For some Austin music venues, there’s a sense of not “if,” but “when” the end will come, and along with it, all the history, memories, and sometimes friendships and family that is made at these magical spots.
If you’re looking for an album that avoids all the well-worn grooves and eye-rolling tropes of country music, “Hum of the Road” by Tylor and the Train Robbers is sure to sit right with you.
May 3rd is one of those Fridays when the album releases come so hard and heavy, you really need help to make sure you navigate yourself in the right direction, and don’t miss out on something that may speak to you.
Memphis Kee out of Austin is looking to revitalize that approach of taking the robust songwriting of guys like Guy Clark and Townes Van Zandt, and applying it to music that’s just as much akin to grunge as country. Memphis Kee calls it “Shred Dirt” in tribute to the Red Dirt sound of the Texoma region.
The amount of country/roots/Americana releases coming at you each week has officially reached critical mass. And it will spill over like a school bus taking a dive into an above ground pool on Friday, October 28th. Luckily, you know about lil’ ol’ Saving Country Music, so at least you have a head start.
Great songwriters know how be both a reflector of our current times, and a beacon to our better angels. Tylor takes a keen awareness to the challenges this past year has presented, and instead of adding to the noise, attempts to offer a roadmap through it, or antidotes to it all.
The United States is a popular and polarizing subject in music right now to say the least. But Reckless Kelley isn’t really looking to dive directly into that whole fracas with their new double record “American Jackpot/American Girls,” despite what you may glean from the title and cover art.
Reckless Kelly won’t be releasing a new record in 2020, they’ll be releasing two of them. American Girls and American Jackpot will both see the light of day via Thirty Tigers as a double album concept. “I’ve always wanted to write an America-themed record, but not in some super-political or ‘rah rah rah’ sort of way,” says Willy Braun.
Participating in the auction are greats like Lee Ann Womack, who adorned her skull with a flower arrangement, Ray Wylie Hubbard who took to his skull with a bunch of “Screw You, We’re From Texas” stickers. Cody Braun of Reckless Kelly gave his skull a peacock paint job, and Matt Hillyer chose the Yellow Rose of Texas as his inspiration.
It’s hard to know if you should call Austin, TX’s Reckless Kelly Red Dirt, Southern Rock, Texas country, or something completely different. Part of the problem is they’ve been so damn good for so damn long, everyone wants to claim them in their cadre, and because they had a hand in forming nascent scenes that are now the standard bearers for country’s subgenres.
‘Tis the season in Texas to get out and enjoy the outdoors before the swelter of summer starts in earnest, and to support many of the charitable events that mix music with sports. For seven years, Reckless Kelly has been throwing celebrity softball tournaments to help raise funds to support youth sports programs in Central Texas, and all told the Reckless Kelly Softball Jam has raised over $300,000 since its inception.