With the widespread prevalence of electronic crutches in popular music these days, happening upon pure, raw talent is an unfortunate rarity, but deliciously welcome when it does present itself. It has most certainly bubbled to the surface in the form of the soulful blues Southern rocker Marcus King.
At 65-years-old and coming off serious health issues, John Anderson is feeling a little reflective these days. The caramel-voiced country crooner who we could talk about having a strong candidacy for the Country Music Hall of Fame in the coming years is being coy about what exactly the health scare was, you can tell he’s lost some weight.
If you’re wondering what to look forward to hearing in country and Americana music in early 2020, let this be your guide. Here’s all the information Saving Country Music has been able to compile on the most anticipated upcoming releases, along with a more extensive catalog of releases to have on your radar & the always fun “rumor mill.”
The distaste the CMA Awards experience can leave in the mouth of actual country music fans is chased early this year by the announcement of the 2020 Grammy Award nominees in the Country and American Roots categories. Though no set of ears will find the nominees list ideal, those with distinguishing tastes will be much more rewarded.
After growing frustrated by having to cater his songs to what country radio would play, Kendell Marvel launched a solo career. Now he’s looking to take his solo career a step further by partnering with Dan Auerbach of The Black Keys as both producer and label owner to release “Solid Gold Sounds.”
One sector of country music’s history woefully under-represented by younger artists looking to preserve a specific discipline is the late 60’s, early 70’s style of folk country. Dee White is just now reaching his 20’s, but an old soul comes welling up through the 10 songs of his debut album, ‘Southern Gentleman.’
An artist like Yola is the antidote to such a prognosis; a firewall against the free-range onslaught of cultural sameness pervading popular music. She represents a lushness of perspective, and a re-invigoration of musical diversity, beyond any shallow observances simply based upon skin pigmentation.
If you love to get your Everly Brothers vibe on, there’s just about no better modern alternative than brothers Page Burkum and Jack Torrey, known collectively as The Cactus Blossoms. These Minneapolis-based blood brothers have announced they have a new album on the way called ‘Easy Way.’
Just what 2017 has in store for us in the country music department remains to be seen. But we do know about what to expect in the release department for at least the first quarter of the year, while rumors abound about the big projects that could come to light later in 2017. Here’s a run down of what we know, what we think we know, and what we would like to believe.
Sturgill Simpson’s current national tour has been selling out dates left and right, and has most everybody in country music talking about his continued meteoric rise. But something causing some fans quite a bit of curiosity was the inclusion of a DJ outfit called Electric Western to open some dates in the Midwest & the West Coast. Were Sturgill fans all of a sudden being asked to sit through EDM and hip-hop sets?
The draw of traditionally-poor East Nashville as a haven for musicians looking to make it in music and collaborate with like-minded artists has been one of the ingredients not just to Nashville’s current output, but to its allure. But all that is in jeopardy now as development bulldozes much of the city’s affordable housing inventory, and rents and real-estate prices continue to spike.
In an era when nothing in music is universal, and music has become one of the primary battlefronts in the culture war, the likeability of Jack White was one of the few things that passed for a consensus builder. And then something changed. I’m not exactly sure where or when specifically, but it changed. At some point it seemed like Jack White has started to buy into his own image…
Nikki Lane’s sound has always been somewhat hard to define. Her first album, 2011’s Walk of Shame was a rocking little number, just as much B-52’s as Buck Owens, and was country in the same way Nancy Sinatra’s “These Boots Are Made For Walking” is, with a dollish, throwback saunter to her style.
ABC’s Wednesday night drama Nashville just entered its second season, and though like many network television dramas, the drama can feel over-the-top and contrived, the show’s impact on a wide range of issues that fall under the charge of Saving Country Music is undeniable, if not unprecedented. Though I wouldn’t necessarily recommend the show, it’s still important to understand Nashville’s impact.
The 2013 Americana Music Awards once again transpired in Nashville at the historic Ryman Auditorium as part of the week-long Americana Music Conference. Delbert McClinton lead off with Hank Williams’ “Hey, Good Lookin,'” leading into MC Jim Lauderdale giving a poignant introduction that included the line, “The past matters, traditions matter, even when we explore ways to have those traditions extended and expanded.”
About a half hour in to Sunday night’s 2013 Academy of Country Music Awards presentation, Eric Church took the stage to perform an acoustic version of his latest single “Like Jesus Does.” As much as Eric Church’s performance caught the ACM crowd and Eric’s fans by surprise, so did this virtually unknown singer accompanying him. Eric Church’s duet partner was none other than Memphis, Tennessee native Valerie June.