Sagebrush has been a music venue, bar, and business for over 70 years. The building was first built in the 1940s as an army barracks. It later became “Gil’s Club” in 1955.
Never has the story of a deceased independent country artist been so compelling to the point where it is covered so overwhelmingly across the entirety of American media, and beyond. And yes, the results of all this attention is translating into people listening to Luke Bell’s music.
It’s Leo Rondeau’s understated nature, both in the studio and on the stage that create a slow, rolling boil of appeal in him. There’s no pretense to Leo, no show, no lofty ambitions that would inhibit him from being himself. There’s no latency between Leo Rondeau and what he sings about. What you see is what you get.
For the benefit of the Health Alliance for Austin Musicians, or HAAM, Ray Benson hosted his 19th annual birthday bash Tuesday night (3-12) in downtown Austin, which also acts like an unofficial kickoff party for the country side of SXSW. Benson assembled one hell of a talented lineup to come out and play.
Perfection is certainly not at the heart of the appeal or staying power for Car Wheel on a Gravel Road. Instead it’s the sloppy, sticky, loose feel of it all, carried upon the words of Lucinda’s candid and real character recitations that make the record feel like the ultimate insight into the disheveled mind of the broken hearted.
As first reported by Saving Country Music in January, a new animated series called ‘Mike Judge Presents: Tales from the Tour Bus’ covering real stories from country music’s past in animated form is on its way to television. Now, we finally get the details and an in-depth look at what country music fans can expect.