2016 Nominees for Saving Country Music’s Album of the Year
It has once again come that time of year for reflecting back on some of the best albums released in the last 12 months or so, not to treat country music as competition per se, but as an exercise undertaken with the intent of expanding your musical knowledge in hopes the gaps that formed due to the busy lives we all live get filled in with joyous little music projects that will enhance your overall musical experience in the months and years ahead.
The way Saving Country Music performs this exercise is by first nominating the top albums in this website’s opinion for Album of the Year, and then turning it over to you, the sainted Saving Country Music readers, to leave your opinions. That’s right, your opinion voiced in the comment section below matters, though this is not an up and down vote. Ultimately the decision is Saving Country Music’s, but feedback is strongly encouraged to hopefully stringently vet the eventual victor.
This is not the end of Saving Country Music’s album accolades, just the beginning. All the nominees should be considered the cream of the crop. But following this list, and later in December as albums continue to be released and reviewed, as well as others brought up for discussion, including through the vehicle of this nomination process, an Essential Albums List will also be posted with a much more expanded participation.
At the top of the Essential Albums List will be efforts that were on the bubble of being considered Album of the Year nominees, but due to limited space, fell just short of the cut. There you will certainly find many of the albums some may see as glaring omissions here, including Sturgill Simpson’s A Sailor’s Guide to Earth, Brandy Clark’s A Big Day in a Small Town, Luke Bell’s self-titled effort, and others. Also be aware that very shortly, a similar nominations process will transpire for Saving Country Music’s Song of the Year, and may include folks like Justin Wells, Austin Lucas, and others who may also make it on the Essential Albums list, but did not appear here.
So don’t go whining about “you forgot.” This is not a Where’s Waldo exercise. This is an effort to expand your musical horizons. This list is not worthless just because one title is included, or one is excluded. It’s a exhibition; it’s sport. So come off your high horse and participate, including writing in your favorite record or records if they’re not included here, so others can share in your gift of musical knowledge.
It was a weird year for albums, and in some respects that’s reflected in the nominees. It was both a great and terrible year for releases, which has given rise to some dark horses. While the rest of country/Americana media regurgitates each other’s lists so they can stay popular, Saving Country Music attempts to look beyond borders, and include artists that may not have labels or publicists to find the truly best records. This list of nominees isn’t meant to represent the opinion of anyone but Saving Country Music, and this site was built under the spirit that everyone’s opinion matters. So don’t hate, participate.
Capiche?
Then let’s go.
Dori Freeman – Self-Titled
Sometimes the artists that are the best at tapping into those little currents of nerve tingling turns of phrases are not the ones that aspire to be the beneficiaries of mass media. And if it happens, it happens by accident. Dori Freeman was “discovered” by Teddy Thompson, who happens to be the son of British guitarist and songwriter Richard Thompson. Next thing you know she’s recording in the studio with a set of hand-selected musicians and Teddy at the helm. If Dori Freeman’s debut album doesn’t accomplish anything else, it should go down as one of the best produced efforts in recent memory.
For the love of God just let the songs speak out and choose their own path, and that’s what happens in this self-titled release. The sentiments are so naked and pure, and as potent to stirring the spirit as the smell of a baby’s head that it awakens more than just an appreciation for music, it awakens an appreciation for life. (read full review)
Cody Jinks – I’m Not The Devil
Though Cody Jinks has been around for a good while and is reaching well into his 30’s, it just might be his time at the moment, for however long that time might last. His new album I’m Not The Devil is an ambitious, unwavering, slow and plodding volley of songwriting body blows that makes no apologies, incorporates no compromises, and gives no quarter to those with open hearts that love to listen to music that makes them swoon with one emotional onslaught after another, all served in a down home deep-fried unapologetically country style.
Where previous efforts from Cody Jinks would maybe have a few songs that were ready for regional radio acceptance with sanguine attitudes and sensible production, or were more distinctly rock than country, I’m Not The Devil is Cody Jinks leaving it all out there and burying his hands deep into his country roots, worrying more about how honest he’s being with himself and the inspiration of the song than if anyone wants to hear it. And aside from one track, it’s all expressed in half-time or waltz-time sludgy power punches, stringing out an underlying tension and sense of dusk throughout this record, except for the moments he decides to let a little bit of light shine through.
True country music fans right now don’t just want good music, they want reassurance that good country music will continue to remain a part of music moving forward. Too often have they had their heart broken. Too often they’ve seen worthy talent pushed aside or put out to pasture, or put their hope in an artist who ultimately lets them down. Cody Jinks started in rock, and we can’t rule out entirely that he won’t veer back in that direction in the future, even if for a moment. But for now, Cody Jinks and I’m Not The Devil is exact shot of country-infused goodness that real country fans need. (read full review)
Mark Chesnutt – Tradition Lives
Calling Tradition Lives a traditional country record stops short of telling the full story. What really defines Mark Chesnutt’s first record in six years is one song of heartbreak after another. Tradition Lives is a full blown breakup album the likes we haven’t heard in country music and beyond in many years, merciless in how it delves into the themes and moments of living alone, losing the love of your life, and the heartbreak that follows. If country music today is much too saccharine with all of the fun-loving party anthems, Tradition Lives is a massive, 800 lb. counterweight tethered to the other side of the spectrum, trying to wrench country music back to equilibrium.
This is one of those records that can make grown ass men weep, so if you don’t want to expose your teddy bear side to the public, perhaps you should listen alone, and put a handkerchief on your knee. One of the symptoms of so many bad songs being cut by today’s country artists is that ample material is out there just waiting to be discovered and cut. One argument people levy against artists like Chesnutt is they tend to not write their own stuff. But picking the right songs and making them your own is an art to itself, and one that Chesnutt has excelled at throughout his career.
The biggest days of fame for artists like Mark Chesnutt are more behind than they are ahead, and that’s just the way of things. But that’s in no way a commentary on the quality of music Chesnutt can still create. He’s not slipped a bit in his understanding of why people listen to country music. There’s plenty of options for those looking for a bit of escapism on the morning commute, or to blast at the bonfire party. But we all hurt. None of us have been spared from the touch of heartbreak. And at certain times when you’re at your most lonely or broken, you need someone or something to remind you that you’re not alone in that heartbreak, but that millions have suffered through and persevered as well, and are doing so at this very moment. That’s what the music of Mark Chesnutt is for. (read full review)
Nick Dittmeier and the Sawdusters – Midwest Heart / Southern Blues
Songwriter and frontman Nick Dittmeier has seen the struggles from all sides. Living on the Indiana side of the Ohio River in the greater Louisville, KY area, he can pull inspiration from the evisceration of the coal economy, the dilapidation of the Southern small town, and the abandonment of the Midwest as the traditional American agrarian culture is replaced by the rise of urbanization and corporate farming.
