A large group of Todd Snider understudies, contemporaries, and fans assembled to remember Todd who passed away in November. Nothing about Todd Snider was ever “typical,” and neither could any tribute to Todd be.
When Todd Daniel Snider died on November 14th at the age of 59, it left a huge, gaping void in the songwriting community that won’t soon be filled, if ever. A tribute has come together in Texas.
The people of Texas haven’t forgotten about the tragic flooding in the Hill Country on July 4th, and continue to show up for their fellow neighbors, with no fatigue displayed.
Miranda Lambert, Parker McCollum, Kelly Clarkson, and Cody Johnson will headline the “Band Together Texas” benefit at Austin’s Moody Center on August 17th.
The music community is stepping up big time to make sure the folks affected by the flooding in central Texas and the Hill Country are made whole, and those who lost loved ones are enveloped by the rest of community.
She’s Miranda Lambert. And the argument can be made that Postcards from Texas is the most Miranda Lambert album that she’s made in years, swear words and all. This is who she is.
In Texas, songwriting is a different animal from what it is in Nashville, Los Angeles, or other places. Instead of trying to make hits, they’re trying to stand on the shoulders of the greats that came before them.
The Texas Heritage Songwriters Association is set to honor its new slate Hall of Fame inductees on February 24th at the Moody Theater in Austin, TX: Jack Ingram, Jon Randall, Ruthie Foster, Terry McBride, and Eric Johnson.
The misconception that Toby Keith helped launch Taylor Swift’s career comes from a now viral clip taken from a Channel 4 WSMV news story shot in 2005 that features a 15-year-old Taylor Swift singing and talking about her career.
Over his 40 years in the trenches as a songwriter, player, and producer, Keith Gattis became a superstar in country music, if not to fans at large, then to his fellow performers, singers, songwriters, and musicians.
Though you may not nerd out enough about country music to wonder how your favorite Texas/Red Dirt artists end up playing at your local watering hole or wind up on a festival lineup, it’s a very big part to how an artist or band either makes it breaks it in the music business.
Similar to Dierks Bentley, Miranda Lambert has been one of those mainstream artist that delineates herself from most mainstream contributors by following her heart, sometimes to the detriment of her commercial appeal or success, while then sliding right back into the good graces of the industry.
Mile 0 Fest has established itself as one of the premier destination events in all of country and roots music, especially if you’re into the Texas/Red Dirt side of things. Now after six years, Mile 0 Fest has its own traditions, it’s own nucleus of loyal patrons and regular performers, and a heap of fond memories.
For the last couple of years I’ve been noticing it. And if you’re a fan of Garth Brooks or just a general fan of country music, you may have noticed it too. There are an inordinate amount of people in the comments sections of anything having to do with Garth Brooks asking, “Where are the bodies Garth?”
If you’re looking for the band that veritably defines what Texas country music is today at its zenith of appeal and popularity, it is the Randy Rogers Band, period. And if you’re looking for a record that veritably defines the Randy Rogers Band, Homecoming might not be a bad choice.
As reported by Saving Country Music in July, a new 6-part, 12-hour documentary named ‘They Called Us Outlaws: Cosmic Cowboys, Honky Tonk Heroes, and the Rise of Renegade Troubadours’ is on the way, featuring over 90 interviews and 75 live performances, with Jessi Colter executive producing.
Extremely timely, the mid-tempo song delves head first into the unusual moments we’re all living through that have left many of us with unsettled feelings. Lines within the song such as, “Urban feels suburban, Main Street ain’t Main” and “Couple hundred dollars feels more like change” will immediately resonate.
A new country music documentary is on the way, courtesy of the Country Music Hall of Fame and executive producer Jessi Colter. Delving deep into the Outlaw era of country music like never before, They Called Us Outlaws will be a six-part series spanning 12 total hours.
It’s called ‘Palomino,’ and it’s a Miranda Lambert record. That means it includes some up-tempo sassy songs, and some slow and meaningful singer/songwriter songs. It means it’s more country than most of the mainstream, but not country enough for the country snobs.
The Grammy Awards Premier Ceremony transpired Sunday afternoon, and though some worthy artists and valued projects walked away with deserved awards, it’s hard not to describe 2022’s Grammy haul in country and roots as anything but somewhat deflating.
Texas music couple Bruce Robison and Kelly Willis announced the end of their marriage late last week, and with everything else going on, it may have been easy to miss the news, or to maybe gloss over just how significant this news is, and regard it simply as gossip.
If 90% of mainstream country music is bad, then it stands to reason that 10% of it must be good, or at least decent. So under the philosophy of celebrating what stands out in hopes it sustains, the idea that mainstream country fans deserve good music too, and to not be independent music music snobs […]
Any time Miranda Lambert releases the lead single to what is (presumably) an upcoming album, it’s worth stopping down and discussing, because it’s commonly a leading indicator as to what direction this modern queen of country music will point the brim of her Stetson.
Sure, if you’ve been working all week and were looking forward to getting your face rocked off this weekend by the kind of raucous show Eric Church brings live, you may be feeling a sense of disappointment at this news. But I’m here to tell you, you’ve lucked out.