You can love Garth Brooks, and still be against him lip syncing at the CMA Awards. You can hate Miranda Lambert, and still agree with her that lip syncing is “bullshit.” You can also appreciate that Garth Brooks immediately fessed up to lip syncing at the 2017 CMA Awards. But what we can’t do is somehow make lip syncing socially acceptable.
Veteran’s Day 2017 (11-11) saw Cody Jinks in Boerne, TX near San Antonio, playing to a capacity crowd at The Roundup, with a special tribute to veterans, and for a hero who recently made national headlines. The guests of honor for the night were service members from VFW Post 688. The show was also attended by Johnnie Langendorff.
So Murray shows up to the concert, heads to the box office, buys every ticket remaining for the show, and hands them out to everyone who is standing in line. A long-standing staunch supporter of music, Bill Murray has been caught red handed going nuts at Chris Stapleton concerts and other live events.
Keith Urban decided in the aftermath of the revelations about Hollywood producer and financier Harvey Weinstein’s decades of alleged sexual assault to release a single called “Female,” which he recently debuted live at the 2017 CMA Awards. Though the message, and maybe the intent behind it is honorable, “Female” is just flat wrong.
Canadian country artist Colter Wall is once again receiving some worthy exposure via a critically-acclaimed film the promises to be an Oscar contender. ‘Three Billboards Outside Ebbing, Missouri’ is a dark comedy. Colter Wall’s “Sleeping on the Blacktop” plays prominently at the beginning of the film’s racy and explosive trailer.
Strikingly brilliant of composition, richly diverse, both progressive and traditional, a tour de force of songwriting, and incredibly textured with strong instrumentation, Probably Wrong has just about everything you could want from any record, whether you count yourself a country fan, more of an Americana type, or a country rocker.
The Turnpike Troubadours will finally get their own appearance on Austin City Limits. The revered, longest-running music television program taped live at Austin’s Moody Theater has chosen the Oklahoma-based band for the final episode of ACL’s 43rd Season.
Well well, it’s starting to get a little chippy out there after reigning CMA Entertainer of the Year Garth Brooks admitted mere moments after his CMA Awards performance Wednesday night (11-8) that he’d lip synced his song “Ask Me How I Know.”
From the very beginning with the title track’s twin fiddle intro, until the very end with Lee Ann covering the Jack Clement-penned “Someone I Used to Know,” There’s More Where That Came From is a hands down, knockout, hardcore traditional country record full of heartbreak, cheating, fiddle and steel guitar.
The 2017 CMA Awards could have been a disaster, and for a host of reasons. It was obvious heading into the presentation that forces from outside the genre, fueled by political fervor and fanned by bias media, were hellbent on attempting to make the presentation a political spectacle. But the upper lip stiffened.
As the CMA Awards were transpiring Wednesday (11-8) night inside the Bridgestone Arena, Sturgill Simpson decided to take his guitar, his Grammy for Album of the Year from 2016, and do a busking set in front of the arena as local journalist Adam Gold broadcast the whole thing via Facebook Live.
What an embarrassing moment for the CMAs, country music, and Garth, since he was so very clearly lip syncing his performance Wednesday night (11-8). Social media exploded, especially after a moment where Garth was clearly facing away from the mic, but the lyrics kept rolling.
Here we go once again ladies and gentlemen, getting the snark machine up and running, doing our best as disgruntled country music fans to let our voices be heard and our vehement displeasure be registered, while also giving credit to whatever few fleeting moments of positivity or actual country music graces our eyes and ears.
If you’re looking for further evidence that the tide may be turning more in the direction of a deeper appreciation of traditional country, we just received quite a significant sign. Yes, the sympathy vote most certainly factored into this, but the achievement and its symbolic and subsnative importance shouldn’t be understated.
Everything you need to know about the 2017, 51st Annual CMA Awards, including the reasons to watch, a breakdown of the presenters, a list of the performers and collaborations, all the nominees, predictions, and the early winners.
It’s an interesting case study to track the career trajectory of a prodigy musician. Often times they take a terrible spill that is impossible to recover from when they go from the cute kid who can sing well or play fast, and attempt to transition to a full-time career. In fact, that’s the most common […]
The Ameripolitan Awards have just announced the nominees for their 2018 distinctions, and once again they have clearly honored their founding commitment to shining a light on artists with a strong roots influence that otherwise get overlooked by the rest of the industry.
Blake Shelton’s latest record ‘Texoma Shore’ is not really that great, and it would be a stretch to even call it good. Yet as enjoyable as it might be to trash this effort for all the ills Mr. “Old Farts and Jackasses” has sowed over the years, the truth is this might be Blake Shelton’s best album since he uttered those now notorious words in 2013.
Just east of Austin, TX in the tiny map dot community of Garfield sits the semi-historic Waterhole Saloon. A long-standing local watering hole, it was the scene for the inaugural Roots Under the Texas Sky Festival on November 4th and 5th, which made use of much of the local and regional country and roots talent.
A bevy of headlines from numerous country music media sources incensed about the restrictions being put on media emerged in the aftermath of the CMA asking media to not focus on the Las Vegas tragedy or politics in the CMA red carpet, cascading into the internet fury we so regularly see in the current political climate.
Over the last year or so, Sturgill Simpson has certainly earned that distinction of a “badass” as he’s gone from an independent underdog to receiving some of the top recognition in the entire music industry, and stood up to the Music Row establishment in both words and deeds.
If you enjoy the 80’s era of traditional country from artists like George Strait, Randy Travis, and Moe Bandy, then Richard Lynch will be right down your alley. Traditional country, but told from a more modern perspective, and with hints of more classic-era influences and even a little bit of Outlaw….
Those who’ve followed the sometimes winding path of Tyler Mahan Coe know that he’s much more than one of David Allan Coe’s sons. Only fitting that podcasting would fit right into Tyler’s wheelhouse, and while everyone these days thinks they can launch a podcast, Coe has taken a unique approach with his.
If you can’t get enough of Cody Jinks and you’re hankering for a tide over until his next studio record, consider getting yourself a copy of a re-issue of what many consider Cody’s breakout record, 2010’s Less Wise. Recorded at Blue Smoke Studios in Cody’s home of Ft. Worth, TX on what Cody calls a “nearly zero budget”….