The struggles of the people left in these areas who are clinging to life in the only homes they’ve ever known, this is the inspiration that goes into Midwest Heart / Southern Blues, marking a nexus for the heartbreak that criss crossses all of America’s forgotten corners. Similarly, the inspiration for the music is drawn from true country, Southern rock, Heartland sounds, and riverside blues. The struggling people of American may have been forgotten by many, but most all are represented on this album. (read full review)
Blackberry Smoke – Like An Arrow
Blackberry Smoke isn’t just saving country music, they’re rehabilitating the status of all American music by baptizing it in the muddy waters of the all-immersive guitar riff delivered unencumbered and fully amplified, flying in the face of all notions of present-day style or trend that acquiesce to eepish tones and textures, shedding no tears if it leaves some of their previous mainstream fans or frail lightweights grasping their ears and heading for the exits as fire comes roaring out PA speakers like a primal country rock yawp.
Some extend their fandom to Blackberry Smoke from a love of country music. To others the Georgia-based outfit evidences a formidable expression of Southern rock. Still others hear more of a classic rock style to their music. But as pointy-nosed music types quibble about what to call it and where to draw the delineation lines, Blackberry Smoke is trucking right on by, sensing they’ve just now hit their stride by letting the inspiration of the music designate their path, and after taking multi-year pauses between recorded projects to evaluate and asses, they’re now laying on the gas and not looking back. (read full review)
Courtney Marie Andrews – Honest Life
Life has a way of selling us on lies that seem so promising and resolute when we embrace them, but ultimately reveal themselves as the antithesis of discovering our true selves. Music in some cases stokes these fanciful ideas and pursuits, nudging us into parts unknown in search of something that in many cases is just not there, or at least not there for most of us.
It’s the “Ramblin’ Man” of classic rock and Outlaw country, and the free spirit of folk that inspires us to take like a bird to flight and follow wherever the Universe takes us. It’s these romantic Kerouac notions that set the young American adult in tumultuous motion. Sooner or later youthful indiscretion and wanderings usually give way to the wisdom of life, and usually, the understanding that love and family is the underlying nucleus of everyone’s human experience, and the essential ingredient to happiness.
Our favorite albums and songs many times go on to define the important eras in our lives because it’s what we’re listening to at that time. This album defines an era in life in a similar manner, but it a way that resonates whether you’re heading into, currently living through, or recalling the time in life when you truly become yourself, slough off the youthful pride and fanciful notions that freedom at all costs isn’t its own form of prison, and are ready to love the people who will always love you back, whether you’re coming or going. (read full review)
Jack Ingram – Midnight Motel
Jack Ingram wanted to let everyone know as soon as they turn this record on that he doesn’t give a damn anymore about “making” it in music, or making tons of money from it. That’s all in the past. Finito. If he does make money henceforth, it will be on his terms. And just in case you question his resolve about this after hearing some of the stuff he released on Big Machine, Jack’s gonna yammer a bunch in between songs to show you he’s serious that he doesn’t want anything more than regional radio touching this stuff.
Midnight Motel is not just an album, it is an experience. Many artists try this, but Jack Ingram, producer Jon Randall, and his Beat Up Ford Band pull it off. There are so many great songs, but there’s maybe even more better moments. There’s a song called “Blaine’s Ferris Wheel” about a concert promoter in San Angelo that starts off with Jack telling a long-winded story about Blaine and how he once booked Merle Haggard. To be frank, the story that Jack tells sort of meanders and is hard to keep up with. But when he sings the song right after you hear the story, it becomes this brilliantly unfurling masterpiece where every turn of the story is enrapturing and ripe with warmth and wisdom.
So many of these Texas country artists are saddled by past trespasses in the eyes of certain country purists who scoff when they simply see their names. But the loss is theirs. Jack Ingram has paid the dues, fought the battles, seen it all, and now can sing about it with authority. It’s easy for some to sit back and swear they’d never sell out when the truth is they never had the chance to because they’re either not talented enough or too lazy. Meanwhile Jack Ingram has seen both sides of the coin, is man enough to admit he went dancing with the devil, yet made it back in one piece and made a record that not only atones for any past transgressions, but is bred specifically from those lessons while being fearless in its approach and articulating things no ordinary 13-track record could ever convey. (read full review)
Kelsey Waldon – I’ve Got a Way
In 2016, most would never choose “classic country” as a job description; it’s only something that must be chosen for you by forces out of your control, with no option of wiggling out of your obligation. It’s just too debilitating of a life’s purpose, more than likely leaving you with heartache and disappointment as you try to eek out enough attention for your efforts to justify existence. Yet it can ultimately be incredibly rewarding in ways much richer than financial success.
Kelsey Waldon’s sophomore album I’ve Got A Way is a fiercely-classical, traditional country album through and through, cover to cover, with songs of heartbreak and healthy amounts of steel guitar slathered across the tracks generously, and her undeniable country roots grounded in the curiously-titled hometown of Monkey’s Eyebrow, Kentucky sticking up through the surface like the trip hazard veins of some great oak tree. And that’s most of what you’ll hear about Kelsey and this album. And though this is all true and a material asset to her effort in the minds to classic country’s often lampooned, but fiercely loyal fans, there’s something much more underlying going on in this record that many may miss.
I’ve Got A Way is not just classic country gold delivered in the modern realm, it is an allegorical voyage delivered in mutable, yet intertwined themes that delve deep into the material journey the soul must take when trying to navigate its path through life past all manner of travails, and pitfalls veiled as pots of gold. This album is about the test that life poses to see if one is strong enough to hold onto themselves. A classic country performer is going to know this journey all too well because nothing except the prodding from some diehard fans and an eternal drive inside is going to keep them soldiering forward. (read full review)
Lori McKenna- The Bird & The Rifle
The typical specimen of the ones we envision helping to save country music are usually young, angry, post-punk and thick-skinned honky tonkers with a penchant to swear in their music and wax aggressively about the ill’s of today’s country with a middle finger wagging at Music Row. But what if the effort to return country music to its past glory is just as much, if not more in the hands of 30-something and middle-aged songwriting women, who on the surface may not strike one as having the fortitude for a fight, but through their words and songs can find an important way to contribute to the cause of returning country to its high water mark, not through cussing and demagoguery, but through setting an example of the type of substantive efforts that make folks proud to count themselves among the ranks of country fans again?
Who would place the burden of trying to inch forward the entrenched and oligarchical ways of mainstream country’s stodgy iron works in the hands of a mother of five living in Massachusetts like Lori McKenna? Not many, including probably themselves. Yet in 2016, they are some of the most responsible for forward progress. These women are not trying to save country music. They’re just trying to put what they feel into words in a way most of the rest of us can’t. They possesses the virtue of insight and the talent to articulate it in a way that compels you to listen intently.
