Seven minutes after their new self-titled album hit streaming services at midnight Eastern, 9:00 p.m. Pacific, the greatest live country band in the world took the stage at the Jackalope Jamboree in Pendleton, Oregon.
Mike and the Moonpies? Silverada? The only names you really need to know are Mike Harmeier, Omar Oyoque, Catlin Rutherford, Zachary Moulton, and Taylor Englert. If they’re involved, it’s probably tits.
It’s not just some of the staggering one-liners McKeon delivers. It’s how he embeds them within stories, settings, and characters that really sell those lines as prophetic, and make you heed them, not just hear them.
Noam Pikelny—the banjo maestro and member of both The Punch Brothers and Mighty Polar—he said it best in his always humorous statements from the stage. “Telluride is like ‘Lord of the Flies’ meets the Grand Ole Opry.”
Molly Tuttle and her magnificent band Golden Highway played the penultimate set at the 51st Annual Telluride Bluegrass Festival, leaving it all out on the stage, and in the case of Molly Tuttle, bearing more than just her soul.
The world is a better place because the music of Sierra Ferrell. Country music is better because Sierra Ferrell plays and performs. You are a better person if you partake in the music of Sierra Ferrell.
Charley Crockett made his Telluride Bluegrass Festival debut at the 51st gathering Thursday night (6-20), and left a massive impression, putting on what might be the most animated and impassioned set of his career.
Billy Strings and Chris Thile opened the 51st annual Telluride Bluegrass Festival Thursday (6-20), and they didn’t have a “performance,” they had a conversation in a language that only these two maestros could possibly comprehend.
What we’re looking for here are legitimate Song of the Year contenders. This means were not searching for the catchy ditties and toe tappers. We’re looking for songs that elicit a deep emotional response.
Taking a novel, intriguing, and diverse approach to country music—but one that still nestles squarely in the genre and affirms its roots—Chasen Wayne has released an album that will pull you right in and demand repeat listens.
“…and the Southern rock gods from their perch way on high in country music heaven gazed down through the firmament to behold Taylor Hunnicutt and her debut album Alabama Sound. And they were pleased.”
“Fathers & Sons” is far and away the best-written album of Luke’s career. It’s also far and away the most country-sounding album of his career. Poignant, purposeful, heartfelt, and graced by perfect timing…
Jesse Welles might be a barely-known beat poet with a blonde Stella guitar singing his guts out with a broken voice out in the middle of the woods, and for all we know he may not be able to manage his sock drawer.
As we reach the halfway pole of the musical year, it’s time to reflect back on the best albums that have been released so far. There are some great projects that you should make sure don’t slip under your radar.
They may not know him from Adam out on Music Row in Nashville. But in West Texas and parts adjacent, Red Shahan is considered a cult hero, a cooler cat than most, and a songwriter’s songwriter.
With an uncommon adherence to country sounds for a contemporary popular artist, and bolstered by reams of clever songwriting and spirited performances, Carly Pearce turns in an inspired and compelling album.
Jesse Daniel brings a loaded down Peterbilt’s worth of full-tilt twang to this one, and puts all worries about “wHaT’s HAppeNeD To TOdAyS COunTRY mUsIc!” to bed. You want country music? Listen to Jesse Daniel.
Willie Nelson continues to mesmerize with the confidence of his delivery and the exploration of his aged, but character-laden voice. By exploiting the near century we have with Willie, it sounds like we’re listening to a deity.
Carefully curated like MerleFest and the Telluride Bluegrass Festival, it features an eclectic lineup each year. It’s not unusual to find legends and veterans of the traditional bluegrass scene, the jamgrass scene, and younger acts.
Yes, yes, and yes. Finally we have a Swamp Dogg album that fits in the country music world. It’s bluegrass. It’s “blackgrass” if you will. And it’s also decidedly a Swamp Dogg album, which means it’s all served with offbeat weirdness.
Years ago an up-and-comer like Jayce Turley would be lucky to cause a stir locally in Kentucky. Now this is the sound folks crave. But it’s only native to a few distinct voices. One of those voices is Jayce Turley.
Taking a quick detour from her towering albums of original songs, the “Pearl of Kentucky Country Music” Kelsey Waldon stops down to leave behind some signature versions of her most favored songs.
If you’re looking for some hard-charging, hard-twangin’, old-fashioned truck drivin’ honky tonk music, Bo Outlaw and Løiten Twang Depot kick in like a handful of truck stop Mini Thins with “Bars – Brunettes – Big Rigs.”
There’s not much better than a song from The Mavericks when they really get a hold of one, and do what The Mavericks do. You’re almost apt to forget or overlook them as a country fan, but you shouldn’t.