Jason Boland & the Stragglers Announce New Album “Last Kings of Babylon”
25 years doing anything is nothing to scoff at, especially when it’s the hardscrabble business of music. Neither is being one of the true originators of Red Dirt music like Jason Boland and the Stragglers. Since 1998, they’ve been defying odds, helping to define the indefinable sound of Red Dirt, and doing it without the aid of Nashville.
Now Jason Boland is gearing up to release the eleventh album in his arsenal, The Last Kings of Babylon, on March 14th, 2025 via Thirty Tigers. “This album is a mirror,” says Boland. “It’s a retrospective, a reflection of everywhere we’ve been and everything we’ve learned over the last 25 years on the road. These songs are about the journey. We were searching for something when we started this band, and we’re still out there searching for it now.”
To produce the album, Boland and the boys return to where it all began with legendary Texas/Red Dirt producer Lloyd Maines who also produced the band’s debut. It shouldn’t come as a surprise there’s a mood of reflection in the air. Not only is Boland celebrating 25 years of making music, he’s part of the massive “Boys of Oklahoma” gathering happening in Stillwater, OK April 10th-13th, 2025, which sold over 180,000 tickets behind the reunification of Boland’s Red Dirt brothers Cross Canadian Ragweed.
That said, Boland isn’t ready to rest on his laurels. “Our music has always been rooted in the folk tradition,” he says. “But with this album we figured out how to bring a little more power and intensity to the songs. We’ve reached another level as performers where we can push ourselves and our instruments while still staying true to who we are, which is a really exciting place to be.”
Along with seven original songs, Jason Boland and the Stragglers also cover the song “Drive” released by Jason Eady in 2017 and The Trishas in 2012, and co-written by Eady, Jamie Lin Wilson and Kelley Mickwee. There’s also a version of Randy Crouch’s “Ain’t No Justice,” as well as “Buffalo Return” written by Jimmy LaFave.
“Some people just weren’t meant to settle down,” Boland reflects. “They were meant to ramble and roam. There’s something healing about the idea of the buffalo returning to the plains, about people finding themselves where they belong and living the way they were meant to live.”
The album leads of with a song called “Next To Last Hank Williams” where Jason Boland sings, “Every generation has it figured / Then in the middle of the game the rules have changed / We all agree the mystery is bigger / Meanwhile that money stays the same / And the search is on for anyone to blame.”
The debut song from the album “High Time” can be heard below. The Last Kings of Babylon is now available for pre-save/pre-order.
Track List:
1) Next To Last Hank Williams
2) Truest Colors
3) Drive
4) Take Me Back To Austin
5) High Time
6) One Law At A Time
7) Ain’t No Justice
8) Farmall
9) Irish Goodbye
10) Buffalo Return
Michael
November 22, 2024 @ 8:15 pm
Saw him at troubadour fest in Celina and will be at the Boys from Oklahoma show.
Going to be a great celebration of all of those guys and the impact they’ve had on so many of us.
At his best Jason is such a beautiful and emotional song writer I was worried about his mental health. I’m excited to hear him keep kicking ass.
Megan
November 23, 2024 @ 1:26 am
Before Eady covered it, “Drive” was first released by the Trishas in 2012.
Trigger
November 23, 2024 @ 8:20 am
Good catch. The way I know that song is seeing Jamie Lin Wilson perform it over the last many years. I guess I didn’t trace it far back enough.
Scott S.
November 23, 2024 @ 7:30 am
Always happy to get some new music from Jason Boland and the Stragglers.Looking forward to it.
GM Slack
November 23, 2024 @ 10:48 am
Really looking forward to this. His last album, ‘The Light Saw Me’, seemed sorely underappreciated in the end of year retrospective.
Taylor
November 23, 2024 @ 7:39 pm
I am now two albums behind on these guys. Need to pick them up. Always enjoy their music. Seen in concert several times. Been a couple years need to see them again! The song Take Me Back To Austin has my interest as I have been daydreaming about Austin the last few days!
Dave Watkins
November 24, 2024 @ 4:14 am
Nice song but why do artists have to put singles about drugs out??
I won’t play this on my radio show, it limits who will hear it.
Mike W.
November 24, 2024 @ 7:46 am
I don’t think Jason Boland and the Stragglers are all that worried about radio play at this stage of their careers.
Also – do you have the same rule for songs about drinking? Cause it would seem to be a pretty damn odd choice to promote songs about imbibing in one substance, but then turn around and ban them about another substance.
CountryKnight
November 24, 2024 @ 9:23 am
Drinking songs are a core part of country music history.
Mike W.
November 24, 2024 @ 10:04 am
Sure. Doesn’t change the fact it’s a little odd to draw the line at “well, I can’t play songs about weed!?!?”, but look the other way and play songs about drinking on a loop.
I’m not a big fan of this song or anything, I certainly hope future singles ahead of the album have more substance to them. And I’m not someone who partakes in using marijuana, but it’s an odd take to be like “well, I can’t play songs about weed”, while potentially willfully ignoring that same standard to drinking songs.
CountryKnight
November 24, 2024 @ 9:26 am
I’m excited for the new album but the lead single is a lame pot song.
“High Time” is middle school clever. I expect more from a songwriter of his caliber.
Pot songs are as banal and edgy as Bro-Country songs about tailgates.
RD
November 25, 2024 @ 10:08 am
Agreed. Pot itself is about as edgy as an Izod shirt. Pot and pot culture has always been for losers. Apparently now, there are a lot more losers.
Swingingdoorsletmedown
November 24, 2024 @ 6:09 pm
Irish Goodbye? Maybe a Reckless Kelly cover?
Kelcy
November 25, 2024 @ 4:27 am
I know Jason loved their cut of it. Hopefully.
Spoony
November 28, 2024 @ 7:30 pm
He kind of lost me when he became “California Sober,” just like every other artist who quit drinking. I know Trigger has written about people who feel like me bitching about this, but it truly seems to be a thing. There’s some quite about considering something sober and also drunk and coming to a conclusion…I think songwriting might be one of those things.