Lori McKenna’s The Bird & The Rifle is not going to become some major blockbuster because despite all the efforts, country women continue to be ignored. But to the listeners that matter, it will loom large, and possibly larger than any other release. It’s also an excellent bridge between independent Americana and the radio mainstream because McKenna can exist in both those worlds. And most importantly, it is exquisitely written, with one insightful turn of phrase after another. It’s a songwriter’s album in every sense, and a joyful experience. (read full review)
Doug Bruce – Unsung
Unsung is no vanity project meant as something to be passed out at the next family gathering; far from it. Think of this album more like a time capsule that has been unearthed with some of the best music written during the golden age of country that never saw the light of day, so it’s still fresh and new to your ears. And by going through his uncle’s entire song catalog to find the best selections, it’s like a Greatest Hits collection from some long lost legend at the same time. Put an absolutely stellar band and perfect arrangements behind all of this, and all of a sudden you have an astounding country music album that is both incredibly fresh, yet entirely classic.
You come for the music, which is lavished with steel guitar and twang and traditional country tones in a perfect representation of the material, but you stay for the songwriting. It’s unreal how songs like “The Tears” and “Greatest Expert” were never super hits back in their day, and quite frankly I’m not sure songs like these could be written by modern songwriters even if they tried. It takes the perspective of the 50’s and 60’s to pen such authentic country sentiments, yet I can’t stress enough the magic in this music since you’ve never heard it before. It’s like hearing Hank Williams again for the first time. (read full review)
The Cactus Blossoms – You’re Dreaming
Under the wide shadow being cast by Dave Cobb and his recent producership efforts, throwback rock and roll musician and songwriter JD McPherson has been putting together one fierce run of excellent albums himself. The Cactus Blossoms were flattered when McPherson called them and wanted to make an album, and the result was magic.
It feels like almost an insult, or at least a fruitless enterprise to entertain the idea that one could express in words what the harmonies of The Cactus Blossoms do for stirring the soul, so I won’t even try. But upon all the other accolades You’re Dreaming deserves, the tops might be the quality of singing evidenced, and not just in the close harmony style indicative of the Everlys and Louvins before them. Even in individual moments, both Jack Torrey and Page Burkum give such purity to the words and sounds, you have no choice but to go back 50 years to find comparisons.
A band like The Cactus Blossoms is still a niche enterprise for sure, and so the appeal won’t be felt by everyone. But the artistry is virtually unmatched, and the result is near perfection. (read full review)
December 5, 2016 @ 9:12 am
My personal favorites this year are Whiskey Myers – “Mud”, William Michael Morgan – “Vinyl”, Cody Jinks – “I’m Not the Devil” and Brent Cobb’s “Shine on Rainy Day.” Out of those, I have to go with Cobb’s as my favorite. It’s been getting lots of playtime on my ipod. I was surprised not to see him on your list. From your list, my vote is 100% for Cody Jinks. He’s definitely #2 on my list this year.
December 5, 2016 @ 10:14 am
Totally agree with you Randy. Cody Jinks would take my top spot from this list, with Whiskey Myers in a close second (really like the song “Frogman”).
December 5, 2016 @ 1:29 pm
Blackberry Smoke.
December 11, 2016 @ 8:56 am
I choose Erik Dylan Fishing Alone. Great guy with an awesome song.
December 5, 2016 @ 9:17 am
Cody Jinks or Lori McKenna should win or split it, imo.
December 5, 2016 @ 1:05 pm
My thoughts exactly.
December 5, 2016 @ 9:28 am
Well, you’ve got three of my top four of the year with Kelsey Waldon, Cactus Blossoms, and Dori Freeman. Margo Price was my favorite, though.
December 5, 2016 @ 9:29 am
Cody Jinks Lori McKenna have my pick, I’ve been listening to both of them for months now and have annoyed everyone I know talking about them.
December 5, 2016 @ 9:34 am
Cody Jink!!!!!!!
December 5, 2016 @ 9:35 am
This year I’ve enjoyed:
Cody Jinks “I’m Not the Devil”
Jon Pardi “California Sunrise”
Flatland Cavalry “Humble Folks”
Brent Cobb “Shine on Rainy Day”
Lastly, I’ve really been diggin’ Western Centuries’ “Weight of the World”
December 5, 2016 @ 9:36 am
Jinks or my personal favorite mud by whiskey myers
December 5, 2016 @ 9:37 am
Cody Jinks… Yep
December 5, 2016 @ 9:37 am
On this list, Cody Jinks is hands down easily the best album.
December 5, 2016 @ 9:38 am
My vote goes to William Michael Morgan
December 5, 2016 @ 9:39 am
Cody Jinks hands down! I have seen alot of concerts even though I’m only 29 and he was 2nd behind Merle Haggard who I saw 4 Times. Cody blew the roof off the place. I have all his cds and he is outstanding.
December 5, 2016 @ 9:40 am
Cody Jinks
December 5, 2016 @ 9:41 am
Yes, I think Brandy Clark is a huge omission from this list. 🙂
Insofar as these go, Cody Jinks wins going away with Jack Ingram in second and Blackberry Smoke and Laurie McKenna in a dead heat for third. Had she been there, I would have substituted Brandy for Laurie.
December 5, 2016 @ 9:50 am
Brandy Clark was on this list until the list got so long I had no other choice but to start making tough decisions and taking people off of an already ridiculously long list of nominees. She will be at the very top of the Essential Albums list.
December 5, 2016 @ 9:42 am
I usually put up a fight for mainstream release here, but I can’t think of one mainstream country album that I gave more than a couple of spins this year. Not a great year for popular country. I thought last year had a lot of solid releases. Hopefully a lot of those artists will release something solid in 2017.
December 5, 2016 @ 9:52 am
Brandy Clark’s “Big Day in a Small Town” is definitely a good one, though it’s hard to call it mainstream when radio and the industry will barely support her. William Michael Morgan’s “Vinyl” also deserves mention. Sometimes I put together a separate list of the best mainstream stuff in a year, and I might do so again in 2016. There were a bunch that were right on the bubble as nominees.
December 5, 2016 @ 11:19 am
Yes. Please make the mainstream Best of List for 2016. I really value your opinion and would like to hear your thoughts.
December 5, 2016 @ 9:43 am
Loretta Lynn: Full Circle & White Christmas Blue (both of them)
December 5, 2016 @ 9:45 am
Cody Jinks hands down.
December 5, 2016 @ 9:48 am
Good work, Triggerman.
Of all the albums reviewed here this year, my favorite was Upland Stories by Robbie Fulks, which is #2 in my top ten. Right behind at #3 was Courtney Marie Andrews’ Honest Life. So that one’s my favorite out of those listed here. Also, a big fan of the Cody Jinks, Kelsey Waldon and Dori Freeman albums.
I guess the Tami Neilson album is actually a 2015 release? I think it was released in the US in 2016 but was available as an import in 2015.
