There was a pretty catastrophic oversight by both the ACM Awards and Amazon in their streaming awards show experiment, and one that alienated the most key demographic for a presentation such as the ACM Awards: country fans who live in the country.
Not only did Morgan Wallen make the $100,000 donation, the singer also toured the location that opened in 2019, and the museum was given the opportunity to, “share our mission with Morgan as he was eager to learn more in a sincere effort to grow.”
If you feel like you’re experiencing déjà vu with Gary Allan lashing out at country music’s radio system, it’s because you’re more dialed into the doings of country music than the writers over at Rolling Stone. Yes, we have been at this exact spot with Gary Allan before.
For 21 years, the Country Music Critics Poll published in Nashville’s alternative newsweekly the ‘Nashville Scene’ has been one of the leading indicators of critical consensus about a given year’s songs, albums, artists, and performers in the country music space.
These are pop stars using the country format for attention and notoriety. And no different than Bebe Rexha, Gwen Stefani, Pink, and other pop stars who collaborated with more native country acts and usurped attention from country’s women, their appearance on country radio is problematic.
Maybe pigs can fly. Maybe monkeys will fly out of Mike Myers’ butt. And maybe mainstream country radio will play Cody Jinks if it’s just given a chance, or a choice. The effort to bring Cody Jinks to the mainstream country airwaves has already born fruit.
Like so many media outlets native to the print realm, Rolling Stone has experienced hard times over the last decade-plus while transitioning to the digital world, and also trying to evolve beyond their original baby boomer readership. Rolling Stone is still one of the most recognized media brands in music and culture, but what it’s […]
I know what you’re going to say. “NeW yOrK CiTY!” like that guy in the old Pace Picante Sauce commercial. Or if you pride yourself in having any sort of semblance of taste, maybe you’re wondering why anyone in 2021 would still be listening to mainstream country radio at all.
Instead of doing the actual work to truly verify whether the donations had been made by Morgan Wallen, and/or being patient enough to wait until the information could be fully revealed, ‘Rolling Stone’ ran with the working assumption that the donations weren’t delivered at all
“You will be happy to hear that I have never received the amount of unsolicited positive feedback as I have from this show,” Dave Parker reports. “I have since expanded it to three hours, and now commit a consultant’s daily sin of featuring it in our middays. I am guardedly encouraged…”
Multiple country music radio stations owned by the Cox Media Group are being affected by a potential ransomware attack that occurred on Thursday, June 3rd. Though the radio stations are still able to broadcast, the live feeds on their websites and streaming networks have been disabled.
There are only a handful of truly powerful positions in country music where one individual can make or break a career, or influence the direction of the genre at large. The Global Director of Country Music at Spotify is most certainly one of them.
Maybe you heard the news, or maybe you didn’t. Maybe you recognize the name, or if you’re not dialed into the country radio scene in Dallas/Fort Worth, likely you don’t. But most anyone who considers themselves a fan of Texas and Red Dirt music, or country music in general, will likely recognize the famous names […]
A long-time morning DJ at one of Texas music’s premier stations has been accused of rape by a teenage girl after she attended a New Year’s Eve party at his Fort Worth-area home. Justin Frazell was the award-winning weekday morning DJ of 95.9 The Ranch out of Fort Worth since 2009.
A name once tied closely to progressive values, an independent approach to journalism and music, and transparency in media is continually graying the line between what is an ad, and what is an article. It does not bode well for one of the recognizable brand’s in music journalism.
Eric Church is one of those rare animals that is able to straddle the line between the independent and the mainstream, commercial success and grassroots support, and put a massive crowd of fans together regardless of how radio is treating him at the time.
Congratulations are due to Texas born and raised performer and songwriter Parker McCollum, who just put the first #1 on his resume with his debut major label single “Pretty Heart.” Parker is the first of the latest crop of Texas artists recently signed to major labels to reach #1.
The Ameripolitan Award-winning independent country podcast W.B. Walker’s Old Soul Radio Show is the latest music-based podcast to receive a takedown notice for using copyrighted audio files despite securing permission from the artists, and will be deleting all of its episodes.
The media landscape in music just got a lot more cloistered, oligarchical, and insular. Announced recently, Rolling Stone’s parent company Penske Media Corp. (or PMC) has entered into a joint venture with Billboard’s parent company called MRC to bring the two biggest music media companies together.
Many are calling for the head of Garth Brooks and demanding his cancellation after the misconception that he is endorsing Donald Trump for re-election went viral on social media, along with the idea that he will be appearing in ads for Trump in the coming weeks.
Look, lobbying for Carrie Underwood among the classic country crowd has always been an uphill battle. But the career of Carrie Underwood is a perfect example of why you can’t paint all pop country with the same broad brush.
Despite video evidence to the contrary, and no evidence whatsoever in the affirmative, multiple media outlets continue to report that Dolly Parton pledged her support to the Black Lives Matter movement—meaning the political movement—as opposed to saying in a simple colloquial exchange that the lives of black individuals matter.
This week, Maddie & Tae’s “Die From A Broken Heart” finally made it to #1 on the country radio charts. It is a major accomplishment, and a long-fought battle for a song that was originally revealed to fans all the way back in the fall of 2018, and not released as a proper single to radio until May 6th, 2019.
The Eddie Stubbs departure left many open questions about who would replace him in the evening weeknight slot, and if it would even be filled by country music since format changes and show cancellations have been a regular occurrence at WSM lately. But luckily, the evening slot will endure with Jeff Hoag.