Review – .357’s Lightning from the North
I really didn’t know what to expect from The .357 String Band’s new album Lightning from the North. I mean, were they going to introduce some new sound? Of course not, they ARE the new sound. Were they going to throw down the best album I’d heard in years? They already did that with their last offering, Fire & Hail.
But this album held a few surprises and distinctions from Fire & Hail, and keeps them on their track of making exceptional albums, which is possibly the hardest task when you’re trying to follow up a marquee release.
The instrumentation on this album is more diverse than their previous two. At first listen I was surprised how much fiddle there was and went looking through the liner notes to see if maybe Donnie Herron was involved in the session, but none other than banjo man Joe Huber was responsible. Huber is putting himself up there with Herron and Chris Scruggs as a premier multi-instrumentalists in the movement. Add Billy Cook’s dobro work on top of his mandolin skills, and you have many tricks to flesh a song out with.
The “hit” of the album is Derek Dunn’s “Oh, Adeline,” which is one of those songs that sticks on your bones the first time you hear it and makes you paw for the replay button. It’s been said that there are not enough love songs in the current insurgent country scene, but .357 is an exception to that rule, and “Oh, Adeline” is an exceptional song in the .357 arsenal. The other standout in the Dunn offerings was “The Harvest Is Past” which has a very 20’s-esque swingy, shuffly punch that is a good shakeup in the middle of the album.
The two aforementioned songs are also standouts for the bass work done by Rick Ness, who drives the shape of “The Harvest Is Past” and has a knack for matching walking bass lines with Dunn’s slower tunes.
For me the standout track of the album is Joe Huber’s “The Day’s Engrave.” He’s responsible for some of the more rowdy songs on the album, including the title track, but this song for me highlights Joe’s unusually thematic and thick approach to some songs; a trait that is almost vacant in bluegrass or string music, esp. in music more noted for its high octane.
This one line struck me: “Your word against mine/Your God against my everything/My fist in your eye/And I don’t care if it don’t solve a goddamn thing”. . . “All my pages are fingerstained/And though my heart is still pumpin’/Across my face . . . how the days engrave.”
Speaking of themes, the album starts off with a very Milwaukee feel, but the Southerners don’t need to grumble. After the well-done cover of Lee Fikes’ “Milwaukee, Here I come,” this thread ends, and if there was one theme throughout this album, I would say it is the weariness of road life. These guys write what they live, and live what they write. There is no effecting of voices or worn out, irrelevant old-timey terms or themes like in so much modern day “string” music. This is genuine music from genuine people.
If I were venture to guess, this album will not be named “Album of the Year” like I named their last album in 2008, though it might settle near the top. There’s not much to criticize, it’s just that the .357 String Band has settled into their sound now, and the experience of hearing them recorded is not as fresh. I have no doubt that if they keep beating the pavement like they have been, their following and fortune will only continue to grow.
Some other notes from the album: the recording engineer was Hank III’s steel player Andy Gibson, and the album was recorded in Andy’s house in Nashville. Bob Wayne also makes an appearance on Track 8 “producing.”
For now the album is only available at 357stringband.com. No digital downloads at the moment, though I noticed you can download their first album “Ghost Town” from Amazon for only $6.99.
**UPDATE**UPDATE: Now available on CD Baby, where you can also preview all tracks: http://www.cdbaby.com/cd/357stringband3.
Here’s a video of the title track from Mr. Bandana on YouTube:
February 22, 2010 @ 11:00 am
Yeah, they sound fuckin good!!! I saw them that night at Mackey’s. Unfortunatly it was late and I had to get back to Kentucky, so I only saw them play with Bob Wayne(ther also the Carnies at the moment!!!) But it was clear they got some talent live, as well as recorded!!!
February 22, 2010 @ 11:29 am
good stuff. i need to remember this next time i’m wandering about at rhino records. thanks.
February 22, 2010 @ 12:40 pm
It’s up on Cdbaby.com now. I’m about to buy it and check it out for myself. Thanks for the review!
Link to buy it and also hear samples:
http://www.cdbaby.com/cd/357stringband3
February 22, 2010 @ 1:07 pm
Sweet Nlindsay, thanks for that!
John, if they have .357 String Band at Rhino records, I’ll eat my hat.
February 22, 2010 @ 2:11 pm
Just placed my order, can’t wait to hear it! Nice review, triggerman!
Cheers,
MLP
February 22, 2010 @ 3:53 pm
On my third listen of it now via my shitty laptop sound, can’t wait to get home and burn it to disc so I can hear it from a decent setup.
So far, it hasn’t grabbed me as quick as the last two albums but it’s definitely growing on me more with each listen.
Regardless though, it’s new music by one of my favorite bands so I’m happy.
And Bob’s cameo is pretty damn funny. I’ve actually shot video for his cookbook, specifically the turkey-taco recipe. Can’t be beat!
February 22, 2010 @ 4:17 pm
Wait a second, the cookbook is real?
February 22, 2010 @ 4:26 pm
Saw .357 a while back, great show, enjoyed it very much and the new songs sound real good. Gonna get my CD soon!
February 22, 2010 @ 5:59 pm
THEY ARE GREAT LIVE..I GOT TO SEE THEM BEFORE MY 2ND SURGERY AND AFTER..ITS BEEN HARD WORKING IN SHOWS BUT I’VE MANAGED TO SEE SOME GOOD ONES..THANKS FOR THE VIDEO POST..
February 22, 2010 @ 8:24 pm
Haha, not to my knowledge but it wouldn’t surprise me.
Listening to “Lightning From the North” at home now and yeah, much better hearing it through my home setup.
February 23, 2010 @ 9:18 pm
Amazing live show, saw em in long beach opening for Joe Buck in November, played a lot of the new songs, exciting bands, hope to see a crowd show up next time they come around to california.
February 23, 2010 @ 11:26 pm
I still never have listened to these guys beyond what I’ve heard on the podcasts and such. Hopefully someday my budget will allow me to get to their albums.
March 6, 2010 @ 2:24 pm
Im sorry, I thought the new album was garbage. .357 String Bang without Jayke, is like a Guitar player with no arms.
March 8, 2010 @ 2:50 pm
I wanted to wait to comment until I had listend to the record a few times, and I’m glad I did. I think this album is fantastic! I can’t get enough of it. The fiddle is awesome, as is Billy Cook’s dobro. I don’t know who exactly is playing the electric guitar on the final song (I suspect Cook), but it’s badass too. Every bit as good as “Fire & Hail”.
May 5, 2010 @ 10:18 pm
Dustin Bones, what exactly do you miss about Jayke Orvis not being in the 357 Stringband? Is it the scummy dude not moving around AT ALL during the live show? Or is it the slowest most boring songs on the albums? If you will look, the only songs written by Jayke Orvis on Fire and Hail were the last one, “Blackship” (accapella, no instruments) and “Hold me tight” ( a duet with a female singer, Rachel Brooke) Not awful songs, dont get me wrong, but did this make the 357 Stringband what they are?! If you ask me, the new dude, moves around and jams 1000 times better and makes it more exciting… I’m lovin it… anyone who isn’t must have personal ties to the guy who got fired.. Lets not forget, he was fired for something, he didn’t leave..and Aran…. I can almost gurantee you that is Cook on the electric guitar…