December 5, 2016 @ 9:58 am
Tami Neilson’s new album is excellent, and one of the bad things about releasing lists like this is it looks like you’re downplaying certain albums that shouldn’t be downplayed at all.
This didn’t reflect in my decisions at all, but both Tami and Austin Lucas got hurt this year by having different release dates in different parts of the world, Tami especially because it was so long between the release dates. These independent artists need the momentum of a full, worldwide release to bust through the noise of so much music to get the proper attention they deserve.
December 5, 2016 @ 9:59 am
“Don’t Be Afraid” was released in 2015 overseas in New Zealand.
September 2016 in Canada/USA
December 5, 2016 @ 1:10 pm
Love the album, Jay. Was just listening to it last night on our three hour trip home from our daughter’s soccer tournament. Actually, Dynamite and Don’t Be Afraid back to back. Great albums.
December 5, 2016 @ 9:52 am
Kelsey Waldon wins my vote. I’m still listening to the album months after the release. Like any great record, it somehow leaves you wanting more, yet satisfied with the ride. Much like the Sturgill/Laur stars aligning, Brett Resnick’s steel work with Kelsey’s drawl is a constellation all its own.
December 5, 2016 @ 10:00 am
Something tells me we’re going to be hearing a lot about Brett Resnick in the coming months and years, or at least we should. He might be my favorite side player at the moment, right up there with Whitey’s Brett Robinson.
December 5, 2016 @ 9:56 am
Margo Price “Midwest Farmers Daughter ” should be included.
December 5, 2016 @ 10:54 am
Margo Price has enjoyed an amazing year, and traditional country has prospered because of it. No doubt “Midwest Farmer’s Daughter” is a solid freshman effort from Margo, and I really look forward to what she does now that she will have her pick of players, producers, and facilities moving forward. But to be frank, when you put that record up beside the others on this list that were meticulously crafted and loved in the studio, it just doesn’t hold up. That’s not to say it isn’t a solid album, or that Margo Price isn’t amazing to see live, but the quality of the recordings is just lacking, which is not surprising seeing how it was put together on a shoestring budget. Margo Price is not going anywhere, and I’m sure she will have many other opportunities to be included on a list like this. But despite her darling status with many of the critics assembling end-of-year lists at the moment—many that only know country from the outside looking in—I want traditional and independent country music to put their best foot forward when presenting the “best of” 2016, and in my opinion “Midwest Farmers Daughter” falls short compared to these other projects.
December 5, 2016 @ 10:07 am
My favorite album of 2016 was Mo Pitney “Behind This Guitar.” Out of the ones listed I would vote for Mark Chesnutt, “Traditon Lives” it’s a great record!
December 5, 2016 @ 10:16 am
My favorite albums of 2016 are William Michael Morgan’s “Vinyl”, Miranda Lambert’s “The Weight of These Wings”, and Jon Pardi’s “California Sunrise”. My personal best album of 2016 is William Michael Morgan’s “Vinyl”. But of those listed, I would go with the Mark Chesnutt album.
December 5, 2016 @ 10:20 am
I am so glad to see Courtney Marie Anderews here; I think she and Dori freeman produced the two best albums of the year. Both stay with you and are excellent in songwriting, production, and vocals. It’s hard to pick between the two of them. Just under those two are Lori McKenna, Cody Jinks, Margo Price, who I am a bit surprised not to see here, Dave Cobb’s Southern Family, and Miranda Lambert. Definitely would pick Lambert’s as best mainstream album, if you can really call it mainstream. Mark Chesnutt is probably just under that, I am glad to see it getting mentioned, but it falls a bit short for my album of the year. Having said that, “Is it Still Cheating?” is one of the best songs of the year. I couldn’t really get into Kelsey Walden; there’s no doubt it’s good songwriting, but just not my thing, much like Karen Jonas. I have heard from a growing number of people that I need to hear Midnight Motel, so I guess it is time. 🙂
December 5, 2016 @ 10:21 am
CODY JINKS!!!!
Easily. No need to go any further.
December 5, 2016 @ 10:25 am
In my opinion, Cody Jinks hands down. For me, I’m Not the Devil is the best album put out in a long, long time in any genre. I have to give a nod to Kelsey Waldon too
December 5, 2016 @ 10:27 am
Out of the list above, gotta go w/ BBS or Cody Jinks.
December 5, 2016 @ 10:34 am
JINKS!!!!
December 5, 2016 @ 10:45 am
Nick Dittmeier & Sawdusters album is criminally underrated, very glad to see it on here!
December 5, 2016 @ 5:42 pm
Agreed. I’ve seen him several times and he’s great!!
December 5, 2016 @ 10:47 am
This is a great list, including some I need to take a second listen to. For my money, Jack Ingram made the best album of 2016.
December 5, 2016 @ 10:49 am
this list isn’t as strong as I’d hoped the problem is that a lot of really great albums got overlooked. Kelsey Waldon and Dorui Freeman are on here but somehow the more influentail rceords like Strugill Simson got omitded?why not teh new dale watson wasn’t that alsumb a serous ocntender for the top slot it was my favortei of this yera’s albmus. Of this list I think Nick Deitmmeister should get the top slot it’s problaby the better album. or Blackbery smoke this new album was so much better than the last one andn it has the commercial success to back up the critical acclaim wherewas Dittmeier didn’t shift near as many units. My top three are Codyjinks, nick dittmeier and Blakbuerry smouke. I mean I’m glad strugill simson isn’t on here, as much as his record deserves it for the critical acclaim and cultural importance of being so successful I’ve heard it all a hundred times now everyone knows about Sturgill so even though from a critical stabdpoint it makes sense that the top spot should be his it kinda seems unfair to the other artists who would bebnefit more like Nick Dittmeieer he’s made such a great lbum and I can’t help but think that everyone shoul it’s such a great album and it blows away bthe others on this list. the songwriting and the production are just so gorgeous and it’s really an engaging album from start to finish and I love the album art.
December 5, 2016 @ 11:03 am
Master Spleen,
I’m not exactly following you here. It seems like you’re criticizing me for not including Sturgill Simpson, and then also giving me credit for it.
I’ll say this about Sturgill Simpson, and I may refer back to this comment many times in the coming months:
Sturgill Simpson’s NEXT album will be his biggest yet, and have his biggest cultural and commercial impact in country music and beyond, even bigger than “Metamodern Sounds.” Mark my words.
“A Sailor’s Guide” is a great record, but it’s something he did for his son, and wasn’t meant to have some big commercial or critical impact in the marketplace. It still did to some extent, but it was a pause in his career to reflect and say thanks to his family. His next album is where the real impact of Sturgill Simpson on a major label will be felt.
December 5, 2016 @ 11:06 am
As for Nick Dittmeier, I wholeheartedly agree.
