incessant nature, it is not necessarily unprecedented in country. From the early 60’s into the mid 70’s, songs about semi-trucks and truck drivers were all the rage, with big names like Merle Haggard, Del Reeves, and Buck Owens getting in on the action.
Sex has been used to sell music almost since music became a commercial enterprise. From the shaking of Elvis’s hips, to Madonna’s “Sex” book, to Miley Cyrus doing all manner of gratuitous things with a foam finger. but in truth there’s plenty of positive female role models. From huge, internationally-known pop stars, to promising up-and-coming artists, positive female role models in music are out there.
Whenever I find myself thirsting for inspiration, I tend to search out the blessed gift that is the harmonies of sister pairings. Any two great singers can harmonize, but few can match the instinct and tone of two blood relatives, making the artform seem as effortless as breath. Following is a list of singing sisters who never cease to inspire.
“Country must evolve” is the way it is sold to the country music public when pop and hip-hop influences are invited into the country music fold. What these folks fail to point out is that country has been trying to evolve for 30 some odd years right under their noses. Are you looking for true progress and evolution in country music? Look no further than this list of women.
Davy Jay Sparrow from Bloomington, Indiana is not a neo-traditionalist, he’s an ultra-traditionalist. If you don’t like the “Olde Fashioned” country sounds, then turn back now. If you do, the tunes that Davy and His Well Known Famous Drovers throw down on this album are good enough to be considered right beside BR549, Wayne Hancock, and the other overlords of country’s old sounds.
James Hand is like James Hand, wholly unique, yet hauntingly familiar in the way his songs seem like they were written just for you and sound like old memories, and how his presence warms the soul. Or you could just listen to Willie Nelson who says it both succinctly and completely, “James Hand is the real deal!”