What is going on with Sturgill Simpson these days? That answer just became a lot harder to come by after the Grammy-winning singer and performer wiped his social media feeds somewhere around Tuesday, October 24th. Not only is all his Twitter and Instagram content completely gone, so are the accounts themselves.
Each year the release of the Stagecoach Festival lineup is a point of intrigue as people sift though the names and remark on the font sizes, and see who has been tapped to play the 3-day event in Indio, CA in April. As arguably one of the biggest country music festivals all year, the artists booked say a lot about who is rising in country music.
Kentucky songwriter and performer Tyler Childers has just released what might as well be considered his debut album ‘Purgatory’ via Thirty Tigers, and for an independent artist with virtually no radio play and no national television exposure, ‘Purgatory’ has sold through surprisingly well.
Just like Sturgill Simpson and Chris Stapleton, Tyler Childers was playing and writing music for many years before he was ready to become a part of the national country music conversation. It was only after years of failure, perseverance, tempering in the fires of everyday life and dues paid on small stages that Tyler was ready.
Not caring whether his music earns him any notoriety or financial gain is what gives an artist like Justin Dean Payne the power and latitude to explore the inner depths of his own soul like the deepest regions of a coal vein until a mother lode of the purest, most lucrative strains of human expression are discovered, and unearthed for the world’s benefit.
As Uncle Ned prepares to blow his hand off with a concoction of semi-illegal fireworks, get yourself prepared for the extended 4th of July weekend by listening to Saving Country Music’s top recommended songs via the official Spotify playlist. It’s a repository for the top recommended songs, albums, and artists at any given time.
Sturgill Simpson is such an enigma, to see his name crop up as the producer on the album from someone else is shocking and intriguing. Stugill has made a career out of saying “no” to reporters, industry professionals, and opportunities some artists would kill for. So how and why did he say “yes” to Tyler Childers?
Over the decade of conducting business under the heading of “Saving Country Music,” no artist has created more anticipation and intrigue into what their future prospects may be, yet with so few national accomplishments and recognition than Tyler Childers.