Folks are going to overlook him and Doug Bruce just because they don’t recognize the names. But there’s a reason I included those records here, and not records by Sturgill Simpson or Margo Price. “Midwest Heart / Southern Blues” might be the album I listened to the most in 2016. I encourage everyone to check that record out.
December 5, 2016 @ 4:30 pm
I wasnt trying to be confusing. my paologies for being unclear. I meant that Sturgill probabky deserved the top slot for his commercial relevance, but in giving it to him, no matter how deserved it detracts from the exposure the other artists get. Strugill is a great performer and the new album is great but High Top was my favorite, and in terms of sales, tour, profits, he’s heads above anyone on this list and probably deserves ot eb at teh top and be the big name of 2016 BUT everybody already knows about this. It’s a given that he was going to be there by rights because the album made such a splash.
So Its good that isnstead of just putting him there by default becuz of the numbers that somebody else who needs teh exposrue gets a chance to make more money.
Nick Dittmeier is my bote for this year’s best album in the absense of sturgill although I wonder why dale watson’s newest wasn;t here.
it’s hard to explain so I hope i make sense i just think that even though sturgill “earned” akbum of the year that it’s not “fair” to the oter artists since it was a forgone conculsion as soon as he announced he was recroding nwe music.
December 5, 2016 @ 4:47 pm
Got it Master Spleen. I think we agree.
December 5, 2016 @ 10:51 am
cody jinks
December 5, 2016 @ 10:52 am
Margo Price for me. Probably my favorite this year across all genres.
December 5, 2016 @ 10:52 am
Really glad that Maren Morris is nowhere near this list. I agree wholeheartedly with your review of HERO, and I will never understand why that album is getting the critical acclaim that it is getting. Seems like folks are tripping over themselves to see how high they can put it in their Best of 2016 lists and if you believe the people at Billboard then she is poised for a BIG day tomorrow when Grammy nominations are announced. I don’t get it.
Anyways, my favorite amongst the list above is Cody Jinks but can’t go wrong with any of them.
December 5, 2016 @ 10:54 am
I have both I’m Not the Devil & Midnight Motel and love them both. But if I had to choose it would be Cody Jinks’ I’m Not The Devil
December 5, 2016 @ 10:55 am
Blackberry Smoke
December 6, 2016 @ 7:19 am
Definitely Blackberry Smoke. So creative and smooth. Love those guys!
December 5, 2016 @ 11:09 am
Glad to see the Jack Ingram album on here.
December 5, 2016 @ 11:10 am
I’ll Cody Jinks any time .!! I’m Not The Devil !!!
December 5, 2016 @ 11:10 am
BLACKBERRY SMOKE
December 5, 2016 @ 11:12 am
These have been my favorites: Cody Jinks, Margo Price, Dallas Moore, Whiskey Myers, Aaron Lewis, The Devil Makes Three, Reckless Kelly, Mo Pitney, Dwight Yoakum, Midland, Bradley Walker, Jesse Dayton, Zane Williams, Caleb Klauder, Emi Sunshine, Greg Payne and the Piedmont Boys, Wheeler Walker Jr., Sam Riggs, Nikki Lane, Erik Dylan, Blackberry Smoke, Josh Brannon band, Mike and the Moonpies, Jack Ingram, Matt Woods, Randy Rogers Band, Austin Lucas, Flatland Calvary,
December 5, 2016 @ 11:14 am
My choice out of these would be Cody Jinks. His album is tied with two others as my favorite. The other two are: Carolina Ghost by Caleb Caudle and Undercurrent by Sarah Jarosz. I can’t remember if either of those were reviewed on SCM or not, but I’d highly recommend giving them a listen. Other honorable mentions would be: Rob Baird, Whiskey Myers, Elizabeth Cook, The Brothers Comatose, Sturgill Simpson, Parker Millsap, Jamestown Revival, Sara Watkins, Sierra Hull, Balsam Range, Randy Rogers, Reckless Kelly, Miranda Lambert, Matt Woods, and Lydia Loveless. There’s many others as well but it would take too long to list them all. Lots of great music released this year!
December 5, 2016 @ 11:20 am
Blackberry Smoke
December 5, 2016 @ 11:30 am
My year’s favourite COUNTRY records
George Strait ‘ COLD BEER CONVERSATION’
Cody Johnson ‘ GOTTA BE ME ‘
The Cox Family ‘ GONE LIKE THE COTTON ‘
Loretta Lynn ‘ FULL CIRCLE ‘
Mark Chesnutt ‘ TRADITION LIVES ‘
December 5, 2016 @ 11:31 am
Nice list. Thought for sure Luke Bell would be a contender.
December 5, 2016 @ 12:20 pm
He was, he is. I just had to cut the line somewhere. He’ll be at the very top of the Essential Albums list.
December 5, 2016 @ 6:25 pm
I’m not sure what to do with the Luke Bell album. 1/2 the songs were on the independent album that I ranked high in 2014. It feels more like an EP and shouldn’t be included in this years albums.
December 5, 2016 @ 7:07 pm
I love me some Luke Bell.
The dude is country to the bone.
Anyone know why he cancelled his tour?
December 5, 2016 @ 7:59 pm
I can’t believe this is the first I’m hearing this! His last FB post was 11/14. On 11/3 he replied “we’ll be back” to a fan asking the same question. Strange.
December 5, 2016 @ 9:16 pm
I have made some inquiries. If there’s something to report, I will report it. At the same time, I don’t want to invade the dude’s privacy.
December 5, 2016 @ 11:32 am
I guess I’m in the minority here, but of those albums that I have heard, Tradition Lives is my favorite. In fact, I listened to it twice today before I even saw this article. I know, Chesnutt doesn’t write his own stuff, but he can sure sing ’em. I’m a huge Cody Jinks fan as well, but I think Adobe was a better album than I’m Not the Devil. He’s got several great songs on the new one, but overall, it’s hard to follow up Adobe. I couldn’t get the whole Midnight Motel vibe and though I love southern rock, I can’t just sit and listen to Blackberry Smoke like I can good traditional country. Regardless, good list Trigger, can’t wait to see your Song of the Year list.
December 5, 2016 @ 11:33 am
From this list, I agree with many that Jinks is the best. That stated, my favorite 3 in the genre this year were Sturgill, Drive By Truckers and Margo Price. Its not country per se, but the Shovels and Rope album is also fantastic.
December 5, 2016 @ 11:41 am
BLACKBERRY SMOKE!!!!
December 5, 2016 @ 11:51 am
Jinks!!!
December 5, 2016 @ 11:55 am
Blackberry Smoke. Like An Arrow
December 5, 2016 @ 11:57 am
The only album on this list that I’ve heard most of the songs is Blackberry Smoke’s, but to me it is awesome, I couldn’t imagine the others beating it for me
December 5, 2016 @ 12:03 pm
Blackberry Smoke!
