There was nobody else like Mojo Nixon in music, and there was no lane for what he did when he set out. Despite being his own worst enemy and a publicist’s worst nightmare, Mojo Nixon still somehow made his way.
Glenn Frey, Don Henley, Don Felder, Joe Walsh, and Timothy B. Schmit all agreed to show up to a bar in Los Angeles on December 6th, 1993 and appear in the video—shooting pool, hanging out, and cutting up as cameras rolled.
One of the most curious, and maybe one of the most cool developments in music over the last couple of years has been Vince Gill becoming a late career member of The Eagles. It wasn’t a development that came with a lot of fanfare or explanation. With the passing of Glenn Frey in 2016, it just sort of happened.
In a curiously under-reported story, country music music icon and now Rock & Roll Hall of Famer Linda Ronstadt is the subject of an upcoming documentary biopic directed by two award-winning filmmakers that will be making its worldwide debut at the Tribeca Film Festival on April 26th. It’s called ‘The Sound of My Voice.’
What makes a country boy like Vince Gill think he has the ability to fill some of the biggest shoes ever rendered vacant in American music? Well, 21 Grammy Awards, and incredible voice, some of the most underrated guitar chops in music, and a longer lineage with the music of The Eagles than one might think.
Love them, hate them, evoke the strong opinions of the Coen Brothers’ fictional character Jeff “The Dude” Lebowski all you want, but Glen Frey and The Eagles turned millions of music fans from all around the world into country music listeners through the evocative power of simple, universal sentiments bathed in twangy tones, however filed off the edges may have been, or however commercially successful the pursuit ultimately was.
Too often in music we tend to focus on the here and now, the young and the new. Who are the hot names that are rising up in the ranks? Who’s going to make a big splash in music in the coming months and years? All this talk is understandable. It’s fun. But this is not always the best exercise for fleshing out who actually has the music most worthy of being recognized.
2015’s Album of the Year candidates might constitute the most wide open field of contenders since this exercise has been in practice. There’s no clear front runners, anyone could win, and each candidate has pluses and minuses. Like every year, your opinion counts, and may even count more this year with no clear front runner.
Heading into the final couple of months of 2015, there may not be a hotter name in country music among critics and distinguished listeners than Chris Stapleton. The long wait for his often-rumored and much-delayed debut album was finally rewarded on May 5th with the release of the Dave Cobb-produced “Traveller,” and fans were not let down.
Henley’s been out there outwardly criticizing the state of country music and the state of music in general, though doing so with a lot more of a thoughtful and informed tone than many others, including tracing the problem back to the disappearance of the agrarian way of life that was once prevalent throughout America, and now finds itself quickly receding.
There was another big battle at the top of the country albums charts last week, and once again the good guys won. Despite the perception by so many in the mainstream country business that radio play and youth is the key to success, two guys in their 60’s with no mainstream radio love topped the charts, and not just from statistical anomalies based on weak numbers, or on an off week for releases.
The songwriter, singer, guitar player, and frontman for the legendary Western Swing and classic country band Asleep At The Wheel had some harsh things to say about today’s country music in a recent interview, and specifically about the reigning CMA and ACM Entertainer of the Year, Luke Bryan.
Whatever you could want or hope from Don Henley’s “Cass County” as a country music fan, this album delivers it and in ample quantities. I don’t know that any country fan’s expectations can meet the actual enjoyment this music deals out. And this is a traditional country record.
I don’t expect Don Henley’s entire country record to sound this classic, but his take on the old Louvin Brothers standard with Dolly helping out was a welcomed treat that tells you this album isn’t going to be Don reaching for commercial relevance. It’s going to be Don making the country record he wants to make.
Don Henley, the singer and drummer for the Eagles, will be releasing a country album called Cass County via Capitol Record—his first solo album in 15 years. This was the news coming out of an exclusive listening party held at the Ruby event space as part of this week’s CMA Fan Fest in Nashville. And don’t expect this to be an aging rocker looking for a second wind in country by chasing the current trends.