December 5, 2016 @ 12:07 pm
Great to see the love for Cody Jinks! His latest is the best I’ve heard all year, followed by Blackberry Smoke, and, perhaps, Mo Pitney.
December 5, 2016 @ 12:12 pm
Love your writing on Chesnutt. Totally agree. My favourite record this year, followed by WMM. Best song: “Missing”. Best discovery: Kevin Moon
December 5, 2016 @ 4:52 pm
I’ll have to say Chesnutt’s album, too, though all of these are outstanding. Also, these album covers are beautiful.
December 5, 2016 @ 12:15 pm
Blackberry Smoke their the best
December 5, 2016 @ 12:20 pm
My personal favorites of the year were Luke Bell’s and Pat Reedy’s album; however, I completely understand the difference between a favorite album and an album of the year, so definitely not bitching or saying they should’ve been included. Just bored at lunch and saying..
December 5, 2016 @ 12:26 pm
Cody Jinks and the Honeycutters are my favorites this year.
December 5, 2016 @ 12:26 pm
Chesnutt and Jinks definitely have the best albums up there. I think Vinyl could be an honourable mention. California Sunrise has too many weak songs to be considered album of the year. Would’ve been funny to see Redneck Shit up there.
December 5, 2016 @ 12:26 pm
Just like last year, my vote would be for Cody Jinks.
December 5, 2016 @ 12:26 pm
Kelsey Waldon for the win. CJ #2.
December 5, 2016 @ 12:27 pm
I don’t want to engage in boosterism, so I’m just voting for things I don’t have an interest in:
Sturgill Simpson
Courtney Marie Andrews
Dori Freeman
Angel Olsen
Maren Morris (sorry, Trig)
This Is: UGK (Spotify playlist)
December 5, 2016 @ 5:05 pm
Well to be fair, Maren’s album actually sucked
December 5, 2016 @ 12:30 pm
a few of my 2016 faves:
Aubrie Sellers “New City Blues”
Blackberry Smoke “Like An Arrow”
Vince Gill “Down to My Last Bad Habit”
Whitey Morgan “Born Raised & Live From Flint”
Miranda Lambert “The Weight of These Wings”
Jon Pardi “California Sunrise”
December 5, 2016 @ 12:46 pm
Down to my Last Bad Habit is pretty good, but as a Vince Gill fan, everything else he does just blows it out of the water, in my opinion. It’s like, you listen to the whole thing. Good album, cool 80’s r&b influence, great vocals. And then “Sad One Comin’ On” comes on, and all the goodwill you feel towards it goes out of the window when you realize what Vince can do with a guitar and that voice. Just my opinion.
December 5, 2016 @ 5:46 pm
Vince is that guy who could sing Twinkle Twinkle Little Star and have you in tears . He can lay down a tele solo with more taste , phrasing and soul than just about anyone out there including the Paisely’s and the Urbans . But I agree whole-hardheartedly with you when it comes to his songs Megan . I ‘d love to hear Vince put together a record of GREAT songs by writers NOT named Vince Gill . I mean …GREAT songs that his voice and his playing would do serious justice to . His latest record just falls through the cracks , in my opinion . Weak , cliched and borderline trite lyrics and some very generic-sounding tracks , albeit , wonderfully put together .
December 5, 2016 @ 12:39 pm
Cody Jinks of course
December 5, 2016 @ 12:44 pm
BlackBerry Smoke!
December 5, 2016 @ 12:52 pm
BLACKBERRY SMOKE “LIKE AN ARROW” BEST OF THE BEST YET…..! In today’s music only one stands out as the revitalize Southern Rock and Blackberry Smoke is the ramrod of the movement! Greg Allman himself agree’s with that statement as do hundreds of music writers and blogs alike. Hands down the only choice here.
December 5, 2016 @ 12:53 pm
BLACKBERRY SMOKE!!!! <3 <3 <3
December 5, 2016 @ 12:59 pm
My top 10 are
Sturgill Simpson ~ A Sailors Guide To Earth
Cody Jinks ~ I’m Not The Devil
Whisky Myers ~ Mud
Richmond Fontaine ~ You Can’t Go Back If There’s Nothing To Go Back To
Brandy Clark ~ Big Day In A Small Town
Hayes Carll ~ Lovers and Leavers
Blackberry Smoke ~ Like an Arrow
Margo Price ~ Midwest Farmers Daughter
Luke Bell ~ Like Bell
Shovels & Rope ~ Little Seeds
norrie
December 5, 2016 @ 1:03 pm
Cody Jinks – I’m not the Devil
December 5, 2016 @ 1:05 pm
Not that I wish bad luck on him, but I’m glad to see Mo Pitney’s album not on this list. It’s way too melodramatic. It’s still good but I cringe at certain lines throughout. Recent single “Everywhere” is perhaps the only song that panders to the mainstream but it’s lack of cheesiness actually made it one of the better songs on the album.
December 5, 2016 @ 1:25 pm
Blackberry Smoke. Album after album their work just keeps kicking ass. You can’t classify them, they just make awesome MUSIC. The Greats have noticed their talents and been proud to work with them. The Possum, ZZTop, Gregg Allman, Lynyrd Skynyrd, and others, have all worked with them and know they are a force to be reckoned with. Thank the heavens we’ve been given Blackberry Smoke.
December 5, 2016 @ 1:33 pm
Kim Dunn I love my Blackberry Smoke this band is the best around anywhwre!!! I have been following them for four years now and they keep getting better and better!!! They are just awesome people and musicians!!!! I love them!!! Sister Big Hugs!!!!!! And I love that they write all their own music!!!!
December 5, 2016 @ 1:38 pm
Here’s my top 10 right now. Not all of this is SCM related, but there’s definitely some overlap:
1. Hiss Golden Messenger – Heart Like a Levee / Vestapol
2. Steve Gunn – Eyes on the Lines
3. Scott Hirsch – Blue Rider Songs
4. Sturgill Simpson – A Sailor’s Guide to Earth
5. Heron Oblivion – s/t
6. Tedeschi Trucks Band – Let Me Get By
7. Mandolin Orange – Blindfaller
8. Durand Jones & the Indications – s/t
9. Itasca – Open to Chance
10. Kelsey Waldon – I’ve Got a Way
Heard Courtney Marie Andrews just last week and I have her at #18, but she could crack the top 10 before its all through. A few other country/Americana records worth mentioning:
Karl Blau (don’t recall if this was ever covered here, but its a covers record done in a sort of countrypolitan vein)
Luther Dickinson
Dylan Golden Aycock
Caleb Caudle
Margaret Glaspy
December 5, 2016 @ 1:46 pm
Blackberry Smoke, they’re the best out there!
December 5, 2016 @ 2:07 pm
My top ten for 2016 albums:
1. Cody Jinks. I’m not the devil
2. Austin Lucas
3. Pat Reedy
4. Kelsey Waldon
5. Kaleb Klauder and Reeb Willms
6. Chelle Rose
7. Sturgill Simpson
8. Margo Price
9. Alejandro Escovedo
10. Jack Grelle
December 5, 2016 @ 2:29 pm
Other essential albums for 2016:
Justin Wells
BJ Barham
Jackson Taylor
Parker Milsap
Reckless Kelly
Mandolin Orange
Jeff Shepherd
Nick Dittmeier
The Divorcees
Robbie Fulks
Urban Pioneers
Hayes Carll
Western Centuries
Nathan Kalish
Sweet GA Brown
Chris Stalcup
Dori Freeman
Bonnie Bishop
Flatland Cavalry
Brent Cobb
Blackberry Smoke
Lori McKenna
Erik Dylan
Caleb Caudle
The Handsome Family
Jamestown Revival
The Devil Makes Three
Greg Payne and the Piedmont Boys
The Americans – First Recordings EP
December 5, 2016 @ 2:33 pm
Out of these, Dori Freeman, then Cactus Blossoms. Left Arm Tan is my top album this year.
December 5, 2016 @ 2:36 pm
A lot of good stuff here. I’d probably put Cody Jinks as my favorite with March Chesnutt number two.
December 5, 2016 @ 2:53 pm
Check out Sickstring Outlaws based in San Diego… They are very worthy of Nomination….
December 5, 2016 @ 3:27 pm
From the list its a no-brainier: Cody Jinks “I’m Not The Devil”
“Mud” and “Like An Arrow” are nice efforts that should have some consideration.
One that is missing is Matt Woods “How To Survive” heck of an album.
December 5, 2016 @ 3:38 pm
Cody Jinks ,Easton Corbin are my plays of the day
December 5, 2016 @ 3:40 pm
Cody Jinks
December 5, 2016 @ 3:44 pm
My Top 10
1. Austin Lucas
2. Matt Woods
3. Sturdily Simpson
4. Ben Lewis
5. Ryan Scott Travis
6. Cody Junks
7. Jeff Shepherd
8. Chatham County Line
9. Wayne Hancock
10. Chris Stalcup
December 5, 2016 @ 3:44 pm
I need to check out many on this list, but for me, my vote goes to Rob Baird and “Wrong Side of the River”. I find myself more and more blown away by it with each listen.
December 5, 2016 @ 3:54 pm
My favorite album of the year has been “Mud” by Whiskey Myers, but my favorite on this list would be “Like an Arrow” followed by “I’m not the Devil”.
December 5, 2016 @ 4:14 pm
Dori Freeman’s effort is the one that seems to most consistently resonate to me across the board, among the finalists.
It’s not exactly one of the more ambitious projects you’ll come across by any stretch. But in a year inundated with a lot of attempts across all genres to reflect “maturity” and a “stripped down” approach in direct response to the backlash of excess and bombast that had defined much of the musical landscape since the beginning of the decade…………………yet still came across as tedious, synthetic and inauthentic………………Freeman’s debut epitomizes how a true understated, unadulterated and intimate effort truly sounds and it just makes for a gripping, poignant listen that commands your attention either way.
I’m going to be expecting for her to deliver a little more with her eventual sophomore effort, and she does kind of hint as to the possibilities with tracks like “Fine Fine Fine” with percussion more at the front of the mix and touches of Tennessee Ernie Ford on “Ain’t Nobody”. Either way, for a debut, this is about as impressionable and authentic as they come and demonstrates how intimate music is done.
“Honest Life” definitely resonates for fairly similar reasons, though I’d consider it more Americana than country. Still, it deserves an honorable mention. Outside of that, “The Bird & The Rifle” would probably be my runner-up selection. Ca’t go wrong with any of these releases though. =)
December 5, 2016 @ 7:20 pm
The Dori Freeman album is my most-listened-to album of the year. Lori McKenna would be #2. I am referring to my Top 10 as Dori, Lori and Eight Others 🙂 Well-written songs with excellent vocals and appropriate instrumental backing. What else does one need?
December 5, 2016 @ 4:22 pm
I would go with Nick or Justin Wells but I’m a homer and know both those fellas. Being impartial I will have to go with Cody Jinks. Saw him with Whitey Morgan and man he killed it
December 5, 2016 @ 4:24 pm
Blackberry smoke for my vote… Great band great album
December 5, 2016 @ 4:35 pm
Whisky Myers – Mud
Brandy Clark- Big Day In A Small Town
Hayes Carll – Lovers and Leavers
Blackberry Smoke – Like an Arrow
Margo Price – Midwest Farmers Daughter
Shovels & Rope – Little Seeds
John Prine – For Better, or Worse
Mary Chapin Carpenter – The Things That We Are Made Of
Brandy Clark – Big Day In A Small Town
Randy Rogers and Wade Bowen – Watch This
Cyndi Lauper – Detour
Dolly Parton – Pure and Simple
Wynonna Judd – Wynonna & The Big Noise
Willie Nelson – For The Good Times: A Tribute to Ray Price
Vince gill – Down To My Last Bad Habit
Various Artists – The Life & Songs Of Emmylou Harris: An All-Star Concert Celebration
I think this list of my some of my favorite Country albums from 2016 proves how in the right hands this genre can both speak to the full human experience and be a diverse art form.
December 5, 2016 @ 4:36 pm
1. Sturgill Simpson
2. Dori Freeman
3. Cody Jinks
December 5, 2016 @ 4:39 pm
Cody Jinks “I’m Not the Devil” has to be album of the year. Hands down, one of the best albumns I’ve ever heard from start to finish. Followed only by his last one, Adobe Sessions!
December 5, 2016 @ 4:40 pm
1. Jinks
2.Dittmeier
3. Bj Barham
Margo would be up there also but the production of her album is horrible, she would have been better off just recording one of her shows
December 5, 2016 @ 4:40 pm
Brandy Clark released my favorite album of the year but since she didn’t make the cut I will go with Blackberry Smoke.
December 5, 2016 @ 7:34 pm
It definitely was a solid album that I’d rank somewhere in my “Essential Listens” list.
“Girl Next Door” got in the way, though, and I also thought “Homecoming Queen” and “Soap Opera”, as much as they are consistent with the album, didn’t differentiate effectively from what you expect to see her write for Kacey Musgraves. They just didn’t really stand out or feel all that distinctive.
The latter half of the album is a true knockout, though. “Since You’ve Gone To Heaven” is quite likely a leading candidate for the top tier of my Best Songs of 2016 list. “Three Kids No Husband” will rank too.
December 6, 2016 @ 2:56 am
I completely agree. The first four songs keep it from being an excellent album (instead it is just very good).
December 5, 2016 @ 4:50 pm
Listen, Blackberry Smoke delivered my personal “best album of the year.” I bought a concert ticket based SOLELY off of the lead single, before hearing any of their previous work. I was front row for that concert and it blew me the f away. I bought some older albums from their merch booth but Like An Arrow was just spectacular. It’s everything I ever wanted in a band.
That being said, Lori McKenna deserves this award and it’s not even close.
December 5, 2016 @ 5:10 pm
I don’t feel too qualified since I didn’t listen to every album on the list. But for me, of the ones listed, it’s between Dori Freeman & Cody Jinks. The thing is being a man and totally consumed by outlaw country, I’m not the devil is the obvious choice. But since I don’t listen to often to female artists, and Dori made me not only stop and take notice, purchase the album, and then listen to it more than once, that’s worth extra points.
Wish i had listened to Mark chestnut and I like cactus blossoms but I overlooked this.
December 5, 2016 @ 5:12 pm
Before I read your list the first thing I thought of was Cody Jinks. And his turned out to be the only album on the list that I have listened to. I’ll check out the rest. Keep up the good work. What did you hear about the movie “Wheeler”?
December 5, 2016 @ 5:14 pm
I’m gonna base my list off what I chronologically bought from earliest to latest:
Ryan Scott Travis-Guadalupe Breakdown
Dori Freeman
Vince Gill Discography minus Guitar Slinger
Travis Tritt Discography
Sturgill Simpson
Randy Rogers and Wade Bowen-Watch This
Mark Chesnutt
Jack Ingram
Sarah Darling
Aubrie Sellers
Randy Rogers Band-Nothing Shines Like Neon
Garth Brooks and Trisha Yearwood- Christmas Together and Gunslinger respectively
Yeah I’ve had a pretty heavy musical year this year and I look forward to collecting more in the near future.
December 5, 2016 @ 5:35 pm
Of the albums listed, Kelsey Waldon gets my vote. (I haven’t heard all of the listed albums, but I have heard most of them).
For what it’s worth, my personal top ten is as follows:
1. Caleb Klauder & Reeb Willms – Innocent Road
2. Sturgill Simpson – A Sailor’s Guide to Earth
3. Kelsey Waldon – I’ve Got A Way
4. Dwight Yoakam – Swimmin’ Pools, Movie Stars…
5. Margo Price – Midwest Farmer’s Daughter
6. Luke Bell – self-titled
7. Cody Jinks – I’m Not The Devil
8. Loretta Lynn – Full Circle
9. Mark Chesnutt – Tradition Lives
10. Southern Family
Honourable Mention (in no particular order):
Brent Cobb – Shine On Rainy Day
Dori Freeman – self-titled
Brandy Clark – Big Day In A Small Town
Miranda Lambert – The Weight Of These Wings (specifically, the second album)
December 5, 2016 @ 5:42 pm
Listed alphabetically by artist, these are my 10 favorites across all genres. Also included are my five favorite reissue/archival releases. Kudos to Trigger for continually providing us with outstanding writing and coverage. It’s amazing when you consider this comes from one person and not a staff or writers. Other music sites come and go, this one keeps getting better. Important work, for sure.
FAVORITE 10 ALBUMS: 2016
This is Where I Live – William Bell
Nos Da Comrade – Peter Bruntnell
American Band – Drive-By Truckers
Dori Freeman
Heart Like a Levee – Hiss Golden Messenger
The Bird & the Rifle – Lori McKenna
You Can’t Go Back if There’s Nothing to Go Back To – Richmond Fontaine
Blue & Lonesome – The Rolling Stones (a top 10 Stones album)
A Sailor’s Guide to Earth – Sturgill Simpson
Schmilco – Wilco
FAVORITE REISSUE/ARCHIVAL
Final Wild Songs – The Long Ryders
Otis Redding Live at the Whisky a Go Go: The Complete Recordings
All My Yesterdays – Thad Jones/Mel Lewis Orchestra
The Definitive Collection – Porter Wagoner
Waxing the Gospel: Mass Evangelism and the Phonograph, 1890-1900
December 5, 2016 @ 5:48 pm
Cody Jinks. But I do wish Luke Bell was in the running
December 5, 2016 @ 6:57 pm
I made this comment earlier, but that fact that 1/2 of the songs were on his independent album (which I rated high in 2014) doesn’t discount the album for you? It feels more like an EP to me. I’m not sure what to do with the album.
December 5, 2016 @ 9:18 pm
When I first put the list together there were 16 nominees, which is too many. It took herculean effort, and I still couldn’t get it below 10. Luke Bell’s album was there initially, but the fact that half the songs were old was the justification I gave myself for leaving it off. Nonetheless, it’s a great record.
December 5, 2016 @ 5:51 pm
Courtney Marie Andrews – I can’t stop listening to her
December 5, 2016 @ 6:05 pm
ManI love this website. Thanks for spreading amazing music. Glad that I have already been listening to many of these musicians (thanks to scm) and looking forward to diving into the others.
On a random note, I’m working on a paper for my Critical Media Studies class in University looking at sexism in country music. I need to focus my essay on one song in particular… any suggestions from anyone welcome! (I tweeted scm as well.)
I’m thinking God Made Girls by Rae Lynn or Country Girl by Luke Bryan… am I overlooking a better (worse) one?
December 5, 2016 @ 6:40 pm
Don’t do it…
This subject has become more douchey than the music itself…
Every student in American colleges would pick this subject….
Pick something like, lets say….how country music has been watered down by mainstream media with performances like Beyonce’s in order to dilute the working class, god-fearing culture…which essentially what is happening…the powers to be have done everything possible to eliminate or mock what the country music culture used to be….that would be a more interesting topic…
December 5, 2016 @ 7:10 pm
I agree the topic is overdone, but in my (Canadian) class, country music is not something we have touched on, so for this audience it will seem fresh. Thanks for the suggestion, I will be incorporating some themes on “high” and “low” culture and perceptions of country music.
December 5, 2016 @ 9:43 pm
Either of those are fine options, but Chase Rice’s “Ready Set Roll” or “Whisper” are not bad options, and even though it wasn’t a hit, “Girl In Your Truck Song” is a good example.
Hope this helps, and good luck with your paper.
December 6, 2016 @ 6:48 am
Thank you!
December 5, 2016 @ 6:20 pm
No Sturgill!? I know everybody is going to have their gripes, but no Sturgill!?
My Top 10
1. Sturgill Simpson – A Sailors Guide
2. Hard Working Americans – Rest In Chaos
3. Luke Bell – Luke Bell
4. Karl Blau – Introducing Karl Blau
5. Cody Jinks – I’m Not The Devil
6. Hayes Carll – Lovers & Leavers
7. Mark Chestnut – Tradition Lives
8. Jon Pardi – California Sunrise
9. BJ Barham – Rockingham
10. Jack Ingram – Midnight Motel
December 5, 2016 @ 6:24 pm
Blackberry Smoke is the best thing to come along in a long time. Southern Country Rock is back !!!!!!